Quotes about drawing

A collection of quotes on the topic of drawing, draw, use, doing.

Best quotes about drawing

“Life is the art of drawing without an eraser.”

John W. Gardner (1912–2002) American politician

Quoted in Matthew M. Radmanesh, Cracking the Code of Our Physical Universe, p. 269.

“I can only draw what I see.”

Claude Monet (1840–1926) French impressionist painter

“We can draw lessons from the past, but we cannot live in it.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

“To draw, you must close your eyes and sing”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

“Something told me to draw or die.”

Minnie Evans (1892–1987) American artist

Cited In Susan Mitchell Crawley "Let It Shine: Self-Taught Art From The T. Marshall Hahn Collection" p. 177

“Stupidity lies in wanting to draw conclusions.”

Gustave Flaubert (1821–1880) French writer (1821–1880)

“Morality, like art, means drawing a line someplace.”

Oscar Wilde (1854–1900) Irish writer and poet

“Drawing on my fine command of language, I said nothing.”

Mark Twain (1835–1910) American author and humorist

“Once killing starts, it is difficult to draw the line.”

Tacitus book Histories

Book I, 39
Histories (100-110)

“We draw the line against misconduct, not against wealth.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

State of the Union address (2 December 1902)
1900s
Context: Our aim is not to do away with corporations; on the contrary, these big aggregations are an inevitable development of modern industrialism, and the effort to destroy them would be futile unless accomplished in ways that would work the utmost mischief to the entire body politic. We can do nothing of good in the way of regulating and supervising these corporations until we fix clearly in our minds that we are not attacking the corporations, but endeavoring to do away with any evil in them. We are not hostile to them; we are merely determined that they shall be so handled as to subserve the public good. We draw the line against misconduct, not against wealth.

Claude Monet quote: “I can only draw what I see.”

Arifur Rahman quote: “Everyone can draw, and a drawing doesn't have any mistakes.”

Quotes about drawing

“Your humans slaughter each other because of the color of your skin, or your faith or your plitics -- or for no reason at all -- too many of you hate as easily as you draw breath. - Magneto”

Stan Lee (1922–2018) American comic book writer

Hate, Faith, Color

“Each of us has a particular way of looking at the world, of interpreting events and the actions of people around us. This is our attitude, and it determines much of what happens to us in life. If our attitude is essentially fearful, we see the negative in every circumstance. We stop ourselves from taking chances. We blame others for mistakes and fail to learn from them. If we feel hostile or suspicious, we make others feel such emotions in our presence. We sabotage our career and relationships by unconsciously creating the circumstances we fear the most. The human attitude, however, is malleable. By making our attitude more positive, open, and tolerant of other people, we can spark a different dynamic—we can learn from adversity, create opportunities out of nothing, and draw people to us. We must explore the limits of our willpower and how far it can take us.”

Robert Greene (1959) American author

Chap. 8 : Change Your Circumstances by Changing Your Attitude
The Laws of Human Nature (2018)

Life, Chance, Hostility, People

“I am one of those who think like Nobel, that humanity will draw more good than evil from new discoveries.”

Marie Curie (1867–1934) French-Polish physicist and chemist

As quoted in White Coat Tales : Medicine's Heroes, Heritage and Misadventures‎ (2007) by Robert B. Taylor, p. 141. The original Source is the last sentence of https://www.nobelprize.org/nobel_prizes/physics/laureates/1903/pierre-curie-lecture.pdf
Misattributed

Thinking, Evil

“We think to survive but reason to prosper in life, for one to draw the difference between the two requires reason.”

Hamis Kiggundu (1984) Ugandan business magnate, Internet entrepreneur, philanthropist, and author

Quoted from his first book https://en.wikipedia.org/wiki/Success_and_Failure_Based_on_Reason_and_Reality, "Success and Failure Based on Reason and Reality" https://www.amazon.co.uk/SUCCESS-FAILURE-BASED-REASON-REALITY/dp/9970983903/ on Amazon, P.75 (July 2018)

Thinking, Life

“Don't be too quick to draw conclusions from what happens to you; simply let it happen. Otherwise it will be too easy for you to look with blame… at your past, which naturally has a share with everything that now meets you.”

Rainer Maria Rilke book Letters to a Young Poet

Source: Letters to a Young Poet

Nature, Past

“Is there any point to which you would wish to draw my attention?'

'To the curious incident of the dog in the night-time.'

'The dog did nothing in the night-time.'

'That was the curious incident,' remarked Sherlock Holmes.”

Arthur Conan Doyle book The Adventure of Silver Blaze

Source: Silver Blaze

Dogs, Time, Night

“I cannot rest, I must draw, however poor the result, and when I have a bad time come over me it is a stronger desire than ever.”

Beatrix Potter (1866–1943) English children's writer and illustrator

Time

“A tree has roots in the soil yet reaches to the sky. It tells us that in order to aspire we need to be grounded and that no matter how high we go it is from our roots that we draw sustenance. It is a reminder to all of us who have had success that we cannot forget where we came from. It signifies that no matter how powerful we become in government or how many awards we receive, our power and strength and our ability to reach our goals depend on the people, those whose work remain unseen, who are the soil out of which we grow, the shoulders on which we stand”

Wangari Maathai (1940–2011) Kenyan environmental and political activist

People, Tree, Success, Dependency

“A childish feeling, I admit, but, when we retire from the conventions of society and draw close to nature, we involuntarily become children: each attribute acquired by experience falls away from the soul, which becomes anew such as it was once and will surely be again.”

Mikhail Lermontov book A Hero of Our Time

A Hero of Our Time (1840; rev. 1841)

Children, Feeling, Soul, Nature

“Every artist has thousands of bad drawings in them and the only way to get rid of them is to draw them out.”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

Way

“If you love math, have a knack for numbers, study hard and become a successful accountant; who cares if you can't draw a straight line or sing on key?”

Nick Carter (1980) singer from the United States

Source: Facing the Music And Living To Talk About It

Love, Study, Singing, Success

“To hang on from day to day and from week to week, spinning out a present that had no future, seemed an unconquerable instinct, just as one's lungs will always draw the next breath so long as there is air available.”

George Orwell book 1984

Source: 1984

Future

“It is not often that nations learn from the past, even rarer that they draw the correct conclusions from it.”

Henry Kissinger (1923–2023) United States Secretary of State

Learning, Past

“I prefer drawing to talking. Drawing is faster, and leaves less room for lies.”

Le Corbusier (1887–1965) architect, designer, urbanist, and writer

“There are defining moments in one's life when you learn about yourself, and you deposit that knowledge in the experience account, so you can draw on it at some later date.”

