Quotes about reader
page 6

Amit Chaudhuri photo

“Fantasists aren't natural readers. They grow restive easily.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Friend of My Youth (2017)

Dana Gioia photo

“While the spoken word can travel faster, you can’t take it home in your hand. Only the written word can be absorbed wholly at the convenience of the reader.”

Kingman Brewster, Jr. (1919–1988) American diplomat

The Enduring American Press (October 1964) edited by The Hartford Courant

Jane Roberts photo
China Miéville photo
Ben Jonson photo

“Reader, look,
Not at his picture, but his book.”

Ben Jonson (1572–1637) English writer

To the Reader [On the portrait of Shakespeare prefixed to the First Folio] (1618), lines 9-10

William Makepeace Thackeray photo
Thomas Carlyle photo
Michel Seuphor photo
Alan Moore photo
Walter Scott photo
John Ruskin photo

“Never explain- your reader is as smart as you. Your reader is not just any reader, but is the rare one with ears in his head.”

Basil Bunting (1900–1985) Poet

I SUGGEST Advice to Young Poets Basili Bunting Poetry Archive, Durham University Library 190
I SUGGEST Advice to Young Poets

Jean-Étienne Montucla photo

“Mathematics and philosophy are cultivated by two different classes of men: some make them an object of pursuit, either in consequence of their situation, or through a desire to render themselves illustrious, by extending their limits; while others pursue them for mere amusement, or by a natural taste which inclines them to that branch of knowledge. It is for the latter class of mathematicians and philosophers that this work is chiefly intended j and yet, at the same time, we entertain a hope that some parts of it will prove interesting to the former. In a word, it may serve to stimulate the ardour of those who begin to study these sciences; and it is for this reason that in most elementary books the authors endeavour to simplify the questions designed for exercising beginners, by proposing them in a less abstract manner than is employed in the pure mathematics, and so as to interest and excite the reader's curiosity. Thus, for example, if it were proposed simply to divide a triangle into three, four, or five equal parts, by lines drawn from a determinate point within it, in this form the problem could be interesting to none but those really possessed of a taste for geometry. But if, instead of proposing it in this abstract manner, we should say: "A father on his death-bed bequeathed to his three sons a triangular field, to be equally divided among them: and as there is a well in the field, which must be common to the three co-heirs, and from which the lines of division must necessarily proceed, how is the field to be divided so as to fulfill the intention of the testator?"”

Jean-Étienne Montucla (1725–1799) French mathematician

This way of stating it will, no doubt, create a desire in most minds to discover the method of solving the problem; and however little taste people may possess for real science, they will be tempted to try iheir ingenuity in finding the answer to such a question at this.
Source: Preface to Recreations in Mathematics and Natural Philosophy. (1803), p. ii; As cited in: Tobias George Smollett. The Critical Review: Or, Annals of Literature http://books.google.com/books?id=T8APAAAAQAAJ&pg=PA410, Volume 38, (1803), p. 410

Anthony Burgess photo
Frederick Douglass photo
Will Eisner photo

“1920
The Times
London, Saturday, May 8, 1920.
“The Jewish peril.”
A disturbing pamphlet
Call for inquiry.
(From a correspondent.)
The Times has not as yet noticed this singular little book. Its diffusion is, however, increasing, and its reading is likely to perturb the thinking public. Never before have a race and a creed been accused of a more sinister conspiracy. We in this country, who live in good fellowship with numerous representatives of Jewry, may well ask that some authoritative criticism should deal with it., and either destroy the ugly “Semitic” body or assign their proper place to the insidious allegations of this kind of literature.
In spite of the urgency of impartial and exhaustive criticism, the pamphlet has been allowed, so far, to pass almost unchallenged. The Jewish Press announced, it is true, that the anti-semitism of the “Jewish Peril” was going to be exposed. But save for an unsatisfactory article in the March 5 issue of the ‘’Jewish Guardian’’ and for an almost equally unsatisfactory article in the March 5 issue of contribution to the ‘’Nation’’ of March 27, this exposure is yet to come. The article of the ‘’Jewish Guardian’’ is unsatisfactory, because it deals mainly with the personality of the author of the book in which the pamphlet is embodied, with Russian reactionary propaganda, and the Russian secret police. It does not touch the substance of the “Protocols of the Learned Elders of Zion.” The purely Russian side of the book and its fervid “Orthodoxy.” Is not its most interesting feature. Its author-Professor S. Nilus-who was a minor official in the Department of Foreign Religions at Moscow, had, in all likelihood, opportunities of access to many archives and unpublished documents. On the other hand, the world-wide issue raised by the “Protocols” which he incorporated in his book and are now translated into English as “The Jewish Peril,” cannot fail not only to interest, but to preoccupy. What are the these of the “Protocols” with which, in the absence of public criticism, British readers have to grapple alone and unaided?”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Ernest Hemingway photo

