Quotes about left
page 2

George Orwell photo

“If one harbours anywhere in one's mind a nationalistic loyalty or hatred, certain facts, although in a sense known to be true, are inadmissible. Here are just a few examples. I list below five types of nationalist, and against each I append a fact which it is impossible for that type of nationalist to accept, even in his secret thoughts:
: BRITISH TORY. Britain will come out of this war with reduced power and prestige.
: COMMUNIST. If she had not been aided by Britain and America, Russia would have been defeated by Germany.
: IRISH NATIONALIST. Eire can only remain independent because of British protection.
: TROTSKYIST. The Stalin regime is accepted by the Russian masses.
: PACIFIST. Those who "abjure" violence can only do so because others are committing violence on their behalf.
All of these facts are grossly obvious if one's emotions do not happen to be involved: but to the kind of person named in each case they are also intolerable, and so they have to be denied, and false theories constructed upon their denial. I come back to the astonishing failure of military prediction in the present war. It is, I think, true to say that the intelligentsia have been more wrong about the progress of the war than the common people, and that they were more swayed by partisan feelings. The average intellectual of the Left believed, for instance, that the war was lost in 1940, that the Germans were bound to overrun Egypt in 1942, that the Japanese would never be driven out of the lands they had conquered, and that the Anglo-American bombing offensive was making no impression on Germany. He could believe these things because his hatred for the British ruling class forbade him to admit that British plans could succeed. There is no limit to the follies that can be swallowed if one is under the influence of feelings of this kind. I have heard it confidently stated, for instance, that the American troops had been brought to Europe not to fight the Germans but to crush an English revolution. One has to belong to the intelligentsia to believe things like that: no ordinary man could be such a fool.”

George Orwell (1903–1950) English author and journalist

Notes on Nationalism (1945)

George Orwell photo

“In every country in the world a huge tribe of party-hacks and sleek little professors are busy 'proving' that Socialism means no more than a planned state—capitalism with the grab-motive left intact. But fortunately there also exists a vision of Socialism quite different from this. The thing that attracts ordinary men to Socialism and makes them willing to risk their skins for it, the 'mystique' of Socialism, is the idea of equality; to the vast majority of people Socialism means a classless society, or it means nothing at all.”

Homage to Catalonia (1938)
Context: The workers' militias, based on the trade unions and each composed of people of approximately the same political opinions, had the effect of canalizing into one place all the most revolutionary sentiment in the country. I had dropped more or less by chance into the only community of any size in Western Europe where political consciousness and disbelief in capitalism were more normal than their opposites. Up here in Aragón one was among tens of thousands of people, mainly though not entirely of working-class origin, all living at the same level and mingling on terms of equality. In theory it was perfect equality, and even in practice it was not far from it. There is a sense in which it would be true to say that one was experiencing a foretaste of Socialism, by which I mean that the prevailing mental atmosphere was that of Socialism. Many of the normal motives of civilized life--snobbishness, money-grubbing, fear of the boss, etc.--had simply ceased to exist. The ordinary class-division of society had disappeared to an extent that is almost unthinkable in the money-tainted air of England; there was no one there except the peasants and ourselves, and no one owned anyone else as his master. Of course such a state of affairs could not last. It was simply a temporary and local phase in an enormous game that is being played over the whole surface of the earth. But it lasted long enough to have its effect upon anyone who experienced it. However much one cursed at the time, one realized afterwards that one had been in contact with something strange and valuable. One had been in a community where hope was more normal than apathy or cynicism, where the word 'comrade' stood for comradeship and not, as in most countries, for humbug. One had breathed the air of equality. I am well aware that it is now the fashion to deny that Socialism has anything to do with equality. In every country in the world a huge tribe of party-hacks and sleek little professors are busy 'proving' that Socialism means no more than a planned state—capitalism with the grab-motive left intact. But fortunately there also exists a vision of Socialism quite different from this. The thing that attracts ordinary men to Socialism and makes them willing to risk their skins for it, the 'mystique' of Socialism, is the idea of equality; to the vast majority of people Socialism means a classless society, or it means nothing at all. And it was here that those few months in the militia were valuable to me.