Jeffrey Archer book Best Kept Secret

Source: Best Kept Secret

Life, Knowledge, Learning

“When I sit down to write a book, I do not say to myself, 'I am going to produce a work of art.' I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.”

George Orwell Why I Write

Source: Why I Write

Lie, Books, Art

“All artists are willing to suffer for their work. But why are so few prepared to learn to draw?”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Existencilism (2002)
Source: Wall and Piece

Suffering, Learning

“Said Hamlet to Ophelia,
I'll draw a sketch of thee.
What kind of pencil shall I use?
2B or not 2B?”

Spike Milligan (1918–2002) British-Irish comedian, writer, musician, poet, playwright, soldier and actor

“[Bill Evans talking about Miles Davis's change of style to jazz fusion] I would like to hear more of the consummate melodic master, but I feel that big business and his record company have had a corrupting influence on his material. The rock and pop thing certainly draws a wider audience. It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music. It’s tempting for the musician to prejudice his own views when recording opportunities are so infrequent but I for one am determined to resist the temptation.”

Bill Evans (1929–1980) American jazz pianist

http://jazztimes.com/articles/20128-miles-davis-and-bill-evans-miles-and-bill-in-black-white.

People, Music, Feeling, Business

“Now, of all acts the most complete is that of constructing. A work demands love, meditation, obedience to your finest thought, the invention of laws by your soul, and many other things that it draws miraculously from your own self, which did not suspect that it possessed them. This work proceeds from the most intimate center of your existence, and yet it is distinct from yourself.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Socrates, p. 145
Eupalinos ou l'architecte (1921)

Love, Law, Soul

“When animus and anima meet, the animus draws his sword of power and the anima ejects her poison of illusion and seduction. The outcome need not always be negative, since the two are equally likely to fall in love”

C.G. Jung book Aion: Researches into the Phenomenology of the Self

a special instance of love at first sight
Aion (1951). CW 9, Part II: P.338.30

Love

“Caesar overtook his advanced guard at the river Rubicon, which formed the frontier between Gaul and Italy. Well aware how critical a decision confronted him, he turned to his staff, remarking: "We may still draw back but, once across that little bridge, we shall have to fight it out."”
Consecutusque cohortis ad Rubiconem flumen, qui provinciae eius finis erat, paulum constitit, ac reputans quantum moliretur, conversus ad proximos: "Etiam nunc," inquit, "regredi possumus; quod si ponticulum transierimus, omnia armis agenda erunt."

Sueton book The Twelve Caesars

Source: The Twelve Caesars, Julius Caesar, Ch. 31

Decision, Fight

“Reasoning draws a conclusion and makes us grant the conclusion, but does not make the conclusion certain, nor does it remove doubt so that the mind may rest on the intuition of truth, unless the mind discovers it by the path of experience.”

Roger Bacon book Opus Majus

Opus Majus, c. 1267
Source: Robert Belle Burke (2002) The Opus Majus of Roger Bacon Part 2. p. 583

Truth

“Forget the takes. Takes are cheap shots. Anyone can do a goddamn take. […] You don't have to be a genius to draw a take. It's emotions— the full range of emotions— that works in Clampett's cartoons.”

John Kricfalusi (1955) Canadian animator

Wheeler W. Dixon (2001), "Creating Ren and Stimpy (1992)", Collected Interviews: Voices from Twentieth-Century Cinema (SIU Press): 89

Forgetting

“Believing that these propositions, and the [conclusions] I draw from them can not be successfully controverted, I, for the present, assume their correctness, and proceed to try to show, that the abandonment of the protective policy by the American Government, must result in the increase of both useless labour, and idleness; and so, in pro[por]tion, must produce want and ruin among our people.”

Abraham Lincoln (1809–1865) 16th President of the United States

"Fragments of a Tariff Discussion", Collected Works of Abraham Lincoln, Vol. 1, p. 415 http://quod.lib.umich.edu/l/lincoln/lincoln1/1:423?rgn=div1;view=fulltext; according to the source Lincoln's "scraps about protection were written by Lincoln, between his election to Congress in 1846, and taking his seat in Dec. 1847". 1840s

People

“There is no doubt a difference in the right hon. gentleman's demeanour as leader of the Opposition and as Minister of the Crown. But that's the old story; you must not contrast too strongly the hours of courtship with the years of possession. 'Tis very true that the right hon. gentleman's conduct is different. I remember him making his protection speeches. They were the best speeches I ever heard. It was a great thing to hear the right hon. gentleman say: "I would rather be the leader of the gentlemen of England than possess the confidence of Sovereigns". That was a grand thing. We don't hear much of "the gentlemen of England" now. But what of that? They have the pleasures of memory—the charms of reminiscence. They were his first love, and, though he may not kneel to them now as in the hour of passion, still they can recall the past; and nothing is more useless or unwise than these scenes of crimination and reproach, for we know that in all these cases, when the beloved object has ceased to charm, it is in vain to appeal to the feelings. You know that this is true. Every man almost has gone through it. My hon. gentleman does what he can to keep them quiet; he sometimes takes refuge in arrogant silence, and sometimes he treats them with haughty frigidity; and if they knew anything of human nature they would take the hint and shut their mouths. But they won't. And what then happens? What happens under all such circumstances? The right hon. gentleman, being compelled to interfere, sends down his valet, who says in the genteelest manner: "We can have no whining here". And that, sir, is exactly the case of the great agricultural interest—that beauty which everybody wooed and one deluded. There is a fatality in such charms, and we now seem to approach the catastrophe of her career. Protection appears to be in about the same condition that Protestantism was in 1828. The country will draw its moral. For my part, if we are to have free trade, I, who honour genius, prefer that such measures should be proposed by the hon. member for Stockport than by one who through skilful Parliamentary manoeuvres has tampered with the generous confidence of a great people and a great party. For myself, I care not what may be the result. Dissolve, if you please, the Parliament you have betrayed. For me there remains this at least—the opportunity of expressing thus publicly my belief that a Conservative Government is an organised hypocrisy.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Speech http://hansard.millbanksystems.com/commons/1845/mar/17/agricultural-interest in the House of Commons (17 March 1845). 1840s

Love, People, Pleasure, Beauty

“It is not bright colors but good drawing that makes figures beautiful.”

Titian (1488–1576) Italian painter

As quoted in The Quotable Artist (2002) by Peggy Hadden, p. 32.
undated quotes

Beauty, Color

“I have no sense of pleasure or pain, and I stay as I have always been. Sometimes He draws me outside, and sometimes He takes me inside and I am completely withdrawn. I am nobody, all of my actions are done by him and not by me.”

