Quotes about screen

A collection of quotes on the topic of screen, screening, likeness, people.

Quotes about screen

Michael Jackson photo

“Just because you read it in a magazine,
Or see it on a TV screen
Don't make it factual.”

Michael Jackson (1958–2009) American singer, songwriter and dancer

Tabloid Junkie
HIStory: Past, Present & Future, Book I (1995)

Karl Popper photo
Bonnie Wright photo

“I think everyone sometimes feels intimidated by themselves when they see themselves on the screen.”

Bonnie Wright (1991) English actress, model, screenwriter, director and producer

Source: Time, Briton Hadden, ‎Henry Robinson Luce ed. (2005), Volume 166, Pagina lxxx

Johnny Depp photo
Orson Welles photo
Shahrukh Khan photo
Sophia Loren photo
Aleksandr Solzhenitsyn photo
Taylor Swift photo
Nam June Paik photo

“I want to shape the TV screen canvas
as precisely as Leonardo,
as freely as Picasso,
as colorfully as Renoir,
as profoundly as Mondrian,
as violently as Pollock
and as lyrically as Jasper Johns.”

Nam June Paik (1932–2006) American video art pioneer

Paik (1969) Versatile Color TV Synthesizer, Manifesto, cited in: Edith Decker-Phillips. Paik Video, Barrytown, Limited, 1998. p. 154
1960s

George Orwell photo

“If one keeps these axioms in mind one can generally see the relevant facts in international affairs through the smoke-screen with which the newspapers surround them.”

George Orwell (1903–1950) English author and journalist

"As I Please," Tribune (13 December 1946)
"As I Please" (1943–1947)
Context: While the game of deadlocks and bottle-necks goes on, another more serious game is also being played. It is governed by two axioms. One is that there can be no peace without a general surrender of sovereignty: the other is that no country capable of defending its sovereignty ever surrenders it. If one keeps these axioms in mind one can generally see the relevant facts in international affairs through the smoke-screen with which the newspapers surround them.

Gregory Peck photo
Nisargadatta Maharaj photo
Nikola Tesla photo
Joanne K. Rowling photo

“The stories we love best do live in us forever. So, whether you come back by page or by the big screen, Hogwarts will always be there to welcome you home.”

Joanne K. Rowling (1965) British novelist, author of the Harry Potter series

Harry Potter and the Deathly Hallows Part 2 London Premiere (July 2011)
2010s

Stephen Hawking photo

“To show this diagram properly, I would really need a four dimensional screen. However, because of government cuts, we could manage to provide only a two dimensional screen.”

Stephen Hawking (1942–2018) British theoretical physicist, cosmologist, and author

The Beginning of Time (1996)

Mike Shinoda photo
Bruce Lee photo
William Shatner photo

“I'm not a Starfleet commander, or T. J. Hooker. I don't live on Starship NCC-170… [some audience members say "1"], or own a phaser. I don't know anybody named Bones, Sulu, or Spock [picture of Dr. Benjamin Spock is shown on screen behind him]. And no, I've never had green alien sex, but I'm sure it'd be quite an evening. [Pomp and Circumstance begins playing. ] I speak English and French, not Klingon! I drink Labatt's, not Romulan Ale! And when someone says to me 'live long and prosper', I seriously mean it when I say, 'get a life'. My doctor's name is not McCoy, it's Ginsberg [nude picture of Dr. Ginsberg shown on screen]. And tribbles were puppets, not real animals. PUPPETS! And when I speak, I never, ever talk like Every. Word. Is. Its. Own. Sentence. I live in California, but I was raised in Montreal. And I believe in Priceline. com, where you never have to pay full price for airline tickets, hotels, and car rentals! I've appeared on stage at Stratford, at Carnegie Hall, Albert Hall, and the Monkland Theatre in NDG. And, yes, I've gone where no man has gone before, but… I was in Mexico and her father gave me permission! My name is William Shatner, and I am Canadian!”

William Shatner (1931) Canadian actor, musician, recording artist, author, and film director

From a Just for Laughs appearance in a parody of the popular Molson "I Am Canadian" commercials (21 July 2007) http://video.google.com/videoplay?docid=-1648058156561008324&q=i+am+canadian.