Federico Fellini photo

“I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all.”

Federico Fellini (1920–1993) Italian filmmaker

"Artistic Freedom"
I'm a Born Liar (2003)
Context: I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and the rest of it.

Lionel Messi photo
Ben Shapiro photo
Premchand photo
Barack Obama photo

“We also know that populism can take dangerous turns -– from the extremism of those who would use democracy to deny minority rights, to the nationalism that left so many scars on this continent in the 20th century.”

Barack Obama (1961) 44th President of the United States of America

2011, Remarks by the President to Parliament in London, United Kingdom (May 2011)

“Left alone with the dial tone… excuse me, operator, why is no one listening?”

Melina Marchetta (1965) Australian teen writer

Source: Saving Francesca

Ronald Reagan photo

“I have left orders to be awakened at any time in case of national emergency, even if I'm in a cabinet meeting.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

Said often during his presidency (1981–1989)
1980s, First term of office (1981–1985)

Alice Hoffman photo
Leonardo Da Vinci photo
Michael Crichton photo
William Shakespeare photo
C.G. Jung photo

“Had I left those images hidden in the emotions, I might have been torn to pieces by them.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

“I was born when he kissed me, I died when he left me, I lived a few weeks while he loved me”

Variant: I was born when you kissed me. I died when you left me. I lived a few weeks while you loved me.
Source: In a Lonely Place

Rabindranath Tagore photo
Ringo Starr photo

“"How do you find America?"
"Turn left at Greenland.”

Ringo Starr (1940) British musician, former member of the Beatles
Christopher Morley photo
Patrick Rothfuss photo
James Allen photo
Carlos Ruiz Zafón photo
Ludwig von Mises photo
Vladimir Nabokov photo
Elizabeth Gilbert photo
Aldo Leopold photo

“All conservation of wildness is self-defeating, for to cherish we must see and fondle, and when enough have seen and fondled, there is no wilderness left to cherish.”

“Wisconsin: Marshland Elegy”, p. 101.
A Sand County Almanac, 1949, "Wisconsin: Marshland Elegy," "Wisconsin: The Sand Counties" "Wisconsin: On a Monument to the Pigeon," and "Wisconsin: Flambeau"
Source: A Sand County Almanac and Sketches Here and There
Context: To build a road is so much simpler than to think of what the country really needs. A roadless marsh is seemingly as worthless to the alphabetical conservationist as an undrained one was to the empire-builders. Solitude, the one natural resource still undowered of alphabets, is so far recognized as valuable only by ornithologists and cranes.
Thus always does history, whether of marsh or market place, end in paradox. The ultimate value in these marshes is wildness, and the crane is wildness incarnate. But all conservation of wildness is self-defeating, for to cherish we must see and fondle, and when enough have seen and fondled, there is no wilderness left to cherish.

Fulton J. Sheen photo
Robert Fulghum photo
Charles Bukowski photo
Clint Eastwood photo
Henry David Thoreau photo
Winston S. Churchill photo
Eckhart Tolle photo
Michael Moorcock photo
Lewis Carroll photo

“But it's no use now," thought poor Alice, "to pretend to be two people! Why, there's hardly enough of me left to make one respectable person!”

Lewis Carroll (1832–1898) English writer, logician, Anglican deacon and photographer

Source: Alice's Adventures in Wonderland & Through the Looking-Glass

Joseph Heller photo

“That crazy bastard may be the only sane one left.”

Source: Catch-22

Lewis Carroll photo
Anne Rice photo
Carlos Ruiz Zafón photo
Oscar Wilde photo
Libba Bray photo
Terry Pratchett photo
Anne Frank photo
Terry Pratchett photo

“All tapes left in a car for more than about a fortnight metamorphose into Best of Queen albums.”

