Quotes about reader (980 quotes, page 4)

“The modern reading of ancient literature involves a mode of reception that is not merely scholarly or antiquarian. Instead, aesthetic experience allows for a direct relationship between reader and work, despite the historical distance. Today’s consumer cannot participate in the ancient economy by trying to use an Athenian coin as legal tender; but today’s reader can participate in the ancient literary imagination though an authentic engagement with the Homeric text (no matter how much contemporary circumstances necessarily also enter into that encounter with the ancient text). Thus the historicist imperative of periodization evidently stands at odds with the potential for immediacy associated with literary reception and aesthetic experience.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 14.

Imagination , Literature , Reading

“After four centuries, Montaigne's curious genius still has that effect on his readers and, time and again, one finds in his self-portrait one's own most brilliant aperçus (the ones that somehow we forgot to write down and so forgot) restored to us in his essays—attempts—to assay—value—himself in his own time as well as, if he was on the subject, all time, if there is such a thing.”

Gore Vidal (1925–2012) American writer

"Montaigne"
1990s, United States - Essays 1952-1992 (1992)

Time

“Dear reader, traditional human power structures and their reign of darkness are about to be rendered obsolete.”

Buckminster Fuller (1895–1983) American architect, systems theorist, author, designer, inventor and futurist

From 1980s onwards, Cosmography (1992)

“Nowadays when a poet with one privately printed book can have his next three years taken care of by a Guggenheim fellowship, a Kenyon Review fellowship, and the Prix de Rome, it is hard to remember what chances the poet took in that small-town world, how precariously hand-to-mouth his existence was. And yet in one way the old days were better; [Vachel] Lindsay after a while, by luck and skill, got far more readers than any poet could get today.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Fifty Years of American Poetry”, p. 299
The Third Book of Criticism (1969)

Books , World , Way , Chance

“Catherine announced that he died of hemorrhoidal colic, and people who went to the funeral wondered why, in that case, the large bandage was tied around his neck. And that, gentle reader, is what comes from playing with dolls at the wrong time.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part IV: A Few Greats, Catherine the Great

People , Time

“My work should be judged as it enters the ears and heads of listeners, not as it is described to the eyes of readers.”

Arnold Schoenberg (1874–1951) Austrian-American composer

As quoted in an interview with José Rodriguez (c. 1936) in Schoenberg‎ (1971) by Merle Armitage, p. 143
1930s

“There can be no more thrilling idea of intimacy than connecting with someone through the agency of the written word. Here we meet, on the page, naked and unadorned: shorn of class, race, gender, sexual identity, age and nationality. The reader I seek is a tautology, for he/she is simply…the person who wants to read what I have written.”

Will Self (1961) English writer and journalist

The Guardian, May 9, 2007. http://books.guardian.co.uk/whyiwrite/story/0,,2075745,00.html#article_continue

Age , Idea , Reading , Personality

“Here’s why the life of Muhammad [and Jesus] matters: Contrary to what many secularists would have us believe, religions are not entirely determined (or distorted) by the faithful over time. The lives and words of the founders remain central, no matter how long ago they lived. The idea that believers shape religion is derived, instead, from the fashionable 1960s philosophy of deconstructionism, which teaches that written words have no meaning other than that given to them by the reader. Equally important, it follows that if the reader alone finds meaning, there can be no truth (and certainly no religious truth); one person’s meaning is equal to another’s. Ultimately, according to deconstructionism, we all create our own set of “truths,” none better, or worse than any other. Yet for the religious man or woman on the streets of Chicago, Rome, Jerusalem, Damascus, Calcutta, and Bangkok, the words of Jesus, Moses, Muhammad, Krishna, and Buddha mean something far greater than any individual’s rendering of them. And even to the less-than-devout reader, the words of these great religious leaders are clearly not equal in their meaning.”

Robert Spencer (1962) American author and blogger

The Politically Incorrect Guide to Islam, Chapter 1, page 3 https://books.google.com.br/books?id=_7RD2jwMU2wC&printsec=frontcover&hl=pt-BR#v=onepage&q&f=false

Life , Truth , Faith , Religion

“Strong language in Larkin is put in not to shock the reader but to define the narrator's personality. When Larkin's narrator in 'A Study of Reading Habits' (in The Whitsun Weddings) said 'Books are a load of crap' there were critics - some of them, incredibly, among his more appreciative - who allowed themselves to believe that Larkin was expressing his own opinion. (Kingsley Amis had the same kind of trouble, perhaps from the same kind of people, when he let Jim Dixon cast aspersions on Mozart.) It should be obvious at long last, however, that the diction describes the speaker.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Philip Larkin: 'Wolves of Memory'
Essays and reviews, At the Pillars of Hercules (1979)

People , Books , Study , Wedding

“He thought he was a good poet but he was not. He thought books could tell him how to live but they couldn't. He was a serious but dazed reader. He read Dante and Shakespeare and Nietzsche and Freud. He read modern poetry and books on psychiatry. He had taken a degree in English, couldn't, decided to farm, bought a goat farm, managed a Confederate museum in a cave on his property, wrote poetry, went broke, became a golf pro.”

Walker Percy book The Second Coming

The Second Coming (1980)

Books , Reading

“When you're conscious and writing from a place of insight and simplicity and real caring about the truth, you have the ability to throw the lights on for your reader.”

Anne Lamott (1954) Novelist, essayist, memoirist, activist

Bird by Bird

Truth , Light

“Feelings, the most diverse, very strong and very weak, very significant and very worthless, very bad and very good, if only they infect the reader, the spectator, the listener, constitute the subject of art.”

Leo Tolstoy (1828–1910) Russian writer

Чувства, самые разнообразные, очень сильные и очень слабые, очень значительные и очень ничтожные, очень дурные и очень хорошие, если только они заражают читателя, зрителя, слушателя, составляют предмет искусства.
What is Art? (1897)

Art , Feeling , Strong

“The reader cannot create; that has been done for him by the author. The reader can only interpret, giving the author a fair chance to make his impression.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

Chance

“It was in the attempt to ascertain the interrelationships between species that experiments n genetics were first made. The words "evolution" and "origin of species" are now so intimately associated with the name of Darwin that we are apt to forger that the idea of common descent had been prominent in the mnds of naturalists before he wrote, and that, for more than half a century, zealous investigators had been devoting themselves to the experimental study of that possibility. Prominent among this group of experimenters may be mentioned Koelreauter, John Hunter, Herbert Knight, Gartner, Jordan. Naudin, Godron, Lecoq, Wichura--men whose names are familiar to every reader of Animals and Plants unders Domestication.”