Joanne K. Rowling photo

“I've given you more than I've given anyone else which I probably shouldn't probably say on — on screen, or they'll kidnap and torture him, and we need him.”

Joanne K. Rowling (1965) British novelist, author of the Harry Potter series

To screenwriter Steve Kloves, in an interview by Lizo Mzimba (February 2003)
2000s

H.P. Lovecraft photo

“We know today that nothing will restore the pre-machine condition of reasonably universal employment save an artificial allocation of working hours involving the use of more men than formerly to perform a given task.... The primary function of society, in spite of all the sophistries spurred of selfishness, is to give men better conditions than they could get without it; and the basic need today is jobs for all—not for "property" for a few of the luck and the acquisitive.... In view of the urgent need for change, there is something almost obscene in the chatter of the selfish about various psychological evils allegedly inherent in a New Deal promising decent economic security and humane leisure for all instead of for a few.... What is worth answering is the kindred outcry about "regimentation", "collective slavery", "violation of Anglo-Saxon freedom", "destruction of the right of the individual to make his own way" and so on; with liberal references to Stalin, Hitler, Mustapha Kemal, and other extremist dictators who have sought to control men's personal, intellectual, and artistic lives, and traditional habits and folkways, as well as their economic fortunes. Naturally the Anglo-Saxon balks at any programme calculated to limit his freedom as a man and a thinker or to disturb his inherited perspectives and daily customs—and need we say that no plan ever proposed in an Anglo-Saxon country would conceivably seek to limit such freedom or disturb such perspectives and customs? Here we have a deliberate smoke-screen—conscious and malicious confusion of terms. A decent planned society would indeed vary to some extent the existing regulations (for there are such) governing commercial and economic life. Yet who save a self-confessed Philistine or Marxist (the plutocrat can cite "Das Kapital" for his purpose!) would claim that the details and conditions of our merely economic activities form more than a trivial fraction of our whole lives and personalities? That which is essential and distinctive about a man is not the routine of material struggle he follows in his office; but the civilised way he lives, outside his office, the life whose maintenance is the object of his struggle. So long as his office work gains him a decently abundant and undisputedly free life, it matters little what that work is—what the ownership of the enterprise, and what and how distributed its profits, if profits there be. We have seen that no system proposes to deny skill and diligence an adequate remuneration. What more may skill and diligence legitimately ask? Nor is any lessening in the pride of achievement contemplated. Man will thrill just as much at the overcoming of vast obstacles, and the construction of great works, whether his deeds be performed for service or for profit. As it is, the greatest human achievements have never been for profit. Would Keats or Newton or Lucretius or Einstein or Santayana flourish less under a rationally planned society? Any intimation that a man's life is wholly his industrial life, and that a planned economic order means a suppression of his personality, is really both a piece of crass ignorance and an insult to human nature. Incidentally, it is curious that no one has yet pointed to the drastically regulated economic life of the early Mass. Bay colony as something "American!"”

H.P. Lovecraft (1890–1937) American author

Unpublished (and probably unsent) letter to the Providence Journal (13 April 1934), quoted in Collected Essays, Volume 5: Philosophy, edited by J. T. Joshi, pp. 115-116
Non-Fiction, Letters

Arthur Miller photo
José Saramago photo

“Fumbling in total darkness, they reached out to each other, naked, he penetrated her with desire and she received him eagerly, and they exchanged eagerness and desire until their bodies were locked in embrace, their movements in harmony, her voice rising from the depth of her being, his totally submerged, the cry that is born, prolonged, truncated, that muffled sob, that unexpected tear, and the machine trembles and shudders, probably no longer even on the ground but, having rent the screen of brambles and undergrowth, is now hovering at dead of night amid the clouds, Blimunda, Baltasar, his body weighing on hers, and both weighing on the earth, for at last they are here, having gone and returned.”