Terry Pratchett (1948–2015) English author

Source: Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

Albert Schweitzer photo
Mark Twain photo
Katherine Paterson photo
Allen Ginsberg photo
Aldo Leopold photo

“Harmony with land is like harmony with a friend; you cannot cherish his right hand and chop off his left. That is to say, you cannot love game and hate predators… The land is one organism.”

Aldo Leopold (1887–1948) American writer and scientist

"Conservation" (c. 1938); Published in Round River, Luna B. Leopold (ed.), Oxford University Press, 1966, p. 145-146.
1930s
Context: Conservation is a state of harmony between men and land. … Harmony with land is like harmony with a friend; you cannot cherish his right hand and chop off his left. That is to say, you cannot love game and hate predators; you cannot conserve the waters and waste the ranges; you cannot build the forest and mine the farm. The land is one organism.

Maurice Maeterlinck photo
Fernando Pessoa photo
Haruki Murakami photo
Barry Lyga photo
Michael Connelly photo
Charles Bukowski photo

“the best often die by their own hand
just to get away,
and those left behind
can never quite understand
why anybody
would ever want to
get away
from
them”

Charles Bukowski (1920–1994) American writer

Variant: The best often die by their own hand
just to get away,
and those left behind
can never quite understand
why anybody
would ever want to
get away
from
them.

John Lennon photo

“Sometimes our questions are better left unanswered.”

Robert Dugoni (1961)

My Sister's Grave

Theodore Roosevelt photo
Isabel Allende photo
Virginia Woolf photo
Gay Talese photo
Viktor E. Frankl photo
Madeline Miller photo
Hugh Laurie photo
Richard Bach photo

“Overcome space, and all we have left is Here. Overcome time, and all we have left is Now.”

Source: Jonathan Livingston Seagull (1970)
Context: If our friendship depends on things like space and time, then when we finally overcome space and time, we've destroyed our own brotherhood! But overcome space, and all we have left is Here. Overcome time, and all we have left is Now. And in the middle of Here and Now, don't you think that we might see each other once or twice?

William Shakespeare photo
Terry Pratchett photo
Anne Frank photo
Carlos Ruiz Zafón photo
Diana Gabaldon photo
F. Scott Fitzgerald photo
Virginia Woolf photo

“He succeeded in being considered totally uninteresting. People left him alone. And that was all he wanted.”

Patrick Süskind (1949) German writer and screenwriter

Source: Perfume: The Story of a Murderer

Thomas Mann photo
Leon Trotsky photo
Friedrich Nietzsche photo

“There exists no more repulsive and desolate creature in the world than the man who has evaded his genius and who now looks furtively to left and right, behind him and all about him. In the end such a man becomes impossible to get hold of, since he is wholly exterior, without kernel: a tattered, painted bag of clothes; a decked-out ghost that cannot inspire even fear and certainly not pity.”

Es gibt kein öderes und widrigeres Geschöpf in der Natur als den Menschen, welcher seinem Genius ausgewichen ist und nun nach rechts und nach links, nach rückwärts und überallhin schielt. Man darf einen solchen Menschen zuletzt gar nicht mehr angreifen, denn er ist ganz Außenseite ohne Kern, ein anbrüchiges, gemaltes, aufgebauschtes Gewand.
“Schopenhauer as educator,” § 3.1, R. Hollingdale, trans. (1983), p. 128
Untimely Meditations (1876)

Claude Monet photo
Elias James Corey photo
Howard Carter photo
Eduardo Galeano photo
Bertrand Russell photo

“Some part of life – perhaps the most important part – must be left to the spontaneous action of individual impulse, for where all is system there will be mental and spiritual death.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

1950s, The Impact of Science on Society (1952)

H.P. Lovecraft photo
Theodore Roosevelt photo
Jane Addams photo
Óscar Romero photo
Bertrand Russell photo
Abraham Lincoln photo

