Quotes about literature (1167 quotes) | Quotes of famous people

Source: Manuel Raya Escritor. (2026, 21 marzo). ENTREVISTA AL ESCRITOR CHILENO JOSÉ BAROJA 🇨🇱✍🏼 [Vídeo]. YouTube. https://www.youtube.com/watch?v=GBrHyubZCFM

Question

This quote waiting for review.

“Literature must avoid propaganda or moralism if it truly wants to be critical and open.”

José Baroja (1983) Chilean author and editor

Source: Interview to José Baroja. https://grupoigneo.com/blog/entrevista-jose-baroja-literatura/

“Literature was a vast minefield occupied by enemies, except for a few classic authors (just a few), and every day I had to walk through that minefield, where any false move could be fatal, with only the poems of Archilochus to guide me.”

Roberto Bolaño (1953–2003) Chilean author

"Meeting with Enrique Lihn" (The New Yorker,December 22, 2008)
Context: Literature was a vast minefield occupied by enemies, except for a few classic authors (just a few), and every day I had to walk through that minefield, where any false move could be fatal, with only the poems of Archilochus to guide me. It’s like that for all young writers. There comes a time when you have no support, not even from friends, forget about mentors, and there’s no one to give you a hand; publication, prizes, and grants are reserved for the others, the ones who said “Yes, sir,” over and over, or those who praised the literary mandarins, a never-ending horde distinguished only by their aptitude for discipline and punishment — nothing escapes them and they forgive nothing.

Falseness

“…sometimes I feel like I betray the writer when I try to teach literature.”

José Baroja (1983) Chilean author and editor

Source: https://portal.ucm.cl/noticias/la-literatura-la-biografia-emocional-humano-se-ha-atrevido-escribirla

Feeling

“Life is words in action, literature is action in words.”

Tarik Gunersel (1953) Turkish actor

Oluşmak (To Become) Aphorisms (Pan Publishing House, Istanbul, 2011)

Life

“While it's true that, recently, Ramiro Gutiérrez had shown a tendency toward tearful and painful literature, he had never felt the same way, for example, as the pathetic Werther or the gallant Don Quixote.”

José Baroja book Un hijo de perra y otros cuentos

Pain , Way , Tear

This quote waiting for review.

“Literature that hurts is often the one that best tells a complex truth.”

José Baroja (1983) Chilean author and editor

Source: https://www.mundoclasico.com/articulo/45227/entrevista-intrapersonal-confrontada-omar-jerez-con-jose-baroja

Truth , Hurt

“I discovered the existence of an underground... This underground only occasionally intermingles in part with the worlds of business, science, politics, academia, and the so-called arts... it definitely...infiltrates all of Western civilization.... one thing is usually certain: members of this underground who are respected in their communities don't talk about the interest or beliefs that qualify them for membership unless they know you too are in the club. They have learned from experience that to be outspoken brings censure —from their ministers, customers, employers, or even friends... They are found in all walks of life: scientists, psychiatrists, physicians, housewives, college students, businessmen, teenagers, and at least a few ministers in formal religions... They gather in small groups, quietly and often semi-secretly... usually discuss affairs of the underground only with other members... All are to some degree emotionally and intellectually dedicated to a cause. Finally, the underground has its own literature, language, technology, and to some extent demigods.”

Robert Monroe (1915–1995) American founder of The Monroe Institute

Journeys Out of the Body (1971), Chapter 2. Search and Research

Life , World , Religion , Art

“A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive"; or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture — in literature, art, theater, or the daily newspapers.”

Andrea Dworkin (1946–2005) Feminist writer

Speech at Queen's College, City University of New York (March 12, 1975). "The Sexual Politics of Fear and Courage", ch. 5, published in Our Blood (1976).

Life , People , Art , Thinking

“We cannot be naive: the literature book will not solve poverty by itself”

José Baroja (1983) Chilean author and editor

Source: https://www.peruinforma.com/entrevista-cultural-al-escritor-chileno-jose-baroja/

Books

“Literature is the emotional biography of a human being who has dared to write it.”

José Baroja (1983) Chilean author and editor

Source: Interview. Portal.ucm.cl

“Smoking stupefies a man, and makes him incapable of thinking or writing. It is only fit for idlers, people who are always bored, who sleep for a third of their lifetime, fritter away another third in eating, drinking, and other necessary or unnecessary affairs, and don’t know—though they are always complaining that life is so short—what to do with the rest of their time. Such lazy Turks find mental solace in handling a pipe and gazing at the clouds of smoke that they puff into the air; it helps them to kill time. Smoking induces drinking beer, for hot mouths need to be cooled down. Beer thickens the blood, and adds to the intoxication produced by the narcotic smoke. The nerves are dulled and the blood clotted. If they go on as they seem to be doing now, in two or three generations we shall see what these beer-swillers and smoke-puffers have made of Germany. You will notice the effect on our literature—mindless, formless, and hopeless; and those very people will wonder how it has come about. And think of the cost of it all! Fully 25,000,000 thalers a year end in smoke all over Germany, and the sum may rise to forty, fifty, or sixty millions. The hungry are still unfed, and the naked unclad. What can become of all the money? Smoking, too, is gross rudeness and unsociability. Smokers poison the air far and wide and choke every decent man, unless he takes to smoking in self-defence. Who can enter a smoker’s room without feeling ill? Who can stay there without perishing?”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Heinrich Luden, Rueckblicke in mein Leben, Jena 1847
Attributed

Life , Money , People , Feeling

“The best way to know the soul of another country is to read its literature.”

Amos Oz (1939–2018) Israeli writer, novelist, journalist and intellectual

Way , Soul , Reading , Country

This quote waiting for review.

“Literature keeps us connected to our culture.”

Ansuman Bhagat

Source: https://quotefancy.com/ansuman-bhagat-quotes

“The individualistic conception of religion is so strongly fortified in theological literature and ecclesiastical institutions that its monopoly cannot be broken in a hurry. It will take a generation or two for the new social comprehension of religion to become common property.”

Walter Rauschenbusch (1861–1918) United States Baptist theologian

Source: Christianity and the Social Crisis (1907), Ch.2 The Social Aims of Jesus, p. 46
Context: Eminent theologians, like other eminent thinkers, live in the social environment of wealth and to that extent are slow to see. The individualistic conception of religion is so strongly fortified in theological literature and ecclesiastical institutions that its monopoly cannot be broken in a hurry. It will take a generation or two for the new social comprehension of religion to become common property.

