Quotes about escape

A collection of quotes on the topic of escape, use, life, doing.

Quotes about escape

José Baroja photo
Kurt Cobain photo

“We're so trendy we can't even escape ourselves.”

Kurt Cobain (1967–1994) American musician and artist
Sun Tzu photo

“To a surrounded enemy, you must leave a way of escape.”

Sun Tzu (-543–-495 BC) ancient Chinese military general, strategist and philosopher from the Zhou Dynasty

Source: The Art of War, Chapter VII · Military Maneuvers

“Trapped in life, only escape I know is death.”

E.M.S (1995) Nigerian rapper, singer and record producer

"Hidden"

Ronald Reagan photo

“If we lose freedom here, there is no place to escape to. This is the last stand on Earth.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

1960s, A Time for Choosing (1964)
Context: If we lose freedom here, there is no place to escape to. This is the last stand on Earth. And this idea that government is beholden to the people, that it has no other source of power except to sovereign people, is still the newest and most unique idea in all the long history of man's relation to man. This is the issue of this election. Whether we believe in our capacity for self-government or whether we abandon the American revolution and confess that a little intellectual elite in a far-distant capital can plan our lives for us better than we can plan them ourselves.

Freddie Mercury photo
Anne Sexton photo
Emil M. Cioran photo

“Anyone can escape into sleep, we are all geniuses when we dream, the butcher's the poet's equal there.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

The Temptation to Exist (1956)

Henri Bergson photo

“I cannot escape the objection that there is no state of mind, however simple, that does not change every moment.”

An Introduction to Metaphysics (1903), translated by T. E. Hulme. New York: G. P. Putnam's Sons, 1912, p. 44

Dante Alighieri photo

“And just as he who, with exhausted breath,
having escaped from the sea to shore,
turns to the perilous waters and gazes.”

Canto I, lines 22–24 (tr. Mandelbaum).
The Divine Comedy (c. 1308–1321), Inferno

Homér photo
René Girard photo
Hannah Arendt photo
Marcus Aurelius photo

“The object in life is not to be on the side of the majority, but to escape finding oneself in the ranks of the insane.”

Misattributed
Source: The first citation appears in a translation of Leo Tolstoy's Bethink Yourselves! http://www.nonresistance.org/docs_htm/Tolstoy/~Bethink_Yourselves/BY_chapter08.html by NONRESISTANCE.ORG. The claim made that it is from Marcus Aurelius. Nothing closely resembling it appears in Meditations, nor does it appear in a 1904 translation of Bethink Yourselves http://www.online-literature.com/tolstoy/bethink-yourselves/8/. The 1904 translation may be abridged, whereas the NONRESISTANCE.ORG translation claims to be unabridged.

Nadia Comăneci photo
George Orwell photo
Socrates photo
Mikhail Bakunin photo
Socrates photo
Louise Bourgeois photo
Michael Jackson photo
Milkha Singh photo
Joan of Arc photo

“It is true I wished to escape; and so I wish still; is not this lawful for all prisoners?”

Joan of Arc (1412–1431) French folk heroine and Roman Catholic saint

First public examination (21 February 1431)
Trial records (1431)

Ransom Riggs photo
Socrates photo
Martin Niemöller photo

“We have no more thought of using our own powers to escape the arm of authorities than had the Apostles of old. No more are we ready to keep silent at man's behest when God commands us to speak. For it is, and must remain, the case that we must obey God rather than man.”

Martin Niemöller (1892–1984) German anti-Nazi theologian and Lutheran pastor

Last sermon before being imprisoned by the Nazi regime of Germany (27 June 1937), as quoted in Religion in the Reich (1939) by Michael Power, p. 142

W. Somerset Maugham photo
John Fortescue photo

“One would much rather that twenty guilty persons should escape the punishment of death, than that one innocent person should be condemned and suffer capitally.”

John Fortescue (1394–1476) Chief Justice of the King's Bench of England

De laudibus legum Angliae (c. 1470), reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Albert Einstein photo
George Orwell photo
Robert E. Howard photo

“Conan represented the ability to escape briefly from black reality that Howard wished he could emulate.”