William Bateson (1861–1926) British geneticist and biologist

Introductory Chapter, p. 2
Mendel's Principles of Heredity (1913)

Men , Idea , Study , Animals

“At a time of information overload, good journalists are more important then ever. They serve as the public's hired guns to collect information from various sources and challenge it for the purpose of distilling down what is important and true. They-signpost issues that are worthy of our attention. In the past when we bought newspapers we were paying for that particular newspaper with its content- a bundle of news and entertainment. In the digital age we're buying the carriage (e. g. the Internet access) and readers decide later what information they want to view over that carrier.”

Heather Brooke (1970) American journalist

Page 70.
The Revolution Will Be Digitised: Dispatches From the Information War, 1st Edition

Age , Time , Past

“[I]t's not like I sit there and feel the same way I did with iPhone where I say, "Oh my God, Microsoft didn't aim high enough." It's a nice reader, but there's nothing on the iPad I look at and say, "Oh, I wish Microsoft had done it."”

Bill Gates (1955) American business magnate and philanthropist

"Bill Gates Joins the iPad's Army of Critics. Steve Jobs Couldn't Care Less." CBS MoneyWatch (11 February 2010) http://cbsnews.com/news/bill-gates-joins-the-ipads-army-of-critics-steve-jobs-couldnt-care-less
2000s

God , Way , Feeling

“This book is past the first flush of youth. It is a book that is in puberty. It is hesitating, and from the vantage point of the mature reader, it is both a sad and amusing reminder of the part which is not always attractive enough to be revisited.”

Peter Greenaway (1942) British film director

From the seventh book, "The Book of Youth"
The Pillow Book

Books , Youth , Sadness , Past

“On the abolition of the Macedonian monarchy, the supremacy of Rome was not only an established fact from the Pillars of Hercules to the mouths of the Nile and the Orontes, but, as if it were the final decree of fate, pressed on the nations with all the weight of an inevitable necessity, and seemed to leave them merely the choice of perishing in hopeless resistance or in hopeless endurance. If history were not entitled to insist that the earnest reader should accompany her through good and evil days, through landscapes of winter as well as of spring, the historian might be tempted to shun the cheerless task of tracing the manifold and yet monotonous turns of this struggle between power and weakness, both in the Spanish provinces already annexed to the Roman empire and in the African, Hellenic, and the Asiatic territories which were still treated as clients of Rome. But, however unimportant and subordinate the individual conflicts may appear, they possess collectively a deep historical significance; and, in particular, the state of things in Italy at this period is only intelligible in the light of the reaction which the provinces exercised over the mother-country.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 3, pg. 1, translated by W.P. Dickson
The History of Rome - Volume 3

Fate , Exercises , History , Intelligence

“[On his process for writing novels:] I can't imagine what the first sentence is, I can't imagine where I want the reader to enter the story, if I don't know where the reader is going to leave the story. So once I know what the last thing the reader hears is, I can work my way backward, like following a roadmap in reverse.”

John Irving (1942) American novelist and screenwriter

A modern novelist of Dickensian tradition, Spotlight, Russia Today, January 24, 2009 http://www.youtube.com/watch?v=ost0Gyl2V1I,

Way , Imagination

“The idea of making machines that think has an unfailing fascination, not only for science fiction readers, but for all who can see it is a possible way of gaining some understanding of the working of our own minds. Thinking, however, is not an easily defined phenomenon, although it is often considered to be the process of solving problems.”

Edward Ihnatowicz (1926–1988) Cybernetic sculptor

Source: The Relevance of Manipulation to the Process of Perception, 1977, p. 133

Way , Idea , Understanding , Problem

“In every state and nearly every civilized nation in the developed world, readers know where to go for action and reaction of news – at least one day ahead… Free from any corporate concerns, there are simply too many to thank since the site's inception in 1994. This new attempt at the old American experiment of full freedom in reporting is ever exciting. Those in power have everything to lose by individuals who march to their own rules.”

Matt Drudge (1966) American internet journalist and talk radio host

Matt Drudge, on reaching one billion page views http://www.drudgereportarchives.com/data/2002/11/12/20021112_180331.htm (December 11, 2002)

World , Freedom

“We know only too well that all over the world, from wayward undergraduate to B. B. C. producer to publisher's reader there are people, otherwise sensible and sane, people who would not believe in six-headed cats and blood-curdling spectral monsters, who yet read some folly about Noah's ark or Atlantis or cataclysmic world-tides, and say, with a contented sigh, "There may be something in it, you know."”

Glyn Daniel (1914–1986) British archaeologist

As quoted in Sumathi Ramaswamy: The Lost Land of Lemuria: Fabulous Geographies, Catastrophic Histories (University of California Press, 2004) p. 2

People , World , Cats , Reading

“I trust my readers will join me in grandly ignoring the complaints of sour-faced and grumpish scholars that "no such person" ever existed and that his Boke of Voiages and Travailes is a hoax and a forgery. What do they know, the old frumps, who have never dared emerge from their dusty libraries to tread the heaving quarterdeck and raise sail for Golden Ind, and Far Cathay, and the Islands of Prester John?”

John Mandeville (1300–1372) writer

Lin Carter Dragons, Elves, and Heroes (1969; New York: Ballantine, 1971) p. 127.
Criticism

Personality

“[Robert] Frost says in a piece of homely doggerel that he has hoped wisdom could be not only Attic but Laconic, Boeotian even—“at least not systematic”; but how systematically Frostian the worst of his later poems are! His good poems are the best refutation of, the most damning comment on, his bad: his Complete Poems have the air of being able to educate any faithful reader into tearing out a third of the pages, reading a third, and practically wearing out the rest.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“To the Laodiceans”, p. 21
No Other Book: Selected Essays (1999)
Variant: [Robert] Frost says in a piece of homely doggerel that he has hoped wisdom could be not only Attic but Laconic, Boeotian even—“at least not systematic”; but how systematically Frostian the worst of his later poems are! His good poems are the best refutation of, the most damning comment on, his bad: his Complete Poems have the air of being able to educate any faithful reader into tearing out a third of the pages, reading a third, and practically wearing out the rest.

Wisdom , Education , Faith , Hope

“Under Aristotle the "Reader," whose knowledge of Trojan aretê seems conspicuously absent, forms and substances dominate all. The Good is a relatively minor branch of knowledge called ethics; reason, logic, knowledge are his primary concerns. Aretê is dead and science, logic and the University as we know it today have been given their founding charter: to find and invent an endless proliferation of forms about the substantive elements of the world and call these forms knowledge, and transmit these forms to future generations. As "the system."”

Robert M. Pirsig book Zen and the Art of Motorcycle Maintenance

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 29

World , Knowledge , Universe , Science

“Dear Miss Manners: What should I say when I am introduced to a homosexual "couple?"
Gentle Reader: "How do you do?" "How do you do?"”