Sri Anandamoyi Ma (1896–1982) Hindu saint

Gopinath Kaviraj, Sri Sri Ma Anandamayi: Upadesa O Prasnottara, p. 1
By followers

Pain, Pleasure, Sense

“There are people who are convinced of the wickedness both of armies and of police forces, but who are nevertheless much more intolerant and inquisitorial in outlook than the normal person who believes that it is necessary to use violence in certain circumstances. They will not say to somebody else, ‘Do this, that and the other or you will go to prison’, but they will, if they can, get inside his brain and dictate his thoughts for him in the minutest particulars. Creeds like pacifism and anarchism, which seem on the surface to imply a complete renunciation of power, rather encourage this habit of mind. For if you have embraced a creed which appears to be free from the ordinary dirtiness of politics — a creed from which you yourself cannot expect to draw any material advantage — surely that proves that you are in the right? And the more you are in the right, the more natural that everyone else should be bullied into thinking likewise.”

George Orwell (1903–1950) English author and journalist

"Lear, Tolstoy and the Fool," Polemic (March 1947)

People, Nature, Thinking, Appearance

“Illustration from the late-1900s up through the middle of the 20th century was absolutely amazing. In general, American culture was at its highest skill wise in every aspect of human life in the 1940s. It’s all been downhill since then. You just open an old magazine from the 1930s and ’40s and look at the illustrations in it. There’s nobody alive that could touch the way they could draw back then.”

John Kricfalusi (1955) Canadian animator

In Amid Amidi The John Kricfalusi Interview, Part 2 http://www.cartoonbrew.com/old-brew/the-john-kricfalusi-interview-part-2-434.html, Cartoon Brew, 31 August 2004.

Life, Way

“Two artists can suggest two different subject matters and two completely different pictures by using the same spot. Every picture demonstrates certain aspects from the inner life of the painter who made it. For this reason, the orthodox Tachist is wary of letting himself be influenced by Leonardo's famous wall... I grant the painter the right to speak, to laugh, to take a stand and to draw upon all his hallucinatory faculties. But I absolutely refuse to live like a Tachist.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote from 'Max Ernst im Gesprach mit Eduard Roditi' (1967), as cited in Max Ernst, Écritures Paris, 1970, p. 416
1951 - 1976

Life

“The predicament of our time is that the Rationalists have been at work so long on their project of drawing off the liquid in which our moral ideals were suspended (and pouring it away as worthless) that we are left only with the dry and gritty residue which chokes us as we try to take it down. First, we do our best to destroy parental authority (because of its alleged abuse), then we sentimentally deplore the scarcity of 'good homes', and we end by creating substitutes which complete the work of destruction. And it is for this reason that, among much else that is corrupt and unhealthy, we have the spectacle of a set of sanctimonious, rationalist politicians, preaching an ideology of unselfishness and social service to a population in which they and their predecessors have done their best to destroy the only living root of moral behaviour; and opposed by another set of politicians dabbling with the project of converting us from Rationalism under the inspiration of a fresh rationalization of our political tradition.”

Michael Oakeshott (1901–1990) British philosopher

Rationalism in Politics and Other Essays (1962)

Home, Parent, Time

“Silence will create respect and dignity; justice and fairplay will bring more friends; benevolence and charity will enhance prestige and position; courtesy will draw benevolence; service of mankind will secure leadership and good words will overcome powerful enemies.”

Ali book Nahj al-Balagha

Nahj al-Balagha

Justice, Silence

“To manage is to forecast and plan, to organize, to command, to coordinate and to control. To foresee and plan means examining the future and drawing up the plan of action. To organize means building up the dual structure, material and human, of the undertaking. To command means binding together, unifying and harmonizing all activity and effort. To control means seeing that everything occurs in conformity with established rule and expressed demand.”

Henri Fayol (1841–1925) Developer of Fayolism

Henri Fayol (1916) cited in: Russell C. Swansburg (1996) Management and Leadership for Nurse Managers, p. 1

Effort, Future

“In addition to this there is the horrible — the really disquieting — prevalence of cranks wherever Socialists are gathered together. One sometimes gets the impression that the mere words 'Socialism' and 'Communism' draw towards them with magnetic force every fruit-juice drinker, nudist, sandal-wearer, sex-maniac, Quaker, 'Nature Cure' quack, pacifist, and feminist in England.”

George Orwell book The Road to Wigan Pier

The Road to Wigan Pier (1937) - Full text online http://gutenberg.net.au/ebooks02/0200391.txt

Sex, Communication, Nature

“At the end of the second day as I was lying all alone, I saw clearly a being, with a part of the head cut off, in a military uniform (or the remains of a military uniform) approaching me and suddenly flinging himself upon my chest, with that half a head to suck my force. I took a good look, then realised that I was about to die. He was drawing all my life out … I was completely nailed to the bed, without movement, in a deep trance. I could no longer stir and he was pulling. I thought: now it is the end. Then I called on my occult power, I gave a big fight and I succeeded in turning him back so that he could not stay there any longer. And I woke up … I know how much knowledge and force were necessary for me to resist. It was irresistible.”

The Mother (1878–1973) spiritual collaborator of Sri Aurobindo

When she was attacked by a serious fever epidemic which had engulfed Japan in 1917 and this occult experience was widely publicized after the epidemic had abated, quoted in "Japan (1916-20)", also in “Yogi-doctors” and Occult Healing Arts:Towards a Post-colonial Anthropology of Holistic Therapeutics at Sri Aurobindo Ashram http://www.isa-sociology.org/publ/E-symposium/E-symposium-vol-1-1-2011/EBul-Mar-11-Paranjape.pdf., p. 8

Life, Lying, Knowledge, Fight

“With what is he concerned? Drawing was at its lowest ebb; it had to be restored. Looking at these nudes, I exclaim, 'Drawing has come back again!'
As a man and painter he sets an example. 'Degas' is one of those rare masters who could have had anything he wanted, yet he scorned decorations, honors, fortune, without bitterness, without jealousy.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Quote of Paul Gauguin, in Avant et après (1903)
1890s - 1910s

Jealousy

“If they took away all my paints, I'd use pastels, if they took away my pastels, I'd use crayons, if they took away my crayons, I'd use a pencil. If they put me in a cell, and stripped me of everything, I'd spit on my finger and draw on the wall.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