Em profunda escuridão se procuraram, nus, sôfrego entrou nela, ela o recebeu ansiosa, depois a sofreguidão dela, a ânsia dele, enfim os corpos encontrados, os movimentos, a voz que vem do ser profundo, aquele que não tem voz, o grito nascido, prolongado, interrompido, o soluço seco, a lágrima inesperada, e a máquina a tremer, a vibrar, porventura não está já na terra, rasgou a cortina de silvas e enleios, pairou no alto da noite, entre as nuvens, pesa o corpo dele sobre o dela, e ambos pesam sobre a terra, afinal estão aqui, foram e voltaram.
Source: Baltasar and Blimunda (1982), pp. 255–256

Saul Bellow photo
Pierre Bonnard photo
Anthony de Mello photo

“A thought is a screen, not a mirror; that is why you live in a thought envelope, untouched by Reality.”

Anthony de Mello (1931–1987) Indian writer

Thought
One Minute Wisdom (1989)

Barack Obama photo
Adrian Newey photo

“I love the drawing board because most of the work I do is of half scale, so I can have the complete car in front of me, whereas the CAD system limits you to the size of the screen.”

Adrian Newey (1958) British Formula One engineer

Interview, 2013 http://www.formula1.com/news/interviews/2013/11/15315.html

Salman Khan photo
Bill Murray photo

“I think that the online world has actually brought books back. People are reading because they're reading the damn screen. That's more reading than people used to do.”

Bill Murray (1950) American actor and comedian

Interview with Jessica Lee Jernigan (May 1999) http://jessicaleejernigan.typepad.com/jessica_lee_jernigan/2004/08/archival_interv.html

Ansel Adams photo

“For me the future of the image is going to be in electronic form. … You will see perfectly beautiful images on an electronic screen. And I'd say that would be very handsome. They would be almost as close as the best reproductions.”

Ansel Adams (1902–1984) American photographer and environmentalist

Interview with Paul Hill (March 1975), published in P. Hill & T.J. Cooper (1979), Dialogue with Photography

Steve Jobs photo

“We made the buttons on the screen look so good you'll want to lick them.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

On Mac OS X's Aqua user interface, as quoted in Fortune magazine (24 January 2000)
2000s

Hema Malini photo

“One day she will be the biggest star of the Indian screen.”

Hema Malini (1948) Indian actress, dancer and politician

Raj Kapoor after taking her screen test for his film Sapno ka Saudagar.in "MOTHER MAIDEN MISTRESS". Page=1976.

Arthur Horeanu photo

“There are two answer versions. Short version: my name is Arthur, the other members of the band were in a band called Neverland. And the long one: I sang with many bands, some with a longer duration than others and I was aware of everything Arad had to offer in terms of teenage musicians. I saw that Neverland was no longer active, so I contacted them, joined forces and became what you see on the screens in front of you.”

Arthur Horeanu (2004) Romanian singer-songwriter

As an answer to: "What inspired you when you chose the band's [Arthur in Neverland] name?" genunderground.ro (January 20, 2021) https://genunderground.ro/rumpelstiltskin-printre-printisori-un-interviu-cu-arthur-in-neverland/?fbclid=IwAR1xdfMzYGpjSOJ2rcor_UYENEgr8ve1AInYG11734t45oPrScajUrauyNw,

Francesca Lia Block photo
Rick Riordan photo
Martin Amis photo
Anaïs Nin photo
Ernest Cline photo
Stanley Kubrick photo
Laurie Halse Anderson photo
Harper Lee photo

“Summer was our best season: it was sleeping on the back screened porch in cots, or trying to sleep in the treehouse; summer was everything good to eat; it was a thousand colors in a parched landscape; but most of all, summer was Dill.”

Variant: summer was our best season: it was sleeping on the back screeneed porch in cots, or trying to sleep in the treehouse; summer was everything good to eat; it was a thousand colors in a parched landscape.
Source: To Kill a Mockingbird

Daniel J. Boorstin photo
Scott Westerfeld photo
Janet Fitch photo
Wendell Berry photo
Douglas Adams photo
Rachel Caine photo
Mohsin Hamid photo
Stephen Colbert photo
Anthony Burgess photo
James Patterson photo
David Levithan photo
Rick Riordan photo
John Calvin photo
Richelle Mead photo
Rachel Caine photo
Fay Wray photo
Ginger Rogers photo
Derren Brown photo