Judith Martin (1938) American etiquette expert

Miss Manners' Guide to Excruciatingly Correct Behavior

“Was there ever yet any thing written by mere man that was wished longer by its readers, excepting Don Quixote, Robinson Crusoe, and the Pilgrim's Progress?”

Samuel Johnson (1709–1784) English writer

Source: Anecdotes of Samuel Johnson (1786), p. 281

“Who would be such a fool as to make advances to his reader, advances which might end in rejection or, worse still, in acceptance?”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Her Shield”. p. 181
Poetry and the Age (1953)

Fools

“I have now reached a stage in the argument where I have to choose between being too definite or being too vague. If I set forth a concrete proposal in all its particulars, I expose myself to a hundred criticisms on points not essential to the principle of the plan. If I go further in the use of figures for illustration, I am involved more and more in guess-work; and I run the risk of getting the reader bogged in details which may be inaccurate and could certainly be amended without injury to the main fabric. Yet if I restrict myself to generalities, I do not give the reader enough to bite on; and am in fact shirking the issue, since the size, the order of magnitude, of the factors involved is not an irrelevant detail.”

John Maynard Keynes (1883–1946) British economist

Source: How to Pay for the War (1940), Ch. 5 : A Plan for Deferred Pay, Family, Allowances and a Cheap Ration

“"The Lucky One" is at its heart a romance novel, elevated however by Nicholas Sparks' persuasive storytelling. Readers don't read his books because they're true, but because they ought to be true. You can easily imagine how many ways this story would probably go wrong in real life, but who wants to see a movie where a Marine leans over to pick up a photo and is blown up? And a mom trying to raise her son and feed lots of hungry dogs while her abusive ex-husband gets drunk and hangs around? That kind of stuff is too close to life.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review https://web.archive.org/web/20120505180249/http://rogerebert.com/apps/pbcs.dll/article?AID=/20120418/REVIEWS/120419985/1001 of The Lucky One (18 April 2012)
Reviews, Two-and-a-half star reviews

Life , Books , Dogs , Way

“There are two general Methods made use of in the Mathematicks, viz. Synthesis and Analysis, which we shall explain, after having acquainted the Reader, that the Method we make use of to resolve a Mathematical Problem, is called Zetetick; and that that Method which determines when, and by what way, and how many different ways a Problem may be resolved, is called Poristick. But in treating of Methods, we will first premise, that in general, a Method is the Art of disposing a Train of Arguments or Consequences in a right Order, either to discover the Truth of a Theorem, which we would find out, or to demonstrate it to others, when found.”

Jacques Ozanam (1640–1718) French mathematician

Source: A Mathematical Dictionary: Or; A Compendious Explication of All Mathematical Terms, 1702, p. 26

Truth , Art , Way , Mathematics

“Pornography…. the reader panting, eventually masturbating”

Anthony Burgess (1917–1993) English writer

Non-Fiction, A Mouthful of Air: Language and Languages, Especially English (1992)

“A few first rate research papers are preferable to a large number that are poorly conceived or half-finished. The latter are no credit to their writers and a waste of time to their readers.”

Claude Elwood Shannon (1916–2001) American mathematician and information theorist

IRE Transactions on Information Theory (1956), volume 2, issue 1, page 3. * The Bandwagon
Shannon
Claude E.
2
1
1956
March
10.1109/TIT.1956.1056774.

Time

“The world may be full of fourth-rate writers but it's also full of fourth-rate readers.”

Barbara Walters (1929) American broadcast journalist, author, and television personality

Occasionally attributed to Walters; actually coined by Stan Barstow.
Misattributed

World

“The demand that I make of my reader is that he should devote his whole Life to reading my works.”

James Joyce (1882–1941) Irish novelist and poet

Interview with Max Eastman in Harper's Magazine, as quoted in James Joyce (1959) by Richard Ellmann. Eastman noted "He smiled as he said that — smiled, and then repeated it."

Life , Reading

“In this essay on econometrics in its conception and its use in economic planning for the betterment of man’s fate, I will try to cover a very broad field.
When talking about the methodology in the particular fields mentioned - about which I am supposed to have a little more than second hand knowledge - I have always found it utterly inadequate to focus attention only on these special fields without seeing them in a much broader perspective.
Therefore it was inevitable that I should have to include in the field of vision of this paper also some branches of science where I can only speak as a layman, hopefully as a somewhat informed layman. For whatever blunders I may have made in these fields I must ask for the reader’s forgiveness”

Ragnar Frisch (1895–1973) Norwegian economist

Source: 1970s and later, From Utopian Theory to Practical Applications, 1970, p. 9 : Lead paragraph

Fate , Forgiveness , Knowledge , Science

“Modern man … when he looks at his daily newspaper … sees the events of the day refracted through a medium which colors them as effectively as the cosmology of the medieval scientist determined his view of the starry heavens. The newspaper is a man-made cosmos of the world of events around us at the time. For the average reader it is a construct with a set of significances which he no more thinks of examining than did his pious forbear of the thirteenth century—whom he pities for sitting in medieval darkness—think of questioning the cosmology. This modern man, too, lives under a dome, whose theoretical aspect has been made to harmonize with a materialistic conception of the world. And he employs its conjunctions and oppositions to explain the occurrences of his time with all the confidence of the now supplanted discipline of astrology.”

Richard M. Weaver (1910–1963) American scholar

Source: Ideas have Consequences (1948), pp. 93-94.

World , Color , Confidence , Question

“Readers are less and less seen as mere non-writers, the subhuman “other” or flawed derivative of the author; the lack of a pen is no longer a shameful mark of secondary status but a positively enabling space, just as within every writer can be seen to lurk, as a repressed but contaminating antithesis, a reader.”

Terry Eagleton (1943) British writer, academic and educator

Source: 1980s, Against The Grain (1986), Ch. 13, The Revolt of the Reader

“The whole past and the whole world are alive in my heart, and I shall do my part to communicate their presence to my readers.”

George Sarton (1884–1956) American historian of science

Preface.
A History of Science Vol.2 Hellenistic Science and Culture in the Last Three Centuries B.C. (1959)

World , Communication , Past , Heart

“There was a special purpose in these throws, for the readers of Ganashakti were fellow-travellers of the Communist party, they believed in its necessity and vision, and an inexplicable bond was formed between the distributor, whose every aim with the bundle seemed to be a salute, and the silent house.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Freedom Song (1998)

Travel , Housing

“ […] we can strip off all grammatical clues to sentence structure, all affixes and prepositions, and yet still achieve communication. Thus restricted to nouns, simple "stories" can be told in word chains: Woman, street, crowd, traffic, noise, haste, thief, bag, loss, scream, police…. Again, the reader's past experience of his language is sufficient to restore the missing elements, sufficiently accurately for the purpose. But of course, not only does the reader have experience of sentence structure, enabling him to supply the missing syntactical elements, but also he has experience of typical contexts in which the various words are used; many words bear an aura about with them. It might be more difficult to tell a tale about a policeman who robbed a woman, for instance, with so little redundancy! ”

Colin Cherry (1914–1979) British scientist

Source: On Human Communication (1957), Words and Meaning: Semantics, p.122

Communication , Loss , Past

“If there is a Tchekov among my readers, I fervently hope that the effects of the Magnet wil be to turn him into a Bob Cherry.”

