Quotes about dance and ballet
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“Since everything that lives is obliged to expend and receive life, there is an exchange of modifications between the living creature and its environment.
And yet, once that vital necessity is satisfied, our species—a positively strange species—thinks it must create for itself other needs and tasks besides that of preserving life. … Whatever may be the origin or cause of this curious deviation, the human species is engaged in an immense adventure, an adventure whose objective and end it does not know. …
The same senses, the same muscles, the same limbs—more, the same types of signs, the same instruments of exchange, the same languages, the same modes of logic—enter into the most indispensable acts of our lives, as they figure into the most gratuitous. …
In short, man has not two sets of tools, he has only one, and this one set must serve him for the preservation of his life and his physiological rhythm, and expend itself at other times on illusions and on the labours of our great adventure. …
The same muscles and nerves produce walking as well as dancing, exactly as our linguistic faculty enables us to express our needs and ideas, while the same words and forms can be combined to produce works of poetry. A single mechanism is employed in both cases for two entirely different purposes.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), pp. 158-159

Life, Idea, Thinking, Sense

“Let's go dance under the elms:
Step lively, young lassies.
Let's go dance under the elms:
Gallants, take up your pipes.”

Jean Jacques Rousseau Le devin du village

Le devin du village (1752)

“Me still alone, me sip on the rum
Me wonder when the boat she come
To bring me love, oh sweet little thing
She rock 'n' roll, she dance and sing
She hold me tight, she touch me lips
Me eyes they close, me heart she flip
Havana moon, Havana moon”

Chuck Berry (1926–2017) American rock-and-roll musician

"Havana Moon" (1957)
Song lyrics

Love, Singing, Heart

“To say it once again: today I find it an impossible book — badly written, clumsy and embarrassing, its images frenzied and confused, sentimental, in some places saccharine-sweet to the point of effeminacy, uneven in pace, lacking in any desire for logical purity, so sure of its convictions that it is above any need for proof, and even suspicious of the propriety of proof, a book for initiates, 'music' for those who have been baptized in the name of music and who are related from the first by their common and rare experiences of art, a shibboleth for first cousins in artibus [in the arts] an arrogant and fanatical book that wished from the start to exclude the profanum vulgus [the profane mass] of the 'educated' even more than the 'people'; but a book which, as its impact has shown and continues to show, has a strange knack of seeking out its fellow-revellers and enticing them on to new secret paths and dancing-places.”

Friedrich Nietzsche book The Birth of Tragedy

Nochmals gesagt, heute ist es mir ein unmögliches Buch, - ich heisse es schlecht geschrieben, schwerfällig, peinlich, bilderwüthig und bilderwirrig, gefühlsam, hier und da verzuckert bis zum Femininischen, ungleich im Tempo, ohne Willen zur logischen Sauberkeit, sehr überzeugt und deshalb des Beweisens sich überhebend, misstrauisch selbst gegen die Schicklichkeit des Beweisens, als Buch für Eingeweihte, als "Musik" für Solche, die auf Musik getauft, die auf gemeinsame und seltene Kunst-Erfahrungen hin von Anfang der Dinge an verbunden sind, als Erkennungszeichen für Blutsverwandte in artibus, - ein hochmüthiges und schwärmerisches Buch, das sich gegen das profanum vulgus der "Gebildeten" von vornherein noch mehr als gegen das "Volk" abschliesst, welches aber, wie seine Wirkung bewies und beweist, sich gut genug auch darauf verstehen muss, sich seine Mitschwärmer zu suchen und sie auf neue Schleichwege und Tanzplätze zu locken.
"Attempt at a Self-Criticism", p. 5
The Birth of Tragedy (1872)

People, Secret, Books, Education

“I envision a society without any physical or psychological barriers towards the blind – a barrier-free environment where the blind can walk freely, can travel, can work, think for themselves, and live proud and dignified lives like other citizens. Society thinks that we can only sing sweet songs, only become teachers and telephone operators in the bank. But we can do more. We can dance, we can fire juggle, we can do martial arts, we can become managers and directors of companies. But society is constantly interpreting what we can do and what we can’t. This has to change very soon.”

Tiffany Brar (1988) Indian Social Activist

As quoted in They Say the Blind Should Not Lead the Blind. She Proves Them Wrong. https://www.thebetterindia.com/40485/tiffany-brar-working-for-blind/ (December 22, 2015) by Ranjini Sivaswamy, The Better India.

Art, Travel, Thinking, Teachers

“O my child, who wronged you first, and began
First the dance of death that you dance so well?
Soul for soul: and I think the soul of a man
Shall answer for yours in hell.”

Arthur Symons (1865–1945) British poet

Emmy, st. 6.

Death, Soul, Hell, Thinking

“If it were not my purpose to combine barbarian things with things Hellenic, to traverse and civilize every continent, to search out the uttermost parts of land and sea, to push the bounds of Macedonia to the farthest Ocean, and to disseminate and shower the blessings of the Hellenic justice and peace over every nation, I should not be content to sit quietly in the luxury of idle power, but I should emulate the frugality of Diogenes. But as things are, forgive me Diogenes, that I imitate Herakles, and emulate Perseus, and follow in the footsteps of Dionysos, the divine author and progenitor of my family, and desire that victorious Hellenes should dance again in India and revive the memory of the Bacchic revels among the savage mountain tribes beyond the Kaukasos…”

Alexander the Great (-356–-323 BC) King of Macedon

As quoted in "On the Fortune of Alexander" by Plutarch, 332 a-b

Family, Peace, Justice, Search

“Alternate version: The noble souls of the victorious traverse the heavens and join in the dance of immaterial the beings. Their bodies are not hidden away each in its single grave, but the cities and villages that have divided them among themselves call them saviors of souls and bodies and doctors and honor them as protectors of cities and guardians and treat them as ambassadors before the master of the universe and through them receive divine gifts. And even though the body has been divided, the grace has remained undivided, and that minute relic possesses the same power as the martyr, just as if he had never in any way been divided.”

