Quotes about lay
page 4

Libba Bray photo

“He looked at the walls,
Awed at the heights
His people had achieved
And for a moment -- just a moment --
All that lay behind him
Passed from view.”

Herbert Mason (1891–1960) British film director and producer

Source: The Epic of Gilgamesh

Diana Gabaldon photo
Brandon Mull photo

“For Frito-Lay!" - Newel and Doren”

Brandon Mull (1974) American fiction writer

Source: Keys to the Demon Prison

Tom Waits photo
Charlaine Harris photo
David Guterson photo
Cinda Williams Chima photo

“She had never felt more alive than when she lay dying in Han Alister's arms.”

Cinda Williams Chima (1952) Novelist

Source: The Gray Wolf Throne

Charles Bukowski photo

“lay down. lay down like an animal and wait.”

Charles Bukowski (1920–1994) American writer

Source: You Get So Alone at Times That it Just Makes Sense

Charles Bukowski photo
Diana Gabaldon photo
Paulo Coelho photo
Ian McEwan photo

“She lay in the dark and knew everything.”

Source: Atonement

Jack Kerouac photo

“We lay on our backs looking at the ceiling and wondering what God had wrought when he made life so sad and disinclined.”

Jack Kerouac (1922–1969) American writer

Source: On the Road: the Original Scroll

Libba Bray photo
Patrick Rothfuss photo
Janet Evanovich photo
Nathaniel Hawthorne photo
Drew Barrymore photo
Cassandra Clare photo
Ram Dass photo

“Let's trade in all our judging for appreciating. Let's lay down our righteousness and just be together.”

Ram Dass (1931–2019) American contemporary spiritual teacher and the author of the 1971 book Be Here Now
Ernest Hemingway photo
Henry David Thoreau photo
Michael Chabon photo
Sherrilyn Kenyon photo
Georgette Heyer photo
Paulo Coelho photo
Megan Whalen Turner photo
Charles Lamb photo
Jean-Louis de Lolme photo
Michael Swanwick photo
George Biddell Airy photo
Seneca the Younger photo

“Death is a release from and an end of all pains: beyond it our sufferings cannot extend: it restores us to the peaceful rest in which we lay before we were born. If anyone pities the dead, he ought also to pity those who have not been born. Death is neither a good nor a bad thing, for that alone which is something can be a good or a bad thing: but that which is nothing, and reduces all things to nothing, does not hand us over to either fortune, because good and bad require some material to work upon. Fortune cannot take ahold of that which Nature has let go, nor can a man be unhappy if he is nothing.”
Mors dolorum omnium exsolutio est et finis ultra quem mala nostra non exeunt, quae nos in illam tranquillitatem in qua antequam nasceremur iacuimus reponit. Si mortuorum aliquis miseretur, et non natorum misereatur. Mors nec bonum nec malum est; id enim potest aut bonum aut malum esse quod aliquid est; quod uero ipsum nihil est et omnia in nihilum redigit, nulli nos fortunae tradit. Mala enim bonaque circa aliquam uersantur materiam: non potest id fortuna tenere quod natura dimisit, nec potest miser esse qui nullus est.

From Ad Marciam De Consolatione (Of Consolation, To Marcia), cap. XIX, line 5
In L. Anneus Seneca: Minor Dialogues (1889), translated by Aubrey Stewart, George Bell and Sons (London), p. 190.
Other works

Felix Frankfurter photo
Harlan Ellison photo
Radhanath Swami photo

“Lying down to sleep on the earthen riverbank, I thought, Vrindavan is attracting my heart like no other place. What is happening to me? Please reveal Your divine will. With this prayer, I drifted off to sleep.
Before dawn, I awoke to the ringing of temple bells, signaling that it was time to begin my journey to Hardwar. But my body lay there like a corpse. Gasping in pain, I couldn’t move. A blazing fever consumed me from within, and under the spell of unbearable nausea, my stomach churned. Like a hostage, I lay on that riverbank. As the sun rose, celebrating a new day, I felt my life force sinking. Death that morning would have been a welcome relief. Hours passed.
At noon, I still lay there. This fever will surely kill me, I thought.
Just when I felt it couldn’t get any worse, I saw in the overcast sky something that chilled my heart. Vultures circled above, their keen sights focused on me. It seemed the fever was cooking me for their lunch, and they were just waiting until I was well done. They hovered lower and lower. One swooped to the ground, a huge black and white bird with a long, curving neck and sloping beak. It stared, sizing up my condition, then jabbed its pointed beak into my ribcage. My body recoiled, my mind screamed, and my eyes stared back at my assailant, seeking pity. The vulture flapped its gigantic wings and rejoined its fellow predators circling above. On the damp soil, I gazed up at the birds as they soared in impatient circles. Suddenly, my vision blurred and I momentarily blacked out. When I came to, I felt I was burning alive from inside out. Perspiring, trembling, and gagging, I gave up all hope.
Suddenly, I heard footsteps approaching. A local farmer herding his cows noticed me and took pity. Pressing the back of his hand to my forehead, he looked skyward toward the vultures and, understanding my predicament, lifted me onto a bullock cart. As we jostled along the muddy paths, the vultures followed overhead. The farmer entrusted me to a charitable hospital where the attendants placed me in the free ward. Eight beds lined each side of the room. The impoverished and sadhu patients alike occupied all sixteen beds. For hours, I lay unattended in a bed near the entrance. Finally that evening the doctor came and, after performing a series of tests, concluded that I was suffering from severe typhoid fever and dehydration. In a matter-of-fact tone, he said, “You will likely die, but we will try to save your life.””