“I knew Muhammad Mujeeb personally. He was Head of the Department of History and Shaikh-ul-Jamia… In 1972, however, there was a mild 'confrontation' between him and me. Sometime that year there was a Selection Committee meeting for the post of Professor of History in Delhi University. I was then a Reader and candidate for the post of Professor. Mujeeb was an 'expert'… Mujeeb asked me a question: "Why did the Hindu convert to Islam?" It was a loaded question carrying the suggestion that the initiative for conversion came from the Hindu. In all probability Mujeeb expected me to say that the Hindus suffered from the injustices of the caste system, that Islam was spiritually so great and its message of social equality so attractive that the Hindus queued up for conversion the moment they came in contact with Islamic invaders. A tactful candidate (not a truthful one) would have said what Mujeeb desired, but my answer was different. I said that Hindus did not (voluntarily) convert to Islam; they were converted, often forcibly, as told by Muslim chroniclers. Muslim invaders and rulers felt proud of their achievements in the fields of loot and destruction, enslavement and proselytization. Their chroniclers, writing at their command or independently, speak about their achievements in these spheres in glowing terms. They repeatedly write about the choice offered to the Hindus - "Islam or death". Mujeeb expected a different answer. I was not selected.”

Source: Theory and Practice of Muslim State in India (1999), Chapter 6

Damian Pettigrew photo
John Banville photo
Kirk Hammett photo
William Cobbett photo

“Perhaps there are none more lazy, or more truly ignorant, than your everlasting readers.”

William Cobbett (1763–1835) English pamphleteer, farmer and journalist

“To a Father,” letter 5.
Advice to Young Men (1829)

Mary Wollstonecraft Shelley photo
Alberto Manguel photo
George Steiner photo
Willa Cather photo
Anthony Burgess photo
Charles Taze Russell photo

“Thus we see clearly that the Papacy has substituted a false or sham sacrifice, in the place of the one everlasting, complete and never-to-be-repeated sacrifice of Calvary, made once for all time. Thus it was that Papacy took away from Christ's work the merit of being rightly esteemed the Continual Sacrifice, by substituting in its stead a fraud, made by its own priests. It is needless here to detail the reason why Papacy denies and sets aside the true Continual Sacrifice, and substitutes the "abomination," the Mass, in its stead; for most of our readers know that this doctrine that the priest makes in the Mass a sacrifice for sins, without which they cannot be canceled, or their penalties escaped, is at the very foundation of all the various schemes of the Church of Rome for wringing money from the people, for all her extravagancies and luxuries. "Absolutions", "indulgences", and all the various presumed benefits, favors, privileges and immunities, for either the present or the future life, for either the living or the dead, are based upon this blasphemous doctrine of the Mass, the fundamental doctrine of the apostasy. It is by virtue of the power and authority which the sacrifice of the Mass imposes upon the priests, that their other blasphemous claims, to have and exercise the various prerogatives which belong to Christ only, are countenanced by the people.”

Charles Taze Russell (1852–1916) Founder of the Bible Student Movement

Source: Milennial Dawn, Vol. III: Thy Kingdom Come (1891), p. 102.

Ursula K. Le Guin photo
José Ortega Y Gasset photo
Ambrose Bierce photo

“This is a simple story of a battle; such a tale as may be told by a soldier who is no writer to a reader who is no soldier.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: What I Saw At Shiloh (1881), I

Luc Besson photo

“This film is extremely visual. It is difficult to describe in words without running the risk of losing or boring the reader.
I have come up with a simplified summary, therefore, like a readers guide, which will conjure up the images in as few words as possible :
— the beginning is Leon: The Professional
— the middle is Inception
— the end is 2001: A Space Odyssey
Don't interpret this as pretension on my part, merely a visual, emotional and philosophical point of reference.”

