Quotes about dance and ballet

A collection of quotes on the topic of art, music, dance, dancing.

Best quotes about dance and ballet

Marcus Tullius Cicero photo
Christopher Paolini photo

“Shall we dance, friend of my heart?”

Eragon
Source: Eldest (2005)

Roald Amundsen photo

“Everything went like a dance.”

Roald Amundsen (1872–1928) Norwegian polar researcher, who was the first to reach the South Pole

citation needed

Friedrich Nietzsche photo

“I would believe only in a God that knows how to dance.”

Variant: I would only believe in a god who could dance.
Source: Thus Spoke Zarathustra

Paul Valéry photo

“Poetry is to prose as dancing is to walking.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher
Rudolf Nureyev photo

“You live because you dance, you dance as long as you live.”

Rudolf Nureyev (1938–1993) Soviet ballet dancer and choreographer

Source: "Recurring Topics in Nureyev’s Ballets" https://nureyev.org/rudolf-nureyev-artistic-influence-index/main-topics/

Emma Goldman photo

“If I can't dance to it, it's not my revolution.”

Emma Goldman (1868–1940) anarchist known for her political activism, writing, and speeches
Martha Graham photo

“Dance is the hidden language of the soul, of the body.”

Martha Graham (1894–1991) American dancer and choreographer

New York Times interview (1985)
Context: To me, the body says what words cannot. I believe that dance was the first art. A philosopher has said that dance and architecture were the first arts. I believe that dance was first because it's gesture, it's communication. That doesn't mean it's telling a story, but it means it's communicating a feeling, a sensation to people.
Dance is the hidden language of the soul, of the body. And it's partly the language that we don't want to show.

Eckhart Tolle photo

“Life is the dancer and you are the dance.”

Eckhart Tolle (1948) German writer

A New Earth (2005)
Source: A New Earth: Awakening to Your Life's Purpose

Quotes about dance and ballet

“Eschew blandness. Eschew causing others pain. We are all the target so wear bright colors and dance with those you love.”

Anne Herbert (writer) (1952) American journalist

"Handy tips on how to behave at the death of the world" in Whole Earth Review (Spring 1995), p. 88 http://archive.is/20120715140307/findarticles.com/p/articles/mi_m1510/is_n85/ai_16816244
Context: Eschew blandness. Eschew causing others pain. We are all the target so wear bright colors and dance with those you love. Falling in love has always been a bit too much to apply to one person. Falling in love is appropriate for now, to love all these things which are about to leave. The rocks are watching, and the squirrels and the stars and the mlklk tired people in the street. If you love them, let them know, with grace and non-invasive extravagance. Care about the beings you care about in gorgeous and surprising ways. Color outside the lines. Practice random kindness and senseless acts of beauty. This is your last chance.

Taylor Swift photo
Michael Jackson photo
George Balanchine photo

“I don't want people who want to dance, I want people who have to dance.”

George Balanchine (1904–1983) Georgian choreographer, dancer and ballet master (1904-1983)
Friedrich Nietzsche photo

“We should consider every day lost on which we have not danced at least once.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
Rudolf Nureyev photo

“The main thing is dancing, and before it withers away from my body, I will keep dancing till the last moment, the last drop.”

Rudolf Nureyev (1938–1993) Soviet ballet dancer and choreographer

Source: As quoted in 1990, "Rudolf Nureyev, Charismatic Dancer Who Gave Fire to Ballet's Image, Dies at 54" in The New York Times https://www.nytimes.com/1993/01/07/arts/rudolf-nureyev-charismatic-dancer-who-gave-fire-to-ballet-s-image-dies-at-54.html (7 January 1993)

Michael Jackson photo

“Get on the floor and dance with me,
I love the way you shake your thing especially.”

Michael Jackson (1958–2009) American singer, songwriter and dancer

Get on the Floor (co-written with Louis Johnson)
Off the Wall (1979)

Michael Jackson photo
Mary McCarthy photo
William Blum photo
Alan Watts photo
Madonna photo
Madonna photo

“Only when I'm dancing can I feel this free.”