The original quote attributed to Picasso in 1951 quotes him as saying that 'even if he were imprisoned, he would draw on the dust-covered prison walls and on the floor, with his fingers dripped in his own spit' (see above). This expansion appears to derive from an interview given by actor Dustin Hoffman to the L.A. Times in 2001.
http://articles.latimes.com/2001/mar/04/entertainment/ca-32985
Disputed

Painting

“It constantly remains a source of disappointment to me that my drawings are not yet what I want them to be. The difficulties are indeed numerous and great, and cannot be overcome at once.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to Theo, The Hague, 11 March 1883, http://www.webexhibits.org/vangogh/letter/12/274.htm?qp=art.material,as translated by Johanna van Gogh-Bonger, edited by Robert Harrison, in The Complete Letters of Vincent van Gogh (1991) 1880s, 1883 Context: It constantly remains a source of disappointment to me that my drawings are not yet what I want them to be. The difficulties are indeed numerous and great, and cannot be overcome at once. To make progress is a kind of miner’s work; it doesn’t advance as quickly as one would like, and as others also expect, but as one stands before such a task, the basic necessities are patience and faithfulness. In fact, I do not think much about the difficulties, because if one thought of them too much one would get stunned or disturbed. A weaver who has to direct and to interweave a great many little threads has no time to philosophize about it, but rather he is so absorbed in his work that he doesn’t think but acts, and he feels how things must go more than he can explain it. Even though neither you nor I, in talking together, would come to any definite plans, etc., perhaps we might mutually strengthen that feeling that something is ripening within us. And that is what I should like.

Disappointment

“I must have the gentleman to haul and draw with the mariner, and the mariner with the gentleman.”

Francis Drake (1540–1596) English sea captain, privateer, navigator, slaver, and politician of the Elizabethan era

Speech to his crew off of Puerto San Julian, Argentina, prior to entering the Strait of Magellan (May 1578)
Context: For by the life of God, it doth even take my wits from me to think on it. Here is such controversy between the sailors and gentlemen, and such stomaching between the gentlemen and sailors, it doth make me mad to hear it. But, my masters, I must have it left. For I must have the gentleman to haul and draw with the mariner, and the mariner with the gentleman. What! let us show ourselves to be of a company and let us not give occasion to the enemy to rejoice at our decay and overthrow. I would know him that would refuse to set his hand to a rope, but I know there is not any such here...

“Do not say, "Draw the curtain that I may see the painting." The curtain is the painting.”

Nikos Kazantzakis book The Saviors of God

The Saviors of God (1923)
Context: "I do not know whether behind appearances there lives and moves a secret essence superior to me. Nor do I ask; I do not care. I create phenomena in swarms, and paint with a full palette a gigantic and gaudy curtain before the abyss. Do not say, "Draw the curtain that I may see the painting." The curtain is the painting.

Painting

“The ancients considered mechanics in a twofold respect; as rational, which proceeds accurately by demonstration, and practical. To practical mechanics all the manual arts belong, from which mechanics took its name. But as artificers do not work with perfect accuracy, it comes to pass that mechanics is so distinguished from geometry, that what is perfectly accurate is called geometrical; what is less so is called mechanical. But the errors are not in the art, but in the artificers. He that works with less accuracy is an imperfect mechanic: and if any could work with perfect accuracy, he would be the most perfect mechanic of all; for the description of right lines and circles, upon which geometry is founded, belongs to mechanics. Geometry does not teach us to draw these lines, but requires them to be drawn; for it requires that the learner should first be taught to describe these accurately, before he enters upon geometry; then it shows how by these operations problems may be solved.”

Isaac Newton book Philosophiae Naturalis Principia Mathematica

Preface (8 May 1686)
Philosophiæ Naturalis Principia Mathematica (1687)

Art, Perfection, Problem, Error

“The darkness isn't afraid of coming close to me, my fear of loneliness draws him towards me. Darkness surrounds me and despair takes hold of me. I start to torment my loneliness, and my silence begins to take my life. When I call my happiness darkness always turns happiness way. Darkness is not afraid of me coming close to me, my fear pulls it to me.”

Shabdon Ka Jahan

Silence, Happiness, Loneliness, Fear

“[...] above a certain intellectual level people are ashamed of being antisemitic and are careful to draw a distinction between “antisemitism” and “disliking Jews.””

George Orwell (1903–1950) English author and journalist

Source: Antisemitism in Britain (1945)

People

“The life of this people greatly accords with my taste, which is naturally somewhat indolent and melancholy... To repose on voluptuous ottomans and smoke superb pipes, daily to indulge in the luxuries of a bath which requires half a dozen attendants for its perfection; to court the air in a carved caïque, by shores which are a perpetual scene; and to find no exertion greater than a canter on a barb; this is, I think, a far more sensible life than all the bustle of clubs, all the boring of drawing-rooms, and all the coarse vulgarity of our political controversies.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Source: Letter to Edward Lytton Bulwer from Constantinople, Turkey (27 December 1830), quoted in William Flavelle Monypenny and George Earle Buckle, The Life of Benjamin Disraeli, Earl of Beaconsfield. Volume I. 1804–1859 (1929), p. 174

Perfection, Nature, Thinking, Life

“Love and religion! thought Clarissa, going back into the drawing room, tingling all over. How detestable, how detestable they are!”

Virginia Woolf book Mrs Dalloway

Source: Mrs. Dalloway

Love, Religion

“When people are happy they have a reserve upon which to draw, whereas she was like a wheel without a tyre”

Virginia Woolf book Mrs Dalloway

Source: Mrs. Dalloway

People, Happiness

“Creativity is that marvelous capacity to grasp mutually distinct realities and draw a spark from their juxtaposition.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Reality

“Let us draw the curtain of charity over the rest of this scene”

Mark Twain book The Adventures of Tom Sawyer

Source: The Adventures of Tom Sawyer

“I am jealous of those who think more deeply, who write better, who draw better, who ski better, who look better, who live better, who love better than I.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Source: The Unabridged Journals of Sylvia Plath

Love, Thinking

“I am made and remade continually. Different people draw different words from me.”

Virginia Woolf book The Waves

Source: The Waves

People

“… I draw on the work of Piaget (1968) in identifying conflict as the harbinger of growth and also on the work of Erikson (1964) who, in charting development through crisis, demonstrates how a heightened vulnerability signals the emergence of a potential strength, creating a dangerous opportunity for growth, "a turning point for better or worse" (p. 139).”

