Quotes about disgust

A collection of quotes on the topic of disgust, people, use, likeness.

Quotes about disgust

Roald Dahl photo
Kurt Cobain photo
Fernando Pessoa photo

“We adore perfection because we can't have it; it would disgust us if we had it. Perfect is inhuman, because human is imperfect.”

Ibid., p. 249
Original: Adoramos a perfeição, porque não a podemos ter; repugná-la-íamos, se a tivéssemos. O perfeito é o desumano, porque o humano é imperfeito.
Source: The Book of Disquiet

Leo Tolstoy photo
Eugene O'Neill photo
Pierre-Auguste Renoir photo
Wolfgang Amadeus Mozart photo

“The passions, whether violent or not, should never be so expressed as to reach the point of causing disgust; and music, even in situations of the greatest horror, should never be painful to the ear but should flatter and charm it, and thereby always remain music.”

Wolfgang Amadeus Mozart (1756–1791) Austrian Romantic composer

Letter by Mozart, as quoted in a journal entry (12 December 1856) The Journal of Eugene Delacroix as translated by Walter Pach (1937), p. 521. The quote is not found in any authentic letter by Mozart.

George Orwell photo
Frederick II of Prussia photo
Leo Tolstoy photo
Dante Alighieri photo
George Fisher (musician) photo

“It's art, just look at it as art. Yeah, it's disgusting, but that's never gonna happen. Go to the Vatican and look at some of the artwork there. Woah! That's real, representing something that could happen. Monsters are never gonna come ripping out of your body.”

George Fisher (musician) (1970) vocalist for Cannibal Corpse

Discussing the Cannibal Corpse's usually gory album cover art, specifically "The Wretched Spawn"'s cover art in Metal: A Headbanger's Journey.

Albert Pike photo

“All that is done and said and thought and suffered upon the Earth combine together, and flow onward in one broad resistless current toward those great results to which they are determined by the will of God.
We build slowly and destroy swiftly. Our Ancient Brethren who built the Temples at Jerusalem, with many myriad blows felled, hewed, and squared the cedars, and quarried the stones, and car»ed the intricate ornaments, which were to be the Temples. Stone after stone, by the combined effort and long toil of Apprentice, Fellow-Craft, and Master, the walls arose; slowly the roof was framed and fashioned; and many years elapsed, before, at length, the Houses stood finished, all fit and ready for the Worship of God, gorgeous in the sunny splendors of the atmosphere of Palestine. So they were built. A single motion of the arm of a rude, barbarous Assyrian Spearman, or drunken Roman or Gothic Legionary of Titus, moved by a senseless impulse of the brutal will, flung in the blazing brand; and, with no further human agency, a few short hours sufficed to consume and melt each Temple to a smoking mass of black unsightly ruin.
Be patient, therefore, my Brother, and wait!
The issues are with God: To do,
Of right belongs to us.
Therefore faint not, nor be weary in well-doing! Be not discouraged at men's apathy, nor disgusted with their follies, nor tired of their indifference! Care not for returns and results; but see only what there is to do, and do it, leaving the results to God! Soldier of the Cross! Sworn Knight of Justice, Truth, and Toleration! Good Knight and True! be patient and work!”

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XIX : Grand Pontiff, p. 321

John Maynard Keynes photo

“The love of money as a possession — as distinguished from the love of money as a means to the enjoyments and realities of life — will be recognised for what it is, a somewhat disgusting morbidity, one of those semi-criminal, semi-pathological propensities which one hands over with a shudder to the specialists in mental disease”

as quoted in "Keynes and the Ethics of Capitalism" by Robert Skidelsy http://www.webcitation.org/query?id=1256603608595872&url=www.geocities.com/monedem/keyn.html
Essays in Persuasion (1931), Economic Possibilities for our Grandchildren (1930)
Context: When the accumulation of wealth is no longer of high social importance, there will be great changes in the code of morals. We shall be able to rid ourselves of many of the pseudo-moral principles which have hag-ridden us for two hundred years, by which we have exalted some of the most distasteful of human qualities into the position of the highest virtues. We shall be able to afford to dare to assess the money-motive at its true value. The love of money as a possession — as distinguished from the love of money as a means to the enjoyments and realities of life — will be recognised for what it is, a somewhat disgusting morbidity, one of those semi-criminal, semi-pathological propensities which one hands over with a shudder to the specialists in mental disease … But beware! The time for all this is not yet. For at least another hundred years we must pretend to ourselves and to everyone that fair is foul and foul is fair; for foul is useful and fair is not. Avarice and usury and precaution must be our gods for a little longer still. For only they can lead us out of the tunnel of economic necessity into daylight.