Madonna (1958) American singer, songwriter, and actress
Ram Dass photo

“Our interactions with one another reflect a dance between love and fear.”

Ram Dass (1931–2019) American contemporary spiritual teacher and the author of the 1971 book Be Here Now
Thomas Nashe photo

“Spring, the sweet spring, is the year's pleasant King,
Then blooms each thing, then maids dance in a ring,
Cold doth not sting, the pretty birds do sing,
Cuckoo, jug, jug, pu wee, to witta woo!”

Thomas Nashe (1567–1601) English Elizabethan pamphleteer and poet

Source: Summer's Last Will and Testament http://www.elizabethanauthors.com/summ1.htm (1600), lines 161-164.

Charles Mingus photo

“A pure genius of jazz is manifested when he and the rest of the orchestra run around the room while the rhythm section grimaces and dances around their instruments.”

Charles Mingus (1922–1979) American jazz double bassist, composer and bandleader

Quoted in "What'd I Say?" : The Atlantic Story : 50 Years of Music (2001) by Ahmet M. Ertegun; also partially quoted in What Is This Thing Called Jazz?: African American Musicians As Artists, Critics, and Activists (2002) by Eric C. Porter, p. 118, and Freedom Is, Freedom Ain't: Jazz And the Making of the Sixties (2005) by Scott Saul, p. 154
Context: Good jazz is when the leader jumps on the piano, waves his arms, and yells. Fine jazz is when a tenorman lifts his foot in the air. Great jazz is when he heaves a piercing note for 32 bars and collapses on his hands and knees. A pure genius of jazz is manifested when he and the rest of the orchestra run around the room while the rhythm section grimaces and dances around their instruments.

Teresa of Ávila photo
Homér photo

“Men grow tired of sleep, love, singing and dancing, sooner than of war.”

A misquotation http://listserv.linguistlist.org/pipermail/ads-l/2009-August/092648.html of:

Πάντων μὲν κόρος ἐστὶ καὶ ὕπνου καὶ φιλότητος
μολπῆς τε γλυκερῆς καὶ ἀμύμονος ὀρχηθμοῖο,
τῶν πέρ τις καὶ μᾶλλον ἐέλδεται ἐξ ἔρον εἷναι
ἢ πολέμου· Τρῶες δὲ μάχης ἀκόρητοι ἔασιν.

Men get
Their fill of all things, of sleep and love, sweet song
And flawless dancing, and most men like these things
Much better than war. Only Trojans are always
Thirsty for blood!

Iliad, XIII, 636–639 (tr. Ennis Rees)

The misquotation implies that an overweening love of war was the norm, whereas the real quote decries the Trojans as inhumane for keeping the war going.
Misattributed

Eazy-E photo

“Somebody that's not real. They go in the studio and all of the sudden become hard, when they used to do dance music.”

Eazy-E (1963–1995) American rapper and producer

On Studio Gangsters
1990s

Tom Hiddleston photo
Tupac Shakur photo
Courtney Love photo

“Writing songs has a lot to do with your sexuality. I danced for awhile and just being around that made me realize what people use. And if you grow up blessed with a certain beauty or a certain intelligence that enhances your beauty, you can get into a better position in life.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On songwriting and beauty, The Guardian https://www.newspapers.com/clip/22821312/the_guardian/ (December 11, 1991)
1991–1995

Francois Villon photo

“It's true that I have loved,
And gladly would again;
But sad heart, and famished belly
Not even partly satisfied
Force me away from paths of love.
And so, let someone else take over
Who has tucked away more food –
Dancing is for men of nobler girth.”

Bien est verté que j'ay amé
Et ameroie voulentiers;
Mais triste cuer, ventre affamé
Qui n'est rassasié au tiers
M'oste des amoureux sentiers.
Au fort, quelqu'ung s'en recompence,
Qui est ramply sur les chantiers!
Car la dance vient de la pance.
Source: Le Grand Testament (The Great Testament) (1461), Line 193.

