My fellow students were excitedly writing A-plus papers about how many of my books were based on Greek myths. I had never even read those myths!
On teaching and attending college, interview https://web-beta.archive.org/web/20111119202009/https://abbottgran.wordpress.com/2011/04/17/the-deep-bottom-drawer-an-interview-with-lois-duncan/ with Megan Abbott (2011)
2003–2016
Quotes about chair
page 3
“For years I said if I could only find a comfortable chair I would rival Mozart.”
Quoted in in "AMERICAN SUBLIME : Morton Feldman's mysterious musical landscapes", by Alex Ross. in The New Yorker (19 June 2006)
Source: The House that Jack Built (2001), Chapter 14 (p. 348)
"Monetary Policy in the Post-Crisis World: Lessons Learned and Strategies for the Future", Sumerlin Lecture, Johns Hopkins University, October 25, 2013.
As quoted in Geoff Nicholson (2002), Andy Warhol: A Beginner's Guide, London: Hodder & Stoughton, ISBN 0-340-84620-8 [ISBN 978-0-340-84620-9]
1968 - 1974, Electric chair quote
Variant: (You wouldn't believe how many people will hang up a picture of an electric chair? especially if it matches the color of their curtains.)
Speech https://api.parliament.uk/historic-hansard/commons/1857/mar/03/resolution-moved-resumed-debate-fourth in the House of Commons (3 March 1857) against the Second Opium War.
1850s
III, p.36
Science and the Unseen World (1929)
Address, "Renewing American Civilization," Reinhardt College (7 January 1995)
1990s
The Quaker City; or, the Monks of Monk Hall, part 1, chapter 7 "The Monks of Monk-Hall" (1844)
It – How Churches and Leaders Can Get It and Keep It (2008, Zondervan)
Douglas E. Cowan, "Researching Scientology: Perceptions, Premises, Promises and Problematics", in – .
About
Source: 1970s, From Cliché to Archetype (1970), p.202
Ich habe den Feldmarschall von Manstein gefragt, ob er an der Aktion gegen Hitler teilnehmen würde. Manstein sitzt in einem Sessel und liest in der Bibel. Schnell, fast verlegen, legt er sie zur Seite und deckt sie mit Papieren zu.
About Erich von Manstein, "Der Spiegel", nr. 14, p. 12, 2 April 1952, spiegel.de http://www.spiegel.de/spiegel/print/d-21694964.html
2009, Speech: The Socio-Economic Peace Program of Senator Francis Escudero
Source: Crazy Sexy Diet (2011), Ch. 7
On the name 'Silverchair', Press interview, April 1996
Interviews
Einstein in his Kyoto address (14 December 1922), talking about the events of "probably the 2nd or 3rd weeks" of October 1907, quoted in Why Did Einstein Put So Much Emphasis on the Equivalence Principle? by Dr. Robert J. Heaston http://www.worldnpa.org/pdf/abstracts/abstracts_23.pdf in Equivalence Principle – April 2008 (15th NPA Conference) who cites A. Einstein. “How I Constructed the Theory of Relativity,” Translated by Masahiro Morikawa from the text recorded in Japanese by Jun Ishiwara, Association of Asia Pacific Physical Societies (AAPPS) Bulletin, Vol. 15, No. 2, pp. 17-19 (April 2005)
1920s
By Still Waters (1906)
Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel
“If the husband sits on a chair in the Garden of Eden, his wife is his footstool.”
Sholom Bayis, 1889. S. Liptzin. Peretz. Yivo, 1947, p. 153.
Superman Comes to the Supermarket (1960)
Zahlreich sind die Lehrkanzeln, aber selten die weisen und edlen Lehrer. Zahlreich und groß sind die Hörsäle, doch wenig zahlreich die jungen Menschen, die ehrlich nach Wahrheit und Gerechtigkeit dürsten. Zahlreich spendet die Natur ihre Dutzendware, aber das Feinere erzeugt sie selten.