Joseph De Maistre photo
Mary Wollstonecraft Shelley photo
Friedrich Nietzsche photo
Mary Wollstonecraft Shelley photo
Abraham Lincoln photo
Henry Van Dyke photo
C.G. Jung photo
H.P. Lovecraft photo

“It is just as ridiculous to get excited & hysterical over a coming cultural change as to get excited & hysterical over one's physical aging... There is legitimate pathos about both processes; but blame & rebellion are essentially cheap, because inappropriate, emotions... It is wholly appropriate to feel a deep sadness at the coming of unknown things & the departure of those around which all our symbolic associations are entwined. All life is fundamentally & inextricably sad, with the perpetual snatching away of all the chance combinations of image & vista & mood that we become attached to, & the perpetual encroachment of the shadow of decay upon illusions of expansion & liberation which buoyed us up & spurred us on in youth. That is why I consider all jauntiness, & many forms of carelessly generalised humour, as essentially cheap & mocking, & occasionally ghastly & corpselike. Jauntiness & non-ironic humour in this world of basic & inescapable sadness are like the hysterical dances that a madman might execute on the grave of all his hopes. But if, at one extreme, intellectual poses of spurious happiness be cheap & disgusting; so at the other extreme are all gestures & fist-clenchings of rebellion equally silly & inappropriate—if not quite so overtly repulsive. All these things are ridiculous & contemptible because they are not legitimately applicable... The sole sensible way to face the cosmos & its essential sadness (an adumbration of true tragedy which no destruction of values can touch) is with manly resignation—eyes open to the real facts of perpetual frustration, & mind & sense alert to catch what little pleasure there is to be caught during one's brief instant of existence. Once we know, as a matter of course, how nature inescapably sets our freedom-adventure-expansion desires, & our symbol-&-experience-affections, definitely beyond all zones of possible fulfilment, we are in a sense fortified in advance, & able to endure the ordeal of consciousness with considerable equanimity... Life, if well filled with distracting images & activities favourable to the ego's sense of expansion, freedom, & adventurous expectancy, can be very far from gloomy—& the best way to achieve this condition is to get rid of the unnatural conceptions which make conscious evils out of impersonal and inevitable limitations... get rid of these, & of those false & unattainable standards which breed misery & mockery through their beckoning emptiness.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 291
Non-Fiction, Letters, to Frank Belknap Long

Elton Mayo photo

“Defeat takes the form of ultimate disillusion — a disgust with the "futility of endless pursuit."”

Elton Mayo (1880–1949) Australian academic

Source: The Human Problems of an Industrial Civilisation, (1933), p. 125

Nikola Tesla photo
Oscar Wilde photo

“Here we allow absolute freedom to the journalist and entirely limit the artist. English public opinion, that is to say, tries to constrain and impede and warp the man who makes things that are beautiful in effect, and compels the journalist to retail things that are ugly, or disgusting, or revolting in fact, so that we have the most serious journalists in the world and the most indecent newspapers.”

The Soul of Man Under Socialism (1891)
Source: Wilde, Oscar, (1891 / 1912) The Soul of Man Under Socialism, London, Arthur L. Humphreys. Retrieved from University of California Libraries Archive.org https://archive.org 13 February 2018 https://archive.org/details/soulofmanunderso00wildiala

Bobby Fischer photo

“They're lying bastards. Jews were always lying bastards throughout their history. They're a filthy, dirty, disgusting, vile, criminal people.”