Emily Brontë photo
Hans Christian Andersen photo
Lou Reed photo
Christopher Paolini photo
John Chrysostom photo

“Where dance is, there is the devil.”

John Chrysostom (349–407) important Early Church Father

Homily on Matt.48.3

Black Elk photo
A.C. Bhaktivedanta Swami Prabhupada photo
Theodoret photo
Theodoret photo

“Alternate version: The noble souls of the victorious traverse the heavens and join in the dance of immaterial the beings. Their bodies are not hidden away each in its single grave, but the cities and villages that have divided them among themselves call them saviors of souls and bodies and doctors and honor them as protectors of cities and guardians and treat them as ambassadors before the master of the universe and through them receive divine gifts. And even though the body has been divided, the grace has remained undivided, and that minute relic possesses the same power as the martyr, just as if he had never in any way been divided.”

Theodoret (393–458) Syrian bishop

Sermon on the Martyrs (de Martyribus), ch. 8, in, The Cure of Pagan Maladies (Cure of the Pagan Diseases; Cure for Hellenic Maladies; Cure of Greek Maladies; Cure of Pagan Ills). [Graecorum affectionum curatio, Graecarum affectionum curatio, Graecarum affect. Curatio, Graec. Aff. cur.], (ante A.D. 449)
The Faith of the Early Fathers, 1998, W. A. Jurgens, Liturgical Press, ISBN 9780814610213 ISBN 9780814610213vol. 3, p. 241. http://books.google.com/books?id=rkvLsueY_DwC&pg=PA241&dq=%22ambassadors+before+the+Master+of+the+universe%22&hl=en&ei=5X4TTpjVG6OmsQL9m-TUDw&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCkQ6AEwAA#v=onepage&q=%22ambassadors%20before%20the%20Master%20of%20the%20universe%22&f=false
The Ruin of the Roman Empire: A New History, 2009, James J. O'Donnell, Ecco, ISBN 0060787414 ISBN 9780060787417p. 319. http://books.google.com/books?id=MEd-_14ZZmEC&pg=PT332&dq=%22honor+them+as+protectors+of+cities+and+guardians%22&hl=en&ei=1NUjTvf4EbSLsALVp62fAw&sa=X&oi=book_result&ct=result&resnum=2&ved=0CC4Q6AEwAQ#v=onepage&q=%22honor%20them%20as%20protectors%20of%20cities%20and%20guardians%22&f=false More variants http://www.google.com/search?tbm=bks&tbo=1&q=%22call+them+saviors+of+souls+and+bodies%22&btnG=Search+Books#sclient=psy&hl=en&tbo=1&tbm=bks&source=hp&q=%22saviours+of+souls%22+theodoret&aq=&aqi=&aql=&oq=&pbx=1&bav=on.2,or.r_gc.r_pw.&fp=69360d7032f70ec5&biw=1270&bih=696
Greek and Latin text in, in J.P. Migne, PL vol. 83 (vol. 4 of Theodoret’s works), col. 1011. http://books.google.com/books?id=fb8UAAAAQAAJ&pg=PA1011&dq=%22corpora+non+singula%22+monumenta&hl=en&ei=U8EUToTbJ8eusAKIiuDUDw&sa=X&oi=book_result&ct=result&resnum=4&ved=0CDoQ6AEwAw#v=onepage&q=%22corpora%20non%20singula%22%20monumenta&f=false
Note that the Protestant Reformers Heinrich Bullinger and John Calvin believed that Christians ministers, through the operation of grace, may legitimately be called "saviors." http://books.google.com/books?id=McQogZjrU0AC&pg=PA95&dq=%22For+this+cause+ministers+are+called+saviours%22&hl=en&ei=2zEnTp2XNKqHsgLvwsA7&sa=X&oi=book_result&ct=result&resnum=3&ved=0CDkQ6AEwAg#v=onepage&q=%22For%20this%20cause%20ministers%20are%20called%20saviours%22&f=false http://books.google.com/books?id=YyJVAAAAYAAJ&pg=PA424&dq=%22minister+of+the+word+is+said+in+some+way+to+save+those+whom+he+leads+to+the+obedience+of+faith%22&hl=en&ei=PS8nTt7fNZKCsQOAwYHjCA&sa=X&oi=book_result&ct=result&resnum=1&ved=0CC0Q6AEwAA#v=onepage&q=%22minister%20of%20the%20word%20is%20said%20in%20some%20way%20to%20save%20those%20whom%20he%20leads%20to%20the%20obedience%20of%20faith%22&f=false.

