Quotes about pleasure

page 4

The opening of the Analects and thus the first phrase of Chapter I after which the Chinese title of this book is named 學而.
The Analects, Chapter I
Context: Isn't it a pleasure to study and practice what you have learned? Isn't it also great when friends visit from distant places? If one remains not annoyed when he is not understood by people around him, isn't he a sage?

"Notes about Music" (29 March 1946) http://web.archive.org/19991001055247/www.geocities.com/Nashville/3448/music.html also quoted in A Race of Singers: Whitman's Working-Class Hero from Guthrie to Springsteen (2000) by Bryan K. Garman, p. 244
Context: I have hoped as many hopes and dreamed so many dreams, seen them swept aside by weather, and blown away by men, washed away in my own mistakes, that — I use to wonder if it wouldn't be better just to haul off and quit hoping. Just protect my own inner brain, my own mind and heart, by drawing it up into a hard knot, and not having any more hopes or dreams at all. Pull in my feelings, and call back all of my sentiments — and not let any earthly event move me in either direction, either cause me to hate, to fear, to love, to care, to take sides, to argue the matter at all — and, yet … there are certain good times, and pleasures that I never can forget, no matter how much I want to, because the pleasures, and the displeasures, the good times and the bad, are really all there is to me.
And these pleasures that you cannot ever forget are the yeast that always starts working in your mind again, and it gets in your thoughts again, and in your eyes again, and then, all at once, no matter what has happened to you, you are building a brand new world again, based and built on the mistakes, the wreck, the hard luck and trouble of the old one.

Fiction, The Crawling Chaos (1921)
Context: Of the pleasures and pains of opium much has been written. The ecstasies and horrors of De Quincey and the paradis artificiels of Baudelaire are preserved and interpreted with an art which makes them immortal, and the world knows well the beauty, the terror and the mystery of those obscure realms into which the inspired dreamer is transported. But much as has been told, no man has yet dared intimate the nature of the phantasms thus unfolded to the mind, or hint at the direction of the unheard-of roads along whose ornate and exotic course the partaker of the drug is so irresistibly borne.

And both epithets will be false. After all this, is life worth the trouble? And yet we live - out of curiosity! We expect something new... How absurd, and yet how vexatious!
A Hero of Our Time (1840; rev. 1841)

Source: No Way Out (2002), Ch. 2: Nothing To Be Transformed
Context: Whether you are interested in moksha, liberation, freedom, transformation, you name it, you are interested in happiness without one moment of unhappiness, pleasure without pain, it is the same thing. Whether one is here in India or Russia or in America or anywhere, what people want is to have one without the other. But there is no way you can have one without the other. This demand is not in the interest of the survival of this living organism.

The portion of "The figure a poem makes. It begins in delight and ends in wisdom." is often misquoted as: Poetry begins in delight and ends in wisdom.
The Figure a Poem Makes (1939)
Context: It should be of the pleasure of a poem itself to tell how it can. The figure a poem makes. It begins in delight and ends in wisdom. The figure is the same as for love. No one can really hold that the ecstasy should be static and stand still in one place. It begins in delight, it inclines to the impulse, it assumes direction with the first line laid down, it runs a course of lucky events, and ends in a clarification of life-not necessarily a great clarification, such as sects and cults are founded on, but in a momentary stay against confusion. It has denouement. It has an outcome that though unforeseen was predestined from the first image of the original mood-and indeed from the very mood. It is but a trick poem and no poem at all if the best of it was thought of first and saved for the last. It finds its own name as it goes and discovers the best waiting for it in some final phrase at once wise and sad-the happy-sad blend of the drinking song.

1910s, The World Movement (1910)
Context: Hitherto every civilization that has arisen has been able to develop only a comparatively few activities; that is, its field of endeavor has been limited in kind as well as in locality. There have, of course, been great movements, but they were of practically only one form of activity; and, although usually this set in motion other kinds of activities, such was not always the case. The great religious movements have been the pre-eminent examples of this type. But they are not the only ones. Such peoples as the Mongols and the Phoenicians, at almost opposite poles of cultivation, have represented movements in which one element, military or commercial, so overshadowed all other elements that the movement died out chiefly because it was one-sided. The extraordinary outburst of activity among the Mongols of the thirteenth century was almost purely a military movement, without even any great administrative side; and it was therefore well-nigh purely a movement of destruction. The individual prowess and hardihood of the Mongols, and the perfection of their military organization rendered their armies incomparably superior to those of any European, or any other Asiatic, power of that day. They conquered from the Yellow Sea to the Persian Gulf and the Adriatic; they seized the imperial throne of China; they slew the Caliph in Bagdad; they founded dynasties in India. The fanaticism of Christianity and the fanaticism of Mohammedanism were alike powerless against them. The valor of the bravest fighting men in Europe was impotent to check them. They trampled Russia into bloody mire beneath the hoofs of their horses; they drew red furrows of destruction across Poland and Hungary; they overthrew with ease any force from western Europe that dared encounter them. Yet they had no root of permanence; their work was mere evil while it lasted, and it did not last long; and when they vanished they left hardly a trace behind them. So the extraordinary Phoenician civilization was almost purely a mercantile, a business civilization, and though it left an impress on the life that came after, this impress was faint indeed compared to that left, for instance, by the Greeks with their many-sided development. Yet the Greek civilization itself fell because this many-sided development became too exclusively one of intellect, at the expense of character, at the expense of the fundamental qualities which fit men to govern both themselves and others. When the Greek lost the sterner virtues, when his soldiers lost the fighting edge, and his statesmen grew corrupt, while the people became a faction-torn and pleasure-loving rabble, then the doom of Greece was at hand, and not all their cultivation, their intellectual brilliancy, their artistic development, their adroitness in speculative science, could save the Hellenic peoples as they bowed before the sword of the iron Roman.