Bobby Fischer (1943–2008) American chess prodigy, chess player, and chess writer

Radio Interview, March 10 1999 http://www.geocities.jp/bobbby_b/mp3/F_05_3.MP3
1990s

Emil M. Cioran photo
Abraham Lincoln photo
H.P. Lovecraft photo

“Oh, yes … I'm really frightfully human and love all mankind, and all that sort of thing. Mankind is truly amusing, when kept at the proper distance. And common men, if well-behaved, are really quite useful. One is a cynick only when one thinks. At such times the herd seems a bit disgusting because each member of it is always trying to hurt somebody else, or gloating because somebody else is hurt. Inflicting pain seems to be the chief sport of persons whose tastes and interests run to ordinary events and direct pleasures and rewards of life—the animalistic or (if one may use a term so polluted with homoletick associations) worldly people of our absurd civilisation. ……. I may be human, all right, but not quite human enough to be glad at the misfortune of anybody. I am rather sorry (not outwardly but genuinely so) when disaster befalls a person—sorry because it gives the herd so much pleasure. … The natural hatefulness and loathsomeness of the human beast may be overcome only in a few specimens of fine heredity and breeding, by a transference of interests to abstract spheres and a consequent sublimation of the universal sadistic fury. All that is good in man is artificial; and even that good is very slight and unstable, since nine out of ten non-primitive people proceed at once to capitalise their asceticism and vent their sadism by a Victorian brutality and scorn towards all those who do not emulate their pose. Puritans are probably more contemptible than primitive beasts, though neither class deserves much respect.”

H.P. Lovecraft (1890–1937) American author

Letter to James F. Morton (8 March 1923), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, pp. 211-212
Non-Fiction, Letters

Thomas Paine photo

“Shoes won’t help you get white girls. White girls are disgusted by you, silly little Asian.”

Elliot Rodger (1991–2014) American spree killer

As quoted in Josh Glasstetter, "Elliot Rodger, Isla Vista Shooting Suspect, Posted Racist Messages on Misogynistic Website", Hatewatch (May 24, 2014)
Bodybuilding.com, PUAhate and ForeverAlone posts

Thomas Mann photo

“How else is the famous short story ‘A study in Abjection’ to be understood but as an outbreak of disgust against an age indecently undermined by psychology.”

On a short story of the character, "Gustav Aschenbach". Ch. 2, as translated by David Luke
Death in Venice (1912)

Marquis de Sade photo
Victoria Woodhull photo
Stefan Zweig photo
Friedrich Nietzsche photo
Mark Twain photo
Claude Monet photo

“I am in a very black mood and profoundly disgusted with painting. It really is a continual torture! Don't expect to see anything new, the little I did manage to do has been destroyed, scraped off, or torn up. You've no idea what appalling weather we've had continuously these two past months. When you're trying to convey the weather, the atmosphere and the general mood, it's enough to make you mad with rage.”

Claude Monet (1840–1926) French impressionist painter

Quote from Monet's letter to art-critic and his friend Gustave Geffroy, Giverny 1890; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 56
1890 - 1900

Abraham Lincoln photo
Friedrich Nietzsche photo
Alejandro Jodorowsky photo
Oscar Wilde photo
H.P. Lovecraft photo