Religion

“Woe to that nation whose literature is disturbed by the intervention of power. Because that is not just a violation against "freedom of print", it is the closing down of the heart of the nation, a slashing to pieces of its memory.”

Aleksandr Solzhenitsyn (1918–2008) Russian writer

Woe to that nation whose literature is cut short by the intrusion of force. This is not merely interference with freedom of the press but the sealing up of a nation’s heart, the excision of its memory.
Variant translation, as quoted in TIME (25 February 1974).
Nobel lecture (1970)
Context: Woe to that nation whose literature is disturbed by the intervention of power. Because that is not just a violation against "freedom of print", it is the closing down of the heart of the nation, a slashing to pieces of its memory. The nation ceases to be mindful of itself, it is deprived of its spiritual unity, and despite a supposedly common language, compatriots suddenly cease to understand one another

Freedom , Memory , Heart

“Literature cannot by this impulse betray the grandeur of its subject — there is only one subject: What it feels like to be alive. Nothing is irrelevant. Nothing is typical.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)
Context: Books should confuse. Literature abhors the typical. Literature flows to the particular, the mundane, the greasiness of paper, the taste of warm beer, the smell of onion or quince. Auden has a line: "Ports have names they call the sea." Just so will literature describe life familiarly, regionally, in terms life is accustomed to use — high or low matters not. Literature cannot by this impulse betray the grandeur of its subject — there is only one subject: What it feels like to be alive. Nothing is irrelevant. Nothing is typical.

Feeling

“Literature is open to everybody. I refuse to allow you, Beadle though you are, to turn me off the grass. Lock up your libraries if you like; but there is no gate, no lock, no bolt, that you can set upon the freedom of my mind.”

Virginia Woolf book A Room of One's Own

Source: A Room of One's Own

Freedom , Grass

“Plainly Hugo was the greatest man of letters of his day. It has been given to few or none to live a life so full of effort and achievement, so rich in honour and success and fame. Born almost with the century, he was a writer at fifteen, and at his death he was writing still; so that the record of his career embraces a period of more than sixty years. There is hardly a department of art to a foremost place in which he did not prove his right. From first to last; from the time of Chateaubriand to the time of Zola, he was a leader of men; and with his departure from the scene the undivided sovereignty of literature became a thing of the past like Alexander's empire.”

William Ernest Henley (1849–1903) English poet, critic and editor

"Hugo"
Views and Reviews (1889)

Life , Death , Men , Art

“The last two decades have witnessed, especially in Germany and France, the rise of a new discipline, the sociology of knowledge (Wissenssoziologie), with a rapidly increasing number of students and a growing literature (even a “selected bibliography” would include several hundred titles). Since most of the investigations in this field have been concerned with the socio-cultural factors influencing the development of beliefs and opinion rather than of positive knowledge, the term. “Wissen” must be interpreted very broadly indeed, as referring to social ideas and thought generally, and not to the physical sciences, except where expressly indicated.”

Robert K. Merton (1910–2003) American sociologist

Source: The Sociology of Knowledge, (1937), p. 493

Idea , Knowledge , Science

“The most essential and fundamental aspect of culture is the study of literature, since this is an education in how to picture and understand human situations.”

Iris Murdoch (1919–1999) British writer and philosopher

Education , Understanding , Study

“The sole substitute for an experience we have not ourselves lived through is art and literature.”

Aleksandr Solzhenitsyn (1918–2008) Russian writer

Art

“On graduating from the school, a studious young man who would withstand the tedium and monotony of his duties has no choice but to lose himself in some branch of science or literature completely irrelevant to his assignment.”

Charles-Augustin de Coulomb (1736–1806) French physicist

as quoted by [C. Stewart Gillmor, Coulomb and the Evolution of Physics and Engineering in Eighteenth-century France, Princeton University Press, 1971, 069108095X, 255-261]

School , Science

“The legacy of modernity is a legacy of fratricidal wars, devastating "development," cruel "civilization," and previously unimagined violence. Erich Auerbach once wrote that tragedy is the only genre that can properly claim realism in Western literature, and perhaps this is true precisely because of the tragedy Western modernity has imposed on the world.”

Antonio Negri book Empire

46
Empire

War , World

“One of the things I love about Kate Bush is her absolute ability to take things, to pluck things that you would never expect to see on a rock album, and put them there and make them work. James Joyce's Ulysses — one of the greatest passages in all of English or Anglo-Irish literature, is Molly Bloom's glorious soliloquy ending in a sequence of Yeses. It's about embracing the world of the senses, embracing yourself, embracing sex, embracing love, embracing the future, embracing all possibility, and it goes all the way back to me, to "Wuthering Heights" — this is somebody who is not afraid of books. This is somebody who is not afraid of reading, somebody who's not afraid of writers, and who's not afraid of translating, being an intermediary, being a door, between the world of books and the world of rock.”

Neil Gaiman (1960) English fantasy writer

The Kate Bush Story (2014)

Love , Books , World , Sex

“Science, philosophy, literature and art do not have any value if the ones who are active in these fields keep silence about the executions.”

Taraneh Javanbakht (1974) Iranian scientist, faculty, poet, translator, playwright and writer

Source: Gooyanews website, 2015 http://news.gooya.com/politics/archives/2016/03/209463.php

Art , Silence , Science

“Of course the illusion of art is to make one believe that great literature is very close to life, but exactly the opposite is true. Life is amorphous, literature is formal.”

Françoise Sagan (1935–2004) French writer

Paris Review interview (1956)

Life , Art

“Our media make crisis chatter out of news and fill our minds with anxious phantoms of the real thing — a summit in Helsinki, a treaty in Egypt, a constitutional crisis in India, a vote in the U. N., the financial collapse of New York. We can't avoid being politicized (a word as murky as the condition which it describes) because it is necessary after all to know what is going on. Worse yet, what is going on will not let us alone. Neither the facts nor the deformations, the insidious platitudes of the media (tormenting because the underlying realities are so large and so terrible), can be screened out. The study of literature itself is heavily "politicized."”