Theodoret (393–458) Syrian bishop

Sermon on the Martyrs (de Martyribus), ch. 8, in, The Cure of Pagan Maladies (Cure of the Pagan Diseases; Cure for Hellenic Maladies; Cure of Greek Maladies; Cure of Pagan Ills). [Graecorum affectionum curatio, Graecarum affectionum curatio, Graecarum affect. Curatio, Graec. Aff. cur.], (ante A.D. 449) The Faith of the Early Fathers, 1998, W. A. Jurgens, Liturgical Press, ISBN 9780814610213 ISBN 9780814610213vol. 3, p. 241. http://books.google.com/books?id=rkvLsueY_DwC&pg=PA241&dq=%22ambassadors+before+the+Master+of+the+universe%22&hl=en&ei=5X4TTpjVG6OmsQL9m-TUDw&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCkQ6AEwAA#v=onepage&q=%22ambassadors%20before%20the%20Master%20of%20the%20universe%22&f=false The Ruin of the Roman Empire: A New History, 2009, James J. O'Donnell, Ecco, ISBN 0060787414 ISBN 9780060787417p. 319. http://books.google.com/books?id=MEd-_14ZZmEC&pg=PT332&dq=%22honor+them+as+protectors+of+cities+and+guardians%22&hl=en&ei=1NUjTvf4EbSLsALVp62fAw&sa=X&oi=book_result&ct=result&resnum=2&ved=0CC4Q6AEwAQ#v=onepage&q=%22honor%20them%20as%20protectors%20of%20cities%20and%20guardians%22&f=false More variants http://www.google.com/search?tbm=bks&tbo=1&q=%22call+them+saviors+of+souls+and+bodies%22&btnG=Search+Books#sclient=psy&hl=en&tbo=1&tbm=bks&source=hp&q=%22saviours+of+souls%22+theodoret&aq=&aqi=&aql=&oq=&pbx=1&bav=on.2,or.r_gc.r_pw.&fp=69360d7032f70ec5&biw=1270&bih=696 Greek and Latin text in, in J.P. Migne, PL vol. 83 (vol. 4 of Theodoret’s works), col. 1011. http://books.google.com/books?id=fb8UAAAAQAAJ&pg=PA1011&dq=%22corpora+non+singula%22+monumenta&hl=en&ei=U8EUToTbJ8eusAKIiuDUDw&sa=X&oi=book_result&ct=result&resnum=4&ved=0CDoQ6AEwAw#v=onepage&q=%22corpora%20non%20singula%22%20monumenta&f=false Note that the Protestant Reformers Heinrich Bullinger and John Calvin believed that Christians ministers, through the operation of grace, may legitimately be called "saviors." http://books.google.com/books?id=McQogZjrU0AC&pg=PA95&dq=%22For+this+cause+ministers+are+called+saviours%22&hl=en&ei=2zEnTp2XNKqHsgLvwsA7&sa=X&oi=book_result&ct=result&resnum=3&ved=0CDkQ6AEwAg#v=onepage&q=%22For%20this%20cause%20ministers%20are%20called%20saviours%22&f=false http://books.google.com/books?id=YyJVAAAAYAAJ&pg=PA424&dq=%22minister+of+the+word+is+said+in+some+way+to+save+those+whom+he+leads+to+the+obedience+of+faith%22&hl=en&ei=PS8nTt7fNZKCsQOAwYHjCA&sa=X&oi=book_result&ct=result&resnum=1&ved=0CC0Q6AEwAA#v=onepage&q=%22minister%20of%20the%20word%20is%20said%20in%20some%20way%20to%20save%20those%20whom%20he%20leads%20to%20the%20obedience%20of%20faith%22&f=false.

Way, Soul, Universe, Victory

“Life is water, dancing to the tune of macro molecules.”

Albert Szent-Györgyi (1893–1986) Hungarian biochemist who won the Nobel Prize in Physiology or Medicine in 1937

Water, Energy, and Life: Fresh Views From the Water's Edge, Gerald Pollack, 01/30/2008, University of Washington TV, February 5, 2011 http://www.uwtv.org/programs/displayevent.aspx?rID=22222,.

Life, Water

“[Ibn Battuta’s eyewitness account of the Sultan’s arranging the enslaved girls’ marriages with Muslims on a large scale on the occasion of the two Ids, confirms the statement of Abbas:] “First of all, daughters of Kafir (Hindu) Rajas captured during the course of the year, come and sing and dance. Thereafter they are bestowed upon Amirs and important foreigners. After this daughters of other Kafirs dance and sing… the Sultan gives them to his brothers, relatives, sons of Maliks etc. On the second day the durbar is held in a similar fashion after Asr. Female singers are brought out… the Sultan distributes them among the Mameluke Amirs. On the third day relatives of the Sultan are married and they are given rewards. On the sixth day male and female slaves are married. On the seventh day he (the Sultan) gives charities with great liberality.””

Ibn Battuta (1304–1377) Moroccan explorer

Quoted from Lal, K. S. (1990). Indian muslims: Who are they.
Travels in Asia and Africa (Rehalã of Ibn Battûta)

Marriage, Girl, Fashion, Singing

“Out of infinite longings rise
finite deeds like weak fountains,
falling back just in time and trembling.
And yet, what otherwise remains silent,
our happy energies—show themselves
in these dancing tears.”