Carol Gilligan (1936) American feminist, ethicist, and psychologist

Source: In a Different Voice: Psychological Theory and Women's Development

“No one can draw more out of things, books included, than he already knows. A man has no ears for that to which experience has given him no access.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Books

“Begin by drawing and painting like the old masters. After that do as you see fit - you will always be respected.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), p. 82

Painting

“Can you look without the voice in your head commenting, drawing conclusions, comparing, or trying to figure something out?”

Eckhart Tolle (1948) German writer

Source: A New Earth: Awakening to Your Life's Purpose

“If we seem to get no good by attempting to draw near to Him, we may be sure we will get none by keeping away from Him.”

John Newton (1725–1807) Anglican clergyman and hymn-writer

“Drawing is not what you see but what you must make others see.”

Edgar Degas (1834–1917) French artist

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

“A diary with no drawings of me in it? Where are the torrid fantasies? The romance novel covers? The”

Cassandra Clare book City of Bones

Jace to Clary, pg. 204
Source: The Mortal Instruments, City of Bones (2007)

“When there's a moon the shadows in the house grow larger;
invisible hands draw back the curtains,
a pallid finger writes forgotten words on dust
of the piano…”

Yiannis Ritsos (1909–1990) Greek poet

Source: The Fourth Dimension

Housing

“Every day brings a chance for you to draw in a breath, kick off your shoes, and dance.”

Oprah Winfrey (1954) American businesswoman, talk show host, actress, producer, and philanthropist

Moving On, Shoe, Chance, Dance

“When you draw something it lives and when you photograph it it dies”

John Fowles book The Collector

Source: The Collector

“When another recognizes you, that recognition draws the dimension of Being more fully into this world through both of you. That is the love that redeems the world.”

Eckhart Tolle (1948) German writer

Love, World

“The painter who draws merely by practice and by eye, without any reason, is like a mirror which copies every thing placed in front of it without being conscious of their existence.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting

“Many are they who have a taste and love for drawing, but no talent; and this will be discernible in boys who are not diligent and never finish their drawings with shading.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting

Love, Boy

“When I got my first commission after Habitat, for a few weeks I couldn't draw.”

Moshe Safdie (1938) Israeli-Canadian architect

CBC television interview, used for many years in CBC Montreal's sign-on montage

“Italian fascism was the immediate outgrowth of the betrayal by the reformists of the uprising of the Italian proletariat. From the time the [first world] war ended, there was an upward trend in the revolutionary movement in Italy, and in September 1920 it resulted in the seizure of factories and industries by the workers. The dictatorship of the proletariat was an actual fact; all that was lacking was to organize it and draw from it all the necessary conclusions. The social democracy took fright and sprang back. After its bold and heroic exertions, the proletariat was left facing the void. The disruption of the revolutionary movement became the most important factor in the growth of fascism. In September, the revolutionary advance came to a standstill; and November already witnessed the first major demonstration of the fascists”

Leon Trotsky (1879–1940) Marxist revolutionary from Russia

the seizure of Bologna
Source: Fascism: What It Is and How to Fight It (1944), Ch. 2

War, World, Democracy, Betrayal

“I feel there is sensuality … eroticism in the primary things that move, like animals and insects. Being able to inspire the movement to still images … gives me the joy of the creator that breathes life into things that do not have life. The movement must be sufficiently round and sweet … so express its eroticism. In creating cartoons I always think of an ideal, but … half the finish to doubt the rightness of what I'm doing. So I put all my expectations always work next. * * […] I often say jokingly that comics are my true wife and that the cartoons are my lover. The fact that I am fully dedicated to animation, my lover … is because it allows me to express in a sublime … the interesting metamorphosis of a changing body. For me, the greatest fun, no doubt, lies in the draw and give movement to change processes. Always look in my cartons this metamorphosis.”

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

From Interview to the author , in Osamu Tezuka, Jumping ; quoted in AA.VV., Osamu Tezuka: A Manga Biography , vol. 4, translated by Marta Fogato, Coconino Press, Bologna, 2001, p. 178. ISBN 8888063188

Life, Feeling, Lovers, Thinking

“First of all I want to remind you of the essential features of models. In my opinion they are: (i) drawing up a list of the variables to be considered; (ii) drawing up a list of the equations or relations the variables have to obey and (iii) testing the validity of the equations, which implies the estimation of their coefficients, if any. As a consequence of especially (iii) we may have to revise (i) and (ii) so as to arrive at a satisfactory degree of realism of the theory embodied in the model. Then, the model may be used for various purposes, that is, for the solution of various problems. The advantages of models are, on one hand, that they force us to present a "complete" theory by which I mean a theory taking into account all relevant phenomena and relations and, on the other hand, the confrontation with observation, that is, reality. Of course these remarks are far from new.”

Jan Tinbergen (1903–1994) Dutch economist

"The Use of Models: Experience," 1969

Problem, Reality

“Superficial knowledge … is hurtful to those who possess true genius; for it necessarily draws them away from their main object, wastes their industry over details and subjects foreign to their needs and natural talent, and lastly does not serve, as they flatter themselves, to prove the breadth of their mind. In all ages there have been men of very moderate intelligence who knew much, and so on the contrary, men of the highest intelligence who knew very little. Ignorance is not lack of intelligence, nor knowledge a proof of genius.”

Luc de Clapiers, Marquis de Vauvenargues (1715–1747) French writer, a moralist

Source: Reflections and Maxims (1746), p. 178.

Men, Age, Intelligence, Nature

“Successful men of all the ages have learned to multiply themselves by gathering thought energy into a high potential and using it in the direction of the purpose intended. Every successful man or great genius has three particular qualities in common. The most conspicuous of these is that their minds grow more brilliant as they grow older, instead of less brilliant. Great men’s lives begin at forty, where the mediocre man’s life ends. The genius remains an ever-flowing fountain of creative achievement until the very last breath he draws. The geniuses have learned how to gather thought energy together to use for transforming their conceptions into material forms. The thinking of creative and successful men is never exerted in any direction other that that intended. That is why great men produce a prodigious amount of work, seemingly without effort and without fatigue. The amount of work such men leave to posterity is amazing. When one considers such men of our times as Edison, Henry Ford or Theodore Roosevelt, one will find the three characteristics I have mentioned common to every one of them.”

Walter Russell (1871–1963) American philosopher

The Man who Tapped the Secrets of the Universe

Life, Men, Age, Thinking

“Once centenarian teacher who had the body of an adolescent told me he had studied martial arts. "Me, too," I answered. We were in Notre Dame, and he said, "Attack me." I put myself in a combat position, and he moved his left hand in such an incredibly beautiful way that while I looked at it, fascinated, he gave me a big slap. "Beauty is the most dangerous weapon," he warned. It took me a long time to understand. He used a secret Chinese practice, which consists of drawing a snake in the air with your hand to distract the enemy. And that is how beauty is: the most awful weapon.”