1930s, Mein Weltbild (My World-view) (1931)
Reported in Jay Babcock, " JOSHUA HOMME: People say [record] labels are evil. No, they’re just lame. http://www.arthurmag.com/2007/12/04/josh-homme-people-say-labels-are-evil-no-theyre-just-lame/", Arthur Magazine (December 4, 2007).
In his essay 'The legacy of Jackson Pollock', published in 'ARTnews', Fall of 1958; as quoted by Christina Bryan Rosenberger, in 'Drawing the Line: The Early Work of Agnes Martin', Univ. of California Press, July 2016, p 121
this essay of 1958 became more or less an art-manifesto for the generation American artists after Abstract Expressionism
Beuys laughed, and so did everyone else of the public
In a public debate at the Kunstring (Artcircle) Folkwang in Essen, 1972; (Stachelhaus 1991, p. 71); as quoted in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, Victoria Walters, LIT Verlag Münster, 2012, p. 29
1970's
“When he was at the height of his ascendancy, he ordered his chair to be placed on the sea-shore as the tide was coming in. Then he said to the rising tide, "You are subject to me, as the land on which I am sitting is mine, and no one has resisted my overlordship with impunity. I command you, therefore, not to rise on to my land, nor to presume to wet the clothing or limbs of your master."”
Quod cum in maximo uigore floreret imperii, sedile suum in littore maris cum ascenderet statui iussit. Dixit autem mari ascendenti: "Tu mee dicionis es, et terra in qua sedeo mea est, nec fuit qui inpune meo resisteret imperio. Impero igitur tibi ne in terram meam ascendas, nec uestes uel membra dominatoris tui madefacere presumas."
Book VI, §1, pp. 366-9.
Historia Anglorum (The History of the English People)
“The jackdaw sat on the Cardinal’s chair!”
Poem: The Jackdaw of Rheims http://www.bartleby.com/246/108.html
“Joining a Facebook group about creative productivity is like buying a chair about jogging.”
Twitter http://twitter.com/#!/hotdogsladies/status/1371419261
Tweeting as @hotdogsladies
A Big, Steaming Pile Of Me
In a letter to August Macke (14 January 1911); as quoted in August Macke; Franz Marc: Briefwechsel, Cologne 1965; as quoted in Boston Modern - Figurative Expressionism as Alternative Modernism, Judith Bookbinder, University Press of New England, Hanover and England, 2005, p. 35
Franz Marc visited a concert with music of the composer Arnold Schönberg on 11 Jan. 1911 with Wassily Kandinsky, Alexej von Jawlensky, Gabriele Münter and others; they played there compositions of Schönberg he wrote in 1907 and 1909: his second string quartet and the 'Three piano pieces'
1911 - 1914
Source: Pictures from an Institution (1954) [novel], Chapter 6: “Art Night”, p. 228
Schopenhauer and the Wild Years of Philosophy by Rüdiger Safranski (trans. Ewald Osers)
Other
Interview with Ridley Pearson http://blog.booksamillion.com/author-spotlight/author-interviews/2016/08/interview-ridley-pearson/ (August 22, 2016)
Lieutenant-General Hon. C. Grey, Some Account of the Life and Opinions of Charles, Second Earl Grey (London: Richard Bentley, 1861), pp. 10-11.
1830s
The Nuts of Knowledge (1903)
"In the Naked Bed, in Plato's Cave" http://www.poemhunter.com/poem/in-the-naked-bed-in-plato-s-cave/
Selected Poems: Summer Knowledge (1959)
Ueberhaupt aber bin ich allmälig der Meinung geworden, daß der erwähnte Nutzen der Kathederphilosophie von dem Nachtheil überwogen werde, den die Philosophie als Profession der Philosophie als freier Wahrheitsforschung, oder die Philosophie im Auftrage der Regierung der Philosophie im Auftrage der Natur und der Menschheit bringt.