Saul Bellow (1915–2005) Canadian-born American writer

To Jerusalem and Back: A Personal Account (1976) [Viking/Penguin, 1998, ISBN 0-141-18075-7], p. 21
General sources

Reality , Study

“Just like modern scientists. They are calculating that the Moon is full of dust, but according to Vedic literature Moon is not full of dust. There are also higher living entities. And from…, from your practical reason also, you can just understand that a lump of dust cannot be so brilliant so that it is illuminating the whole earth. It is not possible. Anyway, let the scientists go on with their own research work. So far we have got information from Vedic literature, all the planets — sun planet, Moon planet, Venus — they are all full of living entities, and they have got different types of body.”

A.C. Bhaktivedanta Swami Prabhupada (1896–1977) Indian guru

Lecture on Bhagavad-gita, Chapter 7, verse 18; New York; October 12, 1966 PrabhupadaBooks.com http://prabhupadabooks.com/classes/bg/7/18/new_york/october/12/1966?d=1
Quotes from other Sources, Quotes from other Sources: Regression of Science

Understanding , Sun

“Among all the luminaries shining in the sky, the sun is the chief, and in the Brahma-samhita the sun is accepted as the glowing eye of the Supreme Lord. There are fifty varieties of wind blowing in space, and of these winds the controlling deity, Marici, represents Krishna. Among the stars, the Moon is the most prominent at night, and thus the Moon represents Krishna. It appears from this verse that the Moon is one of the stars; therefore the stars that twinkle in the sky also reflect the light of the sun. The theory that there are many suns within the universe is not accepted by Vedic literature. The sun is one, and as by the reflection of the sun the Moon illuminates, so also do the stars. Since Bhagavad-gita indicates herein that the Moon is one of the stars, the twinkling stars are not suns but are similar to the Moon.”

A.C. Bhaktivedanta Swami Prabhupada (1896–1977) Indian guru

Bhagavad-Gita As It Is, Bhaktivedanta Book Trust, 1972. Chapter 10, verse 21, purport. Vedabase http://www.vedabase.com/en/bg/10/21
Quotes from Books: Loving God, Quotes from Books: Regression of Science

Star , Light , Universe , Appearance

“Modern scientists attempt excursions to other planets, but they have no information of how many different types of oceans and seas there are within the universe. According to their experience, the Moon is full of dust, but this does not explain how it gives us soothing rays from a distance of millions of miles. As far as we are concerned, we follow the authority of Vyasadeva and Sukadeva Gosvami, who have described the universal situation according to the Vedic literature. These authorities differ from modern scientists who conclude from their imperfect sensual experience that only this planet is inhabited by living beings whereas the other planets are all vacant or full of dust.”

A.C. Bhaktivedanta Swami Prabhupada (1896–1977) Indian guru

Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 7, Chapter 4, verse 15, purport. Vedabase http://www.vedabase.com/en/sb/7/4/15
Quotes from Books: Loving God, Quotes from Books: Regression of Science

Universe , Sea

“Modern scientists and so-called scholars think that there are no living entities on planets other than this one. Recently they have said that they have gone to the Moon but did not find any living entities there. But Srimad-Bhagavatam and the other Vedic literatures do not agree with this foolish conception.”

A.C. Bhaktivedanta Swami Prabhupada (1896–1977) Indian guru

Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 7, Chapter 14, verse 36, purport. Vedabase http://www.vedabase.com/en/sb/7/14/36
Quotes from Books: Loving God, Quotes from Books: Regression of Science

Thinking

“From literature to ecology, from the escape velocity of galaxies to the greenhouse effect, from garbage disposal methods to traffic jams, everything is discussed in our world. But the democratic system, as if it were a given fact, untouchable by nature until the end of time, we don't discuss that.”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

Intervention in the World Social Forum in Porto Alegre, February of 1992; quoted in Las leyes antidiscriminatorias en el Mercosur: Impactos de la III conferencia mundial contra el racismo, la discriminación racial, la xenofobia y las formas conexas de intolerancia, Durban, 2001: informe sobre el seminario realizado en Montevideo, 29 y 30 de abril de 2002. Published by Organizaciones Mundo Afro, 2002 163 pages.

World , Nature , Time

“I am not ashamed to admit that I belong to those who fantasize that literature is capable of bringing new horizons and new perspectives — philosophical, religious, aesthetical and even social. In the history of old Jewish literature there was never any basic difference between the poet and the prophet. Our ancient poetry often became law and a way of life.”

Isaac Bashevis Singer (1902–1991) Polish-born Jewish-American author

Nobel lecture (1978)

Life , Law , Way , History

“The storyteller and poet of our time, as in any other time, must be an entertainer of the spirit in the full sense of the word, not just a preacher of social or political ideals. There is no paradise for bored readers and no excuse for tedious literature that does not intrigue the reader, uplift him, give him the joy and the escape that true art always grants.”

Isaac Bashevis Singer (1902–1991) Polish-born Jewish-American author

Nobel lecture (1978)
Context: The storyteller and poet of our time, as in any other time, must be an entertainer of the spirit in the full sense of the word, not just a preacher of social or political ideals. There is no paradise for bored readers and no excuse for tedious literature that does not intrigue the reader, uplift him, give him the joy and the escape that true art always grants. Nevertheless, it is also true that the serious writer of our time must be deeply concerned about the problems of his generation. He cannot but see that the power of religion, especially belief in revelation, is weaker today than it was in any other epoch in human history. More and more children grow up without faith in God, without belief in reward and punishment, in the immortality of the soul and even in the validity of ethics. The genuine writer cannot ignore the fact that the family is losing its spiritual foundation.

Art , Sense , Time , Joy

“I am one of the writers who wish to create serious works of literature which dissociate themselves from those novels which are mere reflections of the vast consumer cultures of Tokyo and the subcultures of the world at large.”

Kenzaburō Ōe (1935) Japanese author

Japan, The Ambiguous, and Myself (1994)

World

“The destination of the soul: this is what I, led on by Nils Holgersson, came to seek in the literature of Western Europe.”

Kenzaburō Ōe (1935) Japanese author

Speech at the Nobel Banquet (10 December 1994) http://nobelprize.org/nobel_prizes/literature/laureates/1994/oe-speech.html
Context: The destination of the soul: this is what I, led on by Nils Holgersson, came to seek in the literature of Western Europe. I fervently hope that my pursuit, as a Japanese, of literature and culture will, in some small measure, repay Western Europe for the light it has shed upon the human condition.