Robert Browning photo

“Round and round, like a dance of snow
In a dazzling drift, as its guardians, go
Floating the women faded for ages,
Sculptured in stone on the poet's pages.”

Robert Browning (1812–1889) English poet and playwright of the Victorian Era

Women and Roses.
Bartlett's Familiar Quotations, 10th ed. (1919)

H.P. Lovecraft photo
H.P. Lovecraft photo

“It is just as ridiculous to get excited & hysterical over a coming cultural change as to get excited & hysterical over one's physical aging... There is legitimate pathos about both processes; but blame & rebellion are essentially cheap, because inappropriate, emotions... It is wholly appropriate to feel a deep sadness at the coming of unknown things & the departure of those around which all our symbolic associations are entwined. All life is fundamentally & inextricably sad, with the perpetual snatching away of all the chance combinations of image & vista & mood that we become attached to, & the perpetual encroachment of the shadow of decay upon illusions of expansion & liberation which buoyed us up & spurred us on in youth. That is why I consider all jauntiness, & many forms of carelessly generalised humour, as essentially cheap & mocking, & occasionally ghastly & corpselike. Jauntiness & non-ironic humour in this world of basic & inescapable sadness are like the hysterical dances that a madman might execute on the grave of all his hopes. But if, at one extreme, intellectual poses of spurious happiness be cheap & disgusting; so at the other extreme are all gestures & fist-clenchings of rebellion equally silly & inappropriate—if not quite so overtly repulsive. All these things are ridiculous & contemptible because they are not legitimately applicable... The sole sensible way to face the cosmos & its essential sadness (an adumbration of true tragedy which no destruction of values can touch) is with manly resignation—eyes open to the real facts of perpetual frustration, & mind & sense alert to catch what little pleasure there is to be caught during one's brief instant of existence. Once we know, as a matter of course, how nature inescapably sets our freedom-adventure-expansion desires, & our symbol-&-experience-affections, definitely beyond all zones of possible fulfilment, we are in a sense fortified in advance, & able to endure the ordeal of consciousness with considerable equanimity... Life, if well filled with distracting images & activities favourable to the ego's sense of expansion, freedom, & adventurous expectancy, can be very far from gloomy—& the best way to achieve this condition is to get rid of the unnatural conceptions which make conscious evils out of impersonal and inevitable limitations... get rid of these, & of those false & unattainable standards which breed misery & mockery through their beckoning emptiness.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 291
Non-Fiction, Letters, to Frank Belknap Long

H.P. Lovecraft photo

“The moon is dark, and the gods dance in the night; there is terror in the sky, for upon the moon hath sunk an eclipse foretold in no books of men or of earth's gods…”

H.P. Lovecraft (1890–1937) American author

Fiction, The Other Gods (1921)
Context: The moon is dark, and the gods dance in the night; there is terror in the sky, for upon the moon hath sunk an eclipse foretold in no books of men or of earth's gods...' There is unknown magic on Hatheg-Kla, for the screams of the frightened gods have turned to laughter, and the slopes of ice shoot up endlessly into the black heavens whither I am plunging... Hei! Hei! At last! In the dim light I behold the gods of earth!

Abraham Lincoln photo

“I will prepare and some day my chance will come.”

Abraham Lincoln (1809–1865) 16th President of the United States

Attributed in Laura Haddock (1931), Steps Upward in Personality
Misattributed
Variant: I will study and get ready, and perhaps my chance will come.

John Lennon photo

“So keep on playing those mind games together
Doing the ritual dance in the sun...
Putting their soul power to the karmic wheel.”