Charles Hamilton (writer) (1876–1961) English writer of school stories

Oxford Companion to Children's Literature: "Charles Hamilton" (pages 235-7)

Hope

“If there is an amateur reader still left in the world — or anybody who just reads and runs — I ask him or her, with untellable affection and gratitude, to split the dedication of this book four ways with my wife and children.”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Dedication

Children , Books , World , Way

“What is now called ‘knowledge organisation’ in this context has a long history. The simplest forms of a knowledge organisation system (KOS) are, after all, the contents list and the index of a textbook. The knowledge is in the text; the KOS is a supplementary tool that helps the reader to find his way around the text. But as such finding aids have become more complex, and taken on wider functions, they have acquired grander names, such as retrieval languages, taxonomies, categorisations, lexicons, thesauri, or ontologies. They are now seen as schemes that organize, manage, and retrieve information.”

Brian Campbell Vickery (1918–2009) British information theorist

B.C. Vickery (2008) " On ‘knowledge organisation’ http://web.archive.org/web/20100125050134/http://www.lucis.me.uk/knowlorg.htm" published on lucis.me.uk, 2008.

Way , History , Knowledge , Help

“Nanotechnology has been a very promising research topic in recent years, leading to successful practical implementations. The achievements in this area have led to a growing interest in nanoscale networks. Nanoscale Communication Networks is a kind of primer which prepares the reader for the convergence of Nanotechnology and networking, providing the necessary information for further reading or self-research.”

Stephen F Bush

Book Reviews, REVIEWER: JAKUB PALIDER, NANOSCALE COMMUNICATION NETWORKS STEPHEN F. BUSH, ARTECH HOUSE, 2010, ISBN-13: 978-1-60807-003-9, HARDCOVER, 308 PAGES, IEEE Communications Magazine, August 2011.

Communication , Reading , Success

“One question may possibly have dwelt in the reader's mind during the perusal of these observations, namely, Why should not the Deity have given to the animal the faculty of vision at once? … Why resort to contrivance, where power is omnipotent? Contrivance, by its very definition and nature, is the refuge of imperfection. To have recourse to expedients, implies difficulty, impediment, restraint, defect of power. … amongst other answers which may be given to it; beside reasons of which probably we are ignorant, one answer is this: It is only by the display of contrivance, that the existence, the agency, the wisdom of the Deity, could be testified to his rational creatures.”

William Paley (1743–1805) Christian apologist, natural theologian, utilitarian

Source: Natural Theology (1802), Ch. 3 : Application of the Argument.

Wisdom , Question , Nature , Animals

“You of course appreciate that this industry of ours the automotive industry is today the greatest in the world. Three or four years ago it passed, in volume, steel and steel products, the next largest industry. This means, expressed otherwise, that upon its prosperity depends the prosperity of many millions of our citizens and the degree to which it has become stabilized in turn has a tremendous influence on the stabilization of industry as a whole, and therefore on the prosperity and happiness of still many more of our citizens. Directly and indirectly, this industry distributes hundreds of millions of dollars annually to those who are connected with it, in one way or another, as workers. It also distributes hundreds of millions of dollars in the aggregate to those who have invested in its securities. The purchasing power of this total aggregation, as you must appreciate, is tremendous.
I believe that if you questioned many of your readers as to the present position of the automotive industry, they would tell you that it is growing by leaps and bounds. I believe further you would sense uncertainty as to what is going to happen in the industry when the so-called state of saturation is reached. I do not know whether you appreciate it or not, but the industry has not grown very much during the past three or four years. It is practically stabilized at the present time.”

Alfred P. Sloan (1875–1966) American businessman

Source: Alfred P. Sloan in The Turning Wheel, 1934, p. 331-2: Speech by President Alfred P. Sloan, Jr., delivered to representatives of the automotive press at the Proving Ground on September 28, 1927.

World , Way , Question , Sense

“In the appreciation of a work of art or an art form, consideration of the receiver never proves fruitful. Not only is any reference to a particular public or its representatives misleading, but even the concept of an "ideal" receiver is detrimental in the theoretical consideration of art, since all it posits is the existence and nature of man as such. Art, in the same way, posits man's physical and spiritual existence, but in none of its works is it concerned with his attentiveness. No poem is intended for the reader, no picture for the beholder, no symphony for the audience.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Nirgends erweist sich einem Kunstwerk oder einer Kunstform gegenüber die Rücksicht auf den Aufnehmenden für deren Erkenntnis fruchtbar. Nicht genug, dass jede Beziehung auf ein bestimmtes Publikum oder dessen Repräsentanten vom Wege abführt, ist sogar der Begriff eines "idealen" Aufnehmenden in allen kunsttheoretischen Erörterungen vom Übel, weil diese lediglich gehalten sind, Dasein und Wesen des Menschen überhaupt vorauszusetzen. So setzt auch die Kunst selbst dessen leibliches und geistiges Wesen voraus—seine Aufmerksamkeit aber in keinem ihrer Werke. Denn kein Gedicht gilt dem Leser, kein Bild dem Beschauer, keine Symphonie der Hörerschaft.
The Task of the Translator (1920)

Art , Way , Nature

“Do you think astrologists, palm readers and the like can really tell everything about you? That your personality can be read from your birth date, your hand or from sensing vibrations? Very possible.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Trick of the Mind (2004–2006)

Birth , Thinking , Sense , Reading

“Here are six popular theses in the philosophical and psychological literature on motivation:1. Motivation is present in the animal kingdom but does not extend throughout it.
2. Motivated beings have a capacity to represent goals and means to goals.
3. A motivation-encompassing attitude may have either a goal or a means as its object.
4. Motivation varies in strength.
5. The stronger an agent’s motivation to A is, in comparison to the agent’s motivation for alternative courses of action, the more likely the agent is to A, other things being equal.
6. Whenever agents act intentionally, there is something they are effectively motivated to do.Divergent conceptions of motivation may be at work in philosophical thought about motivational matters. My concern in this book is a notion of motivation consistent with (among other things) these six claims. Readers who accept all six claims are likely to be more interested in the result than those who do not, but I conjecture that most readers do accept all of these claims, on some reading or other. Also, readers who reject one or more of these theses or who believe that no acceptable conception of motivation is consistent with all of them will be offered good reason to change their minds!”