Soul

“Literature must be written from the periphery toward the center, and we can criticize the center. Our credo, our theme, or our imagination is that of the peripheral human being. The man who is in the center does not have anything to write.”

Kenzaburō Ōe (1935) Japanese author

Conversations with History interview (1999)
Context: Literature must be written from the periphery toward the center, and we can criticize the center. Our credo, our theme, or our imagination is that of the peripheral human being. The man who is in the center does not have anything to write. From the periphery, we can write the story of the human being and this story can express the humanity of the center, so when I say the word periphery, this is a most important creed of mine.

Imagination

“I remember some artists who said this world isn't worth anything, that it is a pigsty, that we are going nowhere, that God is dead, and all those things. Bad literature is this. To expose your navel, to tell how you drank your morning coffee amid general disgust, with everything around you rotting. While the world is dying, I drink my coffee. Or I perform my little sex acts. This is old-fashioned. One must cross this neurotic curtain.”

Alejandro Jodorowsky (1929) Filmmaker and comics writer

Psychomagic: The Transformative Power of Shamanic Psychotherapy (2010)

God , World , Sex , Coffee

“The question we writers are asked most often, the favorite question, is: Why do you write? I write because I have an innate need to write. I write because I can’t do normal work as other people do. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it. I write because I want others, the whole world, to know what sort of life we lived, and continue to live, in Istanbul, in Turkey. I write because I love the smell of paper, pen, and ink. I write because I believe in literature, in the art of the novel, more than I believe in anything else. I write because it is a habit, a passion. I write because I am afraid of being forgotten. I write because I like the glory and interest that writing brings. I write to be alone. Perhaps I write because I hope to understand why I am so very, very angry at everyone. I write because I like to be read. I write because once I have begun a novel, an essay, a page I want to finish it. I write because everyone expects me to write. I write because I have a childish belief in the immortality of libraries, and in the way my books sit on the shelf. I write because it is exciting to turn all life’s beauties and riches into words. I write not to tell a story but to compose a story. I write because I wish to escape from the foreboding that there is a place I must go but—as in a dream—can’t quite get to. I write because I have never managed to be happy. I write to be happy.”

Orhan Pamuk (1952) Turkish novelist, screenwriter, and Nobel Prize in Literature recipient

" My Father's Suitcase", Nobel Prize for Literature lecture http://nobelprize.org/nobel_prizes/literature/laureates/2006/pamuk-lecture_en.html (December 7, 2006).

Love , Life , Happiness , People

“If machines are going to take jobs away from the worker, then he will need to find something else to do. Perhaps he'll get back to the soil. But we must care for him during the period of change. We must keep him away from Red literature, Red ruses; we must see that his mind remains healthy.”

Al Capone (1899–1947) American gangster

Change

“It was the cause of America that made me an author. The force with which it struck my mind and the dangerous condition the country appeared to me in, by courting an impossible and an unnatural reconciliation with those who were determined to reduce her, instead of striking out into the only line that could cement and save her, A Declaration Of Independence, made it impossible for me, feeling as I did, to be silent: and if, in the course of more than seven years, I have rendered her any service, I have likewise added something to the reputation of literature, by freely and disinterestedly employing it in the great cause of mankind, and showing that there may be genius without prostitution. Independence always appeared to me practicable and probable, provided the sentiment of the country could be formed and held to the object: and there is no instance in the world, where a people so extended, and wedded to former habits of thinking, and under such a variety of circumstances, were so instantly and effectually pervaded, by a turn in politics, as in the case of independence; and who supported their opinion, undiminished, through such a succession of good and ill fortune, till they crowned it with success. But as the scenes of war are closed, and every man preparing for home and happier times, I therefore take my leave of the subject. I have most sincerely followed it from beginning to end, and through all its turns and windings: and whatever country I may hereafter be in, I shall always feel an honest pride at the part I have taken and acted, and a gratitude to nature and providence for putting it in my power to be of some use to mankind.”

Thomas Paine (1737–1809) English and American political activist

The Crisis No. XIII
1770s, The American Crisis (1776–1783)

War , People , World , Feeling

“I really agree that Yog-Sothoth is a basically immature conception, & unfitted for really serious literature. The fact is, I have never approached serious literature yet. But I consider the use of actual folk-myths as even more childish than the use of new artificial myths, since in the former one is forced to retain many blatant peurilities & contradictions of experienced which could be subtilised or smoothed over if the supernaturalism were modelled to order for the given case. The only permanently artistic use of Yog-Sothothery, I think, is in symbolic or associative phantasy of the frankly poetic type; in which fixed dream-patterns of the natural organism are given an embodiment & crystallisation... But there is another phase of cosmic phantasy (which may or may not include frank Yog-Sothothery) whose foundations appear to me as better grounded than those of ordinary oneiroscopy; personal limitations regarding the sense of outsideness. I refer to the aesthetic crystallisation of that burning & inextinguishable feeling of mixed wonder & oppression which the sensitive imagination experiences upon scaling itself & its restrictions against the vast & provocative abyss of the unknown. This has always been the chief emotion in my psychology; & whilst it obviously figures less in the psychology of the majority, it is clearly a well-defined & permanent factor from which very few sensitive persons are wholly free.... Reason as we may, we cannot destroy a normal perception of the highly limited & fragmentary nature of our visible world of perception & experience as scaled against the outside abyss of unthinkable galaxies & unplumbed dimensions—an abyss wherein our solar system is the merest dot... The time has come when the normal revolt against time, space, & matter must assume a form not overtly incompatible with what is known of reality—when it must be gratified by images forming supplements rather than contradictions of the visible & measurable universe. And what, if not a form of non-supernatural cosmic art, is to pacify this sense of revolt—as well as gratify the cognate sense of curiosity?”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 293
Non-Fiction, Letters, to Frank Belknap Long

World , Dreams , Art , Feeling

“Of what use is it to please the herd? They are simply coarse animals — for all that is admirable in man is the artificial product of special breeding. We advocate the preservation of conditions favourable to the growth of beautiful things — imposing palaces, beautiful cities, elegant literature, resposeful art and music, and a physically select human type such as only luxury and a pure racial strain can produce. Thus we oppose democracy, if only because it would retard the development of a handsome Nordic breed. We realise that all conceptions of justice and ethics are mere prejudices and illusions — there is no earthly reason why the masses should not be kept down for the benefit of the strong, since every man is for himself in the last analysis.”