“Now the trickiest catch in the negro problem is the fact that it is really twofold. The black is vastly inferior. There can be no question of this among contemporary and unsentimental biologists—eminent Europeans for whom the prejudice-problem does not exist. But, it is also a fact that there would be a very grave and very legitimate problem even if the negro were the white man's equal. For the simple fact is, that two widely dissimilar races, whether equal or not, cannot peaceably coexist in the same territory until they are either uniformly mongrelised or cast in folkways of permanent and traditional personal aloofness. No normal being feels at ease amidst a population having vast elements radically different from himself in physical aspect and emotional responses. A normal Yankee feels like a fish out of water in a crowd of cultivated Japanese, even though they may be his mental and aesthetic superiors; and the normal Jap feels the same way in a crowd of Yankees. This, of course, implies permanent association. We can all visit exotic scenes and like it—and when we are young and unsophisticated we usually think we might continue to like it as a regular thing. But as years pass, the need of old things and usual influences—home faces and home voices—grows stronger and stronger; and we come to see that mongrelism won't work. We require the environing influence of a set of ways and physical types like our own, and will sacrifice anything to get them. Nothing means anything, in the end, except with reference to that continuous immediate fabric of appearances and experiences of which one was originally part; and if we find ourselves ingulphed by alien and clashing influences, we instinctively fight against them in pursuit of the dominant freeman's average quota of legitimate contentment.... All that any living man normally wants—and all that any man worth calling such will stand for—is as stable and pure a perpetuation as possible of the set of forms and appearances to which his value-perceptions are, from the circumstances of moulding, instinctively attuned. That is all there is to life—the preservation of a framework which will render the experience of the individual apparently relevant and significant, and therefore reasonably satisfying. Here we have the normal phenomenon of race-prejudice in a nutshell—the legitimate fight of every virile personality to live in a world where life shall seem to mean something.... Just how the black and his tan penumbra can ultimately be adjusted to the American fabric, yet remains to be seen. It is possible that the economic dictatorship of the future can work out a diplomatic plan of separate allocation whereby the blacks may follow a self-contained life of their own, avoiding the keenest hardships of inferiority through a reduced number of points of contact with the whites... No one wishes them any intrinsic harm, and all would rejoice if a way were found to ameliorate such difficulties as they have without imperilling the structure of the dominant fabric. It is a fact, however, that sentimentalists exaggerate the woes of the average negro. Millions of them would be perfectly content with servile status if good physical treatment and amusement could be assured them, and they may yet form a well-managed agricultural peasantry. The real problem is the quadroon and octoroon—and still lighter shades. Theirs is a sorry tragedy, but they will have to find a special place. What we can do is to discourage the increase of their numbers by placing the highest possible penalties on miscegenation, and arousing as much public sentiment as possible against lax customs and attitudes—especially in the inland South—at present favouring the melancholy and disgusting phenomenon. All told, I think the modern American is pretty well on his guard, at last, against racial and cultural mongrelism. There will be much deterioration, but the Nordic has a fighting chance of coming out on top in the end.”

H.P. Lovecraft (1890–1937) American author

Letter to James F. Morton (January 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 253
Non-Fiction, Letters, to James Ferdinand Morton, Jr.

Thomas Mann photo

“Psycho-analyses — how disgusting.”

"Hans Castorp" in Ch. 1
The Magic Mountain (1924)

Stefan Zweig photo
Bertrand Russell photo
Friedrich Nietzsche photo

“It is a matter of honor with me to be absolutely clean and unequivocal in relation to anti-Semitism, namely, opposed to it, as I am in my writings. I have recently been persecuted with letters and Anti-Semitic Correspondence Sheets. My disgust with this party (which would like the benefit of my name only too well!) is as pronounced as possible”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Objecting to his sister Elisabeth, about her marriage to the anti-semite Bernhard Förster, in a Christmas letter (1887) http://www.geocities.com/thenietzschechannel/nlett1887.htm in Friedrich Nietzsche's Collected Letters, Vol. V, #479
Context: You have committed one of the greatest stupidities — for yourself and for me! Your association with an anti-Semitic chief expresses a foreignness to my whole way of life which fills me again and again with ire or melancholy. … It is a matter of honor with me to be absolutely clean and unequivocal in relation to anti-Semitism, namely, opposed to it, as I am in my writings. I have recently been persecuted with letters and Anti-Semitic Correspondence Sheets. My disgust with this party (which would like the benefit of my name only too well!) is as pronounced as possible, but the relation to Förster, as well as the aftereffects of my former publisher, the anti-Semitic Schmeitzner, always brings the adherents of this disagreeable party back to the idea that I must belong to them after all. … It arouses mistrust against my character, as if publicly I condemned something which I have favored secretly — and that I am unable to do anything against it, that the name of Zarathustra is used in every Anti-Semitic Correspondence Sheet, has almost made me sick several times.

Friedrich Nietzsche photo
William Hazlitt photo

“Love turns, with little indulgence, to indifference or disgust: hatred alone is immortal.”

William Hazlitt (1778–1830) English writer

Source: On the Pleasure of Hating

Charles Bukowski photo
Rick Riordan photo
Jean Paul Sartre photo

“It is disgusting -- Why must we have bodies?”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …
Darren Shan photo
Jane Austen photo
Laurell K. Hamilton photo
Ray Bradbury photo
Charles Bukowski photo
Charles Baudelaire photo

“The truth remains. I was, and am, disgusted with myself.”