Alfred Mele (1951) American philosopher

Introduction
Motivation and Agency (2003)

Books , Literature , Motivation , Change

“Attempting to define the sensationalism of the press, Malcolm Muggeridge came up with the slogan 'Give us this day our daily story.' A doomed effort, because all it did was remind the reader that the King James Version of the Lord's Prayer was better written than an article by Muggeridge.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Georg Christoph Lichtenberg', p. 383
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)

Effort

“The immediacy of falling in love recognizes but one immediacy that is ebenburtig (of equal standing), and this is a religious immediacy; falling in love is too virginal to recognize any confidant other than God. But the religious is a new immediacy, has reflection in between-otherwise, paganism would actually be religious and Christianity not. That the religious is a new immediacy every person easily understands who is satisfied with following the honest path of ordinary common sense. And although I imagine I have but few readers, I confess nevertheless that I do imagine my readers to be among these, since I am far from wanting to instruct the admired ones, who make systematic discoveries a la Niels Klim, who have left their good skin in order to put on the “real appearance.””

Sören Kierkegaard book Stages on Life's Way

Stages on Life's Way, p. 161-162
1840s, Stages on Life's Way (1845)

Love , God , Confidence , Imagination

“Bit by bit, as the legend unfolds, the reader gets a more accurate picture of the human race. By degrees, one gains the conviction that here is a race which can be little more than pure fantasy. It is not the kind of race which could rise from humble beginnings to the eminence of culture with which it is gifted in these tales. Its equipment is too poor.
So far it lack of stability has become apparent. Its preoccupation with a mechanical civilization rather than with a culture based on some of the sounder, more worthwhile concepts of life indicates a lack of basic character.
And now, in this tale, we learn of the limited communications which it possessed, a situation which certainly is not conducive to advancement. Man’s inability to understand and appreciate the thought and the viewpoint of another man would be a stumbling block which no amount of mechanical ability could overcome.”

Clifford D. Simak book City

Notes on the Fifth Tale (p. 119)
City (1952)

Life , Communication , Understanding , Learning

“Those of you among our readers, who are farmers or artisans, do ye unite and stand up. Exert yourselves to the utmost to improve your condition, to forcibly stop outrage, cruelty and oppression to the tenantry. It is for your good, consider, that we publish this little journal. Sleep no more. It is time, wake up. No one is there to speak for you.”

Keshub Chunder Sen (1838–1884) Indian academic

Published in Sulava Samacharon 28th November 1870. Translated from Bengali by Dr. Prem Sundar Basu.

Sleep , Time

“We have no idea whether there were any other strange occurences in Moscow that night, and we have no intention of trying to find out, since the time has come for us to proceed to Part Two of this true narrative. Follow me, reader!”

Mikhail Bulgakov book The Master and Margarita

Book One in 'Unlucky Visitors', B/O, the last lines of Book One
The Master and Margarita (1967)

Idea , Time , Parting , Night

“Pay attention only to the form; emotion will come spontaneously to inhabit it. A perfect dwelling always finds an inhabitant. The artist’s business is to build the dwelling; as for the inhabitant, it is up to the reader to provide him.”

André Gide (1869–1951) French novelist and essayist

“Characters,” p. 299
Pretexts: Reflections on Literature and Morality (1964)

Business , Perfection

“There would be dreamers of dreams and seers of visions and hearers of voices; readers of the entrails of beasts and interpreters of the flight of birds; there would be burning bushes and stone tablets on mountain-tops, and inspired words dictated to aged disciples on lonely islands. There would arise special castes of men and women, learned in these sacred matters; and these priestly castes would naturally emphasize the importance of their calling, would hold themselves aloof from the common herd, endowed with special powers and entitled to special privileges. They would interpret the oracles in ways favorable to themselves and their order; they would proclaim themselves friends and confidants of the god, walking with him in the night-time, receiving his messengers and angels, acting as his deputies in forgiving offenses, in dealing punishments and in receiving gifts. They would become makers of laws and moral codes. They would wear special costumes to distinguish them, they would go through elaborate ceremonies to impress their followers, employing all sensuous effects, architecture and sculpture and painting, music and poetry and dancing, candles and incense and bells and gongs.”

Upton Sinclair book The Profits of Religion

Book One : The Church of the Conquerors, "The Priestly Lie"
The Profits of Religion (1918)

Women , Men , God , Age

“The reader has by now probably become accustomed to the reversals of fortune so common in astronomy.”

Dennis Sciama (1926–1999) British physicist

Source: Modern Cosmology (1971), p. 73

“Not only was he ignorant, but he had not even those conditions within himself which made knowledge possible. All that there was developed of him, at present, was a fund of energy, self-esteem, hope, courage, and daring, the love of action, life, and adventure; his life was in the outward and present, not in the inward and reflective; he was a true ten-year old boy, in its healthiest and most animal perfection. What she was, the small pearl with the golden hair, with her frail and high-strung organization, her sensitive nerves, her half-spiritual fibres, her ponderings, and marvels, and dreams, her power of love, and yearning for self-devotion, our readers may, perhaps, have seen. But if ever two children, or two grown people, thus organized, are thrown into intimate relations, it follows, from the very laws of their being, that one must hurt the other, simply by being itself; one must always hunger for what the other has not to give.”

Harriet Beecher Stowe (1811–1896) Abolitionist, author

The Pearl of Orr's Island : A Story of the Coast of Maine (1862) Online scans http://www.hti.umich.edu/cgi/t/text/text-idx?c=moa&idno=AAN5549.0001.001&view=toc at the Making of America project.

Love , Life , Hunger , Children

“The reified focus on the moment of literary production, in a distanced context—the typical topic of periodization—suppresses the experience of reception, the actualization of the past in the reader’s present.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 20.

Past

“Like Bradley Pearson in The Black Prince, 'N', as he is called, uses quotation marks for such vulgarisms as 'sulks,' 'commuters' and 'worthwhile activities', as well as for phrases like 'too good to be true', 'the wrong end of the stick' and 'keep in touch.' The reader reflects that a cliché or approximation, wedged between two inverted commas, is still a cliché or approximation. Besides, you see how it would 'get on your nerves' if I were to 'go on' like this 'the whole time'…”

Martin Amis (1949) Welsh novelist

Review of The Philosopher's Pupil by Iris Murdoch, p. 92
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

Time

“How should we deal with intrusions of fiction into life, now that we have seen the historical impact that this phenomenon can have? … Reflecting on these complex relationships between reader and story, fiction and life, can constitute a form of therapy against the sleep of reason, which generates monsters.”