H.P. Lovecraft (1890–1937) American author

Letter to James F. Morton (10 February 1923), published in Selected Letters Vol. I (1965), p. 208
Non-Fiction, Letters, to James Ferdinand Morton, Jr.

Justice , Beauty , Art , Music

“I am only about half alive—a large part of my strength is consumed in sitting up or walking. My nervous system is a shattered wreck, and I am absolutely bored & listless save when I come upon something which peculiarly interests me. However—so many things do interest me, & interest me intensely, in science, history, philosophy, & literature; that I have never actually desired to die, or entertained any suicidal designs, as might be expected of one with so little kinship to the ordinary features of life.”

H.P. Lovecraft (1890–1937) American author

Letter to Alfred Galpin (27 May 1918), published in Letters to Alfred Galpin edited by S. T. Joshi, p. 18
Non-Fiction, Letters

Life , History , Suicide , Science

“I really agree that Yog-Sothoth is a basically immature conception, & unfitted for really serious literature. The fact is, I have never approached serious literature yet.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 293
Non-Fiction, Letters, to Frank Belknap Long
Context: I really agree that Yog-Sothoth is a basically immature conception, & unfitted for really serious literature. The fact is, I have never approached serious literature yet. But I consider the use of actual folk-myths as even more childish than the use of new artificial myths, since in the former one is forced to retain many blatant peurilities & contradictions of experienced which could be subtilised or smoothed over if the supernaturalism were modelled to order for the given case. The only permanently artistic use of Yog-Sothothery, I think, is in symbolic or associative phantasy of the frankly poetic type; in which fixed dream-patterns of the natural organism are given an embodiment & crystallisation... But there is another phase of cosmic phantasy (which may or may not include frank Yog-Sothothery) whose foundations appear to me as better grounded than those of ordinary oneiroscopy; personal limitations regarding the sense of outsideness. I refer to the aesthetic crystallisation of that burning & inextinguishable feeling of mixed wonder & oppression which the sensitive imagination experiences upon scaling itself & its restrictions against the vast & provocative abyss of the unknown. This has always been the chief emotion in my psychology; & whilst it obviously figures less in the psychology of the majority, it is clearly a well-defined & permanent factor from which very few sensitive persons are wholly free.... Reason as we may, we cannot destroy a normal perception of the highly limited & fragmentary nature of our visible world of perception & experience as scaled against the outside abyss of unthinkable galaxies & unplumbed dimensions—an abyss wherein our solar system is the merest dot... The time has come when the normal revolt against time, space, & matter must assume a form not overtly incompatible with what is known of reality—when it must be gratified by images forming supplements rather than contradictions of the visible & measurable universe. And what, if not a form of non-supernatural cosmic art, is to pacify this sense of revolt—as well as gratify the cognate sense of curiosity?

“There is no room for two distinct races of white men in America, much less for two distinct races of whites and blacks. I can conceive of no greater calamity than the assimilation of the Negro into our social and political life as an equal… Within twenty years we can peacefully colonize the Negro in the tropics and give him our language, literature, religion, and system of government under conditions in which he can rise to the full measure of manhood. This he can never do here. We can never attain the ideal Union our fathers dreamed, with millions of an alien, inferior race among us, whose assimilation is neither possible nor desirable.”

Abraham Lincoln (1809–1865) 16th President of the United States

This is from a fictional speech by Lincoln which occurs in The Clansman : An Historical Romance of the Ku Klux Klan (1905) by Thomas Dixon, Jr.. On some sites this has been declared to be something Lincoln said "soon after signing" the Emancipation Proclamation, but without any date or other indications of to whom it was stated, and there are no actual historical records of Lincoln ever saying this.
Misattributed

Life , Men , Religion , Dreams

“I met the New Passion, then, as democracy, as political enlightenment and the humanitarianism of happiness. I understood its efforts to be toward the politicization of everything ethos; its aggressiveness and doctrinary intolerance consisted – I experienced them personally – in its denial and slander of every nonpolitical ethos. “Mankind” as humanitarian internationalism; “reason” and “virtue” as the radical republic; intellect as a thing between a Jacobin club and Freemasonry; art as social literature and maliciously seductive rhetoric in the service of social “desirability”; here we have the New Passion in its purest political form as I saw it close up. I admit that this is a special, extremely romanticized form of it.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Reflections of a Non-Political Man http://germanhistorydocs.ghi-dc.org/sub_document.cfm?document_id=946 [Betrachtungen eines Unpolitischen] (1918)

Happiness , Art , Democracy , Effort

“The purifying, healing influence of literature, the dissipating of passions by knowledge and the written word, literature as the path to understanding, forgiveness and love, the redeeming might of the word, the literary spirit as the noblest manifestation of the spirit of man, the writer as perfected type, as saint.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 7

Love , Forgiveness , Understanding , Knowledge

“By the approach through abnormality we have succeeded in penetrating most deeply into the darkness of human nature … The literary person should be the last person to be surprised at this fact. Sooner might he be surprised that he, considering his strong generally and individual tendency, should have so late become aware of the close sympathetic relations which connected his own existence with psychoanalytic research and the life-work of Sigmund Freud. I realized this connection only at a time when his achievement was no longer thought of as merely a therapeutic method, whether recognized or disputed; when it had long since outgrown his purely medical implications and become a world movement which penetrated into every field of science and every domain of the intellect: literature, the history of art, religion and prehistory; mythology, folklore, pedagogy, and what not.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Freud and the Future (1937)

Life , World , Religion , Art

“To begin with, let us take the following motto… Literature is Love. Now we can continue.”

Vladimir Nabokov book Despair

Source: Despair

Love

“Literature and butterflies are the two sweetest passions known to man.”

Vladimir Nabokov (1899–1977) Russian-American novelist, lepidopterist, professor

Passion

“Literature was not born the day when a boy crying "wolf, wolf" came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying "wolf, wolf" and there was no wolf behind him.”