John Lennon (1940–1980) English singer and songwriter

Lyrics, Mind Games (1973)

John Lennon photo
John Lennon photo
Friedrich Nietzsche photo

“You need chaos in your soul to give birth to a dancing star.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
Friedrich Nietzsche photo

“To say it once again: today I find it an impossible book — badly written, clumsy and embarrassing, its images frenzied and confused, sentimental, in some places saccharine-sweet to the point of effeminacy, uneven in pace, lacking in any desire for logical purity, so sure of its convictions that it is above any need for proof, and even suspicious of the propriety of proof, a book for initiates, 'music' for those who have been baptized in the name of music and who are related from the first by their common and rare experiences of art, a shibboleth for first cousins in artibus [in the arts] an arrogant and fanatical book that wished from the start to exclude the profanum vulgus [the profane mass] of the 'educated' even more than the 'people'; but a book which, as its impact has shown and continues to show, has a strange knack of seeking out its fellow-revellers and enticing them on to new secret paths and dancing-places.”

Nochmals gesagt, heute ist es mir ein unmögliches Buch, - ich heisse es schlecht geschrieben, schwerfällig, peinlich, bilderwüthig und bilderwirrig, gefühlsam, hier und da verzuckert bis zum Femininischen, ungleich im Tempo, ohne Willen zur logischen Sauberkeit, sehr überzeugt und deshalb des Beweisens sich überhebend, misstrauisch selbst gegen die Schicklichkeit des Beweisens, als Buch für Eingeweihte, als "Musik" für Solche, die auf Musik getauft, die auf gemeinsame und seltene Kunst-Erfahrungen hin von Anfang der Dinge an verbunden sind, als Erkennungszeichen für Blutsverwandte in artibus, - ein hochmüthiges und schwärmerisches Buch, das sich gegen das profanum vulgus der "Gebildeten" von vornherein noch mehr als gegen das "Volk" abschliesst, welches aber, wie seine Wirkung bewies und beweist, sich gut genug auch darauf verstehen muss, sich seine Mitschwärmer zu suchen und sie auf neue Schleichwege und Tanzplätze zu locken.
"Attempt at a Self-Criticism", p. 5
The Birth of Tragedy (1872)

Friedrich Nietzsche photo
Friedrich Nietzsche photo

“For truth to tell, dancing in all its forms cannot be excluded from the curriculum of all noble education: dancing with the feet, with ideas, with words, and, need I add that one must also be able to dance with pen- that one must learn how to write”

Variant: Dancing in all its forms cannot be excluded from the curriculum of all noble education; dancing with the feet, with ideas, with words, and, need I add that one must also be able to dance with the pen?
Source: Twilight of the Idols

Friedrich Nietzsche photo

“I tell you: one must still have chaos in one, to give birth to a dancing star. I tell you: you have still chaos in you.”

Variant: One must still have chaos in oneself to be able to give birth to a dancing star.
Source: Thus Spoke Zarathustra

Friedrich Nietzsche photo
Friedrich Nietzsche photo
Friedrich Nietzsche photo

“You must have chaos within you to give birth to a dancing star.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
Friedrich Nietzsche photo

“Those who dance appear insane to those who cannot hear the music.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Misattributed
First recorded appearance: Germaine de Staël's On Germany (1813). ". . . sometimes even in the habitual course of life, the reality of this world disappears all at once, and we feel ourselves in the middle of its interests as we should at a ball, where we did not hear the music; the dancing that we saw there would appear insane." There are several other pre-Nietzsche examples, indicating that the phrase was widespread in the nineteenth-century; it was referred to in 1927 as an "old proverb".

Ovid photo

“or that writing a poem you can read to no one
is like dancing in the dark.”

Ovid (-43–17 BC) Roman poet

Source: The Poems of Exile: Tristia and the Black Sea Letters

Novalis photo

“I was still blind, but twinkling stars did dance
Throughout my being's limitless expanse”

Novalis (1772–1801) German poet and writer

As quoted in Romantic Vision, Ethical Context: Novalis and Artistic Autonomy (1987) by Géza von Molnár, p. 2
Context: I was still blind, but twinkling stars did dance
Throughout my being's limitless expanse,
Nothing had yet drawn close, only at distant stages
I found myself, a mere suggestion sensed in past and future ages.