Rainer Maria Rilke book The Book of Images

Aus unendlichen Sehnsüchten steigen
endliche Taten wie schwache Fontänen,
die sich zeitig und zitternd neigen.
Aber, die sich uns sonst verschweigen,
unsere fröhlichen Kräfte—zeigen
sich in diesen tanzenden Tränen.
Initiale (Initial) (as translated by Cliff Crego)
Das Buch der Bilder (The Book of Images) (1902)

Tear, Time, Happiness

“It is just as ridiculous to get excited & hysterical over a coming cultural change as to get excited & hysterical over one's physical aging... There is legitimate pathos about both processes; but blame & rebellion are essentially cheap, because inappropriate, emotions... It is wholly appropriate to feel a deep sadness at the coming of unknown things & the departure of those around which all our symbolic associations are entwined. All life is fundamentally & inextricably sad, with the perpetual snatching away of all the chance combinations of image & vista & mood that we become attached to, & the perpetual encroachment of the shadow of decay upon illusions of expansion & liberation which buoyed us up & spurred us on in youth. That is why I consider all jauntiness, & many forms of carelessly generalised humour, as essentially cheap & mocking, & occasionally ghastly & corpselike. Jauntiness & non-ironic humour in this world of basic & inescapable sadness are like the hysterical dances that a madman might execute on the grave of all his hopes. But if, at one extreme, intellectual poses of spurious happiness be cheap & disgusting; so at the other extreme are all gestures & fist-clenchings of rebellion equally silly & inappropriate—if not quite so overtly repulsive. All these things are ridiculous & contemptible because they are not legitimately applicable... The sole sensible way to face the cosmos & its essential sadness (an adumbration of true tragedy which no destruction of values can touch) is with manly resignation—eyes open to the real facts of perpetual frustration, & mind & sense alert to catch what little pleasure there is to be caught during one's brief instant of existence. Once we know, as a matter of course, how nature inescapably sets our freedom-adventure-expansion desires, & our symbol-&-experience-affections, definitely beyond all zones of possible fulfilment, we are in a sense fortified in advance, & able to endure the ordeal of consciousness with considerable equanimity... Life, if well filled with distracting images & activities favourable to the ego's sense of expansion, freedom, & adventurous expectancy, can be very far from gloomy—& the best way to achieve this condition is to get rid of the unnatural conceptions which make conscious evils out of impersonal and inevitable limitations... get rid of these, & of those false & unattainable standards which breed misery & mockery through their beckoning emptiness.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 291
Non-Fiction, Letters, to Frank Belknap Long

Life, Pleasure, Youth, Age

“Certainly we are not going to say these things about the negro people publicly; we have no distinction between black or white, or demon or demigod, but at the same time, so long as one is demon or demigod, we have to behave in the proper way. Just like Caitanya Mahaprabhu; He had no distinction between a tiger and a man. He was so powerful that He could convert even a tiger to dance. But so far as we are concerned, we should not imitate and go to some tiger and try to make him dance! But still, tiger is equally eligible like a man. So, you can understand that these talks are not for the public, as they have not got the ability to understand. Basically we have not got hatred for anyone, but when one is demoniac or atheistic, we should try to avoid their company. A preacher’s business is to love God, to make friendship with devotees, to enlighten the innocent, and to avoid the demons. This principle we shall follow. But in higher devotional life, there is no such distinction.”

A.C. Bhaktivedanta Swami Prabhupada (1896–1977) Indian guru

Letter to Satsvarupa, San Francisco, 9 April, 1968 PrabhupadaBooks.com http://prabhupadabooks.com/letters/san_francisco/april/09/1968/satsvarupa?d=1 Quotes from other Sources, Quotes from other Sources: Racism and Homophobia

Love, Life, God, Friendship

“To dance with the naked [blow-up] doll, that was me! That's what I mean by I'm real, I'm truly hardcore, because I needed the money and I had to work. So if he told me that for me to get paid I had to go out there in bikini briefs and hop on top of this [blow-up] doll and that's how I gotta get paid, and I was homeless at the time, that's what I had to do. But What I did was not let him pimp me, you know what I'm saying. It wasn't like I just did that because that was my order. As soon as I got the check's to say what was on my mind, I said what was on my mind. And we have a platinum record now, you know what I'm saying.”

Tupac Shakur (1971–1996) rapper and actor

1990s, MTV interview (1994)

Money, Time

“Baptists never make love standing up. They're afraid someone might see them and think they're dancing.”

Lewis Grizzard (1946–1994) American journalist

Love, Making love, Thinking

“Round and round, like a dance of snow
In a dazzling drift, as its guardians, go
Floating the women faded for ages,
Sculptured in stone on the poet's pages.”

Robert Browning (1812–1889) English poet and playwright of the Victorian Era

Women and Roses.
Bartlett's Familiar Quotations, 10th ed. (1919)

Women, Age

“Peculiar Travel Suggestions are Dancing Lessons From God”

Kurt Vonnegut book Cat's Cradle

Cat's Cradle (1963)

God, Travel

“The dance around the golden calf of identity is the last and greatest orgy of counterenlightenment. Identity is the magic word of a partially hidden, partially open conservatism that has inscribed personal identity, occupational identity, national identity, political identity, female identity, male identity, class identity, party identity, etc., on its banner.”

Peter Sloterdijk (1947) German philosopher

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), pp. 60-61

Personality

“Then the bay horse spoke to me again and said: "See how your horses all come dancing!" I looked, and there were horses, horses everywhere — a whole skyfull of horses dancing around me.”

Black Elk (1863–1950) Oglala Lakota leader

Black Elk Speaks (1961)

Horse

“When you dance,
Do your senses tingle?
Then take a chance?
In a trance,
While the lonely mingle
With circumstance?”

Neil Young (1945) Canadian singer-songwriter

When You Dance I Can Really Love
Song lyrics, After the Gold Rush (1970)

Sense, Chance

“He let out a yell of joy. They danced round the room. Pressure of population was such that reproduction had to be strict, controlled. Childbirth required government permission. For this moment, they had waited four years. Incoherently they cried their delight.”