Vladimir Nabokov book Lectures on Literature

Source: Lectures on Literature

Boy , Wolf , Cry

“The Catholic Church claims, not only to judge infallibly on religious questions, but to animadvert on opinions in secular matters which bear upon religion, on matters of philosophy, of science, of literature, of history, and it demands our submission to her claim. It claims to censure books, to silence authors, and to forbid discussions. In all this it does not so much speak doctrinally, as enforce measures of discipline. It must of course be obeyed without a word, and perhaps in process of time it will tacitly recede from its own injunctions. In such cases the question of faith does not come in; for what is matter of faith is true for all times, and never can be unsaid.”

John Henry Newman (1801–1890) English cleric and cardinal

Apologia Pro Vita Sua [A defense of one's own life] (1864)

Books , Faith , Religion , History

“The thing that I think very striking is that no one, or no one I can remember, ever writes of an execution with approval. The dominant note is always horror. Society, apparently, cannot get along without capital punishment—for there are some people whom it is simply not safe to leave alive—and yet there is no one, when the pinch comes, who feels it right to kill another human being in cold blood. I watched a man hanged once. There was no question that everybody concerned knew this to be a dreadful, unnatural action. I believe it is always the same—the whole jail, warders and prisoners alike, is upset when there is an execution. It is probably the fact that capital punishment is accepted as necessary, and yet instinctively felt to be wrong, that gives so many descriptions of executions their tragic atmosphere. They are mostly written by people who have actually watched an execution and feel it to be a terrible and only partly comprehensible experience which they want to record; whereas battle literature is largely written by people who have never heard a gun go off and think of a battle as a sort of football match in which nobody gets hurt.”

George Orwell (1903–1950) English author and journalist

"As I Please" column in The Tribune (3 November 1944)<sup> http://alexpeak.com/twr/oocp/</sup>
"As I Please" (1943–1947)

People , Feeling , Question , Thinking

“Scientific education for the masses will do little good, and probably a lot of harm, if it simply boils down to more physics, more chemistry, more biology, etc to the detriment of literature and history. Its probable effect on the average human being would be to narrow the range of his thoughts and make him more than ever contemptuous of such knowledge as he did not possess.”

George Orwell (1903–1950) English author and journalist

"What is Science?" http://orwell.ru/library/articles/science/english/e_scien, Tribune (26 October 1945)

Education , History , Knowledge

“To write is to forget. Literature is the most agreeable way of ignoring life. Music soothes, the visual arts exhilarates, the performing arts (such as acting and dance) entertain. Literature, however, retreats from life by turning in into slumber. The other arts make no such retreat— some because they use visible and hence vital formulas, others because they live from human life itself.
This isn't the case with literature. Literature simulates life. A novel is a story of what never was, a play is a novel without narration. A poem is the expression of ideas or feelings a language no one uses, because no one talks in verse.”

Fernando Pessoa book The Book of Disquiet

Source: The Book of Disquiet

Life , Art , Music , Way

“It is with literature as with law or empire — an established name is an estate in tenure, or a throne in possession.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

" Letter to Mr. B — http://www.lfchosting.com/eapoe/works/essays/blettera.htm", preface to Poems (1831).

Law

“Depend upon it, after all, Thomas, Literature is the most noble of professions. In fact, it is about the only one fit for a man. For my own part, there is no seducing me from the path.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

" Letter to Frederick W. Thomas http://www.eapoe.org/works/letters/p4902140.htm" (1849-02-14).

Parting , Dependency

“Mathematics, trigonometry, chemistry, psychoanalysis, music, and what not have been related to cubism to give it an easier interpretation. All this has been pure literature, not to say nonsense, which brought bad results, blinding people with theories. Cubism has kept itself within the limits and limitations of painting, never pretending to go beyond it.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

As quoted by Marius de Zayas, in 'The Arts', New York, May 1923
1920s, The Arts', New York, May 1923

People , Music , Mathematics , Painting

“These weren't cheap modern books; these were books bound in leather, and not just leather, but leather from clever cows who had given their lives for literature after a happy existence in the very best pastures.”

Terry Pratchett book I Shall Wear Midnight

Source: I Shall Wear Midnight

Happiness , Books

“In theory it was, around now, Literature. Susan hated Literature. She'd much prefer to read a good book.”

Terry Pratchett book Soul Music

Source: Soul Music

Hate , Books , Reading

“Art too is just a way of living, and however one lives, one can, without knowing, prepare for it; in everything real one is closer to it, more its neighbor, than in the unreal half-artistic professions, which, while they pretend to be close to art, in practice deny and attack the existence of all art - as, for example, all of journalism does and almost all criticism and three quarters of what is called (and wants to be called) literature.”

Rainer Maria Rilke book Letters to a Young Poet

Letter Ten (26 December 1908)
Letters to a Young Poet (1934)

Art , Way

“As regards capital cases, the trouble is that emotional men and women always see only the individual whose fate is up at the moment, and neither his victim nor the many millions of unknown individuals who would in the long run be harmed by what they ask. Moreover, almost any criminal, however brutal, has usually some person, often a person whom he has greatly wronged, who will plead for him. If the mother is alive she will always come, and she cannot help feeling that the case in which she is so concerned is peculiar, that in this case a pardon should be granted. It was really heartrending to have to see the kinfolk and friends of murderers who were condemned to death, and among the very rare occasions when anything governmental or official caused me to lose sleep were times when I had to listen to some poor mother making a plea for a "criminal" so wicked, so utterly brutal and depraved, that it would have been a crime on my part to remit his punishment.
On the other hand, there were certain crimes where requests for leniency merely made me angry. Such crimes were, for instance, rape, or the circulation of indecent literature, or anything connected with what would now be called the "white slave" traffic, or wife murder, or gross cruelty to women or children, or seduction and abandonment, or the action of some man in getting a girl whom he seduced to commit abortion. In an astonishing number of these cases men of high standing signed petitions or wrote letters asking me to show leniency to the criminal. In two or three of the cases — one where some young roughs had committed rape on a helpless immigrant girl, and another in which a physician of wealth and high standing had seduced a girl and then induced her to commit abortion — I rather lost my temper, and wrote to the individuals who had asked for the pardon, saying that I extremely regretted that it was not in my power to increase the sentence. I then let the facts be made public, for I thought that my petitioners deserved public censure. Whether they received this public censure or not I did not know, but that my action made them very angry I do know, and their anger gave me real satisfaction.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

