Quotes about mood

„Sell the kids for food
weather changes moods
spring is here again
reproductive glands“

—  Kurt Cobain American musician and artist 1967 - 1994

Song lyrics, Nevermind (1991)

„I’m not mad. I’m in a perfectly happy mood, you asshole.“

—  Kurt Cobain American musician and artist 1967 - 1994

„I would like to go mad on one condition, namely, that I would become a happy madman, lively and always in a good mood, without any troubles and obsessions, laughing senselessly from morning to night.“

—  Emil M. Cioran Romanian philosopher and essayist 1911 - 1995

On the Heights of Despair (1934)

„It is important to focus more on what we need than on what we want, because much of what we want unnecessarily complicates our lives. The answer is to approach the Divinity in the mood of. "Thy will be done. Use me for Your purposes." Even higher than that sentiment is to request that God remove our free will so that we cannot even exercise it. We are then fully available for the Lord's service.“

—  Bhakti Tirtha Swami American Hindu writer 1950 - 2005

Source: Books, Spiritual Warrior, Volume I: Uncovering Spiritual Truths in Psychic Phenomena (Hari-Nama Press, 1996), Chapter 4: Fire and Brimstone, Horns and Tail, p. 67

„I conceived the idea from my personal everyday experience, so what's better than to capture myself in the perfect mood.“

—  NasserTone Nasser Ali Albahrani is a director, cinematographer, photographer, producer, & YouTuber, who was born on April 3, 1994,… 1994

Panorama Magazine Article (September 19, 2010)

„Each day he has a new idol, each week a new mood. His authority is public opinion: when that shifts, his frustrated soul shifts with it.“

—  Fulton J. Sheen Catholic bishop and television presenter 1895 - 1979

Source: Peace of Soul (1949), Ch. 1, pp. 7–8
Context: The modern man is no longer a unity, but a confused bundle of complexes and nerves. He is so dissociated, so alienated from himself that he sees himself less as a personality than as a battlefield where a civil war rages between a thousand and one conflicting loyalties. There is no single overall purpose in his life. His soul is comparable to a menagerie in which a number of beasts, each seeking its own prey, turn one upon the other. Or he may be likened to a radio, that is tuned in to several stations; instead of getting any one clearly, it receives only an annoying static.If the frustrated soul is educated, it has a smattering of uncorrected bits of information with no unifying philosophy. Then the frustrated soul may say to itself: "I sometimes think there are two of me a living soul and a Ph. D." Such a man projects his own mental confusion to the outside world and concludes that, since he knows no truth, nobody can know it. His own skepticism (which he universalizes into a philosophy of life) throws him back more and more upon those powers lurking in the dark, dank caverns of his unconsciousness. He changes his philosophy as he changes his clothes. On Monday, he lays down the tracks of materialism; on Tuesday, he reads a best seller, pulls up the old tracks, and lays the new tracks of an idealist; on Wednesday, his new roadway is Communistic; on Thursday, the new rails of Liberalism are laid; on Friday, he-hears a broadcast and decides to travel on Freudian tracks: on Saturday, he takes a long drink to forget his railroading and, on Sunday, ponders why people are so foolish as to go to Church. Each day he has a new idol, each week a new mood. His authority is public opinion: when that shifts, his frustrated soul shifts with it.

„Don't tell me," he said. "You've got a drawing emergency. You need a nude model. Well, I'm not in the mood. You could ask Hodge.“

—  Cassandra Clare, The Mortal Instruments

Jace to Clary, pg. 324
The Mortal Instruments, City of Bones (2007)

„Don't." Clary raised a warning hand. "I'm not really in the mood right now."
"That's got to be the first time a girl's ever said that to me," Jace mused.“

—  Cassandra Clare, book City of Bones

Source: City of Bones

„The memory has as many moods as the temper, and shifts its scenery like a diorama.“

—  George Eliot, book Middlemarch

Source: Middlemarch

„If a painting has a soulful effect on the viewer, if it puts his mind into a soulful mood, then it has fulfilled the first requirement of a work of art. However bad it might be in drawing, color, handling, etc.“

—  Caspar David Friedrich Swedish painter 1774 - 1840

Quote of Friedrich's letter 8 Feb. 1809, to 'Akademiedirektor Schulz'; as cited by Helmut Bôrsch-Supan and Karl Wilhelm Jàhnig in Caspar David Friedrich: Gemâlde, Druckgraphik und bildmassige Zeichnungen (Munich: Prestel, 1973), 182-83, esp. 183; translation, David Britt - note 117 http://d2aohiyo3d3idm.cloudfront.net/publications/virtuallibrary/0892366745.pdf
1794 - 1840