Umberto Eco book Six Walks in the Fictional Woods

Six Walks in the Fictional Woods (1994) Chapter Six: "Fictional Protocols"

Life , Sleep

“Would you buy a book proudly stating on the cover that its reader is a dummy? Or would you think "of course it's ironic?"”

Erik Naggum (1965–2009) Norwegian computer programmer

read the fine manual, please http://groups.google.com/group/comp.emacs/msg/821a0f04bab91864 (Usenet article).
Usenet articles, Miscellaneous

Books , Thinking

“Off and on during my life, I have passed sleepless nights in making up lists of the dozen or so books a person might choose to take along if suddenly marooned on a desert island. This is a relatively easy game for serious readers: At least half the titles would be recognized classics — the Bible, Plato, Shakespeare, a good dictionary, that sort of thing. But occasionally I have made the challenge a little more difficult: "What if you could take just one book?"”

Michael Dirda (1948) American literary critic

Washington Post article [concerning Geary's Guide to the World's Great Aphorists]: Arts & Living, 21 Oct 2007.

Life , Books , Game , Personality

“The way for a person to develop a [writing] style is (a) to know exactly what he wants to say, and (b) to be sure he is saying exactly that. The reader, we must remember, does not start by knowing what we mean. If our words are ambiguous, our meaning will escape him. I sometimes think that writing is like driving sheep down a road. If there is any gate open to the left or the right the readers will most certainly go into it.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

As quoted in part 2 of Sherwood Eliot Wirt in "The Final Interview of C. S. Lewis" (1963) http://www1.cbn.com/narnia/the-final-interview-of-c.-s.-lewis

Way , Thinking , Personality

“Pobedonostev: Aha! You are very well recommended Golivinski. You are just what we need here! Russia’s bureaucracy and its state apparatus have been infiltrated by Jews. Believe me. I’ve been studying the Jewish threat.
As guardians of Christina Russia we must deal with them… but it will not be easy…they’re more intelligent and smarter than the average Russian. So how?? How??
Golivinski: Jews are clever but it can be done by means of their own methods… by philisophical writings, news items…and such!
Pobedonostev: Precisely!
Golivinski: For example, we could influence the readers of our Russian newspapers by planting anti-jew articles in their columns…written in the paper’s style,’’’ of course!
and we could even publish a fake newspaper that will print news about Jewish activity!
Pobedonostev: Brilliant, my boy…come, I will assign you at once to my press chief, Mikhail Soloviev!
Soloviev, I have a young assistant for you, his name Mathieu Golovinski!
Soloviev: I can use help!
I hope he’s clever. Thank you, Pobedonostev…
Now, Golovinski, to begin with…I hate jews. They are a sly race whop will creep in and destroy the purity of our Russian culture!
So, I want you to write me a piece on this subject…and make sure it makes a clear case!
Golivinski: Excuse me sir!
Soloviev:Back so soon? What is it Golovinski?
Golovinski: Here is the article you asked for
Soloviev: In only one hour? Let em read it.
Where did you get these official statistics?
Golivinski: Oh, I made them up! No one would dare to challenge them.
Soloviev: Good work! From here on you will write for our regular campaign against the new modernization!
Golvinski: Why that?
Soloviev: All liberal, capitalistic, socialistic movements are directed by jews. We must expose them.
They are the anti-christ!
Golivinski: But sir, shouldn’t we keep this political?
Soloviev: In Russia religion and politics are the same!
Our people will believe anything negative about the Jews! Go ahead boy!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 42-48

Hate , People , Religion , Hope

“When the last reader reads no more.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The last Reader; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Reading

“People and places are the twin pillars on which most nonfiction is built. Every human event happens somewhere, and the reader wants to know what that somewhere was like.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 11, Writing About Places: The Travel Article, p. 80.

People

“I dedicate this book to all my readers, irrespective of whether they purchased my book, illegally obtained a copy, downloaded it or borrowed it from someone else. Some went ahead and directly asked me to send them a soft-copy of my book. Special salute to them as well.”

Gaurav Sharma (author) (1992) Author and novelist

Gone are the Days (2016)

Books

“Perhaps the editor may be accused of nationality, when he says, that, taking the total merits of this work together, he prefers it to the early exertions of even the Italian muse, to the melancholy sublimity of Dante, and the amorous quaintness of Petrarca…Here indeed the reader will find few of the graces of fine poetry, little of the attic dress of the muse; but here are life and spirit, and ease and plain sense, and pictures of real manners, and perpetual incident and entertainment. The language is remarkably good for the time, and far superior in neatness and elegance even to that of Gawin Douglass, who wrote more than a century after.”

John Barbour (1316–1395) Scottish poet

John Pinkerton, in his edition of The Bruce (London: G. Nicol, 1790) vol. 1, p. x.
Criticism

Life , Sense , Time

“The perception of time among these mostly illiterate thirteenth-century inhabitants of Languedoc may at first strike the twentieth-century reader as vague at best. They did not always know exactly how old they were, and their sense of history was strictly local.”

René Weis (1953)

Source: The Yellow Cross, (2000), p. 19

History , Sense , Time

“When presented with a few options for how to accomplish something, pick the awesome one. Pick the one that makes your story more entertaining. Pick the one that you are the most excited to write about, because when an author is having fun writing it, that’ll come through the page and the readers will feel that excitement. It’s all about contagious enthusiasm.”

Larry Correia (1977) American fantasy writer

"Ask Correia 18: World Building", Monster Hunter Nation http://monsterhunternation.com/2017/04/27/ask-correia-18-world-building/, 2017-04-27

Feeling

“"Hypertext is a representation of the text which escapes and surprises by turns," I wrote. Given the pure unaccountability (it is literally impossible to read all the possible variations of a richly linked hypertext) a hyperfiction writer is always attuned to "how the reader will interpret the literature presented" since its presentation shifts and flows in its composition as well.”

Michael Joyce (1945) American academic and writer

Interview with Michael Joyce in Pif (January 2000)

Literature , Reading

“From these two immediate perceptions, we gain a mediate, or inferential perception of the relation of all four instants. This mediate perception is objectively, or as to the object being represented, spread over the four instants; but subjectively, or as itself the subject of duration, it is completely embraced in the second moment. (The reader will observe that I use the word instant to mean a point in time, and moment to mean an infinitesimal duration.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

The Law of Mind (1892)

Time

“The cosmos which he now created was that which contains the readers and the writer of this book. In its making he used, but with more cunning art, many of the principles which had already served him in earlier creations; and he wove them together to form a more subtle and more capricious unity than ever before.”