Robert E. Howard (1906–1936) American author

About
Context: "Howard takes great care to develop mood and atmosphere in his best stories, and in so doing makes the reader feel the dark, desperate undercurrent of his character's schemes and struggles. It is in this that I feel closest to Howard, and it is something that his conscious imitators have never captured. The disparity of writing styles aside, the mood immediately sets pastiche-Howard apart from the real article. Pseudo-Conan is out having just the best time, 'cause he's the biggest, toughest, mightiest-thewed barbarian on the block, and he's gonna have a swell time of brawling and chopping monsters and rescuing princesses and offing wizards and drinking and brawling and … and... etc... etc.... But in Howard's fiction the underlying black mood of pessimism is always there, and even Conan, who enjoys a binge or a good fight, is not having a good time of it at all. This is particularly true of Solomon Kane and King Kull-driven men whom not even a desperate battle can exorcise their black mood, while Conan at times can find brief surcease in excesses of pleasure or violence. I think Solomon Kane and King Kull were closer to Howard's true mood, while Conan represented the ability to escape briefly from black reality that Howard wished he could emulate. He failed. Of all Howard's characters I most prefer King Kull, and it is Kull who is closest to my own Kane..." ~ Karl Edward Wagner, Midnight Sun, "The Once and Future Kane", 2007, (First published in REH: Lone Star Fictioneer #1, Spring 1975)

Epictetus photo

“Above all avoid speaking of persons, either in the way of praise or blame, or comparison. If you can, win over the conversation of your company to what it should be by your own. But if you should find yourself cut off without escape among strangers and aliens, be silent.”

Epictetus (50–138) philosopher from Ancient Greece

Golden Sayings of Epictetus
Context: Let silence be your general rule; or say only what is necessary and in few words. We shall, however, when occasion demands, enter into discourse sparingly, avoiding such common topics as gladiators, horse-races, athletes; and the perpetual talk about food and drink. Above all avoid speaking of persons, either in the way of praise or blame, or comparison. If you can, win over the conversation of your company to what it should be by your own. But if you should find yourself cut off without escape among strangers and aliens, be silent. (164).

Bertrand Russell photo

“Often and often, a marriage hardly differs from prostitution except by being harder to escape from.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Ch VIII: The World As It Could Be Made, p. 129-130
1910s, Proposed Roads To Freedom (1918)
Context: One of the most horrible things about commercialism is the way in which it poisons the relations of men and women. The evils of prostitution are generally recognized, but, great as they are, the effect of economic conditions on marriage seems to me even worse. There is not infrequently, in marriage, a suggestion of purchase, of acquiring a woman on condition of keeping her in a certain standard of material comfort. Often and often, a marriage hardly differs from prostitution except by being harder to escape from. The whole basis of these evils is economic. Economic causes make marriage a matter of bargain and contract, in which affection is quite secondary, and its absence constitutes no recognized reason for liberation. Marriage should be a free, spontaneous meeting of mutual instinct, filled with happiness not unmixed with a feeling akin to awe: it should involve that degree of respect of each for the other that makes even the most trifling interference with liberty an utter impossibility, and a common life enforced by one against the will of the other an unthinkable thing of deep horror.

George Orwell photo

“Before, he had fought against the money code, and yet he had clung to his wretched remnant of decency. But now it was precisely from decency that he wanted to escape. He wanted to go down, deep down, into some world where decency no longer mattered; to cut the strings of his self-respect, to submerge himself—to sink, as Rosemary had said. It was all bound up in his mind with the thought of being under ground.”

He liked to think of the lost people, the under-ground people: tramps, beggars, criminals, prostitutes. It is a good world that they inhabit, down there in their frowzy kips and spikes. He liked to think that beneath the world of money there is that great sluttish underworld where failure and success have no meaning; a sort of kingdom of ghosts where all are equal. That was where he wished to be, down in the ghost-kingdom, below ambition. It comforted him somehow to think of the smoke-dim slums of South London sprawling on and on, a huge graceless wilderness where you could lose yourself forever.
Source: Keep the Aspidistra Flying (1936), Ch. 10

The Notorious B.I.G. photo
Julius Caesar photo

“I'd rather ten guilty persons should escape, than one innocent should suffer.”