„A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later.“

—  Stanley Kubrick American film director, screenwriter, producer, cinematographer and editor 1928 - 1999

„In contrast to the flux and muddle of life, art is clarity and enduring presence. In the stream of life, few things are perceived clearly because few things stay put. Every mood or emotion is mixed or diluted by contrary and extraneous elements. The clarity of art—the precise evocation of mood in the novel, or of summer twilight in a painting—is like waking to a bright landscape after a long fitful slumber, or the fragrance of chicken soup after a week of head cold.“

—  Yi-Fu Tuan Chinese-American geographer 1930

Passing Strange and Wonderful: Aesthetics, Nature, and Culture, ch. 10 (1993).

„I have come to the frightening conclusion that I am the decisive element in the classroom. It is my personal approach that creates the climate. It is my daily mood that makes the weather. As a teacher, I possess a tremendous power to make a child's life miserable or joyous. I can be a tool of torture or an instrument of inspiration. I can humiliate or humor, hurt or heal. In all situations, it is my response that decides whether a crisis will be escalated or de-escalated, a child humanized or de-humanized.“

—  Haim Ginott psychologist 1922 - 1973

Quoted in Fair isn't always equal: assessing & grading in the differentiated classroom By Rick Wormeli, p. 9

„The point is that one sees things at different moments with different eyes. Differently in the morning then in the evening. The way in which one sees also depends on one's mood…. coming in from a dark bedroom in the morning into the sitting room one will, for example, see everything in a bluish light. Even the deepest shadows are topped with bright light. After a while one will accustom oneself to the light and the shadows will be deeper and everything will be seen more sharply. If an atmosphere of this kind is being painted it won't do merely to sit and gaze at everything 'just as one sees'. One must paint precisely the fleeting moment of significance – one must capture the exact experience separating that significant moment from the next – the exact moment when the motif struck one… In some circumstances a chair may seem to be just as interesting as a human being. In some way or another it must have caught the interest in which case the onlooker's interest must somehow be engaged in the same way. It's not the chair that should be painted, but what the person has felt at the sight of it [written in Saint Cloud, 1890 - probably related to the chair of Vincent van Gogh“

—  Edvard Munch Norwegian painter and printmaker 1863 - 1944

Quote of Munch from: T 2770, (1890); as cited in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 83-84
1880 - 1895

„I have mood poisoning. Must be something I hate.“

—  Marilyn Manson American rock musician and actor 1969

„The nature of the firmis not simply a minimizer of transaction costs, but a kind of protective enclave from the potentially volatile and sometimes destructive, ravaging speculation of a competitive market. In the market the rational calculus depends upon the fragile price conven- tion which can often depend on ‘whim or sentiment or chance’. Habits and traditions within the firm are necessarily more enduring because they embody skills and information which cannot always or easily be codified or made subject to a rational calculus. what the tlrm achieves is an institutionalization of these rules and routines within a durable organizational structure. In consequence they are given some degree of permanence and guarded to some extent from the mood waves of speculation in the market.“

—  Geoffrey Hodgson British economist 1946

Source: Economics and Institutions, 1988, p. 208

„Here, in seeing that Final Cause — causation at the call of self-posited aim or end — is the only full and genuine cause, we further see that Nature, the cosmic aggregate of phenomena and the cosmic bond of their law which in the mood of vague and inaccurate abstraction we call Force, is after all only an effect.“

—  George Holmes Howison American philosopher 1834 - 1916

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Limits of Evolution, p.39

„Truth is one forever, absolute; but opinion is truth filtered through the moods, the blood, the disposition, of the spectator.“

—  Wendell Phillips American abolitionist, advocate for Native Americans, orator and lawyer 1811 - 1884

Fraternity lecture delivered in Boston (4 October 1859), published in Speeches, Letters and Lectures by Wendell Phillips (1884), p. 245
1850s

„Art deals with profound and simple moods.... Let us suppose that the artist – in this instance [the artist] Picabia – gets a certain impression by looking at our skyscrapers, our city, our way of life, and that he tries to reproduce it.... he will convey it in plastic ways on the canvas, even though we see neither skyscrapers nor city on it.“

—  Filippo Tommaso Marinetti Italian poet and editor, founder of the Futurist movement 1876 - 1944

quote from an interview in 'A Paris painter', H. Hapgood; in 'Globe and commercial Advertiser', 20 February 1913, p. 8 / 10
1910's