Quotes about reader
page 5

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“The Kindle is the most successful electronic book-reading tablet so far, but that’s not saying much; Silicon Valley is littered with the corpses of e-book reader projects.”

David Pogue (1963) Technology writer, journalist and commentator

" The Kindle: Good Before, Better Now http://www.nytimes.com/2009/02/24/technology/personaltech/24pogue.html," The New York Times, February 24, 2009.

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Peter Greenaway photo

“Cicero bent Greek ideas to his vision of the idealized Roman Republic, and his understanding of the mores—the morality and social attachments—of the gentlemanly statesmen who would hold power in a just republic. Readers familiar with Machiavelli’s Prince will hear curious echoes of that work in Cicero’s advice; curious because the pieties of Cicero’s advice to the would-be statesman were satirized by Machiavelli sixteen hundred years later. If his philosophy was Greek and eclectic, Cicero owed his constitutional theory to Polybius; he was born soon after Polybius died, and read his history. And Cicero greatly admired Polybius’s friend and employer Scipio the Younger. There are obvious differences of tone. Polybius celebrated Rome’s achievement of equipoise, while Cicero lamented the ruin of the republic. Cicero’s account of republican politics veers between a “constitutional” emphasis on the way that good institutions allow a state to function by recruiting men of good but not superhuman character, and a “heroic” emphasis on the role of truly great men in reconstituting the state when it has come to ruin. Cicero’s vanity was so notorious that everyone knew he had himself in mind as this hero—had he not saved the republic before when he quelled the conspiracy of Catiline?”

Alan Ryan (1940) British philosopher

On Politics: A History of Political Thought: From Herodotus to the Present (2012), Ch. 4 : Roman Insights: Polybius and Cicero

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“In the progress of the work he founded a Collegium Biblieum, or Bible club, consisting of his colleagues Melanchthon, Bugenhagen (Pommer), Cruciger, Justus Jonas, and Aurogallus. They met once a week in his house, several hours before supper. Deacon Georg Rörer (Rorarius), the first clergyman ordained by Luther, and his proof-reader, was also present; occasionally foreign scholars were admitted; and Jewish rabbis were freely consulted. Each member of the company contributed to the work from his special knowledge and preparation. Melanchthon brought with him the Greek Bible, Cruciger the Hebrew and Chaldee, Bugenhagen the Vulgate, others the old commentators; Luther had always with him the Latin and the German versions besides the Hebrew. Sometimes they scarcely mastered three lines of the Book of Job in four days, and hunted two, three, and four weeks for a single word. No record exists of the discussions of this remarkable company, but Mathesius says that "wonderfully beautiful and instructive speeches were made."
At last the whole Bible, including the Apocrypha as "books not equal to the Holy Scriptures, yet useful and good to read," was completed in 1534, and printed with numerous woodcuts.
In the mean time the New Testament had appeared in sixteen or seventeen editions, and in over fifty reprints.
Luther complained of the many errors in these irresponsible editions.
He never ceased to amend his translation. Besides correcting errors, he improved the uncouth and confused orthography, fixed the inflections, purged the vocabulary of obscure and ignoble words, and made the whole more symmetrical and melodious.
He prepared five original editions, or recensions, of his whole Bible, the last in 1545, a year before his death.
The edition of 1546 was prepared by his friend Rörer, and contains a large number of alterations, which he traced to Luther himself. Some of them are real improvements, e. g., Die Liebe höret nimmer auf, for, Die Liebe wird nicht müde (1 Cor. 13:8). The charge that he made the changes in the interest of Philippism (Melanchthonianism), seems to be unfounded.”

Philip Schaff (1819–1893) American Calvinist theologian

Luther's Bible club

Margaret Mead photo

“!-- This is my most misunderstood book, and I have devoted some attention to trying to understand why. … --> I have been accused of having believed when I wrote Sex and Temperament that there are no sex differences … This, many readers felt, was too much. It was too pretty. I must have found what I was looking for. But this misconception comes from a lack of understanding of what anthropology means, of the open-mindedness with which one must look and listen, record in astonishment and wonder, that which one would not have been able to guess.”