Julius Caesar (-100–-44 BC) Roman politician and general

Attributed by Edward Seymour in 1696 during the parliamentary proceedings against John Fenwick ( "I am of the same opinion with the Roman, who, in the case of Catiline, declared, he had rather ten guilty persons should escape, than one innocent should suffer" http://books.google.com/books?id=dIM-AQAAMAAJ&pg=PA565), to which Lieutenant General Harry Mordaunt replied "The worthy member who spoke last seems to have forgot, that the Roman who made that declaration was suspected of being a conspirator himself" (Caesar was the only one who spoke in the Senate against executing Catiline's co-conspirators and was indeed suspected by some to be involved in the plot). However, the Caesar's corresponding speech as transmitted by Sallust http://penelope.uchicago.edu/Thayer/E/Roman/Texts/Sallust/Bellum_Catilinae*.html#51 contains no such phrase, even though it appears to be somewhat similar in spirit ("Whatever befalls these prisoners will be well deserved; but you, Fathers of the Senate, are called upon to consider how your action will affect other criminals. All bad precedents have originated in cases which were good; but when the control of the government falls into the hands of men who are incompetent or bad, your new precedent is transferred from those who well deserve and merit such punishment to the undeserving and blameless.") The first person to undoubtedly utter such a dictum was in fact John Fortescue ("It is better to allow twenty criminals to mercifully avoid death than to unjustly condemn one innocent person"). It should also be noted that whether the exchange between Seymour and Mordaunt even happened is itself not clearly established http://books.google.com/books?id=IitDAAAAcAAJ&pg=PA694.
Misattributed

Homér photo
Abraham Lincoln photo

“You cannot escape the responsibility of tomorrow by evading it today.”

Abraham Lincoln (1809–1865) 16th President of the United States

Quoted in Vernon K. McLellan (2000) Wise Words and Quotes
Misattributed

Jean Paul Sartre photo

“The more sand that has escaped from the hourglass of our life, the clearer we should see through it.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …
Thomas Mann photo

“War is only a cowardly escape from the problems of peace.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

As quoted in This I Believe (1954), by Edward R. Murrow, p. 16
Variant: War is only a cowardly escape from the problems of peace.
Source: This I Believe: The Personal Philosophies of One Hundred Thoughtful Men and Women

Derek Landy photo
Carlos Ruiz Zafón photo
Graham Greene photo
Patrick Rothfuss photo
Graham Greene photo
Carlos Ruiz Zafón photo
Nikos Kazantzakis photo
Frank Herbert photo
Wil Wheaton photo
Eckhart Tolle photo
Bell Hooks photo
Michael Crichton photo
Douglas Adams photo
Virginia Woolf photo
Friedrich Nietzsche photo
Sylvia Plath photo

“No, I won't try to escape myself by losing myself in artificial chatter 'Did you have a nice vacation?' 'Oh, yes, and you?' I'll stay here and try to pin that loneliness down.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Source: The Unabridged Journals of Sylvia Plath

Seth Godin photo
Bertrand Russell photo
Fernando Pessoa photo
Oscar Wilde photo
C.G. Jung photo
Thomas Jefferson photo
Albert Einstein photo

“the only escape from the miseries of life are music and cats…”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity
T.S. Eliot photo

“Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality.”

Tradition and the Individual Talent (1919)
Context: The bad poet is usually unconscious where he ought to be conscious, and conscious where he ought to be unconscious. Both errors tend to make him "personal." Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.

Robert Browning photo
Jacques Derrida photo
Frank Zappa photo

“Fantasy is hardly an escape from reality. It's a way of understanding it.”

Lloyd Alexander (1924–2007) American children's writer

A Visit with Lloyd Alexander https://www.youtube.com/watch?v=GilIovrb4uE&feature=youtu.be&t=5m43s (1994)

Alexander Suvorov photo

“A strong pursuit, give no time for the enemy to think, take advantage of victory, uproot him, cut off his escape route.”

Alexander Suvorov (1730–1800) Russian military commander

Quoted in V. Ye. Savkin, "Basic Principles of Operational Art and Tactics," 1972.

Joan of Arc photo

“If ever I do escape, no one shall reproach me with having broken or violated my faith, not having given my word to any one, whosoever it may be.”

Joan of Arc (1412–1431) French folk heroine and Roman Catholic saint

First public examination (21 February 1431) http://www.stjoan-center.com/Trials/sec01.html
Trial records (1431)

Charlemagne photo

“Take care that none of them escapes.”

Charlemagne (748–814) King of the Franks, King of Italy, and Holy Roman Emperor

Quoted in Notker's The Deeds of Charlemagne (translated 2008 by David Ganz). Referring to conspirators against Pope Leo III.

José Saramago photo

“From literature to ecology, from the escape velocity of galaxies to the greenhouse effect, from garbage disposal methods to traffic jams, everything is discussed in our world. But the democratic system, as if it were a given fact, untouchable by nature until the end of time, we don't discuss that.”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

Intervention in the World Social Forum in Porto Alegre, February of 1992; quoted in Las leyes antidiscriminatorias en el Mercosur: Impactos de la III conferencia mundial contra el racismo, la discriminación racial, la xenofobia y las formas conexas de intolerancia, Durban, 2001: informe sobre el seminario realizado en Montevideo, 29 y 30 de abril de 2002. Published by Organizaciones Mundo Afro, 2002 163 pages.