Radhanath Swami (1950) Gaudiya Vaishnava guru

Republished on The Journey Home website.
The Journey Home: Autobiography of an American Swami (Tulsi Books, 2010)

Edith Evans photo

“A successful artist of any kind has to work so hard that she is justified in refusing to lay down her sceptre until she is placed on the bier.”

Edith Evans (1888–1976) British actress

As quoted in Dame Edith Evans, ch. 13, by Bryan Forbes (1977)

Jane Austen photo
Albert Jay Nock photo
John Flavel photo

“Here you may suppose the Father to say when driving His bargain with Christ for you. The Father speaks. "My Son, here is a company of poor, miserable souls that have utterly undone themselves and now lay open to my justice. Justice demands satisfaction for them, or will satisfy itself in the eternal ruin of them." The Son responds. "Oh my Father. Such is my love to and pity for them, that rather than they shall perish eternally I will be responsible for them as their guarantee. Bring in all thy bills, that I may see what they owe thee. Bring them all in, that there be no after-reckonings with them. At my hands shall thou require it. I would rather choose to suffer the wrath that is theirs then they should suffer it. Upon me, my Father, upon me be all their debt." The Father responds. "But my Son, if thou undertake for them, thou must reckon to pay the last mite. Expect no abatement. Son, if I spare them… I will not spare you." The Son responds. "Content Father. Let it be so. Charge it all upon me. I am able to discharge it. And though it prove a kind of undoing to me, though it impoverish all my riches, empty all my treasures… I am content to take it."”

John Flavel (1627–1691) English Presbyterian clergyman

The Works of John Flavel, Vol.1, "A Display of Christ in His Essential and Mediatorial Glory", 42 Sermons, Sermon Number 3, "The Covenant of Redemption between the Father and the Redeemer", Use 6.

Richard Fuller (minister) photo
Henry Wadsworth Longfellow photo

“Time has laid his hand
Upon my heart, gently, not smiting it,
But as a harper lays his open palm
Upon his harp, to deaden its vibrations.”

Henry Wadsworth Longfellow (1807–1882) American poet

The Golden Legend http://www.gutenberg.org/files/10490/10490-h/10490-h.htm, Pt. IV, The Cloisters (1872).

Auguste Rodin photo
John Updike photo
Conrad Aiken photo
Michael Chabon photo
Alfred Noyes photo
Dave Matthews photo

“So let us sleep outside tonight,
Lay down in our mother's arms,
for here we can rest safely.”

Dave Matthews (1967) American singer-songwriter, musician and actor

One Sweet World
Remember Two Things (1993)

David Attenborough photo
Michel Foucault photo
Mahatma Gandhi photo
Edward Everett photo

“You shall not pile, with servile toil,
Your monuments upon my breast,
Nor yet within the common soil
Lay down the wreck of power to rest,
Where man can boast that he has trod
On him that was “the scourge of God.””

Edward Everett (1794–1865) American politician, orator, statesman

"The Dirge of Alaric, the Visigoth" In The New Monthly Magazine and Literary Journal Vol. V, No. 25 (January-June 1823), p. 64.

Ken Ham photo
John Crowley photo
Letitia Elizabeth Landon photo
Mahatma Gandhi photo
Samuel Romilly photo
Pierre Trudeau photo
Ernst Hanfstaengl photo
E. F. Benson photo
Henry Miller photo
Tim O'Brien photo
Bernard Mandeville photo
John Millington Synge photo
Josh Billings photo
James Howard Kunstler photo
Otto Pfleiderer photo
Bob Seger photo
Jane Austen photo
Bruce Springsteen photo

“Come on up for the rising.
Come on up, lay your hands in mine.
Come on up for the rising.
Come on up for the rising tonight.”