Julie Anne Peters (1952) American writer

Source: By the Time You Read This, I'll Be Dead

Francis Fukuyama photo
Percy Bysshe Shelley photo
Laurie Halse Anderson photo
Daniel Kahneman photo
Michel Houellebecq photo
Cassandra Clare photo
Richelle Mead photo
Marianne Moore photo

“I am hard to disgust, but a pretentious poet can do it”

Marianne Moore (1887–1972) American poet and writer

Source: Complete Poems

Ayi Kwei Armah photo
Steven Pinker photo

“Disgust is intuitive microbiology”

Source: The Blank Slate: The Modern Denial of Human Nature

John Cage photo
Albert Einstein photo
Rachel Caine photo
Sylvia Plath photo

“God, is this all it is, the ricocheting down the corridor of laughter and tears? Of self-worship and self-loathing? Of glory and disgust?”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Source: The Unabridged Journals of Sylvia Plath

Michael Pollan photo
Zadie Smith photo
Charles Bukowski photo
Stephen Fry photo

“"Fine. Your oatmeal spread in the fridge would go too, but it's already been opened. That stuff was disgusting."
"Jay, thats my facial scrub."”

Rob Payne (1973) Canadian writer

Source: Working Class Zero (2003), Chapter 17, p. 141

Daniel James Jr. photo
Francis Escudero photo
George Eliot photo
John Banville photo
Harry Harrison photo
Francis Parkman photo
Mike Huckabee photo
Mumia Abu-Jamal photo

“Once again, my family and I find ourselves being assaulted by the obscenity that is Mumia Abu-Jamal. On Sunday October 5th, my husband's killer will once again air his voice from what masquerades as a prison, and spew his thoughts and ideas at another college commencement. Mumia Abu-Jamal will be heard and honored as a victim and a hero by a pack of adolescent sycophants at Goddard College in Vermont. Despite the fact that 33 years ago, he loaded his gun with special high-velocity ammunition designed to kill in the most devastating fashion, then used that gun to rip my husband's freedom from him--today, Mumia Abu-Jamal will be lauded as a freedom fighter. Undoubtedly the administrators at Goddard who first accepted, then enthusiastically supported Abu-Jamal as their speaker will be moved by his "important message" when, if one distills that message to its basic meaning, it amounts to nothing more than the same worn out hatred for this country and everyone in law enforcement that Mumia Abu-Jamal has harbored his entire life. Many at Goddard College have said that this is a matter of Abu-Jamal's First Amendment right to speak and be heard. What a convenient way to dodge their responsibility to take a moral position on this situation. This is not a matter of First Amendment rights -- it's a matter of right and wrong. Across the country, people have been voicing their disgust with the wrong that the college is about to commit by allowing a convicted cop-killer to speak to them. Is this the message to be heard? How could they allow him to speak when Danny no longer has a voice? It is my opinion that all murderers should forfeit their right to free speech when they take the life of an innocent person. I have repeatedly seen college administrators deny conservative and religious speakers access to their campuses when even the tiniest minority feel their message is in some way offensive. What could be more offensive than having a person who violently took the life of another imparting his "unique perspective" on your students? Let's be honest. The instructors, administrators and graduates at Goddard College embrace having this killer as their commencement speaker not despite the fact that he brutally murdered a cop, but because he brutally murdered a cop. Otherwise, like so many other speakers that have been denied access to college campuses across the country, Goddard's administration would have lived up to their moral responsibility and pulled the plug on this travesty long ago. Shame on Goddard College and all associated with that school for choosing to honor an arrogant remorseless killer as their commencement speaker. Unfortunately, this is something that I am certain they will be proud of for the rest of their lives.”