Olaf Stapledon book Star Maker

Source: Star Maker (1937), Chapter XV: The Maker and His Works; 2. Mature Creating (pp. 176-177)

Books , Art

“My readers, I fear, have like my reviewer been somewhat misled by looking into my concluding essay for the most important proofs of my main position. But there I am dealing with a problem, or with problems, important and intricate, indeed, but still subordinate to this main one, and only auxiliary to my principal aim.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), Appendix D: Reply to a Review in the New York Tribune, p.416

Fear , Problem

“The human mind is [a poet's] individual mind at first, but as soon as he writes a poem it becomes our [the readers'] minds too. There is no self-expression in [a poet's] poem, because once the poem is there the individual [poet] has disappeared. …there is really no such thing as self-expression in literature.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 3: Giants in Time

Literature

“The prevailing attitude of the speakers was one of heavy disagreement with a number of things which the reader had not said.”

Ronald Knox (1888–1957) English priest and theologian

Let Dons Delight (1939), Note on Chapter 8
Describing a discussion following the presentation of a paper at a student society.

“As far as culture and politics are concerned, the important theme is long-attention-span vs. short-attention-span thinking. I'm sure that your readers can think of any number of ways in which having a longer attention span can be useful. But I'll name one. Bankers with long attention spans don't lend money to people who can't pay it back. If we had more bankers who adopted a long-term view of their responsibilities, we might not be in the middle of a financial crisis that is blowing away 150-year-old investment banks.”

Neal Stephenson (1959) American science fiction writer

In response to whether Anathem "reflects today's culture or politics," from an interview published Sept. 22, 2008 by MIT News http://web.mit.edu/newsoffice/2008/stephenson-qa-0922.html

Money , People , Way , Thinking

“While Moses forbids 'graven images' of Him whose name is not to be taken in vain, Spinoza goes farther. He clearly infers that God must not be so much as described. Human language is totally unfit to give an idea of this "Being" who is altogether unique. Whether it is Spinoza or the Christian theology that is more right in their premises and conclusion, we leave the reader to judge for himself. Every attempt to the contrary leads a nation to anthropomorphize the deity in whom it believes, and the result is that given by Swedenborg. Instead of stating that God made man after his own image, we ought in truth to say that "man imagines God after his image," forgetting that he has set up his own reflection for worship.”

Helena Petrovna Blavatsky book Isis Unveiled

Source: Isis Unveiled (1877), Volume I, Chapter IX

God , Truth , Imagination , Idea

“Even if astrology had been a real science, I knew nothing about it. We find countless events in real history which would never have occurred if they had not been predicted. This is because we are the authors of our so-called destiny, and all the 'antecedent necessities' of the Stoics are chimerical; the argument which proves the power of destiny seems strong only because it is sophistical. Cicero laughed at it. Someone whom he had invited to dinner, who had promised to go, and who had not appeared, wrote to him that since he had not gone it was evident that he had not been iturus ('going to go'). Cicero answers him: Veni ergo cras, et veni etiamsi venturus non sis ('Then come tomorrow, and come even if you are not going to come'). At this date, when I am conscious that I rely entirely on my common sense, I owe this explanation to my reader, despite the axiom, Fata viam inveniunt ('Destiny finds the way'). If the fatalists are obliged by their own philosophy to consider the concatenation of all events necessary, a parte ante ('a priori'), what remains of man's moral freedom is nothing; and in that case he can neither earn merit nor incur guilt. I cannot in conscience admit that I am a machine.”

Giacomo Casanova (1725–1798) Italian adventurer and author from the Republic of Venice

History of My Life (trans. Trask 1967), 1997 reprint, v. 7, chapter 8, p. 172
Referenced

Way , History , Sense , Freedom

“In the preliminary pages, the list of books "by the same author" shows that during the past fifty years I have written a dozen books on medieval Indian history beginning from 1950 onwards. As usual these have been reviewed in journals in India and abroad, bestowing both praise and blame as per the custom of the reviewers. However, during the last fifteen years or so, some of my books have received special attention of a certain brand of scholars for adverse criticism. Although this gives me publicity and raises demand for my books because such reviews arouse curiosity of readers, it also provides me with an opportunity to defend myself from my detractors determined to denigrate my work. It is not customary to answer the reviewers - they have their right of judgement - but when a systematic smear campaign is launched criticising everything that I say, without a single word of appreciation for anything, a rebuttal is called for, more so when a connection and not mere coincidence is discernible between the uncharitable review of one of my books in a British journal and some other harsh reviews by a group of Aligarh historians in Indian historical journals.”

K. S. Lal book Theory and Practice of Muslim State in India

Theory and Practice of Muslim State in India (1999)

Books , History , Past

“In Tom Robbins' Even Cowgirls Get The Blues, the narrator attempts to describe a Whooping Crane in 25 words or less. One attempt at the description reads Imagine Wilt Chamberlain in a red yarmulke and snowy feathers… The narrator cuts off the attempt with the explanation You're assuming that the reader knows who Wilt Chamberlain is. Many people don't follow basketball and wouldn't understand that Wilt signifies size and strength and arrogance made palatable by grace.”

Wilt Chamberlain (1936–1999) basketball player

Pop Culture

People , Imagination , Understanding , Reading

“If you've spent any time trolling the blogosphere, you've probably noticed a peculiar literary trend: the pervasive habit of writers inexplicably placing exclamation points at the end of otherwise unremarkable sentences. Sort of like this! This is done to suggest an ironic detachment from the writing of an expository sentence! It's supposed to signify that the writer is self-aware! And this is idiotic. It's the saddest kind of failure. F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader really isn't sure, either. They just want to know when they're supposed to pretend that they're amused. All those extraneous exclamation points are like little splatters of canned laughter: They represent the “form of funny,” which is more easily understood (and more easily constructed) than authentic funniness.”

Chuck Klosterman Eating the Dinosaur

Eating the Dinosaur (2009)

Age , Failure , Laughter , Chance

“[On modern art] True psychos stand alone. The only pioneers are those who give voices to the ugliest corridors of their unconscious without fear of censure from any quarter. The acts that ordinary of people commit behind closed doors are beyond the ken of any performance artist. Humans' innate weirdness is far more threating and entertaining than anything the professional shock mavens could conjure. I boggle your conception of a world split between cognoscenti and squares. I subvert the subversive and bury the underground under six feet of its own hypocritical manure. I perform unsolicited tattooing, body-piercing, and ritual scarification upon you. Give vent to your sickest fantasies, but don't call it art. Cornhole Barbara Bush, but only if you want to. Sketch your astrological chart with your own feces, but only if it feels good. If you want to do something truly radical, kill yourself. We'll have one less reader, but the world will be a better place.”