Brian W. Aldiss book Super-Toys Last All Summer Long

Super-Toys Last All Summer Long (1969)

Waiting, Joy

“The noble souls of the triumphant are sauntering around heaven, dancing in the choruses of the bodiless; and not one tomb for each conceals their bodies, but cities and villages divide them up and call them healers and preservers of souls and bodies, and venerate them as guardians and protectors of cities; and when they intervene as ambassadors before the Master of the universe the divine gifts are obtained through them; and though the body has been divided, its grace has continued undivided. And that little particle and smallest relic has the same power as the absolutely and utterly undivided martyr.”

Theodoret (393–458) Syrian bishop

Soul, Universe

“By knowing yourself as the awareness in which phenomenal existence happens, you become free of dependency on phenomena and free of self seeking in situations, places, and conditions. In other words, what happens or doesn't happen is not that important anymore. Things lose their heaviness, their seriousness. A playfulness comes into your life. You recognize this world as a cosmic dance, the dance of form.”

Eckhart Tolle (1948) German writer

Stillness Speaks (2003)

Life, World, Dependency

“Every tree and plant in the meadow seemed to be dancing, those which average eyes would see as fixed and still.”

Rumi (1207–1273) Iranian poet

Disputed, The Essential Rumi (1995)

Tree

“A good deal of the corporate planning I have observed is like a ritual rain dance; it has no effect on the weather that follows, but those who engage in it think it does. Moreover, it seems to me that much of the advice and instruction related to corporate planning is directed at improving the dancing, not the weather.”

Russell L. Ackoff (1919–2009) Scientist

Source: 1980s, Creating the Corporate Future, 1981, p. ix in the Preface: "Creating the Corporate Future: Plan or be Planned For," Wiley, April 27, 1981

Thinking, Weather

“Twould ring the bells of Heaven
The wildest peal for years,
If Parson lost his senses
And people came to theirs,
And he and they together
Knelt down with angry prayers
For tamed and shabby tigers
And dancing dogs and bears,
And wretched, blind, pit ponies,
And little hunted hares.”

Ralph Hodgson (1871–1962) British writer

"The Bells of Heaven", p. 25.
Poems (1917)

People, Dogs, Sense

“I accidentally wound up at this "dance…place", gentleman clubby place. I wasn't driving, it was an accident; we pulled up to the place, ya know (car engine, brakes), ah! I knew where I was, you can be drunk and know where you are, so long as you hear (drum beats), AAAH! I walked in there and I got recognized by one of the dancers. You gotta call them "dancers" or "entertainers" or they'll get mad at you, "(feminine voice) I am not a stripper, ok?! I'm an entertainer." And I said, "No, I'm an entertainer, you're nasty!" Some girl recognized me, and she said, "Omigawd I know who you are, you're faamous!" And I'm like, "Oh no, oh no!" And some other dancer who was spinning around on a pole overheard famous and she stopped [eek! Looks over]. She walks over, "(feminine voice) Oh my gawd, you're famous? Can I have your autograph?" I was like, "You don't even know who I am." "I don't care; SIGN IT!" "Ok, relax; what's your name?" "Diamond." "What's your last name?" "Rodriguez." "(writing)To Diamond, with all my love and affection…" "HURRY UP!" I got so mad, so I wrote, "George Lopez." I was so drunk, I didn't care; and she freaked out, she was like, "Oh my gawd! OH MY GAWD! You're George Lopez!" I can't help it guys, I was so drunk, I did this; I said, "[George Lopez voice] I know, huh? Ay, ay, cabrona! Why you cry!? Why you crying'!?"”

Gabriel Iglesias (1976) American actor

I'm not gonna lie to you guys, George knows that I do it; I don't think he likes it!
Hot & Fluffy (2007)

Love, Lie, Cars, Guy

“The celebrated Mr. K.
Performs his feat on Saturday at Bishops Gate
The Hendersons will dance and sing
As Mr. Kite flies through the ring don't be late
Messrs. K and H. assure the public
Their production will be second to none
And of course Henry the Horse dances the waltz!”

John Lennon (1940–1980) English singer and songwriter

"Being for the Benefit of Mr. Kite!" (1967)
Lyrics

Singing, Horse

“African independence was greeted with pomp, ceremony, and a resurgence of traditional African music and dance. “A new day has dawned,” “we are on the threshold of a new era,” “we have now entered into the political kingdom”—those were the phrases of the day, and they were repeated until they became clichés.”

Walter Rodney book How Europe Underdeveloped Africa

Source: How Europe Underdeveloped Africa (1972), p. 446.

Music

“Even with all our technological accomplishments and urban sophistication, we consider ourselves blessed, healed in some manner, forgiven, and for a moment transported into some other world, when we catch a passing glimpse of an animal in the wild: a deer in some woodland, a fox crossing a field, a butterfly in its dancing flight southward to its wintering region, a hawk soaring in the distant sky, a hummingbird come into our garden, fireflies signaling to each other in the evening. So we might describe the thousandfold moments when we experience our meetings with the animals in their unrestrained and undomesticated status. Such incidents as these remind us that the universe is composed of subjects to be communed with, not of objects to be exploited.”

Thomas Berry (1914–2009) American priest

Source: Evening Thoughts, Chapter 3, pp. 37-38

World, Communication, Universe, Distant

“A great deal of work is sedentary, and most manual work exercises only a few specialized muscles. When crowds assemble in Trafalgar Square to cheer to the echo an announcement that the government has decided to have them killed, they would not do so if they had all walked twenty-five miles that day. This cure for bellicosity is, however, impracticable, and if the human race is to survive – a thing which is, perhaps, undesirable – other means must be found for securing an innocent outlet for the unused physical energy that produces love of excitement. This is a matter which has been too little considered, both by moralists and by social reformers. The social reformers are of the opinion that they have more serious things to consider. The moralists, on the other hand, are immensely impressed with the seriousness of all the permitted outlets of the love of excitement; the seriousness, however, in their minds, is that of Sin. Dance halls, cinemas, this age of jazz, are all, if we may believe our ears, gateways to Hell, and we should be better employed sitting at home contemplating our sins. I find myself unable to be in entire agreement with the grave men who utter these warnings. The devil has many forms, some designed to deceive the young, some designed to deceive the old and serious. If it is the devil that tempts the young to enjoy themselves, is it not, perhaps, the same personage that persuades the old to condemn their enjoyment? And is not condemnation perhaps merely a form of excitement appropriate to old age? And is it not, perhaps, a drug which – like opium – has to be taken in continually stronger doses to produce the desired effect? Is it not to be feared that, beginning with the wickedness of the cinema, we should be led step by step to condemn the opposite political party, dagoes, wops, Asiatics, and, in short, everybody except the fellow members of our club? And it is from just such condemnations, when widespread, that wars proceed. I have never heard of a war that proceeded from dance halls.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