“Some more in this convention came from Kentucky to Illinois (instead of going to Missouri), not only to better their conditions, but also to get away from slavery. They have said so to me, and it is understood among us Kentuckians that we don't like it one bit. Now, can we, mindful of the blessings of liberty which the early men of Illinois left to us, refuse a like privilege to the free men who seek to plant Freedom's banner on our Western outposts? Should we not stand by our neighbors who seek to better their conditions in Kansas and Nebraska? Can we as Christian men, and strong and free ourselves, wield the sledge or hold the iron which is to manacle anew an already oppressed race? "Woe unto them," it is written, "that decree unrighteous decrees and that write grievousness which they have prescribed."”

Abraham Lincoln (1809–1865) 16th President of the United States

Can we afford to sin any more deeply against human liberty?
From the Speech Delivered Before the First Republican State Convention of Illinois, Held at Bloomington (1856); found in Speeches & Letters of Abraham Lincoln, 1809-1865 (1894), J. M. Dent & Company, p. 56.
Also quoted by Ida Minerva Tarbell, The Life of Abraham Lincoln: Drawn from Original Sources and Containing Many Speeches, Letters, and Telegrams Hitherto Unpublished, and Illustrated with Many Reproductions from Original Paintings, Photographs, etc, Volume 4 (1902), Lincoln History Society http://lincolnhistoricalsociety.org/; and by William C. Whitney; in The Writings of Abraham Lincoln, v. 2' . (1905) Lapsley, Arthur Brooks, New York: G.P. Putnam's Sons
1850s

Alejandro Jodorowsky photo
Pablo Picasso photo

“When Matisse died, he left me his Odalisques 'as a legacy', he proclaimed.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

after the death of Matisse (1954); as quoted in Matisse & Picasso, By Paul Trachtman, Smithsonian Magazine, February 2003, p. 7
1950s

James Tobin photo
Daniel Handler photo

“If you have ever peeled an onion, then you know that the first thin, papery layer reveals another thin, papery layer, and that layer reveals another, and another, and before you know it you have hundreds of layers all over the kitchen table and thousands of tears in your eyes, sorry that you ever started peeling in the first place and wishing that you had left the onion alone to wither away on the shelf of the pantry while you went on with your life, even if that meant never again enjoying the complicated and overwhelming taste of this strange and bitter vegetable.

In this way, the story of the Baudelaire orphans is like an onion, and if you insist on reading each and every thin, papery layer in A Series of Unfortunate Events, your only reward will be 170 chapters of misery in your library and countless tears in your eyes. Even if you have read the first twelve volumes of the Baudelaires' story, it is not too late to stop peeling away the layers, and to put this book back on the shelf to wither away while you read something less complicated and overwhelming. The end of this unhappy chronicle is like its bad beginning, as each misfortune only reveals another, and another, and another, and only those with the stomach for this strange and bitter tale should venture any farther into the Baudelaire onion. I'm sorry to tell you this, but that is how the story goes.”

Source: The End (2006), Chapter 1

Friedrich Nietzsche photo

“In order to be able thus to misjudge, and thus to grant left-handed veneration to our classics, people must have ceased to know them. This, generally speaking, is precisely what has happened. For, otherwise, one ought to know that there is only one way of honoring them, and that is to continue seeking with the same spirit and with the same courage, and not to weary of the search.”

Um aber unsere Klassiker so falsch beurteilen und so beschimpfend ehren zu können, muß man sie gar nicht mehr kennen: und dies ist die allgemeine Tatsache. Denn sonst müßte man wissen, daß es nur eine Art gibt, sie zu ehren, nämlich dadurch, daß man fortfährt, in ihrem Geiste und mit ihrem Mute zu suchen, und dabei nicht müde wird.
(A. Ludovici trans.), § 1.2
Untimely Meditations (1876)

Hannes Alfvén photo