Jim Goad (1961) Author, publisher

ANSWER Me!

People , World , Fear , Art

“Even today, as regards East Timor, where our brutal Indonesian satellite (authors of the 1965-1966 butcheries) have very possibly killed as many people as did the Khmer Rouge, there is a virtually complete blackout of information in the Free Press. This is a bloodbath carried out by a friendly power and is thus of little interest to our readers. It is a “benign bloodbath” in our terminology.”

Noam Chomsky (1928) american linguist, philosopher and activist

Chomsky and Herman (1979), The Washington Connection and Third World Fascism, p. 22.
Quotes 1960s-1980s, 1970s

People

“Of course, there is drawing in art as there is style in literature. Style that is mannered, that strains after effect, is bad. No style is good except that which effaces itself in order to concentrate all the attention of the reader upon the subject treated, upon the emotion rendered.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. V. Drawing and Color, p. 96

Art , Literature , Drawing

“A good sentence is a key. It unlocks the mind of the reader.”

Eric Hoffer (1898–1983) American philosopher

Entry (1962)
Eric Hoffer and the Art of the Notebook (2005)

“Well, I think it is accidental. It’s just something I started doing naturally and it had a lot to do with reading. I think that Dylan Thomas, his prose and poetry, was a big influence on me. Just his use of words… He would use so many odd words: like these three- and four-syllable words that you just don’t normally hear. And they’re not used in a manner that sets the text apart from the reader. Rather they’re drawing the reader in. It’s entirely based on the alliteration of the word itself—onomatopoeia and things like that. I feel like a lot of the words I use don’t stick out in the song because they keep the feel of the song in mind. The rhythm—that’s the primary thing. They’re put in there for rhythm and alliteration as much as they are for meaning. And as long as they are not used extraneously, they’re real lightning rods for people listening to the lyrics. If the words are really helping out the rhythm of the song then all they’re going to do is draw the listener in even more”

Colin Meloy (1974) American musician

On his songwriting technique. Interview with Colin Meloy, 2004-06 http://www.believermag.com/issues/200406/?read=interview_meloy,

People , Feeling , Nature , Thinking

“This little Collection differs, it is believed, from others in the attempt made to include in it all the best original lyrical pieces and songs in our language, by writers not living, and none besides the best. The Editor will regard as his fittest readers those who love poetry so well, that he can offer them nothing not already known and valued.”

Francis Turner Palgrave (1824–1897) English poet and critic

Golden Treasury of English Songs and Lyrics (1861) Preface.

Love

“He stayed in no one place very long, but he usually managed to absorb something of the atmosphere of each town, village or rubber estate he visited, and he always made quick contact with the local residents. These residents were invariably Europeans - planters, colonial officials, businessmen, or just men living in exile to escape from trouble or sadness at home - and there is little evidence that Maugham gained, or wished to gain, any direct knowledge of the lives and customs of the native peoples of the East. This must be disappointing to present-day Malay and Indian and Chinese and Eurasian readers of his stories, but we have to remember that (apart from the fact that Maugham had no time to learn Malay or Chinese or Tamil) the Western attitude to the Far East was very different in Maugham's time from what it is today.”

Anthony Burgess (1917–1993) English writer

Introduction to Maugham's Malaysian Stories (1969)
People, Joseph Conrad, W. Somerset Maugham

Men , People , Sadness , Disappointment

“4) It is a sin to waste the reader's time.”

Larry Niven (1938) American writer

Niven's Laws, Niven's Laws For Writers

Time

“It is over twenty years since I first heard of Hong-lou meng and the great fascination it holds for its readers (despite the fact that there has never been a complete or definitive text). I was once lucky enough to borrow a copy from a friend. Reading it (in this incomplete state) was indeed a tantalizing experience.
In the spring of this year, my friend Cheng Weiyuan came to see me and showed me the complete text that he had purchased. 'This,' he said, 'is the fruit of my labours over several years. Bit by bit I have pieced it together, with a view to publishing it for fellow-lovers of the novel. As you are at a bit of a loose end, and in need of a restorative, will you share the labour [of preparing the manuscript for the press] with me?'
Although it was only a novel, the book contained nothing contrary to the tenets of Confucian teaching, and so I gladly accepted, and fell upon the task with the eagerness of the Persian slave when he saw his pearl! Now that the work is done, I have described these circumstances for the reader's information.”

Gao E (writer)

Preface (dated 27 December 1791) to the first Cheng-Gao edition of Dream of the Red Chamber, as translated by John Minford in The Story of the Stone: The Debt of Tears (Penguin, 1979), Appendix I, p. 386

Books , Spring , Lovers , Reading

“A ‘good’ style is one which can communicate through signs a certain inner state symptomatic of a certain taste (such a communication presupposing a listener or reader with the same taste).”

Sarah Kofman (1934–1994) philosopher from France

Source: Nietzsche et la métaphore (1972), p. 2

Communication

“Reader, I must confess that while attending the sneak preview with its overwhelmingly female audience, I was gob-smacked by the delightful cleavage on display. Do women wear their lowest-cut frocks for each other?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/sex-and-the-city-2-2010 of Sex and the City 2 (25 May 2010)
Reviews, One-star reviews

Women

“The disconcerting fact may first be pointed out that if you write badly about good writing, however profound may be your convictions or emphatic your expression of them, your style has a tiresome trick (as a wit once pointed out) of whispering: ‘Don’t listen!’ in your readers’ ears. And it is possible also to suggest that the promulgation of new-fangled aesthetic dogmas in unwieldy sentences may be accounted for—not perhaps unspitefully—by a certain deficiency in aesthetic sensibility; as being due to a lack of that delicate, unreasoned, prompt delight in all the varied and subtle manifestations in which beauty may enchant us.
Or, if the controversy is to be carried further; and if, to place it on a more modern basis, we adopt the materialistic method of interpreting aesthetic phenomena now in fashion, may we not find reason to believe that the antagonism between journalist critics and the fine writers they disapprove of is due in its ultimate analysis to what we may designate as economic causes? Are not the authors who earn their livings by their pens, and those who, by what some regard as a social injustice, have been more or less freed from this necessity—are not these two classes of authors in a sort of natural opposition to each other? He who writes at his leisure, with the desire to master his difficult art, can hardly help envying the profits of money-making authors.”

Logan Pearsall Smith (1865–1946) British American-born writer

criticizing the Cambridge School of criticism, e.g. John Middleton Murry and Herbert Read, “Fine Writing,” pp. 306-307
Reperusals and Recollections (1936)

Money , Beauty , Art , Fashion

“Not all readers are prepared, at all times, to make independent judgments. But the failure of modern education to equip them to do so even when they have the inclination creates a serious gap in modern culture.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

Education , Failure , Time