Margaret Mead (1901–1978) American anthropologist

Preface of 1950 edition of Sex and Temperament in Three Primitive Societies (1935), p. xxvi <!-- ; 1977 editon, p. ix -->
[Anthropology demands] the open-mindedness with which one must look and listen, record in astonishment and wonder that which one would not have been able to guess.
As quoted in Gaither's Dictionary of Scientific Quotations (2012) by Carl C. Gaither and Alma E. Cavazos-Gaither<!-- cited in Coming of Age in Second Life : An Anthropologist Explores the Virtually Human (2010) by Tom Boellstorff, p. 71 -->
1950s

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Heinz von Foerster photo

“All this (the early excitement of Cybernetics) is now history, and in the decade which elapsed since these early baby steps of interdisciplinary communication, many more threads were picked up and interwoven into a remarkable tapestry of knowledge and endeavour: Bionics. It is good omen that at the right time the right name was found. For, bionics extends a great invitation to all who are willing not to stop at the investigation of a particular function or its realization, but to go on and to seek the universal significance of these functions in living or artificial organisms.
The reader who goes through the following papers which constitute the transactions of the first symposium held under the name Bionics will be surprised by the multitude of astonishing and unforeseen connections between concepts he believed to be familiar with. For instance, a couple of years ago, who would have thought to relate the reliability problem to multi-valued logics; or, who would have thought that integral or differential geometry would serve as an adequate tool in the theory of abstraction? It is hard to say in all these cases who was teaching whom: The life-sciences the engineering sciences, or vice versa? And rightly so, for it guarantees optimal information flow, and everybody gains…”

Heinz von Foerster (1911–2002) Austrian American scientist and cybernetician

Von Foerster (1960) as cited in Peter M. Asaro (2007). "Heinz von Foerster and the Bio-Computing Movements of the 1960s," http://cybersophe.org/writing/Asaro%20HVF%26BCL.pdf
1960s

“The excursus upon the origin of Odysseus’ scar is not basically different from the many passages in which a newly introduced character, or even a newly appearing object or implement, though it be in the thick of a battle, is described as to its nature and origin; or in which, upon the appearance of a god, we are told where he last was, what he was doing there, and by what road he reached the scene; indeed, even the Homeric epithets seem to me in the final analysis to be traceable to the same need for an externalization of phenomena in terms perceptible to the senses. Here is the scar, which comes up in the course of the narrative; and Homer’s feeling simply will not permit him to see it appear out of the darkness of an unilluminated past; it must be set in full light, and with it a portion of the hero’s boyhood. … To be sure, the aesthetic effect thus produced was soon noticed and thereafter consciously sought; but the more original cause must have lain in the basic impulse of the Homeric style: to represent phenomena in a fully externalized form, visible and palpable in all their parts, and completely fixed in their spatial and temporal relations. Nor do psychological processes receive any other treatment: here too nothing must remain hidden and unexpressed. With the utmost fullness, with an orderliness which even passion does not disturb, Homer’s personages vent their inmost hearts in speech; what they do not say to others, they speak in their own minds, so that the reader is informed of it. Much that is terrible takes place in the Homeric poems, but it seldom takes place wordlessly: Polyphemus talks to Odysseus; Odysseus talks to the suitors when he begins to kill them; Hector and Achilles talk at length, before battle and after; and no speech is so filled with anger or scorn that the particles which express logical and grammatical connections are lacking or out of place.”

Source: Mimesis: The Representation of Reality in Western Literature (1946), p. 5

Alberto Manguel photo

“The association of books with their readers is unlike any other between objects and their users.”