Source: 1910s, Theodore Roosevelt — An Autobiography (1913), Ch. VIII : The New York Governorship

Death , Women , Men , Fate

“There are two kinds of success to be won. In the first place, there is success in doing the thing that can only be done by the exceptional man. Therefore most of us can not achieve this kind of success. It comes only to the man who has very exceptional qualities. The other kind, a very, very high kind, is the ordinary kind of success, the success that comes to the man who does the things which most men could do, but which they do not do; which comes to the man who develops or possesses to a higher degree the qualities that all of us have to a greater or less extent. In the history of the world some of the men who stand high who stand in all but the very highest places are those who have not possessed any wonderful genius in statecraft, war, art, literature in whatever calling; but who have developed within themselves, by long, patient effort, resolutely maintained in spite of repeated failure, the ordinary, everyday, humdrum qualities of courage, of resolution, of proper appreciation of the relative importance of things; of honesty, of truth, of good sense, of unyielding perseverance. We can each one of us develop to a very high degree these qualities; and if we do so develop them, each one of us is sure of a measure of success […].”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1900s, Address at the Prize Day Exercises at Groton School (1904)

Men , War , Truth , World

“The reason that fiction is more interesting than any other form of literature, to those who really like to study people, is that in fiction the author can really tell the truth without humiliating himself.”

Eleanor Roosevelt (1884–1962) American politician, diplomat, and activist, and First Lady of the United States

People , Truth , Study

“I believe that world literature has it in its power to help mankind, in these its troubled hours, to see itself as it really is, notwithstanding the indoctrinations of prejudiced people and parties.”

Aleksandr Solzhenitsyn (1918–2008) Russian writer

Nobel lecture (1970)
Context: I believe that world literature has it in its power to help mankind, in these its troubled hours, to see itself as it really is, notwithstanding the indoctrinations of prejudiced people and parties. World literature has it in its power to convey condensed experience from one land to another so that we might cease to be split and dazzled, that the different scales of values might be made to agree, and one nation learn correctly and concisely the true history of another with such strength of recognition and painful awareness as it had itself experienced the same, and thus might it be spared from repeating the same cruel mistakes.

People , World , Help

“I can say without affectation that I belong to the Russian convict world no less … than I do to Russian literature. I got my education there, and it will last forever.”

Aleksandr Solzhenitsyn book The Oak and the Calf

The Oak and the Calf (1975)

World , Education

“We shall be told: what can literature possibly do against the ruthless onslaught of open violence? But let us not forget that violence does not live alone and is not capable of living alone: it is necessarily interwoven with falsehood. Between them lies the most intimate, the deepest of natural bonds. Violence finds its only refuge in falsehood, falsehood its only support in violence. Any man who has once acclaimed violence as his METHOD must inexorably choose falsehood as his PRINCIPLE.”

Aleksandr Solzhenitsyn (1918–2008) Russian writer

Variant translation: Violence can only be concealed by a lie, and the lie can only be maintained by violence. Any man who has once proclaimed violence as his method is inevitably forced to take the lie as his principle.
As quoted in Solzhenitsyn: A Documentary Record (1974) edited by Leopold Labedz
Nobel lecture (1970)
Context: We shall be told: what can literature possibly do against the ruthless onslaught of open violence? But let us not forget that violence does not live alone and is not capable of living alone: it is necessarily interwoven with falsehood. Between them lies the most intimate, the deepest of natural bonds. Violence finds its only refuge in falsehood, falsehood its only support in violence. Any man who has once acclaimed violence as his METHOD must inexorably choose falsehood as his PRINCIPLE. At its birth violence acts openly and even with pride. But no sooner does it become strong, firmly established, than it senses the rarefaction of the air around it and it cannot continue to exist without descending into a fog of lies, clothing them in sweet talk. It does not always, not necessarily, openly throttle the throat, more often it demands from its subjects only an oath of allegiance to falsehood, only complicity in falsehood.

Support , Nature , Forgetting

“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers — such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”

Aleksandr Solzhenitsyn (1918–2008) Russian writer

Open letter to the Fourth Soviet Writers’ Congress (16 May 1967) “The Struggle Intensifies,” Solzhenitsyn: A Documentary Record, ed. Leopold Labedz (1970).

Pain , People , Fear , Confidence

“The trade of critic, in literature, music, and the drama, is the most degraded of all trades.”

Mark Twain (1835–1910) American author and humorist

Vol. II, p. 69
Mark Twain's Autobiography (1924)

Music

“High and fine literature is wine, and mine is only water; but everybody likes water.”

Mark Twain (1835–1910) American author and humorist

Water , Wine

“There are three things men can do with women: love them, suffer them, or turn them into literature.”

Mark Twain (1835–1910) American author and humorist

Love , Women , Men , Suffering

“Because we live in such a mind-dominated culture, most modern art, architecture, music, and literature are devoid of beauty, of inner essence, with very few exceptions.”

Eckhart Tolle book The Power of Now

Source: The Power of Now (1997)

Beauty , Art , Music

“If one cannot get along without a mirror, even in shaving oneself, how can one reconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.”

Leon Trotsky book Literature and Revolution

Literature and Revolution (1924), edited by William Keach (2005), Ch. 4 : Futurism, p. 120
Variants:
Art is not a mirror to hold up to society, but a hammer with which to shape it.
Remarks apparently derived from Trotsky's observations, or those he implies preceded his own, this is attributed to Bertolt Brecht in Paulo Freire : A Critical Encounter (1993) by Peter McLaren and Peter Leonard, p. 80, and to Vladimir Mayakovsky in The Political Psyche (1993) by Andrew Samuels, p. 9
Art is not a mirror held up to society, but a hammer with which to shape it.
Context: Art, it is said, is not a mirror, but a hammer: it does not reflect, it shapes. But at present even the handling of a hammer is taught with the help of a mirror, a sensitive film that records all the movements. Photography and motion-picture photography, owing to their passive accuracy of depiction, are becoming important educational instruments in the field of labor. If one cannot get along without a mirror, even in shaving oneself, how can one reconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.

Life , Thinking

“The basic pleasure in the phonetic elements of a language and in the style of their patterns, and then in a higher dimension, pleasure in the association of these word-forms with meanings, is of fundamental importance. This pleasure is quite distinct from the practical knowledge of a language, and not the same as an analytic understanding of its structure. It is simpler, deeper-rooted, and yet more immediate than the enjoyment of literature.”