“(DVD introduction) Well, welcome to your very own DVD of me, DVB, and ‘Mind Control’. If you weren’t expecting me and thought you were buying Reginald Perrin, then press eject now before you begin vomiting. Otherwise, please, please ensure that you are sitting in an extreme level of comfort, preferably in pre-worn slippers and, I trust, with your extended family around you. If you have seen the film ‘Signs’ and would like to wear the pointy tin foil hats now would be a good time to put them on you can’t be too careful. Well, pphhh, goodness me, er, it’s been a meteoric rise over these last years. The money and sex are exhausting and I have you the viewer to thank. Thanks. We’ve put together some of the pieces from the specials and series in glistening digital format, each pixel hand picked and gently polished and brought to you in wide-sound, surround-screen enjoyment. I hope you enjoy watching them as much as I’ll enjoy the royalties from this, which is enormously. If you don’t like it and HMV won’t take it back because you’ve got sticky all over it then the disc makes an excellent beer coaster or wheels for a space truck or can be immense fun just putting it on your finger and [waggling it], like that. But I hope you do like it. When I first started developing these techniques I had no idea that they were going to prove at all popular and for all my nancing about and staring I’m actually really excited to have a DVD out and can’t wait to go and find it in Discount Books & Puzzles next to the Dizzie Gillespie CD box sets and disappointing erotica. I hope you like it and if you do, please go and buy another one.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Mind Control (1999–2000) or Inside Your Mind on DVD

Burt Ward photo
Heath Ledger photo
Maddox photo

“Most of the screen on a blog is blank for an imaginary populace of readers still using 640x480 resolution. I didn't buy a 19" monitor to have 50% of its screen realestate pissed away on firing white pixels, you assholes.”

Maddox (1978) American internet writer

If these words were people, I would embrace their genocide http://www.thebestpageintheuniverse.net/c.cgi?u=banish.
The Best Page in the Universe

Eric Hoffer photo
Thorsten Heins photo

“In five years I don't think there'll be a reason to have a tablet anymore. Maybe a big screen in your workspace, but not a tablet as such. Tablets themselves are not a good business model. … In five years, I see BlackBerry to be the absolute leader in mobile computing.”

Thorsten Heins (1957) German Canadian businessman

BlackBerry CEO Questions Future of Tablets http://bloomberg.com/news/2013-04-30/blackberry-ceo-questions-future-of-tablets.html in Bloomberg Technology (30 April 2013).

William Gibson photo

“Seated each afternoon in the darkened screening room, Halliday came to recognize the targeted numerals of the Academy leader as sigils preceding the dream state of a film.”

William Gibson (1948) American-Canadian speculative fiction novelist and founder of the cyberpunk subgenre

A sentence that he worked on for years earlier in his career, which eventually went nowhere. Troubled by inexperience in "actually getting the characters to move," he spent so much time on it that he can still remember every word more than 20 years later.
No Maps for These Territories (2000)

George Galloway photo
Joseph von Fraunhofer photo
Marlon Brando photo

“On the day Kazan showed me the completed picture I was so depressed by my performance that I got up and left the screening room.”

Marlon Brando (1924–2004) American screen and stage actor

Speaking of his performance in On the Waterfront (1954). Songs My Mother Taught Me (1994)
"If there is a better performance by a man in the history of film in America, I don't know what it is."- Eli Kazan on Brando's performance in On the Waterfront, published in Marlon Brando, Portraits and Film Stills 1946-1995 (1996)

Herbert Hoover photo

“[Engineering] is a great profession. There is the fascination of watching a figment of the imagination emerge through the aid of science to a plan on paper. Then it moves to realization in stone or metal or energy. Then it brings jobs and homes to men. Then it elevates the standards of living and adds to the comforts of life. That is the engineer’s high privilege.

The great liability of the engineer compared to men of other professions is that his works are out in the open where all can see them. His acts, step by step, are in hard substance. He cannot bury his mistakes in the grave like the doctors. He cannot argue them into thin air or blame the judge like the lawyers. He cannot, like the architects, cover his failures with trees and vines. He cannot, like the politicians, screen his shortcomings by blaming his opponents and hope that the people will forget. The engineer simply cannot deny that he did it. If his works do not work, he is damned. That is the phantasmagoria that haunts his nights and dogs his days. He comes from the job at the end of the day resolved to calculate it again. He wakes in the night in a cold sweat and puts something on paper that looks silly in the morning. All day he shivers at the thought of the bugs which will inevitably appear to jolt its smooth consummation.