Alejandro Jodorowsky (1929) Filmmaker and comics writer

Psychomagic: The Transformative Power of Shamanic Psychotherapy (2010)

Secret, Beauty, Art, Way

“You see, whether you can draw like this or not, being able to think up this kind of design, it depends on whether or not you can say to yourself, 'Oh, yeah, girls like this exist in real life.' If you don’t spend time watching real people, you can’t do this, because you’ve never seen it. Some people spend their lives interested only in themselves. Almost all Japanese animation is produced with hardly any basis taken from observing real people, you know. It’s produced by humans who can’t stand looking at other humans. And that’s why the industry is full of otaku!”

Hayao Miyazaki (1941) Japanese animator, film director, and mangaka

2014 interview http://en.rocketnews24.com/2014/01/30/ghiblis-hayao-miyazaki-says-the-anime-industrys-problem-is-that-its-full-of-anime-fans/ with Japanese news website Golden Times, 27 January 2014. Translated by RocketNews24 on January 30, 2014.

Life, People, Girl, Thinking

“My most dear lord, King and husband, / The hour of my death now drawing on, the tender love I owe you forceth me, my case being such, to commend myself to you, and to put you in remembrance with a few words of the health and safeguard of your soul which you ought to prefer before all worldly matters, and before the care and pampering of your body, for the which you have cast me into many calamities and yourself into many troubles. For my part, I pardon you everything, and I wish to devoutly pray God that He will pardon you also. For the rest, I commend unto you our daughter Mary, beseeching you to be a good father unto her, as I have heretofore desired. I entreat you also, on behalf of my maids, to give them marriage portions, which is not much, they being but three. For all my other servants I solicit the wages due them, and a year more, lest they be unprovided for. Lastly, I make this vow, that mine eyes desire you above all things. / Katharine the Quene.”

Catherine of Aragon (1485–1536) first wife of Henry VIII of England (1485–1536)

Sharon Turner (1828) The History of England from the Earliest Period to the Death of Elizabeth, Longman, Rees, Orme, Brown and Green.

Love, Death, God, Marriage

“I first followed the comics of Tagawa Suihō and Yokoyama Ryūichi. But suddenly, once I became devoted to Disney, I set out to copy and master that stuffed-animal style, eventually ending up with how I now draw.”

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

Source: http://www.tcj.com/tezuka-osamu-and-american-comics/ Tezuka Osamu and American Comics

Animals

“The State is a collection of officials, different for difference purposes, drawing comfortable incomes so long as the status quo is preserved. The only alteration they are likely to desire in the status quo is an increase of bureaucracy and the power of bureaucrats.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1920s, Sceptical Essays (1928), Ch. 12: Free Thought and Official Propaganda http://books.google.com/books?id=9tQsg5ITfHsC&q=%22The+State+is+a+collection+of+officials+different+for+different+purposes+drawing+comfortable+incomes+so+long+as+the+status+quo+is+preserved+The+only+alteration+they+are+likely+to+desire+in+the+status+quo+is+an+increase+of+bureaucracy+and+the+power+of+bureaucrats%22&pg=PA134#v=onepage

“The next tide will erase the way through the mudflats,
and everything will be again equal on all sides;
but the small, far-out island already has its
eyes closed; bewildered, the dike draws a circlearound its inhabitants who were born
into a sleep in which many worlds
are silently confused, for they rarely speak,
and every phrase is like an epitaph.”

Rainer Maria Rilke book New Poems

Die nächste Flut verwischt den Weg im Watt,
und alles wird auf allen Seiten gleich;
die kleine Insel draußen aber hat
die Augen zu; verwirrend kreist der Deichum ihre Wohner, die in einem Schlaf
geboren werden, drin sie viele Welten
verwechseln schweigend, denn sie reden selten,
und jeder Satz ist wie ein Epitaph
Die Insel I (The Island I) (as translated by Cliff Crego)
Neue Gedichte (New Poems) (1907)

World, Way, Sleep

“I treat paintings as I treat objects. If a window in a picture looks wrong, I close it and draw the curtains, just as I would do in my own room.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Quote in "Picasso", Hans L. C. Jaffe, Thames and Hudson Ltd
Attributed from posthumous publications

Painting

“I was born undisciplined. Never, even as a child, could I be made to obey a set rule. What little I know I learned at home. School was always like a prison to me, I could never bring myself to stay there, even four hours a day, when the sun was shining and the sea was so tempting, and it was such fun scrambling over cliffs and paddling in the shallows. Such, to the great despair of my parents, was the unruly but healthy life I lived until I was fourteen or fifteen. In the meantime I somehow picked up the rudiments of reading, writing and arithmetic, with a smattering of spelling. And there my schooling ended. It never worried me very much because I always had plenty of amusements on the side. I doodled in the margins of my books, I decorated our blue copy paper with ultra-fantastic drawings, and I drew the faces and profiles of my schoolmasters as outrageously as I could, distorting them out of all recognition.”

Claude Monet (1840–1926) French impressionist painter

in Denis Rouart (1972) Claude Monet, p. 21 : About his youth
after Monet's death

Life, Books, School, Home

“All I have produced before the age of seventy is not worth taking into account. At seventy-three I have learned a little about the real structure of nature, of animals, plants, trees, birds, fishes and insects. In consequence when I am eighty, I shall have made still more progress. At ninety I shall penetrate the mystery of things; at one hundred I shall certainly have reached a marvelous stage; and when I am a hundred and ten, everything I do, be it a dot or a line, will be alive. I beg those who live as long as I to see if I do not keep my word. Written at the age of seventy five by me, once Hokusai, today Gwakyo Rojin, the old man mad about drawing.”

Hokusai (1760–1849) Japanese artist

On one of his pseudonom, Gyakyo Rojin. He may have said the above in his late life definitely, since he began to use the name Gwakyo Rojin in 1843.
Attributed

Age, Nature, Bird, Fish

“I have no imagination. I never plan a drawing, they just happen.”

Minnie Evans (1892–1987) American artist

Cited in: Paul Arnett, ‎William Arnett (2000), Souls Grown Deep: The tree gave the dove a leaf. p. 308

Imagination

“Ah! How neatly tied, in these people, is the umbilical cord of morality! Since they left their mothers they have never sinned, have they? They are apostles, they are the descendants of priests; one can only wonder from what source they draw their indignation, and above all how much they have pocketed to do this, and in any case what it has done for them.”