Luc Besson (1959) French film director, writer, and producer

"NOTA", for his film Lucy, as quoted in "Luc Besson's Statement Of Intent For 'Lucy' Compares The Film To '2001,' 'Inception' & 'Leon The Professional'" by Kevin Jagernauth, in Indiewire (28 July 2014) http://blogs.indiewire.com/theplaylist/luc-bessons-statement-of-intent-for-lucy-compares-the-film-to-2001-inception-leon-the-professional-20140728

Calvin Coolidge photo
Amy Lowell photo
E.E. Cummings photo
Ed Yourdon photo
Franz Marc photo

“I am sure of one thing: many silent readers and young people full of energy will secretly be grateful to us, will be fired by enthusiasm for this book [the Blaue Reiter Almanac ] and will judge the world in accordance with it.”

Franz Marc (1880–1916) German painter

Quote in a letter to Kandinsky, (c. Dec. 1911), quoted in 'Vezin 150'; as quoted in Movement, Manifesto, Melee: The Modernist Group, 1910-1914, Milton A. Cohen, Lexington Books, Sep 14, 2004, p. 67
1911 - 1914

Menno Simons photo
Robert Maynard Hutchins photo
Flavius Josephus photo

“Its literary merits must be left to the judgment of its readers; as to its truth, I should not hesitate to make the confident assertion that from the first word to the last I have aimed at nothing else.”

Flavius Josephus (37–100) first-century Romano-Jewish scholar, historian and hagiographer

Closing words, trans. G. A. Williamson
The Jewish War (c. 75 CE)

Robert G. Ingersoll photo
James Frazer photo

“To a modern reader the connexion at first site may not be obvious between the activity of the hangman and the productivity of the earth.”

Source: The Golden Bough (1890), Chapter 64, The Burning of Human Beings in the Fires (spelling as per text).

Theodore L. Cuyler photo
Włodzimierz Ptak photo
Colin Wilson photo
Henry Miller photo
George Sarton photo

“I am obliged to deal with hundreds of men and to make them live without killing the reader.”

George Sarton (1884–1956) American historian of science

Preface.
A History of Science Vol.2 Hellenistic Science and Culture in the Last Three Centuries B.C. (1959)

Philip José Farmer photo

“Reader, pray that soon this Iron Age
Will crumble, and Beauty escape the rusting cage.”

Philip José Farmer (1918–2009) American science fiction writer

"Beauty in This Iron Age" in Starlanes #11 (Fall 1953); re-published in Pearls From Peoria (2006)

Evelyn Waugh photo
Huldrych Zwingli photo

“You should knot that a certain Franciscan from France, whose name indeed was Franz, was here not many days since and had such conversation with me concerning the Scriptural basis for the doctrine of the adoration of the saints and their intercession for us. He was not able to convince me with the assistance of a single passage of Scripture that the saints do pray for us, as he had with a great deal of assurance boasted he should do. At last he went to Basel, where he recounted the affair in an entirely different way from the reality - in fact he lied about it. So it seemed good to me to let you know about these things that you might not be ignorant of that Cumaean lion, if perchance he should ever turn your way.
There followed within six days another strife with our brethren preachers of the [different orders in Zurich, especially with the Augustinians]. Finally the burgonmaster and the Council appointed for them three commissioners on whom this was enjoined - that Aquinas and the rest of the doctors of that class being put aside they should base their arguments alone upon those sacred writings which are contained in the Bible. This troubled those beasts so much that one brother, the father reader of the order of Preachers [i. e., the Dominicans] cut loose from us, and we wept - as one weeps when a cross-grained and rich stepmother has departed this life. Meanwhile there are those who threaten, but God will turn the evil upon His enemies.”

Huldrych Zwingli (1484–1531) leader of the Protestant Reformation in Switzerland, and founder of the Swiss Reformed Churches

Letter July 30th to Rhenanus ibid, p.170-171

Brewster Kahle photo

“Here’s the problem with the web — this is so cool, it’s worth it. The internet is decentralized in the sense that you can kind of nuke any part of it and it still works. That was its original design. The World Wide Web isn’t that way. You go and knock out any particular piece of hardware, it goes away. Can we make a reliable web that’s served from many different places, kind of like how the Amazon cloud works, but for everybody? The answer is yes, you can. You can make kind of a pure to pure distribution structure, such that the web becomes reliable. Another is that we can make it private so that there’s reader privacy. Edward Snowden has brought to light some really difficult architectural problems of the current World Wide Web. The GCHQ, the secret service of the British, watched everybody using WikiLeaks, and then offered all of those IP addresses, which are personally identifiable in the large part, to the NSA. The NSA had conversations about using that as a means to go and… monitor people at an enhanced level that those are now suspects. Libraries have long had history with people being rounded up for what they’ve read and bad things happening to them. We have an interest in trying to make it so that there’s reader privacy”