On the other hand, unlike the doctor his is not a life among the weak. Unlike the soldier, destruction is not his purpose. Unlike the lawyer, quarrels are not his daily bread. To the engineer falls the job of clothing the bare bones of science with life, comfort, and hope. No doubt as years go by people forget which engineer did it, even if they ever knew. Or some politician puts his name on it. Or they credit it to some promoter who used other people’s money with which to finance it. But the engineer himself looks back at the unending stream of goodness which flows from his successes with satisfactions that few professions may know. And the verdict of his fellow professionals is all the accolades he wants.”

Herbert Hoover (1874–1964) 31st President of the United States of America

Excerpted from Chapter 11 "The Profession of Engineering"
The Memoirs of Herbert Hoover: Years of Adventure, 1874-1929 (1951)

Dadasaheb Phalke photo
David H. Levy photo
Edward Frenkel photo
Matt Sanchez photo
Babe Ruth photo

“There is one hit of mine which will not stay in the official records, but which I believe to be the longest clout ever made off a major league pitcher. At least some of the veteran sport writers told me they never saw such a wallop. The Yanks were playing an exhibition game with the Brooklyn Nationals at Jacksonville, Fla., in April, 1920. Al Mamaux was pitching for Brooklyn. In the first inning, the first ball he sent me was a nice, fast one, a little lower than my waist, straight across the heart of the plate. It was the kind I murder, and I swung to kill it. The last time we saw the ball it was swinging its way over the 10-foot outfield fence of Southside Park and going like a shot. The ball cleared the fence by at least 75 feet. Let's say the total distance traveled was 500 feet: the fence was 423 feet from the plate. If such a hit had been made at the Polo Grounds, I guess the ball would have come pretty close to the top of the screen in the centerfield bleachers.”

Babe Ruth (1895–1948) American baseball player

In "Wherein Babe Tells of Some Longish Swats" http://archives.chicagotribune.com/1920/08/15/page/18/article/wherein-babe-tells-of-some-longish-swats by Ruth (as told to Pegler), in The Chicago Tribune (August 15, 1920); reprinted as "The Longest Hit in Baseball" https://books.google.com/books?id=SAAlxi-0EZYC&pg=PA39&dq=%22There+is+one+hit+of+mine%22&hl=en&sa=X&ved=0ahUKEwjngMzRjbnQAhXDYyYKHe-JCCMQ6AEIFDAA#v=onepage&q=%22There%20is%20one%20hit%20of%20mine%22&f=false2 in Playing the Game: My Early Years in Baseball, p. 39

Tyagaraja photo

“Wont you draw back the curtain within me,
O Lord Venkataramana of Tirupati, Open up this screen of envy.”

Tyagaraja (1767–1847) Carnatic musician and composer

[Jackson, William Joseph, Tyāgarāja and the Renewal of Tradition: Translations and Reflections, http://books.google.com/books?id=CZBnppBQgOsC&pg=PA69, 1 January 1994, Motilal Banarsidass Publ., 978-81-208-1146-1, 169–]

Amitabh Bachchan photo
Phil Brooks photo

“I really hope that the symbolism isn't lost on you four Superstars in the chamber right now, because it's killing me. Here's four extremely weak individuals that, every day, are locked inside a prison of addiction, like most of these people here today; and now, the four of you are locked inside the Elimination Chamber with me. And be sure, it's not me locked in here with you — it's you locked in here with me. And tomorrow morning, when you're nursing the pain and the wounds that this chamber and myself have caused you, I want you to remember that when your pod door opens and you came out and I defeated you, don't think of it as failure. Think of it as me saving you. [Standing over Rey Mysterio's pod] Think of it as me setting you free.
Punk: [To Undertaker, after elimination R-Truth] You'd better pray that your pod door opens last, 'cause when you come out, I'm gonna make you tap out, just like I did before. [To John Morrison] And I'm gonna prove to you that your decadent rock life will get you nowhere. I'm gonna prove to the world that straight-edge means I'm better than you! For those of you at home, feel free, place your hand on the screen and feel CM Punk flow through you!
Lawler: Matt, did you just put your hand on the screen?
Striker: Yes.
Lawler: Do you feel CM Punk flow through you?
Punk: Nobody can stop me!
Cole: Guys, the sermon's over in [checking the timer] three seconds.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Elimination Chamber - February 21, 2010
Friday Night SmackDown