Alberto Manguel (1948) writer

The Symbolic Reader, p. 214.
A History of Reading (1996)

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“Courteous reader, 'tis said of scripture that it is deep enough for an elephant to swim in, and yet shallow enough for a lamb to wade through.”

Ralph Venning (1621–1673) English minister

From the late 1640s, in Ian Green, Print and Protestantism in Early Modern England (2002), p. 101.

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“In this chapter I want to raise the question partly in jest but partly also in seriousness whether the concept of the image cannot become the abstract foundation of a new science, or at least a cross-disciplinary specialization. As I am indulging in the symbolic communication of an image of images I will even venture to give the science a name — Eiconics — hoping thereby to endow it in the minds of my readers with some of the prestige of classical antiquity. I run some risk perhaps of having my new science confused with the study of icons. A little confusion, however, and the subtle overtones of half-remembered associations are all part of the magic of the name.”

Kenneth E. Boulding (1910–1993) British-American economist

Robert A. Solo (1994) commented: "Curiously, and quite independently of the publication of the The Image, there did occur in the 1950s and in the decades that followed a revolutionary transformation of the social and behavioral sciences associated with the term structuralism, which hinged on the concept and study of the image (call it cognitive structure, or paradigm, or episteme, or ideology). This was the case in the work of Jean Piaget in psychology, of Thomas Kuhn and Michael Foucault in the history and philosophy of science, of Noam Chomsky in linguistics, of Claude Levi Strauss in anthropology, and others. Though The Image was the first and in my view by far the finest American structuralist essay, it had no visible impact on economics... The economist's image of his world is alas very difficult to penetrate and even more difficult to change."
Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 128

David Garrick photo

“Here lies James Quinn. Deign, reader, to be taught,
Whate’er thy strength of body, force of thought,
In Nature’s happiest mould however cast,
To this complexion thou must come at last.”

David Garrick (1717–1779) English actor, playwright, theatre manager and producer

Epitaph on Quinn. Murphy’s Life of Garrick. Vol. ii. p. 38.

Horace photo

“He wins every hand who mingles profit with pleasure, by delighting and instructing the reader at the same time.”
Omne tulit punctum qui miscuit utile dulci, lectorem delectando pariterque monendo.

Source: Ars Poetica, or The Epistle to the Pisones (c. 18 BC), Line 343

Vitruvius photo
Alfred Horsley Hinton photo

“This book undertakes the study of management by utilizing analysis of the basic managerial functions as a framework for organizing knowledge and techniques in the field. Managing is defined here as the creation and maintenance of an internal environment in an enterprise where individuals, working together in groups, can perform efficiently and effectively towards the attainment of group goals. Managing could, then, be called ""performance environment design."" Essentially, managing is the art of doing, and management is the body of organized knowledge which underlies the art.
Each of the managerial functions is analyzed and described in a systematic way. As this is done, both the distilled experience of practicing managers and the findings of scholars are presented., This is approached in such a way that the reader may grasp the relationships between each of the functions, obtain a clear view of the major principles underlying them, and be given the means of organizing existing knowledge in the field.
Part 1 is an introduction to the basis of management through a study of the nature and operation of management principles (Chapter 1), a description of the various schools and approaches of management theory (Chapter 2), the functions of the manager (Chapter 3), an analytical inquiry into the total environment in which a manager must work (Chapter 4), and an introduction to comparative management in which approaches are presented for separating external environmental forces and nonmanagerial enterprise functions from purely managerial knowledge (Chapter 5)…”

Harold Koontz (1909–1984)

Source: Principles of management, 1968, p. 1 (1972 edition)

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Hermann Hesse photo

“The modest front of this small floor,
Believe me, reader, can say more
Than many a braver marble can,—
“Here lies a truly honest man!””

Richard Crashaw (1612–1649) British writer

Epitaph upon Mr. Ashton, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

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John Hagee photo

“Most readers will be shocked by the clear record of history linking Adolf Hitler and the Roman Catholic Church in a conspiracy to exterminate the Jews.”

