“I looked down at the poor calf. Its hide was spotted black and white and it had the most delicate ankles. From the slightly open mouth there appeared a pink tongue. I closed my eyes and ran out of Hellfrick's room and threw myself on the floor in my room. I lay there and shuddered, thinking of the old cow alone in the field in the moonlight, old cow mooing for her calf. Murder!”

Source: Ask the Dust (1939), Chapter Thirteen

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John Fante113

1909–1983; American novelist, short story writer and screen… 1909–1983

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“A cow couldn't find its calf in this room.”

Addison Mizner (1872–1933) American architect

From his sketchbook

“I watched him tiptoe toward the barn door. I cursed him and waited tensely. In a little while I heard the mooing of a cow. It was a piteous cry. Then I heard a thud and a scuffle of hoofs. Out of the barn door came Hellfrick. Across his shoulder lay a dark mass, weighing him down. Behind him, mooing continually, a cow followed…It was a calf, blood spurting from a gash between the ears…I was sick, very sick. It was plain murder.”

John Fante book Ask the Dust

Ask the Dust (1939)

“No cow gives milk unless she gets pregnant and gives birth to a calf. (I remember one dairy farmer I visited insisting that the cow would be in pain unless she was milked; true, but only because she had just given birth to a calf who was no longer present.) The milk is meant for the calf. … But our greed is greater than any reasonable person could expect: we do not allow the calf even the small amount he or she would normally take in a day. We want it all. So the calf is separated from the cow immediately upon birth. The industry says this must happen instantaneously, for otherwise there is a risk—no, it is a certainty—that the two will bond. In fact, they have already bonded, just as much as would a human mother with her baby. The strong bond is inborn in all mammals. The terrible sound one hears on any dairy farm after a cow has given birth is the call of a lost calf, calling her mother, and the mother answering in desperation. If that is not suffering, I don't know the meaning of the word.”

Jeffrey Moussaieff Masson (1941) American writer and activist

Source: The Face on Your Plate (2009), Ch. 2, pp. 79-80

“The very saddest sound in all my memory was burned into my awareness at age five on my uncle's dairy farm in Wisconsin. A cow had given birth to a beautiful male calf. The mother was allowed to nurse her calf but for a single night. On the second day after birth, my uncle took the calf from the mother and placed him in the veal pen in the barn—only ten yards away, in plain view of the mother. The mother cow could see her infant, smell him, hear him, but could not touch him, comfort him, or nurse him. The heartrending bellows that she poured forth—minute after minute, hour after hour, for five long days—were excruciating to listen to. They are the most poignant and painful auditory memories I carry in my brain. Since that age, whenever I hear anyone postulate that animals cannot really feel emotions, I need only to replay that torturous sound in my memory of that mother cow crying her bovine heart out to her infant. Mother's love knows no species barriers, and I believe that all people who are vegans in their hearts and souls know that to be true.”

Michael Klaper (1947) American physician

Quoted in Joanne Stepaniak, The Vegan Sourcebook (Lowell House, 1998), pp. 39-40.

“The idea so possessed my mind, that a thrill of fear ran through me, and I wished to exchange the ghastly image of my fancy for the realities around. I see them still; the very room, the dark parquet, the closed shutters, with the moonlight struggling through, and the sense I had that the glassy lake and white high Alps were beyond.”

Mary Wollstonecraft Shelley (1797–1851) English novelist, short story writer, dramatist, essayist, biographer, and travel writer

Introduction http://www.rc.umd.edu/editions/frankenstein/1831v1/intro.html to the 1831 edition of Frankenstein

“I tried the door. It opened, darkness inside, and I switched on the light. She lay there in the Murphy bed. Her face was the face of an old rose pressed and dried in a book, yellowish, with only the eyes to prove there was life in it. The room stank. The blinds were down, the door opened with difficulty until I kicked away the rug against the crack.”

John Fante book Ask the Dust

Ask the Dust (1939)

“I don’t have to do nothing you say, you old heifer cow. And you are old. Really, really old. And a cow, too. (Simi)”

Sherrilyn Kenyon book Dance with the Devil

Source: Dance with the Devil

“If I had stopped to listen once or twice
If I had closed my mouth and opened my eyes
If I had cooled my head and warmed my heart
I'd not be on this road tonight.”

James Taylor (1948) American singer-songwriter and guitarist

"That Lonesome Road", written with Don Grolnick
Song lyrics, Dad Love His Work (1981)

“All the way home Hellfrick was exultant, but the steering wheel was sticky with blood, and once or twice I thought I heard the calf kicking in the back seat…On bunker Hill we turned down our alley and pulled up at the parking space adjacent the hotel wall. Hellfrick got out. "Now I'm going to give you a lesson in butchering."”

John Fante book Ask the Dust

Ask the Dust (1939)

“I’d very much like to wake up one morning with a cow of the Friesian variety and walk her down to Soho to the Coach and Horses, stopping on the way to buy twenty Players, ply her with vodkas until closing time, whip her off to an Indian restaurant, take her up to the Colony Room till 5.30 and then to the Yorkminster, Swiss Tavern, Three Greyhounds, get beaten up by Chinese waiters at midnight, have a row with the taxi driver, set the bed on fire, put it out with tears and then wake up on the floor. Could you then milk said cow? I doubt it.”

Jeffrey Bernard (1932–1997) British journalist

Ibid. <sup>[when?]</sup>

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