1950s, What Desires Are Politically Important? (1950)

Love, Men, War, Age

“Oh troika, winged troika, tell me who invented you? Surely, nowhere but among a nimble nation could you have been born in a country which has taken itself in earnest and has evenly spread far and wide over half of the globe, so that once you start counting the milestones you may count on till a speckled haze dances before your eyes… Rus, are you not similar in your headlong motion to one of those nimble troikas that none can overtake? The flying road turns into smoke under you, bridges thunder and pass, all fall back and is left behind!… And what does this awesome motion mean? What is the passing strange steeds! Has the whirlwind a home in your manes?… Rus, whither are you speeding to? Answer me. No answer. The middle bell trills out in a dream its liquid soliloquy; the roaring air is torn to pieces and becomes wind; all things on earth fly by and other nations and states gaze askance as they step aside and give her the right of way.”

Nikolai Gogol book Dead Souls

Vol. I, ch. 11
Dead Souls (1842)

Dreams, Way, Home, Speed

“His tired gaze - from passing endless bars -
has turned into a vacant stare which nothing holds.
To him there seem to be a thousand bars,
and out beyond these bars exists no world. His supple gait, the smoothness of strong strides
that gently turn in ever smaller circles
perform a dance of strength, centered deep within
a will, stunned, but untamed, indomitable. But sometimes the curtains of his eyelids part,
the pupils of his eyes dilate as images
of past encounters enter while through his limbs
a tension strains in silence
only to cease to be, to die within his heart.”

Rainer Maria Rilke book The Panther

Sein Blick ist vom Vorübergehen der Stäbe
so müd geworden, daß er nichts mehr hält.
Ihm ist, als ob es tausend Stäbe gäbe
und hinter tausend Stäben keine Welt.Der weiche Gang geschmeidig starker Schritte,
der sich im allerkleinsten Kreise dreht,
ist wie ein Tanz von Kraft um eine Mitte,
in der betäubt ein großer Wille steht.Nur manchmal schiebt der Vorhang der Pupille
sich lautlos auf—. Dann geht ein Bild hinein,
geht durch der Glieder angespannte Stille—
und hört im Herzen auf zu sein.
As translated by Albert Ernest Flemming
Der Panther (The Panther) (1907)

World, Strong, Silence, Past

“At midnight on the Emperor’s pavement flit
Flames that no faggot feeds, nor steel has lit,
Nor storm disturbs, flames begotten of flame,
Where blood-begotten spirits come
And all complexities of fury leave,
Dying into a dance,
An agony of trance,
An agony of flame that cannot singe a sleeve.”

W.B. Yeats book The Winding Stair and Other Poems

Byzantium, st. 4
The Winding Stair and Other Poems (1933)

Singing

“You think it horrible that lust and rage
Should dance attention upon my old age;
They were not such a plague when I was young;
What else have I to spur me into song?”

W.B. Yeats (1865–1939) Irish poet and playwright

The Spur http://poetry.poetryx.com/poems/1693/ Last Poems (1936-1939)

Age, Thinking, Rage

“You should see me dance the Polka,
You should see me cover the ground,
You should see my coat-tails flying,
As I jump my partner round;
When the band commences playing,
My feet begin to go,
For a rollicking romping Polka
Is the jolliest fun I know.”

George Grossmith (1847–1912) English comedian, writer, composer, actor, and singer

Song You should see me dance the Polka This song was performed and played a roll in the 1941 movie, "Dr. Jekyll and Mr. Hyde" in a scene that took place in an English music hall. The movie starred Spencer Tracy, Ingrid Bergman, and Lana Turner; directed by Victor Fleming.

Flying

“Let us read, and let us dance; these two amusements will never do any harm to the world.”

Voltaire Dictionnaire philosophique

Laissez lire, et laissez danser; ces deux amusements ne feront jamais de mal au monde.
"Liberty of the Press," Dictionnaire philosophique (1785-1789)
Citas

World, Reading

“And all my days are trances,
And all my nightly dreams
Are where thy grey eye glances,
And where thy footstep gleams —
In what ethereal dances,
By what eternal streams.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

"To One In Paradise", st. 4; variants of this verse read "where thy dark eye glances".

Dreams

“In many a situation, the images that words hide while walking forth are the desired meaning of particular words rather than the word itself. Those words sing and dance by coming out of the paper.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/ From Prose

Singing

“They can't be worse than vampires. And you did all right with them."
"Did all right with them? By which I take it you mean we survived?"
"Well..."
"Faeries," Jace went on, as if Simon hadn't spoken, "are the offspring of demons and angels, with the beauty of angels and the viciousness of demons. A vampire might attack you, if you enter its domain, but a faerie could make you dance until you died with your legs ground into stumps, trick you into a midnight swim and drag you screaming underwater until your lungs burst, fill your eyes with faerie dust until you gouged them out at the roots-"
"Jace!”

Cassandra Clare The Mortal Instruments

Clary snapped.
Simon, Jace, and Clary, pg. 146-147
The Mortal Instruments, City of Ashes (2008)

Beauty, Angels

“Where dance is, there is the devil.”