Eugene O'Neill photo
Barack Obama photo

“And so we can preserve great traditions -- music, food, dance, language, art -- but if there’s a tradition anywhere in Africa, or here in the United States, or anywhere in the world that involves treating people differently because you’re scared of them, or because you're ignorant about them, or because you want to feel superior to them, it's a bad tradition. And you have to challenge it. And you can't accept excuses for it. […] But the truth of the matter is, is that if you’re treating people differently just because of who they love and who they are, then there’s a connection between that mindset and the mindset that led to racism, and the mindset that leads to ethnic conflict. It means that you’re not able to see somebody else as a human being. And so you can’t, on the one hand, complain when somebody else does that to you, and then you’re doing it to somebody else. You can’t do it. There’s got to be some consistency to how you think about these issues. And that’s going to be up to young people -- because old people get stuck in their ways. […] And that doesn’t mean that everything suddenly is perfect. It just means that, young people, you can lead the way and set a good example. But it requires some courage, because the old thinking, people will push back at you. And if you don’t have the convictions and the courage to be able to stand up for what you think is right, then cruelty will perpetuate itself.”

Barack Obama (1961) 44th President of the United States of America

2015, Young African Leaders Initiative Presidential Summit Town Hall speech (August 2015)

Barack Obama photo
Fernando Pessoa photo
Edgar Allan Poe photo

“And all my days are trances,
And all my nightly dreams
Are where thy grey eye glances,
And where thy footstep gleams —
In what ethereal dances,
By what eternal streams.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

"To One In Paradise", st. 4; variants of this verse read "where thy dark eye glances".

Terry Pratchett photo

“Because some stories end, but old stories go on, and you gotta dance to the music if you want to stay ahead”

Terry Pratchett (1948–2015) English author

Source: The Amazing Maurice and His Educated Rodents

Terry Pratchett photo
Bertrand Russell photo

“A great deal of work is sedentary, and most manual work exercises only a few specialized muscles. When crowds assemble in Trafalgar Square to cheer to the echo an announcement that the government has decided to have them killed, they would not do so if they had all walked twenty-five miles that day. This cure for bellicosity is, however, impracticable, and if the human race is to survive – a thing which is, perhaps, undesirable – other means must be found for securing an innocent outlet for the unused physical energy that produces love of excitement. This is a matter which has been too little considered, both by moralists and by social reformers. The social reformers are of the opinion that they have more serious things to consider. The moralists, on the other hand, are immensely impressed with the seriousness of all the permitted outlets of the love of excitement; the seriousness, however, in their minds, is that of Sin. Dance halls, cinemas, this age of jazz, are all, if we may believe our ears, gateways to Hell, and we should be better employed sitting at home contemplating our sins. I find myself unable to be in entire agreement with the grave men who utter these warnings. The devil has many forms, some designed to deceive the young, some designed to deceive the old and serious. If it is the devil that tempts the young to enjoy themselves, is it not, perhaps, the same personage that persuades the old to condemn their enjoyment? And is not condemnation perhaps merely a form of excitement appropriate to old age? And is it not, perhaps, a drug which – like opium – has to be taken in continually stronger doses to produce the desired effect? Is it not to be feared that, beginning with the wickedness of the cinema, we should be led step by step to condemn the opposite political party, dagoes, wops, Asiatics, and, in short, everybody except the fellow members of our club? And it is from just such condemnations, when widespread, that wars proceed. I have never heard of a war that proceeded from dance halls.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

1950s, What Desires Are Politically Important? (1950)

Rainer Maria Rilke photo

“His tired gaze - from passing endless bars -
has turned into a vacant stare which nothing holds.
To him there seem to be a thousand bars,
and out beyond these bars exists no world. His supple gait, the smoothness of strong strides
that gently turn in ever smaller circles
perform a dance of strength, centered deep within
a will, stunned, but untamed, indomitable. But sometimes the curtains of his eyelids part,
the pupils of his eyes dilate as images
of past encounters enter while through his limbs
a tension strains in silence
only to cease to be, to die within his heart.”