"A Dialogue" (after 1695), as quoted in The Shorter Leibniz Texts (2006) http://books.google.com/books?id=oFoCY3xJ8nkC&dq edited by Lloyd H. Strickland, p. 170
Context: TO LOVE is to find pleasure in the happiness of others. Thus the habit of loving someone is nothing other than BENEVOLENCE by which we want the good of others, not for the profit that we gain from it, but because it is agreeable to us in itself.
CHARITY is a general benevolence. And JUSTICE is charity in accordance with wisdom. … so that one does not do harm to someone without necessity, and that one does as much good as one can, but especially where it is best employed.

Source: The Beloved Returns (1939), Ch. 7
Context: Cruelty is one of the chief ingredients of love, and divided about equally between the sexes: cruelty of lust, ingratitude, callousness, maltreatment, domination. The same is true of the passive qualities, patience under suffering, even pleasure in ill usage.

20
Sovereign Maxims

Letter, while US Congressman, to his friend and law-partner William H. Herndon, opposing the Mexican-American War (15 February 1848)
1840s
Context: Allow the President to invade a neighboring nation, whenever he shall deem it necessary to repel an invasion, and you allow him to do so, whenever he may choose to say he deems it necessary for such purpose, and you allow him to make war at pleasure. Study to see if you can fix any limit to his power in this respect, after having given him so much as you propose. If, to-day, he should choose to say he thinks it necessary to invade Canada, to prevent the British from invading us, how could you stop him? You may say to him, "I see no probability of the British invading us" but he will say to you, "Be silent; I see it, if you don't."
The provision of the Constitution giving the war making power to Congress was dictated, as I understand it, by the following reasons. Kings had always been involving and impoverishing their people in wars, pretending generally, if not always, that the good of the people was the object. This, our Convention understood to be the most oppressive of all Kingly oppressions; and they resolved to so frame the Constitution that no one man should hold the power of bringing this oppression upon us. But your view destroys the whole matter, and places our President where kings have always stood.

Matilda (1819)
Context: My greatest pleasure was the enjoyment of a serene sky amidst these verdant woods: yet I loved all the changes of Nature; and rain, and storm, and the beautiful clouds of heaven brought their delights with them. When rocked by the waves of the lake my spirits rose in triumph as a horseman feels with pride the motions of his high fed steed.
But my pleasures arose from the contemplation of nature alone, I had no companion: my warm affections finding no return from any other human heart were forced to run waste on inanimate objects.

Among School Children http://poetry.poetryx.com/poems/1437/, st. 8
The Tower (1928)
Context: Labour is blossoming or dancing where
The body is not bruised to pleasure soul.
Nor beauty born out of its own despair,
Nor blear-eyed wisdom out of midnight oil.
O chestnut-tree, great-rooted blossomer,
Are you the leaf, the blossom or the bole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?

The Erasmus Reader (1990), p. 144.
Handbook of the Christian Soldier (1503)

12
Variant translation: One cannot rid himself of his primal fears if he does not understand the nature of the universe, but instead suspects the truth of some mythical story. So without the study of nature, there can be no enjoyment of pure pleasure. http://www.epicurus.info/etexts/PD.html
Sovereign Maxims

Source: The Discovery of Being (1983), p. 17
Context: Certainly the neurotic, anxious child is compulsively concerned with security, for example; and certainly the neurotic adult, and we who study him, read our later formulations back in the unsuspecting mind of the child. But is not the normal child just as truly interested in moving out into the world, exploring, following his curiosity and sense of adventure- going out “to learn to shiver and to shake,: as the nursery rhyme puts it? And if you block these needs of the child, you get a traumatic reaction from him just as you do when you take away his security. I, for one, believe we vastly overemphasize the human being’s concern with security and survival satisfaction because they so neatly fit our cause-and-effect way of thinking. I believe Nietzsche and Kierkegaard were more accurate when they described man as the organism makes certain values — prestige, power, tenderness — more important than pleasure and even more important than survival itself. My thesis here is that we can understand repression, for example, only on the deeper level of meaning of the human being’s potentialities. In this respect, “being” is to be defined as the individual’s “pattern of potentialities.” … in my work in psychotherapy there appears more and more evidence that anxiety in our day arises not so much out of fear of lack of libidinal satisfactions or security, but rather out of the patient’s fear of his own powers, and the conflicts that arise from that fear. This may be the particular “neurotic personality of our time” – the neurotic pattern of contemporary “outer directed” organizational man.