John Chrysostom (349–407) important Early Church Father

Homily on Matt.48.3

“I am not a Hindu,
Nor a Muslim am I!
I am this body, a play
Of five elements; a drama
Of the spirit dancing
With joy and sorrow.”

Kabir (1440–1518) Indian mystic poet

Azfar Hussain translations

Joy

“Obama: Now, I swore an oath to uphold the laws on the books, but that doesn't mean I don't know very well the real pain and heartbreak that deportations cause. I share your concerns and I understand them. And I promise you, we are responding to your concerns and working every day to make sure we are enforcing flawed laws in the most humane and best possible way. Now, I know some people want me to bypass Congress and change the laws on my own. [Applause] And believe me, right now dealing with Congress —
Audience: Yes, you can! Yes, you can! Yes, you can! Yes, you can! Yes, you can!
Obama: Believe me — believe me, the idea of doing things on my own is very tempting. [Laughter] I promise you. Not just on immigration reform. [Laughter] But that's not how — that's not how our system works.
Audience member: Change it!
Obama: That’s not how our democracy functions. That's not how our Constitution is written. So let’s be honest. I need a dance partner here — and the floor is empty.”

Barack Obama (1961) 44th President of the United States of America

Remarks to the National Council of La Raza (25 July 2011) http://www.whitehouse.gov/the-press-office/2011/07/25/remarks-president-national-council-la-raza 2011

Pain, People, Books, Law

“Well I looked at my watch, it was 9:54
I said, "Dance ballerina girl, go go go!"
And we rolled, reelin' and a rockin'
We was reelin' and a rockin'
Rollin' till the break of dawn”

Chuck Berry (1926–2017) American rock-and-roll musician

"Reelin' and Rockin"' (1958)
Song lyrics

Girl

“Imagining in excited reverie
That the future years had come,
Dancing to a frenzied drum,
Out of the murderous innocence of the sea.”

W.B. Yeats book Michael Robartes and the Dancer

St. 2 Michael Robartes and the Dancer (1921), A Prayer For My Daughter http://poetry.poetryx.com/poems/1421/

Imagination, Future, Sea

“When I play on my fiddle in Dooney,
Folk dance like a wave of the sea.”

W.B. Yeats (1865–1939) Irish poet and playwright

The Fiddler Of Dooney http://poetry.poetryx.com/poems/1620/, st. 1 The Wind Among the Reeds (1899)

Sea

“I celebrated my 21st birthday here, and that was the last time I drank in El Paso. [Audience cheers] You folks don't mess around, you know? Everyone was going, "It's your birthday," I was like, "It's my birthday!" "Do you want a drink?" "SUUURRREE!" And I kept drinking and drinking and drinking, and then the staff asked me, "Do you want to party?" I was like, [Slurring]"I want to party." "Do you want to dance?" [Slurring] "I wanna dance!" I passed out, you guys, and woke up at a place called the O. P. [Audience laughs and cheers] Yeah, the reason you people in El Paso are laughing is because you KNOW! I had no idea it was an "Alternative" night club. I'm from L. A., I thought O. P. stood for: Orale pues! That is a bad way to sober up, you guys. I'm just dancing, you know [Imitates beat-box music] Boom, boom, boom, hey! Boom, boom, boom, hey! Boom, boom, boom- [Jumps like something's behind him] HEY! [Audience laughs] And behind me was this little guy going, [Little effeminate voice] "Pikachu!"”

Gabriel Iglesias (1976) American actor

I'm Not Fat, I'm Fluffy (2009)

People, Music, Way, Guy

“She said that she would dance with me if I brought her red roses," cried the young Student; "but in all my garden there is no red rose.”

Oscar Wilde book The Happy Prince and Other Tales

"The Nightingale and the Rose"
The Happy Prince and Other Tales (1888)

“The wind which passes through the skins of animals will make men leap up: That is the bagpipes, which cause men to dance.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo Da Vinci (1938), XLV Prophecies

Men, Animals

“And so we can preserve great traditions -- music, food, dance, language, art -- but if there’s a tradition anywhere in Africa, or here in the United States, or anywhere in the world that involves treating people differently because you’re scared of them, or because you're ignorant about them, or because you want to feel superior to them, it's a bad tradition. And you have to challenge it. And you can't accept excuses for it. […] But the truth of the matter is, is that if you’re treating people differently just because of who they love and who they are, then there’s a connection between that mindset and the mindset that led to racism, and the mindset that leads to ethnic conflict. It means that you’re not able to see somebody else as a human being. And so you can’t, on the one hand, complain when somebody else does that to you, and then you’re doing it to somebody else. You can’t do it. There’s got to be some consistency to how you think about these issues. And that’s going to be up to young people -- because old people get stuck in their ways. […] And that doesn’t mean that everything suddenly is perfect. It just means that, young people, you can lead the way and set a good example. But it requires some courage, because the old thinking, people will push back at you. And if you don’t have the convictions and the courage to be able to stand up for what you think is right, then cruelty will perpetuate itself.”

Barack Obama (1961) 44th President of the United States of America

2015, Young African Leaders Initiative Presidential Summit Town Hall speech (August 2015)

Love, People, Truth, World

“Above the mists on Hatheg-Kla, earth's gods sometimes dance reminiscently; for they know they are safe, and love to come from unknown Kadath in ships of clouds and play in the olden way, as they did when earth was new and men not given to the climbing of inaccessible places.”

H.P. Lovecraft (1890–1937) American author

Fiction, The Other Gods (1921)

Love, Men, God, Way

“I don't try to tell the dancers exactly what a dance means before they do it.”

Martha Graham (1894–1991) American dancer and choreographer

New York Times interview (1985)
Context: I don't try to tell the dancers exactly what a dance means before they do it. I can correct it and tell them what they have done after they have done it, and what it means to me. But I don't say, "Be fearful here," "Be angry here," because I think that is intrusion.