Brewster Kahle (1960) American computer engineer, founder of the Internet Archive

Internet Archive founder Brewster Kahle on Recode Decode https://www.recode.net/2017/3/8/14843408/transcript-internet-archive-founder-brewster-kahle-wayback-machine-recode-decode (March 8, 2017)

Hans Freudenthal photo
Erik Naggum photo
Arun Shourie photo

“There isn't any distinction between a reader and a writer – reading is so much a part of it.”

Dermot Healy (1947–2014) Irish writer

Small talk: Dermot Healy, 2011

Georg Brandes photo

“Young girls sometimes make use of the expression: “Reading books to read one’s self.” They prefer a book that presents some resemblance to their own circumstances and experiences. It is true that we can never understand except through ourselves. Yet, when we want to understand a book, it should not be our aim to discover ourselves in that book, but to grasp clearly the meaning which its author has sought to convey through the characters presented in it. We reach through the book to the soul that created it. And when we have learned as much as this of the author, we often wish to read more of his works. We suspect that there is some connection running through the different things he has written and by reading his works consecutively we arrive at a better understanding of him and them. Take, for instance, Henrik Ibsen’s tragedy, “Ghosts.” This earnest and profound play was at first almost unanimously denounced as an immoral publication. Ibsen’s next work, “An Enemy of the People,” describes, as is well known the ill-treatment received by a doctor in a little seaside town when he points out the fact that the baths for which the town is noted are contaminated. The town does not want such a report spread; it is not willing to incur the necessary expensive reparation, but elects instead to abuse the doctor, treating him as if he and not the water were the contaminating element. The play was an answer to the reception given to “Ghosts,” and when we perceive this fact we read it in a new light. We ought, then, preferably to read so as to comprehend the connection between and author’s books. We ought to read, too, so as to grasp the connection between an author’s own books and those of other writers who have influenced him, or on whom he himself exerts an influence. Pause a moment over “An Enemy of the People,” and recollect the stress laid in that play upon the majority who as the majority are almost always in the wrong, against the emancipated individual, in the right; recollect the concluding reply about that strength that comes from standing alone. If the reader, struck by the force and singularity of these thoughts, were to trace whether they had previously been enunciated in Scandinavian books, he would find them expressed with quite fundamental energy throughout the writings of Soren Kierkegaard, and he would discern a connection between Norwegian and Danish literature, and observe how an influence from one country was asserting itself in the other. Thus, by careful reading, we reach through a book to the man behind it, to the great intellectual cohesion in which he stands, and to the influence which he in his turn exerts.”

Georg Brandes (1842–1927) Danish literature critic and scholar

Source: On Reading: An Essay (1906), pp. 40-43

Martin Amis photo
Jennifer Shahade photo
William Hazlitt photo
Upton Sinclair photo
Henry Adams photo
Kurt Schwitters photo

“Classical poetry counts on people's similarity. It regards idea associations as unequivocal. This is a mistake. In any case, it rests on a fulcrum of idea associations: 'Above the peaks is peace.'... The poet counts on poetic feelings. And what is a poetic feeling? The whole poetry of peace / quiet stands or falls on the reader's ability to feel. Words are not judged here.”

Kurt Schwitters (1887–1948) German artist

1920s
Source: 'Consistent Poetry Art', Schwitters' contribution to 'Magazine G', No. 3, 1924, ed. Hans Richter; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, (commissioned by Rudi Fuchs, director of the Stedelijk Museum Amsterdam), NAI Publishers, Rotterdam 2000, p. 151.

Aurangzeb photo
Francisco Varela photo
Indro Montanelli photo

“Which ever one of you will want to become a journalist, let him remember to choose his own master: the reader.”