1850s, Autobiographical Sketch Written for Jesse W. Fell (1859)
Context: Then came the Black Hawk war; and I was elected a captain of volunteers, a success which gave me more pleasure than any I have had since. I went the campaign, was elated, ran for the legislature the same year (1832), and was beaten — the only time I ever have been beaten by the people. The next and three succeeding biennial elections I was elected to the legislature. I was not a candidate afterwards. During this legislative period I had studied law, and removed to Springfield to practice it.<!--pp.34-35

Book II, 2.40-[3]
History of the Peloponnesian War, Book II

Vol. I, Ch. 11: Of the Times of the Birth and Passion of Christ
Observations upon the Prophecies of Daniel, and the Apocalypse of St. John (1733)
Context: The times of the Birth and Passion of Christ, with such like niceties, being not material to religion, were little regarded by the Christians of the first age. They who began first to celebrate them, placed them in the cardinal periods of the year; as the annunciation of the Virgin Mary, on the 25th of March, which when Julius Cæsar corrected the Calendar was the vernal Equinox; the feast of John Baptist on the 24th of June, which was the summer Solstice; the feast of St. Michael on Sept. 29, which was the autumnal Equinox; and the birth of Christ on the winter Solstice, Dec. 25, with the feasts of St. Stephen, St. John and the Innocents, as near it as they could place them. And because the Solstice in time removed from the 25th of December to the 24th, the 23d, the 22d, and so on backwards, hence some in the following centuries placed the birth of Christ on Dec. 23, and at length on Dec. 20: and for the same reason they seem to have set the feast of St. Thomas on Dec. 21, and that of St. Matthew on Sept. 21. So also at the entrance of the Sun into all the signs in the Julian Calendar, they placed the days of other Saints; as the conversion of Paul on Jan. 25, when the Sun entered Aquarius; St. Matthias on Feb. 25, when he entered Pisces; St. Mark on Apr. 25, when he entered Taurus; Corpus Christi on May 26, when he entered Gemini; St. James on July 25, when he entered Cancer; St. Bartholomew on Aug. 24, when he entered Virgo; Simon and Jude on Oct. 28, when he entered Scorpio: and if there were any other remarkable days in the Julian Calendar, they placed the Saints upon them, as St. Barnabas on June 11, where Ovid seems to place the feast of Vesta and Fortuna, and the goddess Matuta; and St. Philip and James on the first of May, a day dedicated both to the Bona Dea, or Magna Mater, and to the goddess Flora, and still celebrated with her rites. All which shews that these days were fixed in the first Christian Calendars by Mathematicians at pleasure, without any ground in tradition; and that the Christians afterwards took up with what they found in the Calendars.

Mother Night (1961)
Context: "You hate America, don't you?" she said.
"That would be as silly as loving it," I said. "It's impossible for me to get emotional about it, because real estate doesn't interest me. It's no doubt a great flaw in my personality, but I can't think in terms of boundaries. Those imaginary lines are as unreal to me as elves and pixies. I can't believe that they mark the end or the beginning of anything of real concern to the human soul. Virtues and vices, pleasures and pains cross boundaries at will."

The Soul of Man Under Socialism (1891)
Context: Art is the most intense mode of individualism that the world has known. I am inclined to say that it is the only real mode of individualism that the world has known. Crime, which, under certain conditions, may seem to have created individualism, must take cognisance of other people and interfere with them. It belongs to the sphere of action. But alone, without any reference to his neighbours, without any interference, the artist can fashion a beautiful thing; and if he does not do it solely for his own pleasure, he is not an artist at all.