“We look at the dance to impart the sensation of living in an affirmation of life, to energize the spectator into keener awareness of the vigor, the mystery, the humor, the variety, and the wonder of life. This is the function of the American dance.”

Martha Graham (1894–1991) American dancer and choreographer

"The American Dance", in Modern Dance, ed. Virginia Stewart (1945).

Life

“Dancing is very like poetry. It's like poetic lyricism, sometimes, it's like the rawness of dramatic poetry, it's like the terror — or it can be like a terrible revelation of meaning. Because when you light on a word it strikes you to your heart.”

Martha Graham (1894–1991) American dancer and choreographer

New York Times interview (1985)

Light, Heart

“The moon is dark, and the gods dance in the night; there is terror in the sky, for upon the moon hath sunk an eclipse foretold in no books of men or of earth's gods…”

H.P. Lovecraft (1890–1937) American author

Fiction, The Other Gods (1921)
Context: The moon is dark, and the gods dance in the night; there is terror in the sky, for upon the moon hath sunk an eclipse foretold in no books of men or of earth's gods...' There is unknown magic on Hatheg-Kla, for the screams of the frightened gods have turned to laughter, and the slopes of ice shoot up endlessly into the black heavens whither I am plunging... Hei! Hei! At last! In the dim light I behold the gods of earth!

Men, God, Books, Night

“Dancing appears glamorous, easy, delightful. But the path to paradise of the achievement is not easier than any other.”

Martha Graham (1894–1991) American dancer and choreographer

I Am A Dancer (1952)
Context: Dancing appears glamorous, easy, delightful. But the path to paradise of the achievement is not easier than any other. There is fatigue so great that the body cries, even in its sleep. There are times of complete frustration, there are daily small deaths. Then I need all the comfort that practice has stored in my memory, a tenacity of faith.

Appearance

“He wanted all to lie in an ecstasy of peace; I wanted all to sparkle and dance in a glorious jubilee. I said his heaven would be only half alive, and he said mine would be drunk; I said I should fall asleep in his, and he said he could not breathe in mine.”

Emily Brontë book Wuthering Heights

Catherine Linton (Ch. XXIV).
Wuthering Heights (1847)
Context: One time, however, we were near quarrelling. He said the pleasantest manner of spending a hot July day was lying from morning till evening on a bank of heath in the middle of the moors, with the bees humming dreamily about among the bloom, and the larks singing high up overhead, and the blue sky and bright sun shining steadily and cloudlessly. That was his most perfect idea of heaven's happiness — mine was rocking in a rustling green tree, with a west wind blowing, and bright white clouds flitting rapidly above; and not only larks, but throstles, and blackbirds, and linnets, and cuckoos pouring out music on every side, and the moors seen at a distance, broken into cool dusky dells; but close by great swells of long grass undulating in waves to the breeze; and woods and sounding water, and the whole world awake and wild with joy. He wanted all to lie in an ecstasy of peace; I wanted all to sparkle and dance in a glorious jubilee. I said his heaven would be only half alive, and he said mine would be drunk; I said I should fall asleep in his, and he said he could not breathe in mine.

Lie, Peace

“Labour is blossoming or dancing where
The body is not bruised to pleasure soul.”

W.B. Yeats book The Tower

Among School Children http://poetry.poetryx.com/poems/1437/, st. 8 The Tower (1928) Context: Labour is blossoming or dancing where The body is not bruised to pleasure soul. Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil. O chestnut-tree, great-rooted blossomer, Are you the leaf, the blossom or the bole? O body swayed to music, O brightening glance, How can we know the dancer from the dance?

Pleasure, Soul

“I don't have time, really, to work out or play a sport. But I love to dance. I like to run in the springtime or in the fall. I like to go outside. I don't like running on a treadmill. I get tired… I just get sick of it. But if I'm outside, I could just run for ages. Or walk, if I need a break.”

AnnaSophia Robb (1993) American actress, singer, and model

Radio Free Entertainment interview (2007)
Context: I like to climb. I don't love to work out. Actually, I hate to work out. You know, I tell myself, "AnnaSophia, you have to work out. You haven't gotten any exercise in the longest time." You know, I don't have time, really, to work out or play a sport. But I love to dance. I like to run in the springtime or in the fall. I like to go outside. I don't like running on a treadmill. I get tired... I just get sick of it. But if I'm outside, I could just run for ages. Or walk, if I need a break.

Love, Age, Sport, Time

“The brain is waking and with it the mind is returning. It is as if the Milky Way entered upon some cosmic dance. Swiftly the head mass becomes an enchanted loom where millions of flashing shuttles weave a dissolving pattern, always a meaningful pattern though never an abiding one; a shifting harmony of subpatterns.”

Charles Scott Sherrington (1857–1952) English neurophysiologist and Nobel Prize recipient

Man On His Nature (1942), p. 178
Context: In the great head-end which has been mostly darkness springs up myriads of twinkling stationary lights and myriads of trains of moving lights of many different directions. It is as though activity from one of those local places which continued restless in the darkened main-mass suddenly spread far and wide and invaded all. The great topmost sheet of the mass, that where hardly a light had twinkled or moved, becomes now a sparkling field of rhythmic flashing points with trains of traveling sparks hurrying hither and thither. The brain is waking and with it the mind is returning. It is as if the Milky Way entered upon some cosmic dance. Swiftly the head mass becomes an enchanted loom where millions of flashing shuttles weave a dissolving pattern, always a meaningful pattern though never an abiding one; a shifting harmony of subpatterns. Now as the waking body rouses, subpatterns of this great harmony of activity stretch down into the unlit tracks of the stalk-piece of the scheme. Strings of flashing and travelling sparks engage the lengths of it. This means that the body is up and rises to meet its waking day.