Indro Montanelli (1909–2001) Italian journalist

From a lecture of journalism at the University of Turin, 12 May 1997; cited in La Stampa, 14 April, 2009.
1950s - 1990s

Ursula K. Le Guin photo
Ward Cunningham photo

“What you get as a wiki reader is access to people who had no voice before.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

A Conversation with Ward Cunningham (2003), Exploring with Wiki

David Miscavige photo
Susan Sontag photo

“Now there was one of these Essens, whose name was Manahem, who had this testimony, that he not only conducted his life after an excellent manner, but had the foreknowledge of future events given him by God also. This man once saw Herod when he was a child, and going to school, and saluted him as king of the Jews; but he, thinking that either he did not know him, or that he was in jest, put him in mind that he was but a private man; but Manahem smiled to himself, and clapped him on his backside with his hand, and said," However that be, thou wilt be king, and wilt begin thy reign happily, for God finds thee worthy of it. And do thou remember the blows that Manahem hath given thee, as being a signal of the change of thy fortune. And truly this will be the best reasoning for thee, that thou love justice [towards men], and piety towards God, and clemency towards thy citizens; yet do I know how thy whole conduct will be, that thou wilt not be such a one, for thou wilt excel all men in happiness, and obtain an everlasting reputation, but wilt forget piety and righteousness; and these crimes will not be concealed from God, at the conclusion of thy life, when thou wilt find that he will be mindful of them, and punish time for them." Now at that time Herod did not at all attend to what Manahem said, as having no hopes of such advancement; but a little afterward, when he was so fortunate as to be advanced to the dignity of king, and was in the height of his dominion, he sent for Manahem, and asked him how long he should reign. Manahem did not tell him the full length of his reign; wherefore, upon that silence of his, he asked him further, whether he should reign ten years or not? He replied, "Yes, twenty, nay, thirty years;" but did not assign the just determinate limit of his reign. Herod was satisfied with these replies, and gave Manahem his hand, and dismissed him; and from that time he continued to honor all the Essens. We have thought it proper to relate these facts to our readers, how strange soever they be, and to declare what hath happened among us, because many of these Essens have, by their excellent virtue, been thought worthy of this knowledge of Divine revelations.”

AJ 15.11.4-5
Antiquities of the Jews

Ron White photo
Anne Rice photo

“I was so conflicted and disillusioned about organized religion that I couldn't write. … I think my writings will go on being the writings of a believer in Christ. I think I'll be less frustrated and freer to write about the full dimension of what that means. But I write metaphysical thrillers, and how this works out in fiction is always mysterious: characters confront dilemmas. The worldview of the novel is certainly optimistic and that of a believer. What character will say what, I don't know until I start writing. …. Because I had written Christ the Lord: Out of Egypt and Christ the Lord: The Road to Cana, I had become a public Christian. I wanted my readers to know that I was stepping aside from organized religion and the names Christian and Christianity because I wanted to exonerate myself from the things organized religion was doing in the name of Jesus. Christians have lost credibility in America as people who know how to love. They have become associated with hatred, persecution, attempting to abolish the separation of church and state, and trying to pressure people to vote certain ways in elections. I wanted to make it clear that I did not in any way remain complicit with those things.”

Anne Rice (1941) American writer

"Q & A: Anne Rice on Following Christ Without Christianity" interview by Sarah Pulliam Bailey in Christianity Today (17 Augutst 2010) http://www.christianitytoday.com/ct/article_print.html?id=89167

Jimmy Wales photo

“Greatest misconception about Wikipedia: We aren’t democratic. Our readers edit the entries, but we’re actually quite snobby. The core community appreciates when someone is knowledgeable, and thinks some people are idiots and shouldn’t be writing.”

Jimmy Wales (1966) Wikipedia co-founder and American Internet entrepreneur

Source: The Encyclopedist’s Lair, The New York Times, November 18, 2007, 2007-11-19 http://www.nytimes.com/2007/11/18/magazine/18wwln-domains-t.html?ex=1196139600&en=25f7b166ceba3519&ei=5070&emc=eta1,

John Banville photo
C.K. Williams photo
Ilana Mercer photo
Gabriel García Márquez photo
Kenneth Arrow photo
Gene Wolfe photo
George Henry Lewes photo
Robert Silverberg photo

“Autobiography. Apparently one should not name the names of those one has been to bed with, or give explicit figures on the amount of money one has earned, those being the two data most eagerly sought by readers; all the rest is legitimate to reveal.”

Robert Silverberg (1935) American speculative fiction writer and editor

"Sounding Brass, Tinkling Cymbal" in Hell's Cartographers (1975) edited by Brian Aldiss and Harry Harrison

Ezra Pound photo