Slavoj Žižek photo
Philip Roth photo

“Each year she taught him the names of the flowers in her language and in his, and from one year to the next he could not even remember the English. For nearly thirty years Sabbath had been exiled in these mountains, and still he could name hardly anything. They didn't have this stuff where he came from. All these things growing were beside the point there. He was from the shore. There was sand and ocean, horizon and sky, daytime and nighttime - the light, the dark, the tide, the stars, the boats, the sun, the mists, the gulls. There were the jetties, the piers, the boardwalk, the booming, silent, limitless sea. Where he grew up they had the Atlantic. You could touch with your toes where America began. They lived in a stucco bungalow two short streets from the edge of America. The house. The porch. The screens. The icebox. The tub. The linoleum. The broom. The pantry. The ants. The sofa. The radio. The garage. The outside shower with the slatted wooden floor Morty had built and the drain that always clogged. In summer, the salty sea breeze and the dazling light; in September, the hurricanes; in January, the storms. They had January, February, March, April, May, June, July, August, September, November, December. And then January. And then again January, no end to the stockpile of Januaries, of Mays, of Marches. August, December, April - name a month, and they had it in spades. They'd had endlessness. He had grown up on endlessness and his mother - in the beginning they were the same thing. His mother, his mother, his mother, his mother, his mother… and then there was his mother, his father, Grandma, Morty, and the Atlantic at the end of the street. The ocean, the beach, the first two streets in America, then the house, and in the house a mother who never stopped whistlîg until December 1944. If Morty had come alive, if the endlessness had ended naturally instead of with the telegram, if after the war Morty had started doing electrical work and plumbing for people, had become a builder at the shore, gone into the construction business just as the boom in Monmouth County was beginning…Didn't matter. Take your pick. Get betrayed by the fantasy of endlessness or by the fact of finitude. No, Sabbath could only have wound up Sabbath, begging for what he was begging, bound to what he was bound, saying what he did not wish to stop himself from saying.”

Sabbath's Theater (1995)

Ayelet Waldman photo
David Bowie photo
Tommy Franks photo
James Marsters photo
Robert Fisk photo

“Terrorism' is a word that has become a plague on our vocabulary, the excuse and reason and moral permit for state-sponsored violence - our violence - which is now used on the innocent of the Middle East ever more outrageously and promiscuously. Terrorism, terrorism, terrorism. It has become a full stop, a punctuation mark, a phrase, a speech, a sermon, the be-all and end-all of everything that we must hate in order to ignore injustice and occupation and murder on a mass scale. Terror, terror, terror, terror. It is a sonata, a symphony, an orchestra tuned to every television and radio station and news agency report, the soap-opera of the Devil, served up on prime-time or distilled in wearyingly dull and mendacious form by the right-wing 'commentators' of the America east coast or the Jerusalem Post or the intellectuals of Europe. Strike against Terror. Victory over Terror. War on Terror. Everlasting War on Terror. Rarely in history have soldiers and journalists and presidents and kings aligned themselves in such thoughtless, unquestioning ranks. In August 1914, the soldiers thought they would be home by Christmas. Today, we are fighting for ever. The war is eternal. The enemy is eternal, his face changing on our screens. Once he lived in Cairo and sported a moustache and nationalised the Suez Canal. Then he lived in Tripoli and wore a ridiculous military uniform and helped the IRA and bombed American bars in Berlin. Then he wore a Muslim Imam's gown and ate yoghurt in Tehran and planned Islamic revolution. Then he wore a white gown and lived in a cave in Afghanistan and then he wore another silly moustache and resided in a series of palaces around Baghdad. Terror, terror, terror. Finally, he wore a kuffiah headdress and outdated Soviet-style military fatigues, his name was Yassir Arafat, and he was the master of world terror and then a super-statesman and then again, a master of terror, linked by Israeli enemies to the terror-Meister of them all, the one who lived in the Afghan cave.”

Robert Fisk (1946) English writer and journalist

The Great War for Civilization (2005)