“[About whether critics have influenced his work:] None could have, because I don't read them. I doubt anyone does, except other critics. It seems like a sealed-off field with its own lieutenants, pretty much preoccupied with its own intrigues. I got a glimpse into the uses of a certain kind of criticism this past summer at a writers' conference – into how the avocation of assessing the failures of better men can be turned into a comfortable livelihood, providing you back it up with a Ph. D. I saw how it was possible to gain a chair of literature on no qualification other than persistence in nipping the heels of Hemingway, Faulkner, and Steinbeck. I know, of course, that there are true critics, one or two. For the rest all I can say is, “Deal around me.””

— Nelson Algren

"The Art of Fiction No. 11" (1955)

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Nelson Algren30

American novelist, short story writer 1909–1981

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“Sometimes I pick up a magazine and read a piece of film criticism — to the end only if I like it. I don't like those which are too free with praise because their reasons seem wrong and that annoys me. Critics who attack me do so for such contradictory reasons that they confuse me, and I am afraid that if I am influenced by one, I will sin according to the standards of the other.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

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“I can also tell you on the Internet in China, you can have access to a lot of postings that are quite critical about the government. It is exactly through reading these critical opinions on the Internet that we try to locate problems and further improve our work. I don't think a system or a government should fear critical opinions or views. Only by heeding those critical views would it be possible for us to further improve our work and make further progress. I frequently browse the Internet to learn about a situation.”

Wen Jiabao (1942) former Premier of the People's Republic of China

Wen Jiabao (2008) cited in: Transcript of interview with Chinese Premier Wen Jiabao, 28 September 2008, CNN http://edition.cnn.com/2008/WORLD/asiapcf/09/29/chinese.premier.transcript/index.html,

“I would like to say I handle criticism well. In fact I enjoy reading the comments of the critics. It's great to have critics blasting you all the time. It keeps you on your toes, spurs you, challenges you, makes you want to get better. I take everything positively. There's so much to learn and do.”

Mallika Sherawat (1976) Indian actress

Movie Mag International (September 2004)

“The more rigorously criticism historicizes a work of art, in the sense of lodging it in the context of the moment of its production, the less likely it becomes for criticism to be able to explain either its own subsequent interest in the work or the possibility of lay—that is, nonacademic—interest in reading it.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), pp. 5-6.

“A few months ago I read an interview with a critic; a well-known critic; an unusually humane and intelligent critic. The interviewer had just said that the critic “sounded like a happy man”, and the interview was drawing to a close; the critic said, ending it all: “I read, but I don’t get any time to read at whim. All the reading I do is in order to write or teach, and I resent it. We have no TV, and I don’t listen to the radio or records, or go to art galleries or the theater. I’m a completely negative personality.”
As I thought of that busy, artless life—no records, no paintings, no plays, no books except those you lecture on or write articles about—I was so depressed that I went back over the interview looking for some bright spot, and I found it, one beautiful sentence: for a moment I had left the gray, dutiful world of the professional critic, and was back in the sunlight and shadow, the unconsidered joys, the unreasoned sorrows, of ordinary readers and writers, amateurishly reading and writing “at whim”. The critic said that once a year he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn’t help himself. To him it wasn’t a means to a lecture or an article, it was an end; he read it not for anything he could get out of it, but for itself. And isn’t this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives, but during the contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence: Read at whim! read at whim!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poets, Critics, and Readers”, pp. 112–113
A Sad Heart at the Supermarket: Essays & Fables (1962)

“Nobody doubts that the Russians committed aggression, that Saddam Hussein committed aggression. We attribute to them rational goals, maybe they wanted to control the energy of the Middle East or something. With regard to ourselves, it's impossible… We just cannot adopt towards ourselves the same sane attitudes that we adopt easily, in fact reflexively, when others commit crimes… And if anyone says it, educated people, liberal intellectuals, are infuriated. Because it suggests that we could do something that's not noble. We can make mistakes, that's easy. You can criticize mistakes. You can criticize low-level crimes, like Abu-Ghraib, you can criticize that. You can criticize My Lai. But not the educated, civilized people, the kind of people we have dinner with, see at concerts, sitting in air-conditioned offices planning mass-murder. So that's beyond criticism. On the other hand, if it's half-crazed G. I. s in the field, uneducated, don't know who's going to shoot at them next, you can blame them, you can say how awful they are. You can criticize Lynndie England, disadvantaged young woman, very different from us. But how about the guys who organized and planned it? No.”

Noam Chomsky (1928) american linguist, philosopher and activist

Quotes 2000s, 2006, Discussion with Robert Trivers, 2006

“I have never even wondered about the comparative standing of writers. I don't understand that. Writing to me is a deeply personal, even a secret function and when the product is turned loose it is cut off from me and I have no sense of its being mine. Consequently criticism doesn't mean anything to me. As a disciplinary matter, it is too late.”

John Steinbeck (1902–1968) American writer

Paris Review - The Art of Fiction No. 45 (1969)

“[I relaxed] my customary aversion to consulting a book by anyone so immensely pratty as to put "Ph. D." after his name (I don't put Ph. D. after my name on my books, after all — and not just because I don't have one).”

Bill Bryson (1951) American author

Bryson was later awarded an honorary doctorate by the University of Durham
I'm a Stranger Here Myself (US), Notes From a Big Country (UK) (1998)

“As a matter of general principle, I believe there can be no doubt that criticism in time of war is essential to the maintenance of any kind of democratic government … too many people desire to suppress criticism simply because they think that it will give some comfort to the enemy to know that there is such criticism. If that comfort makes the enemy feel better for a few moments, they are welcome to it as far as I am concerned, because the maintenance of the right of criticism in the long run will do the country maintaining it a great deal more good than it will do the enemy, and will prevent mistakes which might otherwise occur.”

Robert A. Taft (1889–1953) politician from the United States, son of 27th US President William Howard Taft

Speech at the Executive Club of Chicago, December 19, 1941

“First one gets works of art, then criticism of them, then criticism of the criticism, and, finally, a book on The Literary Situation, a book which tells you all about writers, critics, publishing, paperbacked books, the tendencies of the (literary) time, what sells and how much, what writers wear and drink and want, what their wives wear and drink and want, and so on.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“ ‘Very Graceful Are the Uses of Culture’ ”, p. 211
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

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