John Ronald Reuel Tolkien (1892–1973) British philologist and author, creator of classic fantasy works

English and Welsh (1955)

Pleasure , Understanding , Knowledge

“For myself I would say that more than the interest and uses of the study of Welsh as an adminicle of English philology, more than the practical linguist's desire to acquire a knowledge of Welsh for the enlargement of his experience, more even than the interest and worth of the literature, older and newer, that is preserved in it, these two things seem important: Welsh is of this soil, this island, the senior language of the men of Britain; and Welsh is beautiful.”

John Ronald Reuel Tolkien (1892–1973) British philologist and author, creator of classic fantasy works

English and Welsh (1955)

Men , Beauty , Knowledge , Study

“I regret that I am not clear as to what you intend by 'arisch'. I am not of Aryan extraction: that is Indo-Iranian; as far as I am aware none of my ancestors spoke Hindustani, Persian, Gypsy, or any related dialects. … But if I am to understand that you are enquiring whether I am of Jewish origin, I can only reply that I regret that I appear to have no ancestors of that gifted people. … I have been accustomed, nonetheless, to regard my German name with pride, and continued to do so throughout the period of the late regrettable war, in which I served in the English army. I cannot, however, forbear to comment that if impertinent and irrelevant inquiries of this sort are to become the rule in matters of literature, then the time is not far distant when a German name will no longer be a source of pride.”

John Ronald Reuel Tolkien (1892–1973) British philologist and author, creator of classic fantasy works

One of two draft letters (25 July, 1938) written for Stanley Unwin to select as a response to his German publishers inquiry about his ancestry. The other letter refused to answer altogether on his ancestry; since the quoted letter persists, it seems that the other letter was sent.
The Letters of J. R. R. Tolkien (1981)

War , People , Understanding , Distant

“Poetry is simply literature reduced to the essence of its active principle. It is purged of idols of every kind, of realistic illusions, of any conceivable equivocation between the language of "truth" and the language of "creation."”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Littérature (1930)

Truth

“Science means simply the aggregate of all the recipes that are always successful. All the rest is literature.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Moralités (1932)

Science , Success

“Listen. All great literature is about what a bummer it is to be a human being: Moby Dick, Huckleberry Finn, The Red Badge of Courage, the Iliad and the Odyssey, Crime and Punishment, the Bible and The Charge of the Light Brigade.”

Kurt Vonnegut (1922–2007) American writer

Cold Turkey (2004)

Courage , Light

“Literature is idiosyncratic arrangements in horizontal lines in only twenty-six symbols, ten arabic numbers, and about eight punctuation marks.”

Kurt Vonnegut (1922–2007) American writer

Public conversation with Lee Stringer, in Like Shaking Hands With God (1999)
Various interviews

“I think it can be tremendously refreshing if a creator of literature has something on his mind other than the history of literature so far. Literature should not disappear up its own asshole, so to speak.”

Kurt Vonnegut book Palm Sunday

"Self-Interview", originally appeared in The Paris Review no. 69 (1977)
Palm Sunday (1981)

History , Thinking

“What is literature but an insider's newsletter about affairs relating to molecules, of no importance to anything in the Universe but a few molecules who have the disease called "thought."”

Kurt Vonnegut book Bluebeard

Source: Bluebeard (1987), p. 188

Disease , Universe

“I think yet again of my father, who struggled to become a painter after he was forced into early and unwelcome retirement by the Great Depression. He has reason to be optimistic about his new career, since the early stages of his pictures, whether still or portraits or landscapes, were full of pow. Mother, meaning to be helpful, would say of each one: "That's really wonderful, Kurt. Now all you have to do is finish it." He would then ruin it. I remember a portrait he did of his only brother, Alex, who was an insurance salesman, which he called "Special Agent". When he roughed it in, his hand and eye conspired with a few bold strokes to capture several important truths about Alex, including a hint of disappointment. Uncle Alex was a proud graduate of Harvard, who would rather have been a scholar of literature than an insurance man.
When Father finished the portrait, made sure every square inch of masonite had its share of paint, Uncle Alex had disappeared entirely. We had a drunk and lustful Queen Victoria instead. This was terrible.”

Kurt Vonnegut (1922–2007) American writer

Fates Worse than Death (1991)

Truth , Disappointment , Thinking , Help

“The only link between Literature and the Drama left to us in England at the present moment is the bill of the play.”

Oscar Wilde (1854–1900) Irish writer and poet

A Few Maxims for the Instruction of the Over-Educated (1894)

“Oh! journalism is unreadable, and literature is not read.”

Oscar Wilde (1854–1900) Irish writer and poet

The Critic as Artist (1891), Part I

Reading

“Literature always anticipates life. It doesn't copy it but moulds it to it's purpose.”

Oscar Wilde (1854–1900) Irish writer and poet

Life

“I hate vulgar realism in literature. The man who would call a spade a spade should be compelled to use one.”

Oscar Wilde book The Picture of Dorian Gray

Source: The Picture of Dorian Gray

Hate

“The difference between literature and journalism is that journalism is unreadable and literature is not read.”

Oscar Wilde (1854–1900) Irish writer and poet

Source: Miscellaneous Aphorisms; The Soul of Man

Reading

“But can we go to posterity with a sheaf of loose pages, or ask the readers of those days, with the whole of literature before them, to sift our enormous rubbish heaps for our tiny pearls? Such are the questions which the critics might lawfully put to their companions at table, the novelists and poets.”

Virginia Woolf The Common Reader

"How It Strikes a Contemporary"
The Common Reader (1925)

Question

“It is the nature of the artist to mind excessively what is said about him. Literature is strewn with the wreckage of men who have minded beyond reason the opinions of others.”

Virginia Woolf book A Room of One's Own

Ch. 3 http://books.google.com/books?id=HSRFAAAAYAAJ&q=%22It+is+the+nature+of+the+artist+to+mind+excessively+what+is+said+about+him+Literature+is+strewn+with+the+wreckage+of+men+who+have+minded+beyond+reason+the+opinions+of+others%22&pg=PA98#v=onepage
A Room of One's Own (1929)

Men , Nature