Antonin Artaud (1896–1948) French-Occitanian poet, playwright, actor and theatre director

General Security: The Liquidation of Opium (1925)

People

“Evaluated by Sanãtana Dharma, Christianity and Islam turn out to be constructs of the outer human mind, drawing upon dark drives of the unregenerate unconscious. Sanãtana Dharma stands for self-exploration, self-purification, and self-transcendence, while Islam and Christianity stand for self-stupefaction, self-righteousness, and self-aggrandizement.”

Sita Ram Goel (1921–2003) Indian activist

Defence of Hindu Society (1983)

“When I find myself in the company of scientists, I feel like a shabby curate who has strayed by mistake into a drawing room full of dukes.”

W. H. Auden book The Dyer's Hand

"The Poet & The City", p. 81
The Dyer's Hand, and Other Essays (1962)

Feeling

“He who is himself crossed in love is able from time to time to master his passion, for he is not the creature but the creator of his own misery; and if a lover is unable to control his passion, he at least knows that he is himself to blame for his sufferings. But he who is loved without reciprocating that love is lost beyond redemption, for it is not in his power to set a limit to that other's passion, to keep it within bounds, and the strongest will is reduced to impotence in the face of another's desire. Perhaps only a man can realize to the full the tragedy of such an undesired relationships; for him alone the necessity to resist t is at once martyrdom and guilt. For when a woman resists an unwelcome passion, she is obeying to the full the law of her sex; the initial gesture of refusal is, so to speak, a primordial instinct in every female, and even if she rejects the most ardent passion she cannot be called inhuman. But how disastrous it is when fate upsets the balance, when a woman so far overcomes her natural modesty as to disclose her passion to a man, when, without the certainty of its being reciprocated, she offers her love, and he, the wooed, remains cold and on the defensive! An insoluble tangle this, always; for not to return a woman's love is to shatter her pride, to violate her modesty. The man who rejects a woman's advances is bound to wound her in her noblest feelings. In vain, then, all the tenderness with which he extricates himself, useless all his polite, evasive phrases, insulting all his offers of mere friendship, once she has revealed her weakness! His resistance inevitably becomes cruelty, and in rejecting a woman's love he takes a load of guild upon his conscience, guiltless though he may be. Abominable fetters that can never be cast off! Only a moment ago you felt free, you belonged to yourself and were in debt to no one, and now suddenly you find yourself pursued, hemmed in, prey and object of the unwelcome desires of another. Shaken to the depths of your soul, you know that day and night someone is waiting for you, thinking of you, longing and sighing for you - a woman, a stranger. She wants, she demands, she desires you with every fibre of her being, with her body, with her blood. She wants your hands, your hair, your lips, your manhood, your night and your day, your emotions, your senses, and all your thought and dreams. She wants to share everything with you, to take everything from you, and to draw it in with her breath. Henceforth, day and night, whether you are awake or asleep, there is somewhere in the world a being who is feverish and wakeful and who waits for you, and you are the centre of her waking and her dreaming. It is in vain that you try not to think of her, of her who thinks always of you, in vain that you seek to escape, for you no longer dwell in yourself, but in her. Of a sudden a stranger bears your image within her as though she were a moving mirror - no, not a mirror, for that merely drinks in your image when you offer yourself willingly to it, whereas she, the woman, this stranger who loves you, she has absorbed you into her very blood. She carries you always within her, carries you about with her, no mater whither you may flee. Always you are imprisoned, held prisoner, somewhere else, in some other person, no longer yourself, no longer free and lighthearted and guiltless, but always hunted, always under an obligation, always conscious of this "thinking-of-you" as if it were a steady devouring flame. Full of hate, full of fear, you have to endure this yearning on the part of another, who suffers on your account; and I now know that it is the most senseless, the most inescapable, affliction that can befall a man to be loved against his will - torment of torments, and a burden of guilt where there is no guilt.”

Stefan Zweig book Beware of Pity

Beware of Pity (1939)

Love, Hate, Friendship, Fate

“I'm very much alone all day, I read a litle but, in the long run, it gives me a headache. I draw and paint as much as I can, indeed till my hand grows tired, and when night begins to fall I hope Jeanne d'Armagnac [his cousin] will come to my bedside. She does sometimes, and cheers me up and plays with me, and I listen to her talk, without daring to look at her. She is so tall and so beautiful! And I am neither tall nor beautiful.”

Henri de Toulouse-Lautrec (1864–1901) French painter

The previous Summer, at Barèges, while he lay with his leg in plaster, Lautrec had often been visited in the evening by his cousin, Jeanne d'Armagnac
Source: 1879-1884, T-Lautrec, by Henri Perruchot, p. 53 - written note in Nice, Winter of 1880

Beauty, Hope, Reading, Painting

“[.. it had been fun] to be able to draw in the midst of boredom and misery..”

Otto Dix (1891–1969) German painter and printmaker

Otto Dix quoted by Eva Karcher, in Otto Dix, New York: Crown Publishers, 1987, p. 14; as cited by Roy Forward, in 'Education resource material: beauty, truth and goodness in Dix's War' https://nga.gov.au/dix/edu.pdf, p. 8 Dix sometimes later recalled in this way of his endless hours in the trenches of World War 1 (1914-1918)

“Every form of catechesis would do well to attend to the “way of beauty” (via pulchritudinis). Proclaiming Christ means showing that to believe in and to follow him is not only something right and true, but also something beautiful, capable of filling life with new splendour and profound joy, even in the midst of difficulties. Every expression of true beauty can thus be acknowledged as a path leading to an encounter with the Lord Jesus. This has nothing to do with fostering an aesthetic relativism which would downplay the inseparable bond between truth, goodness and beauty, but rather a renewed esteem for beauty as a means of touching the human heart and enabling the truth and goodness of the Risen Christ to radiate within it. If, as Saint Augustine says, we love only that which is beautiful, the incarnate Son, as the revelation of infinite beauty, is supremely lovable and draws us to himself with bonds of love. So a formation in the via pulchritudinis ought to be part of our effort to pass on the faith. Each particular Church should encourage the use of the arts in evangelization, building on the treasures of the past but also drawing upon the wide variety of contemporary expressions so as to transmit the faith in a new “language of parables”. We must be bold enough to discover new signs and new symbols, new flesh to embody and communicate the word, and different forms of beauty which are valued in different cultural settings, including those unconventional modes of beauty which may mean little to the evangelizers, yet prove particularly attractive for others.”