John Hagee (1940) American pastor, theologian and saxophonist

Jerusalem Countdown: A Prelude to War
Lake Mary, Fla.
Frontline
2007-01-23
revised 2007
114
76820742
978-1599790893
http://books.google.com/books?ei=MOM9Tv63OYHh0QGI8ZHSAw

Richard Rodríguez photo

“Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.”

Richard Rodríguez (1944) American journalist and essayist

Darling: A Spiritual Autobiography (2013)
Variant: Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.

Terence Rattigan photo

“A novelist may lose his readers for a few pages; a playwright never dares lose his audience for a minute.”

Terence Rattigan (1911–1977) playwright, screenwriter

The New York Journal-American, October 29, 1956.

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“We re-make nature by the act of discovery, in the poem or in the theorem. And the great poem and the deep theorem are new to every reader, and yet are his own experience, because he himself re-creates them.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

Part 1: "The Creative Mind", §9 ( p. 20 http://books.google.com/books?id=TeHXAAAAMAAJ&q=%22We+re-make+nature+by+the+act+of+discovery+in+the+poem+or+in+the+theorem+And+the+great+poem+and+the+deep+theorem+are+new+to+every+reader+and+yet+are+his+own+experience+because+he+himself+re-creates+them%22&pg=PA20#v=onepage)
Science and Human Values (1956, 1965)

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“Criticism is often not a science; it is a craft, requiring more good health than wit, more hard work than talent, more habit than native genius. In the hands of a man who has read widely but lacks judgment, applied to certain subjects it can corrupt both its readers and the writer himself.”

La critique souvent n'est pas une science; c'est un métier, où il faut plus de santé que d'esprit, plus de travail que de capacité, plus d'habitude que de génie. Si elle vient d'un homme qui ait moins de discernement que de lecture, et qu'elle s'exerce sur de certains chapitres, elle corrompt et les lecteurs et l'écrivain.
Aphorism 63
Les Caractères (1688), Des Ouvrages de l'Esprit

Ralph Ellison photo

“By and large, the critics and readers gave me an affirmed sense of my identity as a writer. You might know this within yourself, but to have it affirmed by others is of utmost importance. Writing is, after all, a form of communication.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"The Art of Fiction: An Interview" (The Paris Review, Spring 1955), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 218.

“Wilson was not, in the academic sense, a scholar or historian. He was an enormous reader, one of those readers who are perpetually on the scent from book to book. He was the old-style man of letters, but galvanized and with the iron of purpose in him.”

V.S. Pritchett (1900–1997) British writer and critic

V. S. Pritchett, The Tale Bearers: English and American Writers (1980) [Random House, ISBN 0-394-74683-X], "Edmund Wilson: Towards Revolution," p. 141
The Tale Bearers: English and American Writers (1980)

Kate DiCamillo photo

“A few months ago I read an interview with a critic; a well-known critic; an unusually humane and intelligent critic. The interviewer had just said that the critic “sounded like a happy man”, and the interview was drawing to a close; the critic said, ending it all: “I read, but I don’t get any time to read at whim. All the reading I do is in order to write or teach, and I resent it. We have no TV, and I don’t listen to the radio or records, or go to art galleries or the theater. I’m a completely negative personality.”
As I thought of that busy, artless life—no records, no paintings, no plays, no books except those you lecture on or write articles about—I was so depressed that I went back over the interview looking for some bright spot, and I found it, one beautiful sentence: for a moment I had left the gray, dutiful world of the professional critic, and was back in the sunlight and shadow, the unconsidered joys, the unreasoned sorrows, of ordinary readers and writers, amateurishly reading and writing “at whim”. The critic said that once a year he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn’t help himself. To him it wasn’t a means to a lecture or an article, it was an end; he read it not for anything he could get out of it, but for itself. And isn’t this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives, but during the contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence: Read at whim! read at whim!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poets, Critics, and Readers”, pp. 112–113
A Sad Heart at the Supermarket: Essays & Fables (1962)

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“If there is one lesson that I have to teach you, dear reader, remember this: cute boys come and go, but The Dance is forever.”