Way

“Listen intently to a voice singing without words. It may charm you into crying, force you to dance, fill you with rage, or make you jump for joy. You can't tell where the music ends and the emotions begin, for the whole thing is a kind of music—the voice playing on your nerves as the breath plays on a flute. All experience is just that, except that its music has many more dimensions than sound. It vibrates in the dimensions of sight, touch, taste, and smell, and in the intellectual dimension of symbols and words—all evoking and playing upon each other.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 95

Music, Rage, Singing, Joy

“The moral of the story is, is we're here on Earth to fart around. And, of course, the computers will do us out of that. And, what the computer people don't realize, or they don't care, is we're dancing animals. You know, we love to move around. And, we're not supposed to dance at all anymore.”

Kurt Vonnegut (1922–2007) American writer

Interview by David Brancaccio, NOW (PBS) (7 October 2005) http://www.pbs.org/now/arts/vonnegut.html Various interviews Context: [When Vonnegut tells his wife he's going out to buy an envelope] Oh, she says, well, you're not a poor man. You know, why don't you go online and buy a hundred envelopes and put them in the closet? And so I pretend not to hear her. And go out to get an envelope because I'm going to have a hell of a good time in the process of buying one envelope. I meet a lot of people. And, see some great looking babes. And a fire engine goes by. And I give them the thumbs up. And, and ask a woman what kind of dog that is. And, and I don't know. The moral of the story is, is we're here on Earth to fart around. And, of course, the computers will do us out of that. And, what the computer people don't realize, or they don't care, is we're dancing animals. You know, we love to move around. And, we're not supposed to dance at all anymore.

Love, People, Animals

“I never made nude movies. I didn't have to do that. I danced.”

Rita Hayworth (1918–1987) American actress, dancer and director

As quoted in "Rita Remains Striking, Trim, Busy" in The Palm Beach Post (16 October 1969)]
Context: Everybody else does nude scenes, but I don't. I never made nude movies. I didn't have to do that. I danced. … I was provocative, I guess in some things. But I was not completely exposed.

“I was still blind, but twinkling stars did dance
Throughout my being's limitless expanse”

Novalis (1772–1801) German poet and writer

As quoted in Romantic Vision, Ethical Context: Novalis and Artistic Autonomy (1987) by Géza von Molnár, p. 2
Context: I was still blind, but twinkling stars did dance
Throughout my being's limitless expanse,
Nothing had yet drawn close, only at distant stages
I found myself, a mere suggestion sensed in past and future ages.

Star

“If, by the virtue of charity or the circumstance of desperation, you ever chance to spend a little time around a Substance-recovery halfway facility like Enfield MA’s state-funded Ennet House, you will acquire many exotic new facts…That certain persons simply will not like you no matter what you do. That sleeping can be a form of emotional escape and can with sustained effort be abused. That purposeful sleep-deprivation can also be an abusable escape. That you do not have to like a person in order to learn from him/her/it. That loneliness is not a function of solitude. That logical validity is not a guarantee of truth. That it takes effort to pay attention to any one stimulus for more than a few seconds. That boring activities become, perversely, much less boring if you concentrate intently on them. That if enough people in a silent room are drinking coffee it is possible to make out the sound of steam coming off the coffee. That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack. That concentrating intently on anything is very hard work. That 99% of compulsive thinkers’ thinking is about themselves; that 99% of this self-directed thinking consists of imagining and then getting ready for things that are going to happen to them; and then, weirdly, that if they stop to think about it, that 100% of the things they spend 99% of their time and energy imagining and trying to prepare for all the contingencies and consequences of are never good. In short that 99% of the head’s thinking activity consists of trying to scare the everliving shit out of itself. That it is possible to make rather tasty poached eggs in a microwave oven. That some people’s moms never taught them to cover up or turn away when they sneeze. That the people to be the most frightened of are the people who are the most frightened. That it takes great personal courage to let yourself appear weak. That no single, individual moment is in and of itself unendurable. That other people can often see things about you that you yourself cannot see, even if those people are stupid. That having a lot of money does not immunize people from suffering or fear. That trying to dance sober is a whole different kettle of fish. That different people have radically different ideas of basic personal hygiene. That, perversely, it is often more fun to want something than to have it. That if you do something nice for somebody in secret, anonymously, without letting the person you did it for know it was you or anybody else know what it was you did or in any way or form trying to get credit for it, it’s almost its own form of intoxicating buzz. That anonymous generosity, too, can be abused. That it is permissible to want. That everybody is identical in their unspoken belief that way deep down they are different from everyone else. That this isn’t necessarily perverse. That there might not be angels, but there are people who might as well be angels.”

David Foster Wallace book Infinite Jest

Infinite Jest (1996)

Hurt, Imagination, Housing, Personality

“There's a dancing bear in Corus who's almost as shaggy as I am.”

Tamora Pierce (1954) American writer of fantasy novels for children

Myles of Olau

“You live because you dance, you dance as long as you live.”

Rudolf Nureyev (1938–1993) Soviet ballet dancer and choreographer

Source: "Recurring Topics in Nureyev’s Ballets" https://nureyev.org/rudolf-nureyev-artistic-influence-index/main-topics/

“The main thing is dancing, and before it withers away from my body, I will keep dancing till the last moment, the last drop.”

Rudolf Nureyev (1938–1993) Soviet ballet dancer and choreographer

Source: As quoted in 1990, "Rudolf Nureyev, Charismatic Dancer Who Gave Fire to Ballet's Image, Dies at 54" in The New York Times https://www.nytimes.com/1993/01/07/arts/rudolf-nureyev-charismatic-dancer-who-gave-fire-to-ballet-s-image-dies-at-54.html (7 January 1993)

“So keep on playing those mind games together
Doing the ritual dance in the sun...
Putting their soul power to the karmic wheel.”

John Lennon (1940–1980) English singer and songwriter

Lyrics, Mind Games (1973)

Soul, Sun, Game