Pope Francis (1936) 266th Pope of the Catholic Church

Section 167
2010s, 2013, Evangelii Gaudium · The Joy of the Gospel

Love, Life, Truth, Faith

“And that’s why we support societies that empower women -- because no country will reach its potential unless it draws on the talents of our wives and our mothers, and our sisters and our daughters.”

Barack Obama (1961) 44th President of the United States of America

2013, Cape Town University Address (June 2013)

Women, Support, Sister, Daughters

“The war was a “tragic error,” but not “fundamentally wrong or immoral” (as the overwhelming majority of the American people continue to believe), and surely not criminal aggression - the judgment that would be reached at once on similar evidence if the responsible agent were not the USA, or an ally or client. Our point is not that the retrospectives fail to draw what seem to us, as to much of the population, the obvious conclusions; the more significant and instructive point is that principled objection to the war as “fundamentally wrong and immoral,” or as an outright criminal aggression - a war crime - is inexpressible. It is not part of the spectrum of discussion. The background for such a principled critique cannot be developed in the media, and the conclusions cannot be drawn. It is not present even to be refuted. Rather, the idea is unthinkable. All of this reveals with great clarity how foreign to the mobilized media is a conception of the media as a free system of information and discussion, independent of state authority and elite interests.”

Noam Chomsky book Manufacturing Consent: The Political Economy of the Mass Media

Herman and Chomsky (1988), Manufacturing Consent, p. 252.
Quotes 1960s-1980s, 1980s

War, People, Error, Idea

“If the Union is dissolved and the Government disrupted, I shall return to my native State and share the miseries of my people, and, save in defense will draw my sword on none.”

Robert E. Lee (1807–1870) Confederate general in the Civil War

Letter to his son http://radgeek.com/gt/2005/01/03/robert-e-Lee-owned-slaves-and-defended-slavery/, G. W. Custis Lee (23 January 1861). 1860s Context: I can anticipate no greater calamity for the country than a dissolution of the Union. It would be an accumulation of all the evils we complain of, and I am willing to sacrifice everything but honor for its preservation. I hope, therefore, that all constitutional means will be exhausted before there is a resort to force. Secession is nothing but revolution. The framers of our Constitution never exhausted so much labor, wisdom, and forbearance in its formation, and surrounded it with so many guards and securities, if it was intended to be broken by every member of the Confederacy at will. It is intended for 'perpetual Union,' so expressed in the preamble, and for the establishment of a government, not a compact, which can only be dissolved by revolution, or the consent of all the people in convention assembled. It is idle to talk of secession: anarchy would have been established, and not a government, by Washington, Hamilton, Jefferson, Madison, and all the other patriots of the Revolution. … Still, a Union that can only be maintained by swords and bayonets, and in which strife and civil war are to take the place of brotherly love and kindness, has no charm for me. I shall mourn for my country and for the welfare and progress of mankind. If the Union is dissolved and the Government disrupted, I shall return to my native State and share the miseries of my people, and, save in defense will draw my sword on none.

People

“All kids draw and write poetry and everything, and some of us last until we're about eighteen, but most drop off at about twelve when some guy comes up and says, "You're no good." That's all we get told all our lives. "You haven't got the ability. You're a cobbler." It happened to all of us, but if somebody had told me all my life, "Yeah, you're a great artist," I would have been a more secure person.”

John Lennon (1940–1980) English singer and songwriter

Source: The Beatles Anthology (2000), p. 9

Life, Guy, Personality

“The new readers have mentality, fashions, feelings completely different from those of previous readers. Should I draw comics following my first readers in their growth? Or should I stop doing the cartoonist? … More or less every three years a cartoonist for children is cornered. I, too, every three years, living a crisis. So I decide and I get back to work for my new readers as if they were the first. … This is why I am certain that the good work that will draw able to make happy readers of all time.”

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

From My Diary manga , 1966; quoted in AA.VV., Osamu Tezuka: A Manga Biography , vol. 3, translated by Marta Fogato, Coconino Press, Bologna, 2001, p. 26. ISBN 8888063102

Children, Feeling, Fashion, Time

“Christianity has functioned for the normative self-understanding of modernity as more than a mere precursor or a catalyst. Egalitarian universalism, from which sprang the ideas of freedom and social solidarity, of an antonomous conduct of life and emancipation, of the individual morality of conscience, human rights, and democracy, is the direct heir to the judaic ethic of justice and the Christian ethic of love. This legacy, substantially unchanged, has been the object of continual critical appropriation and reinterpretation. To this day, there is no alternative to it. And in the light of the current challenges of a postnational constellation, we continue to draw on the substance of this heritage. Everything else is just idle postmodern talk.”

Jürgen Habermas (1929) German sociologist and philosopher

Habermas (2006) "Conversation about God and the World." Time of transitions. Cambridge: Polity Press, p. 150-151.

Love, Life, Justice, Democracy

“There is the definition [of mathematics], boldly proposed by Pierce that 'Mathematics is the science which draws necessary conclusions', and more explicitly formulated by Russel that 'Pure Mathematics is the class of all propositions of the form "p implies q"… it was… the purpose of Russell's treatise to provide a complete, exact and convincing justification of this definition… instead, he and Whitehead collaborated to give a magisterial account of the Principia Mathematica.”

George Frederick James Temple (1901–1992) British mathematician

100 Years of Mathematics: a Personal Viewpoint (1981)

Mathematics, Science

“In the early days, I was writing scripts for virtually all the books, and it was very hard to keep all the artists busy; poor little frail me, doing story after story. So I'd be writing a story for Kirby, and Steve Ditko would walk in and say, 'Hey, I need some work now.' And I'd say, 'I can't give it to you now, Steve, I'm finishing Kirby's.' But we couldn't afford to keep Steve waiting, because time is money, so I'd have to say, 'Look Steve, I can't write a script for you now, but here's the plot for the next Spider-Man. Go home and draw anything you want, as long as it's something like this, and I'll put the copy in later.' So I was able to finish Jack's story. Steve in the meantime was drawing another story….. Okay, it started out as a lazy's man's device…but we realized this was absolutely the best way to do a comic….. Don't have the writer say, 'Panel one will be a long shot of Spider-Man walking down the street.”

Stan Lee (1922–2018) American comic book writer

The artist may see it differently; maybe he feels it should be a shot of Spider-Man swinging on his web, or climbing upside-down on the ceiling or something. On the early days of work at Marvel Comics. Interview (1975) http://www.ditko.comics.org/ditko/why/whyquote.html

Money, Books, Way, Feeling