Mumia Abu-Jamal (1954) Prisoner, Journalist, Broadcaster, Author, Activist

Statement http://6abc.com/news/mumia-abu-jamal-speech-met-with-vigil-for-slain-officer/337357/ by Maureen Faulkner, widow of Daniel Faulkner, upon Abu-Jamal's delivering the Commencement Address at Goddard College in 2014
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Joseph Strutt photo
Oriana Fallaci photo

“Europe is no longer Europe, it is Eurabia, a colony of Islam, where the Islamic invasion does not proceed only in a physical sense, but also in a mental and cultural sense… I am an atheist, and if an atheist and a pope think the same things, there must be something true. There must be some human truth that is beyond religion… I am disgusted by the anti-Semitism of many Italians, of many Europeans… Look at the school system of the West today. Students do not know history! They don't know who Churchill was! In Italy, they don't even know who Cavour was!… Servility to the invaders has poisoned democracy, with obvious consequences for the freedom of thought, and for the concept itself of liberty… State-run television stations contribute to the resurgent anti-Semitism, crying only over Palestinian deaths while playing down Israeli deaths, glossing over them in unwilling tones… The increased presence of Muslims in Italy and in Europe is directly proportional to our loss of freedom… The Muslims refuse our culture and try to impose their culture on us. I reject them, and this is not only my duty toward my culture-it is toward my values, my principles, my civilization… The struggle for freedom does not include the submission to a religion which, like the Muslim religion, wants to annihilate other religions… The West reveals a hatred of itself, which is strange and can only be considered pathological; it now sees only what is deplorable and destructive… These charlatans care about the Palestinians as much as I care about the charlatans. That is not at all… When I was given the news, I laughed. The trial is nothing else but a demonstration that everything I've written is true… President Bush has said, 'We refuse to live in fear.'…Beautiful sentence, very beautiful. I loved it! But inexact, Mr. President, because the West does live in fear. People are afraid to speak against the Islamic world. Afraid to offend, and to be punished for offending, the sons of Allah. You can insult the Christians, the Buddhists, the Hindus, the Jews. You can slander the Catholics, you can spit on the Madonna and Jesus Christ. But, woe betide the citizen who pronounces a word against the Islamic religion.”

Oriana Fallaci (1929–2006) Italian writer

A Sermon for the West">From "A Sermon for the West" By Oriana Fallaci - Oct. 22, 2002 Address to an audience at the American Enterprise Institute

Aldous Huxley photo

“There was a time when I should have felt terribly ashamed of not being up-to-date. I lived in a chronic apprehension lest I might, so to speak, miss the last bus, and so find myself stranded and benighted, in a desert of demodedness, while others, more nimble than myself, had already climbed on board, taken their tickets and set out toward those bright but, alas, ever receding goals of Modernity and Sophistication. Now, however, I have grown shameless, I have lost my fears. I can watch unmoved the departure of the last social-cultural bus—the innumerable last buses, which are starting at every instant in all the world’s capitals. I make no effort to board them, and when the noise of each departure has died down, “Thank goodness!” is what I say to myself in the solitude. I find nowadays that I simply don’t want to be up-to-date. I have lost all desire to see and do the things, the seeing and doing of which entitle a man to regard himself as superiorly knowing, sophisticated, unprovincial; I have lost all desire to frequent the places and people that a man simply must frequent, if he is not to be regarded as a poor creature hopelessly out of the swim. “Be up-to-date!” is the categorical imperative of those who scramble for the last bus. But it is an imperative whose cogency I refuse to admit. When it is a question of doing something which I regard as a duty I am as ready as anyone else to put up with discomfort. But being up-to-date and in the swim has ceased, so far as I am concerned, to be a duty. Why should I have my feelings outraged, why should I submit to being bored and disgusted for the sake of somebody else’s categorical imperative? Why? There is no reason. So I simply avoid most of the manifestations of that so-called “life” which my contemporaries seem to be so unaccountably anxious to “see”; I keep out of range of the “art” they think is so vitally necessary to “keep up with”; I flee from those “good times” in the “having” of which they are prepared to spend so lavishly of their energy and cash.”

Aldous Huxley (1894–1963) English writer

“Silence is Golden,” p. 55
Do What You Will (1928)

Ernst Kaltenbrunner photo

“(While smiling, and jokingly) You haven't come to see me for three weeks. I wondered whether you had become disgusted with us war criminals - particularly me, the so-called archcriminal of them all.”

Ernst Kaltenbrunner (1903–1946) Austrian-born senior official of Nazi Germany executed for war crimes

To Leon Goldensohn, 6/6/46, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004

Herbert Hoover photo
Anthony Burgess photo

“Disgusting, ridiculous, when other people did it.”

Anthony Burgess (1917–1993) English writer

Fiction, Devil of a State (1961)

Gloria Allred photo