Bruce Springsteen (1949) American singer and songwriter

"The Rising"
Song lyrics, The Rising (2002)

Lucius Shepard photo
Barbara W. Tuchman photo
Francis Bacon photo
William the Silent photo
Filippo Tommaso Marinetti photo
Frederick Douglass photo

“It was once said by Abraham Lincoln that this Republic could not long endure half slave and half free; and the same may be said with even more truth of the black citizens of this country. They cannot remain half slave and half free. They must be one thing or the other. And this brings me to consider the alternative now presented between slavery and freedom in this country. From my outlook, I am free to affirm that I see nothing for the negro of the South but a condition of absolute freedom, or of absolute slavery. I see no half-way place for him. One or the other of these conditions is to solve the so-called negro problem. There are forces at work in both of these directions, and for the present that which aims at the re-enslavement of the negro seems to have the advantage. Let it be remembered that the labor of the negro is his only capital. Take this from him, and he dies from starvation. The present mode of obtaining his labor in the South gives the old master-class a complete mastery over him. I showed this in my last annual celebration address, and I need not go into it here. The payment of the negro by orders on stores, where the storekeeper controls price, quality, and quantity, and is subject to no competition, so that the negro must buy there and nowhere else–an arrangement by which the negro never has a dollar to lay by, and can be kept in debt to his employer, year in and year out–puts him completely at the mercy of the old master-class. He who could say to the negro, when a slave, you shall work for me or be whipped to death, can now say to him with equal emphasis, you shall work for me, or I will starve you to death… This is the plain, matter-of-fact, and unexaggerated condition of the plantation negro in the Southern States today.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Speech http://teachingamericanhistory.org/library/document/the-nations-problem/

Jan Smuts photo

“I find our modern emphasis on 'rights' somewhat overdone and misleading … It makes people forget that the other and more important side of rights is duty. And indeed the great historic codes of our human advance emphasised duties and not rights … The Ten Commandments in the Old Testament and … the Sermon on the Mount … all are silent on rights, all lay stress on duties.”

Jan Smuts (1870–1950) military leader, politician and statesman from South Africa

On the rights embodied in the United Nations Charter of which he drafted the Preamble, as cited in Antony Lentin, 2010, Jan Smuts – Man of courage and vision, p. 144. ISBN 978-1-86842-390-3

Glenn Beck photo

“When it comes to the FCC, the Bush administration helped lay the foundation. But now, that foundation is being turned on. And I fear an event. I fear a Reichstag moment. God forbid, another 9/11. Something that will turn this machine on, and power will be seized and voices will be silenced. God help us all.”

Glenn Beck (1964) U.S. talk radio and television host

Glenn Beck Exclusive: Warns of 'Reichstag Event'
2009-09-29
Newsmax
http://www.newsmax.com/InsideCover/beck-obama-reichstag-fox/2009/12/12/id/341897
'We Are Fighting People Who Want Power Over Us'
2009-09-29
Newsmax
1546-5497
http://w3.newsmax.com/a/oct09/beck/interview.cfm
2000s, 2009

John Fante photo
Rachel Carson photo
Samuel Johnson photo

“Paradise Lost' is one of the books which the reader admires and lays down, and forgets to take up again. None ever wished it longer than it is.”

Samuel Johnson (1709–1784) English writer

The Life of Milton
Lives of the English Poets (1779–81)

Percy Bysshe Shelley photo

“Men of England, wherefore plough
For the lords who lay ye low?”

Percy Bysshe Shelley (1792–1822) English Romantic poet

Song to the Men of England http://www.online-literature.com/shelley_percy/673/ (1819), st. 1

John Crowley photo
John McCain photo
Richard Pipes photo
Jean Paul Sartre photo
Joni Madraiwiwi photo

“We must begin to trust each other if this country is to progress the way we want it to. But before that we have to lay the preparatory work to engender that trust by building relationships every day.”

Joni Madraiwiwi (1957–2016) Fijian politician

Opening address, Pacific Islands Political Studies Association (PIPSA), 24 November 2005.

“All night I lay awake beside you,
Leaning on my elbow, watching your
Sleeping face, that face whose purity
Never ceases to astonish me.”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

In Defense of the Earth (1956), She Is Away

“To me, there are two different types of musicians. Those who are display oriented and those who are content oriented, Bill Evans being a prime example of the content orientation. I am not interested in the displayers—guys who want to be playing a lot of notes to try to impress you that they got a lot of things that they can lay in there. I'm more interested in somebody picking something that has some really great feeling and laying it in, in a really good time concept. Jimmy Rowles is a perfectly good example of that. His choice of notes may not be uncommon, but boy where he lays them down is so individual that I will go for that every time. The same thing applies with composers. When you're a young composer and you first have a chance—and this goes with everybody—you write your most complex works when you're a young man. And then, as you get a little bit older, you find that you can lot simpler things [sic] and still enjoy the devil out of what you're doing.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT461&lpg=PT461&dq=%22It+seems+that+today,+particularly+with+younger+piano%22&source=bl&ots=vkOwylFb7q&sig=zPFSLx48xHOhugAAlpcRNKTxUlQ&hl=en&sa=X&ved=0ahUKEwjY_Zay4cbRAhWLKiYKHdVRC3gQ6AEIFDAA#v=onepage&q&f=false (1992, 2006, 2014)

Harry Turtledove photo