Sein Blick ist vom Vorübergehen der Stäbe
so müd geworden, daß er nichts mehr hält.
Ihm ist, als ob es tausend Stäbe gäbe
und hinter tausend Stäben keine Welt.<p>Der weiche Gang geschmeidig starker Schritte,
der sich im allerkleinsten Kreise dreht,
ist wie ein Tanz von Kraft um eine Mitte,
in der betäubt ein großer Wille steht.<p>Nur manchmal schiebt der Vorhang der Pupille
sich lautlos auf—. Dann geht ein Bild hinein,
geht durch der Glieder angespannte Stille—
und hört im Herzen auf zu sein.
As translated by Albert Ernest Flemming
Der Panther (The Panther) (1907)

Rainer Maria Rilke photo

“Out of infinite longings rise
finite deeds like weak fountains,
falling back just in time and trembling.
And yet, what otherwise remains silent,
our happy energies—show themselves
in these dancing tears.”

Aus unendlichen Sehnsüchten steigen
endliche Taten wie schwache Fontänen,
die sich zeitig und zitternd neigen.
Aber, die sich uns sonst verschweigen,
unsere fröhlichen Kräfte—zeigen
sich in diesen tanzenden Tränen.
Initiale (Initial) (as translated by Cliff Crego)
Das Buch der Bilder (The Book of Images) (1902)

Jean Jacques Rousseau photo
William Shakespeare photo
Tupac Shakur photo
Mark Twain photo
Rabindranath Tagore photo
Rabindranath Tagore photo
Rabindranath Tagore photo

“Let your life lightly dance on the edges of Time like dew on the tip of a leaf.”

Rabindranath Tagore (1861–1941) Bengali polymath

45
The Gardener http://www.spiritualbee.com/love-poems-by-tagore/ (1915)

Eckhart Tolle photo
Paul Valéry photo

“Since everything that lives is obliged to expend and receive life, there is an exchange of modifications between the living creature and its environment.
And yet, once that vital necessity is satisfied, our species—a positively strange species—thinks it must create for itself other needs and tasks besides that of preserving life. … Whatever may be the origin or cause of this curious deviation, the human species is engaged in an immense adventure, an adventure whose objective and end it does not know. …
The same senses, the same muscles, the same limbs—more, the same types of signs, the same instruments of exchange, the same languages, the same modes of logic—enter into the most indispensable acts of our lives, as they figure into the most gratuitous. …
In short, man has not two sets of tools, he has only one, and this one set must serve him for the preservation of his life and his physiological rhythm, and expend itself at other times on illusions and on the labours of our great adventure. …
The same muscles and nerves produce walking as well as dancing, exactly as our linguistic faculty enables us to express our needs and ideas, while the same words and forms can be combined to produce works of poetry. A single mechanism is employed in both cases for two entirely different purposes.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), pp. 158-159

Kurt Vonnegut photo

“The moral of the story is, is we're here on Earth to fart around. And, of course, the computers will do us out of that. And, what the computer people don't realize, or they don't care, is we're dancing animals. You know, we love to move around. And, we're not supposed to dance at all anymore.”

Kurt Vonnegut (1922–2007) American writer

Interview by David Brancaccio, NOW (PBS) (7 October 2005) http://www.pbs.org/now/arts/vonnegut.html
Various interviews
Context: [When Vonnegut tells his wife he's going out to buy an envelope] Oh, she says, well, you're not a poor man. You know, why don't you go online and buy a hundred envelopes and put them in the closet? And so I pretend not to hear her. And go out to get an envelope because I'm going to have a hell of a good time in the process of buying one envelope. I meet a lot of people. And, see some great looking babes. And a fire engine goes by. And I give them the thumbs up. And, and ask a woman what kind of dog that is. And, and I don't know. The moral of the story is, is we're here on Earth to fart around. And, of course, the computers will do us out of that. And, what the computer people don't realize, or they don't care, is we're dancing animals. You know, we love to move around. And, we're not supposed to dance at all anymore.

