Jacques Derrida quotes

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Jacques Derrida

Birthdate: 15. July 1930
Date of death: 9. October 2004

Jacques Derrida was a French philosopher best known for developing a form of semiotic analysis known as deconstruction, which he discussed in numerous texts, and developed in the context of phenomenology. He is one of the major figures associated with post-structuralism and postmodern philosophy.

During his career Derrida published more than 40 books, together with hundreds of essays and public presentations. He had a significant influence upon the humanities and social sciences, including—in addition to philosophy and literature—law, anthropology, historiography, applied linguistics, sociolinguistics, psychoanalysis, political theory, religious studies, feminism, and gay and lesbian studies. His work still has a major influence in the academe of continental Europe, South America and all other countries where "continental philosophy" has been predominant, particularly in debates around ontology, epistemology , ethics, aesthetics, hermeneutics, and the philosophy of language. He also influenced architecture , music, art, and art criticism.

Particularly in his later writings, Derrida addressed ethical and political themes in his work. Some critics consider Speech and Phenomena to be his most important work. Others cite Of Grammatology, Writing and Difference, and Margins of Philosophy. These writings influenced various activists and political movements. He became a well-known and influential public figure, while his approach to philosophy and the notorious difficulty of his work made him controversial.

Works

Specters of Marx
Specters of Marx
Jacques Derrida
Writing and Difference
Writing and Difference
Jacques Derrida
Positions
Positions
Jacques Derrida
Limited Inc
Limited Inc
Jacques Derrida

Quotes Jacques Derrida

„The age is off its hinges. Everything, beginning with time, seems out of kilter, unjust, dis-adjusted. The world is going very badly, it wears as it grows“

—  Jacques Derrida, book Specters of Marx

Wear and Tears (tableu of a ageless world)
Specters of Marx (1993)
Context: The time is out of joint. The world is going badly. It is worn but its wear no longer counts. Old age or youth-one no longer counts in that way. The world has more than one age. We lack the measure of the measure. We no longer realize the wear, we no longer take account of it as of a single age in the progress of history. Neither maturation, nor crisis, nor even agony. Something else. What is happening is happening to age itself, it strikes a blow at the teleological order of history. What is coming, in which the untimely appears, is happening to time but it does not happen in time. Contretemps. The time is out of joint. Theatrical speech, Hamlet's speech before the theater of the world, of history, and of politics. The age is off its hinges. Everything, beginning with time, seems out of kilter, unjust, dis-adjusted. The world is going very badly, it wears as it grows, as the Painter also says at the beginning of Timon of Athens (which is Marx's play, is it not). For, this time, it is a painter's speech, as if he were speaking of a spectacle or before a tableau: "How goes the world?-It wears, sir, as it grows.

„The time is out of joint. The world is going badly. It is worn but its wear no longer counts. Old age or youth-one no longer counts in that way. The world has more than one age. We lack the measure of the measure. We no longer realize the wear, we no longer take account of it as of a single age in the progress of history. Neither maturation, nor crisis, nor even agony. Something else. What is happening is happening to age itself, it strikes a blow at the teleological order of history. What is coming, in which the untimely appears, is happening to time but it does not happen in time. Contretemps. The time is out of joint.“

—  Jacques Derrida, book Specters of Marx

Wear and Tears (tableu of a ageless world)
Specters of Marx (1993)
Context: The time is out of joint. The world is going badly. It is worn but its wear no longer counts. Old age or youth-one no longer counts in that way. The world has more than one age. We lack the measure of the measure. We no longer realize the wear, we no longer take account of it as of a single age in the progress of history. Neither maturation, nor crisis, nor even agony. Something else. What is happening is happening to age itself, it strikes a blow at the teleological order of history. What is coming, in which the untimely appears, is happening to time but it does not happen in time. Contretemps. The time is out of joint. Theatrical speech, Hamlet's speech before the theater of the world, of history, and of politics. The age is off its hinges. Everything, beginning with time, seems out of kilter, unjust, dis-adjusted. The world is going very badly, it wears as it grows, as the Painter also says at the beginning of Timon of Athens (which is Marx's play, is it not). For, this time, it is a painter's speech, as if he were speaking of a spectacle or before a tableau: "How goes the world?-It wears, sir, as it grows.

„Monsters cannot be announced. One cannot say: 'here are our monsters', without immediately turning the monsters into pets.“

—  Jacques Derrida

Some Statements and Truisms about Neologisms, Newisms, Postisms, Parasitisms, and other small Seismisms, The States of Theory, ed. David Carroll, New York: Columbia University Press, 1989.

„I speak only one language, and it is not my own.“

—  Jacques Derrida, Monolingualism of the Other: or, The Prosthesis of Origin

Source: Monolingualism of the Other: or, The Prosthesis of Origin

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