Emil M. Cioran photo

“Dead of night. No one, nothing but the society of the moments. Each pretends to keep us company, then escapes — desertion after desertion.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Anathemas and Admirations (1987)

H.P. Lovecraft photo

“However—the crucial thing is my lack of interest in ordinary life. No one ever wrote a story yet without some real emotional drive behind it—and I have not that drive except where violations of the natural order… defiances and evasions of time, space, and cosmic law… are concerned. Just why this is so I haven't the slightest idea—it simply is so. I am interested only in broad pageants—historic streams—orders of biological, chemical, physical, and astronomical organisation—and the only conflict which has any deep emotional significance to me is that of the principle of freedom or irregularity or adventurous opportunity against the eternal and maddening rigidity of cosmic law… especially the laws of time…. Hence the type of thing I try to write. Naturally, I am aware that this forms a very limited special field so far as mankind en masse is concerned; but I believe (as pointed out in that Recluse article) that the field is an authentic one despite its subordinate nature. This protest against natural law, and tendency to weave visions of escape from orderly nature, are characteristic and eternal factors in human psychology, even though very small ones. They exist as permanent realities, and have always expressed themselves in a typical form of art from the earliest fireside folk tales and ballads to the latest achievements of Blackwood and Machen or de la Mare or Dunsany. That art exists—whether the majority like it or not. It is small and limited, but real—and there is no reason why its practitioners should be ashamed of it. Naturally one would rather be a broad artist with power to evoke beauty from every phase of experience—but when one unmistakably isn't such an artist, there's no sense in bluffing and faking and pretending that one is.”

H.P. Lovecraft (1890–1937) American author

Letter to E. Hoffmann Price (15 August 1934) , quoted in Lord of a Visible World: An Autobiography in Letters edited by S.T. Joshi, p. 268
Non-Fiction, Letters, to E. Hoffmann Price

Thomas Mann photo
Howard Carter photo
Dmitri Shostakovich photo
Eduardo Galeano photo
Edvard Munch photo
H.P. Lovecraft photo

“There is no field other than the weird in which I have any aptitude or inclination for fictional composition. Life has never interested me so much as the escape from life.”

H.P. Lovecraft (1890–1937) American author

Letter to J. Vernon Shea (7 August 1931), quoted in "H.P. Lovecraft, a Life" by S.T. Joshi, p. 579
Non-Fiction, Letters

Gregory of Nyssa photo
Bhimrao Ramji Ambedkar photo
Albert Schweitzer photo
Edgar Allan Poe photo

“They who dream by day are cognizant of many things which escape those who dream only by night.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

" Eleonora http://www.classicreader.com/read.php/sid.6/bookid.9/" (1841).

Mark Manson photo
Auguste Comte photo

“Notwithstanding the eminent difficulties of the mathematical theory of sonorous vibrations, we owe to it such progress as has yet been made in acoustics. The formation of the differential equations proper to the phenomena is, independent of their integration, a very important acquisition, on account of the approximations which mathematical analysis allows between questions, otherwise heterogeneous, which lead to similar equations. This fundamental property, whose value we have so often to recognize, applies remarkably in the present case; and especially since the creation of mathematical thermology, whose principal equations are strongly analogous to those of vibratory motion. This means of investigation is all the more valuable on account of the difficulties in the way of direct inquiry into the phenomena of sound. We may decide the necessity of the atmospheric medium for the transmission of sonorous vibrations; and we may conceive of the possibility of determining by experiment the duration of the propagation, in the air, and then through other media; but the general laws of the vibrations of sonorous bodies escape immediate observation. We should know almost nothing of the whole case if the mathematical theory did not come in to connect the different phenomena of sound, enabling us to substitute for direct observation an equivalent examination of more favorable cases subjected to the same law. For instance, when the analysis of the problem of vibrating chords has shown us that, other things being equal, the number of oscillations is hi inverse proportion to the length of the chord, we see that the most rapid vibrations of a very short chord may be counted, since the law enables us to direct our attention to very slow vibrations. The same substitution is at our command in many cases in which it is less direct.”

Auguste Comte (1798–1857) French philosopher

Bk. 3, chap. 4; as cited in: Moritz (1914, 240)
System of positive polity (1852)

Emil M. Cioran photo
José Saramago photo

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

Source: Raised from the Ground (1980), pp. 172–174

Andrew S. Grove photo
Yolanda King photo