Leonardo Da Vinci photo

“The wind which passes through the skins of animals will make men leap up: That is the bagpipes, which cause men to dance.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo Da Vinci (1938), XLV Prophecies

Voltaire photo

“Let us read, and let us dance; these two amusements will never do any harm to the world.”

Laissez lire, et laissez danser; ces deux amusements ne feront jamais de mal au monde.
"Liberty of the Press," Dictionnaire philosophique (1785-1789)
Citas

Oscar Wilde photo
Oscar Wilde photo
Tennessee Williams photo
Frank Zappa photo

“Writing about music is like dancing about architecture.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer
W.B. Yeats photo

“Imagining in excited reverie
That the future years had come,
Dancing to a frenzied drum,
Out of the murderous innocence of the sea.”

St. 2
Michael Robartes and the Dancer (1921), A Prayer For My Daughter http://poetry.poetryx.com/poems/1421/

W.B. Yeats photo

“When I play on my fiddle in Dooney,
Folk dance like a wave of the sea.”

W.B. Yeats (1865–1939) Irish poet and playwright

The Fiddler Of Dooney http://poetry.poetryx.com/poems/1620/, st. 1
The Wind Among the Reeds (1899)

W.B. Yeats photo

“You think it horrible that lust and rage
Should dance attention upon my old age;
They were not such a plague when I was young;
What else have I to spur me into song?”

W.B. Yeats (1865–1939) Irish poet and playwright

The Spur http://poetry.poetryx.com/poems/1693/
Last Poems (1936-1939)

W.B. Yeats photo
W.B. Yeats photo

“O body swayed to music, O brightening glance,
How can we know the dancer from the dance?”

Among School Children http://poetry.poetryx.com/poems/1437/, st. 8
The Tower (1928)
Context: Labour is blossoming or dancing where
The body is not bruised to pleasure soul.
Nor beauty born out of its own despair,
Nor blear-eyed wisdom out of midnight oil.
O chestnut-tree, great-rooted blossomer,
Are you the leaf, the blossom or the bole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?

W.B. Yeats photo

“Labour is blossoming or dancing where
The body is not bruised to pleasure soul.”

Among School Children http://poetry.poetryx.com/poems/1437/, st. 8
The Tower (1928)
Context: Labour is blossoming or dancing where
The body is not bruised to pleasure soul.
Nor beauty born out of its own despair,
Nor blear-eyed wisdom out of midnight oil.
O chestnut-tree, great-rooted blossomer,
Are you the leaf, the blossom or the bole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?

W.B. Yeats photo
Lewis Carroll photo

“Why it's simply impassible!
Alice: Why, don't you mean impossible?
Door: No, I do mean impassible. Nothing's impossible!”

Lewis Carroll (1832–1898) English writer, logician, Anglican deacon and photographer

Source: Alice's Adventures in Wonderland & Through the Looking-Glass

Michael Jackson photo
Michael Jackson photo

“Let's dance, let's shout!
Shake your body down to the ground.”

Michael Jackson (1958–2009) American singer, songwriter and dancer

Shake Your Body (Down to the Ground) (co-written with Randy Jackson)
Destiny (1977)

Michael Jackson photo
Michael Jackson photo
Haruki Murakami photo
Prevale photo

“In life remember to move on your way, always at a dance step.”

Prevale (1983) Italian DJ and producer

Original: Nella vita ricordati di muoverti per la tua strada, sempre a passo di danza.
Source: prevale.net

Arthur Rimbaud photo

“I have stretched ropes from steeple to steeple; Garlands from window to window; Golden chains from star to star… And I dance.”

Arthur Rimbaud (1854–1891) French Decadent and Symbolist poet

Source: Complete Works

Leonard Cohen photo
George Balanchine photo

“See the music, hear the dance.”

George Balanchine (1904–1983) Georgian choreographer, dancer and ballet master (1904-1983)