Sämtliche Werke, Bd. 5, p. 151, E. Payne, trans. (1974) Vol. 1, p. 139
Parerga and Paralipomena (1851), On Philosophy in the Universities
Speech http://teachingamericanhistory.org/library/document/the-nations-problem/ (1888).
1880s
Speech (1921), quoted in Blanche E. C. Dugdale, Arthur James Balfour, First Earl of Balfour, K.G., O.M., F.R.S., Etc. 1906–1930 (London: Hutchinson & Co. Ltd, 1936), p. 230.
Bernard to Pope Eugene III, letter 240:1, A.D. 1146, concerning the election of a certain unworthy bishop at the Church of Rodez (see letter 328). In The Life and works of Saint Bernard, Abbot of Clairvaux, John Mabillon, Samuel J. Eales, Volume 2, p. 705
“The Apology”.
Great Days (1979)
Source: "Varieties of Moral Discourse: Prophetic, Narrative, Ethical and Policy", p. 47
Source: The Tales of Alvin Maker, The Crystal City (2003), Chapter 17 “Foundation” (p. 334).
Source: "The Economics of Institutions and the Sources of Growth." 1986, p. 903
Legendary Special-Effects Artist Rick Baker on How CGI Killed His Industry https://www.vice.com/en_us/article/jma87d/legendary-rick-bakers-retirement-auction-marks-the-end-of-the-non-cgi-era-888 (June 8, 2015)
"Adrian Henri's Talking After Christmas Blues", from The Mersey Sound (1967).
When the husband died the law gave the widow the use of one-third of the real estate belonging to him, and it was called the "widow's encumbrance."
The Progress of Fifty Years (1893)
"Science as a Vocation" (1917)
1986 statement as quoted in "Long line of princely gaffes", BBC News (1 March 2002)
1980s
I'm a Stranger Here Myself (US), Notes From a Big Country (UK) (1998)
1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', p. 75
Nicksplat: "Exclusive Interview with Julianna Rose Mauriello" http://www.nicksplat.com/Whatsup/200603/20000156.html (20 March 2006)
Sedia Lierna, Achille e Pier Giacomo Casiglioni, Lierna (Lake Como), 1971. Scultore. in: Fondazione Achille Castiglioni., Lierna Village, Lake Como, p. 201 ( online http://fondazioneachillecastiglioni.it/progetto/sedia-lierna/)
Out of Step (1985)
Source: The Lonely Dead (2004), Ch. 5
Why does he do this?
Hunger of Memory: The Education of Richard Rodriguez (1982)
Source: The Unfinished Autobiography (1951), Chapter V - Part 2
The Three Bears, first sung by the Page Cavanaugh Trio, 1946
Song lyrics
Remarks to the 10th National Legislative Conference, Building and Construction Trades Department, AFL-CIO (May 3, 1965); reported in Public Papers of the Presidents of the United States: Lyndon B. Johnson, 1965, book 1, p. 480.
1960s
Eastop & Gil commented that:
Burges held strong views about furniture, and protested at the "enormities, inconveniences, and upholsterers." (1865: 69) He advocated the use of the medieval style, because "not only did its duty as furniture, but spoke and told a story" (1865: 71).
Source: Art applied to industry: a series of lectures, 1865, p. 69: Partly cited in: Dinah Eastop, Kathryn Gill (2012) Upholstery Conservation: Principles and Practice. http://books.google.com/books?id=2gf50OiP8lAC&pg=PA50 p. 47.
How Was it For You?
Quote of Van Doesburg in his article: 'The end of art'; in 'De Stijl' series XII, 1924-5, pp. 135–136
1920 – 1926
Where the Green Grass Grows
Song lyrics, Everywhere (1997)
J 146
Aphorisms (1765-1799), Notebook J (1789)
http://www.fifa.com/worldfootball/news/newsid=1033132.html
2004
“The Taste of the Age”, pp. 19–20
A Sad Heart at the Supermarket: Essays & Fables (1962)