Kai Cheng Thom (1991) writer

What I learned, loved and lost as a trans Zumba addict (2018)

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“I'm hoping the reader can see that artificial intelligence is better understood as a belief system than as a technology.”

Jaron Lanier (1960) American computer scientist, musician, and author

"One Half of a Manifesto," The New Humanists: Science at the Edge (2003)

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“Not every article in every magazine or newspaper is meant to be a valentine card addressed to every reader's self-esteem.”

Rex Murphy (1947) Canadian journalist

On a complaint against an "Islamaphobic" article in a Canadian magazine 2008 (http://www.cbc.ca/national/blog/video/rex_murphy/human_rights_gone_awry.html)

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“Everything comes to an end, reader. It is an old truism to which may be added that not everything that lasts, lasts for long. This latter part is not readily admitted; on the contrary the idea that an air castle lasts longer than the very air of which it is made is hard to get out of a person's head, and this is fortunate, otherwise the custom of making those almost eternal constructions might be lost.”

Tudo acaba, leitor; é um velho truísmo, a que se pode acrescentar que nem tudo o que dura dura muito tempo. Esta segunda parte não acha crentes fáceis; ao contrário, a idéia de que um castelo de vento dura mais que o mesmo vento de que é feito, dificilmente se despegará da cabeça, e é bom que seja assim, para que se não perca o costume daquelas construções quase eternas.
Source: Dom Casmurro (1899), Ch. 118, p. 235

“There are, one presumes, tone-deaf readers.”

A Voice from the Attic (1960)

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“Betty Friedan's The Feminine Mystique is still heralded as having paved the way for contemporary feminist movement-it was written as if these women did not exist. Friedan's famous phrase, "the problem that has no name," often quoted to describe the condition of women in this society, actually referred to the plight of a select group of college-educated, middle and upper class, married white women-housewives bored with leisure, with the home, with children, with buying products, who wanted more out of life. Friedan concludes her first chapter by stating: "We can no longer ignore that voice within women that says: 'I want something more than my husband and my children and my house.'" That "more" she defined as careers. She did not discuss who would be called in to take care of the children and maintain the home if more women like herself were freed from their house labor and given equal access with white men to the professions. She did not speak of the needs of women without men, without children, without homes. She ignored the existence of all non-white women and poor white women. She did not tell readers whether it was more fulfilling to be a maid, a babysitter, a factory worker, a clerk, or a prostitute, than to be a leisure class housewife. She made her plight and the plight of white women like herself synonymous with a condition affecting all American women. In so doing, she deflected attention away from her classism, her racism, her sexist attitudes towards the masses of American women. In the context of her book, Friedan makes clear that the women she saw as victimized by sexism were college-educated, white women who were compelled by sexist conditioning to remain in the home. … Specific problems and dilemmas of leisure class white housewives were real concerns that merited consideration and change but they were not the pressing political concerns of masses of women. Masses of women were concerned about economic survival, ethnic and racial discrimination, etc. When Friedan wrote The Feminine Mystique, more than one third of all women were in the work force. Although many women longed to be housewives, only women with leisure time and money could actually shape their identities on the model of the feminine mystique.”

p. 1-2 https://books.google.com/books?id=uvIQbop4cdsC&pg=PA1.
Feminist Theory: From Margin to Center (1984), Chapter 1: Black Women: Shaping Feminist Theory

Robert Louis Stevenson photo

“The difficulty of literature is not to write, but to write what you mean; not to affect your reader, but to affect him precisely as you wish.”

Robert Louis Stevenson (1850–1894) Scottish novelist, poet, essayist, and travel writer

Truth of Intercourse.
Virginibus Puerisque and Other Papers (1881)