Letter to Christian Northoff (1497), as translated in Collected Works of Erasmus (1974), p. 114

Source: Autobiography of a Spiritually Incorrect Mystic (2000), p. 10

Advice to a young girl (22 June 1830)

Refuge Recovery (2014)

" TO THE PRESIDENT OF CONGRESS." in a letter to Thomas Mifflin (17 JUNE 1783); published in The Writings of George Washington (1938), edited by John C. Fitzpatrick, Vol. 26, p. 294
1780s

Source: An Introduction to the Principles of Morals and Legislation (1789; 1823), Ch. 1 : Of the Principle of Utility

As quoted in in The Atlantic (December 1965)

Umar ibn al-Khattab, Vol. 2, p. 389-390, also quoted in At-Tabqaat ul-Kabir, Vol. 3, p. 339
Last Advise

The Sayings of Light and Love

Source: Lacon (1820) Vol. I; CCCCXXVII (7th Edition, published by Longman, Hurst, Rees, Orme, and Brown, in 1821)

Quotes from his operas, Die Meistersinger von Nürnberg, Hans Sachs, Act 3, Scene 1
Original: (de) "... in Flucht geschlagen,
wähnt er zu jagen;
hört nicht sein eigen Schmerzgekreisch,
wenn er sich wühlt ins eig'ne Fleisch,
wähnt Lust sich zu erzeigen!"

Original: (de) Gab mir die Mutter Muth,
nicht mag ich ihr doch danken,
daß deiner List sie erlag:
frühalt, fahl und bleich,
hass' ich die Frohen,
freue mich nie!
Source: Quotes from his operas, Götterdämmerung, Hagen, Act 2, Scene 1

Kannst du nicht allen gefallen durch deine That und dein Kunstwerk, // Mach es wenigen recht, vielen gefallen ist schlimm.
Tabulae Votivae (Votive Tablets) (1796), "Choice"; tr. Edgar Alfred Bowring, The Poems of Schiller, Complete (1851)

Source: An Introduction to the Principles of Morals and Legislation (1789; 1823), Ch. 10: Of Motives

Source: An Introduction to the Principles of Morals and Legislation (1789; 1823), Ch. 4: Value of a Lot of Pleasure or Pain, How to be Measured

Original: (fr) Ce n’est pas le mal qui lui donnait l’idée du plaisir, qui lui semblait agréable ; c’est le plaisir qui lui semblait malin.
Source: In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol I: Swann's Way (1913)

Source: Philosophie der Erlösung, Erster Band (2014), Metaphysik, § 21 ISBN 978-1494963262

The Ethics Of Aristotle (Vol. I), Bk. 1, Chapter III

Original: Capire l'importanza di non toccare una persona che non ci voglia, rendersi conto che non sia giusto illudere qualcuno che non ci appartenga, ma solo per egoismo, per il piacere di farlo o per pura soddisfazione non è da tutti. E soprattutto, significa amare e rispettare il valore umano.
Source: prevale.net

Source: Mastery

Source: The Gun Seller (1996)

Source: Ways of Seeing

Source: The Astral

Source: Anna Karenina

Source: The Amulet of Samarkand

(Lyrics from Justify My Love).

Swenson, 1959, p. 28
1840s, Either/Or (1843)

Source: Women

Source: The Darkest Kiss

Variant: Every guy knows he can find a girl who is simply satisfied with satisfying him. They are much more turnd on by a woman who cares about her own pleasures as well.
Source: Why Men Marry Bitches: A Woman's Guide to Winning Her Man's Heart

Source: To Kill a Mockingbird

Source: Far from the Madding Crowd

Source: All That Is

Source: Perfume: The Story of a Murderer

Source: Life, the Universe and Everything

Source: Dry

Source: Levels of Life

Source: Lyrical Ballads

Source: North

Mr. Lockwood (Ch. III).
Source: Wuthering Heights (1847)

Source: The Complete Poems of Emily Dickinson

The Bait, stanza 1

As translated in Diderot (1977) by Otis Fellows, p. 39
Variant translations:
One declaims endlessly against the passions; one imputes all of man's suffering to them. One forgets that they are also the source of all his pleasures.
Only passions, great passions, can elevate the soul to great things.
Pensées Philosophiques (1746)
Source: Pensées philosophiques
Context: We are constantly railing against the passions; we ascribe to them all of man’s afflictions, and we forget that they are also the source of all his pleasures … But what provokes me is that only their adverse side is considered … and yet only passions, and great passions, can raise the soul to great things. Without them there is no sublimity, either in morals or in creativity. Art returns to infancy, and virtue becomes small-minded.

Quoted in "Table Talk" http://books.google.com/books?id=LIxUAAAAcAAJ&q=%22greatest+pleasure+I+know+is+to+do+a+good+action+by+stealth+and+to+have+it+found+out+by+accident%22&pg=PA14#v=onepage in The Athenaeum magazine (4 January 1834).

Source: Sufi Thought and Action

Source: Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen

Source: The Other Side of the Story

A Defence of Poetry http://www.bartleby.com/27/23.html (1821)

Source: Stranger in a Strange Land

Source: Way of the Peaceful Warrior: A Book That Changes Lives

Source: An Omelette and a Glass of Wine

Source: Emma (1815)

Source: What Is the What

1760s, A Dissertation on the Canon and Feudal Law (1765)

Source: The Story of My Life

Source: Critique of Pure Reason