Quotes about hill

A collection of quotes on the topic of hill, likeness, time, down.

Quotes about hill

Babur photo
Karen Blixen photo
Leonard Cohen photo
Haruki Murakami photo
Khalil Gibran photo
Helena Bonham Carter photo
Charles Manson photo
Brian Cox (physicist) photo

“As a fraction of the lifespan of the universe as measured from the beginning to the evaporation of the last black hole, life as we know it is only possible for one-thousandth of a billion billion billionth, billion billion billionth, billion billion billionth, of a percent (10^-84). And that's why, for me, the most astonishing wonder of the universe isn't a star or a planet or a galaxy. It isn't a thing at all. It's an instant in time. And that time is now. Humans have walked the earth for just the shortest fraction of that briefest of moments in deep time. But in our 200,000 years on this planet we've made remarkable progress. It was only 2,500 years ago that we believed that the sun was a god and measured its orbit with stone towers built on the top of a hill. Today the language of curiosity is not sun gods, but science. And we have observatories that are almost infinitely more sophisticated than those towers, that can gaze out deep into the universe. And perhaps even more remarkably through theoretical physics and mathematics we can calculate what the universe will look like in the distant future. And we can even make concrete predictions about its end. And I believe that it's only by continuing our exploration of the cosmos and the laws of nature that govern it that we can truly understand ourselves and our place in this universe of wonders.”

Brian Cox (physicist) (1968) English physicist and former musician

Conclusion in Wonders of the Universe - Destiny

Babur photo
Charles Manson photo

“I'm the pope. I'm ten times the pope. I'm sixty times the pope. But I'm the pope in the hills and in the mountains.”

Charles Manson (1934–2017) American criminal and musician

Interview http://www.youtube.com/watch?v=mJHq2aN9tYE by Penny Daniels (1989)
Context: We use the word God. God hooks all the other words up. I'm the pope. I'm ten times the pope. I'm sixty times the pope. But I'm the pope in the hills and in the mountains.

Frank Lloyd Wright photo

“No house should ever be on a hill or on anything. It should be of the hill. Belonging to it.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

Frank Lloyd Wright: An Autobiography (1932) page 168
Context: No house should ever be on a hill or on anything. It should be of the hill. Belonging to it. Hill and house should live together each the happier for the other.

Douglas Adams photo
J.M.W. Turner photo
Karen Blixen photo

“I had a farm in Africa, at the foot of the Ngong Hills.”

First lines.
Source: Out of Africa (1937)
Context: I had a farm in Africa, at the foot of the Ngong Hills. The Equator runs across these highlands, a hundred miles to the North, and the farm lay at an altitude of over six thousand feet. In the day-time you felt that you had got high up, near to the sun, but the early mornings and evenings were limpid and restful, and the nights were cold.

William Sharp (writer) photo

“Across the silent stream
Where the dream-shadows go,
From the dim blue Hill of Dream
I have heard the west wind blow.”

William Sharp (writer) (1855–1905) Scottish writer

From the Hills of Dream, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Tom Morello photo
Bertrand Russell photo
Jean-Baptiste-Camille Corot photo
Babur photo
Raymond Chandler photo

“What did it matter where you lay once you were dead? In a dirty sump or in a marble tower on top of a high hill? You were dead, you were sleeping the big sleep, you were not bothered by things like that. Oil and water were the same as wind and air to you. You just slept the big sleep, not caring about the nastiness of how you died or where you fell. Me, I was part of the nastiness now.”

Source: The Big Sleep (1939), Chapter 32, Phillip Marlowe
Context: What did it matter where you lay once you were dead? In a dirty sump or in a marble tower on top of a high hill? You were dead, you were sleeping the big sleep, you were not bothered by things like that. Oil and water were the same as wind and air to you. You just slept the big sleep, not caring about the nastiness of how you died or where you fell. Me, I was part of the nastiness now. Far more a part of it than Rusty Regan was. But the old man didn't have to be. He could lie quiet in his canopied bed, with his bloodless hands folded on the sheet, waiting. His heart was a brief, uncertain murmur. His thoughts were as gray as ashes. And in a little while he too, like Rusty Regan, would be sleeping the big sleep.

Taras Shevchenko photo
Robert Browning photo
Woodrow Wilson photo
Fernando Pessoa photo
Paula Modersohn-Becker photo
Nikola Tesla photo
Thomas Boston photo
Aldo Leopold photo
Max Ernst photo
James Macpherson photo
Huey Long photo
Rabindranath Tagore photo

“I touch God in my song
as the hill touched the far-away sea
with its waterfall.”

Rabindranath Tagore (1861–1941) Bengali polymath

42
Fireflies (1928)

Rainer Maria Rilke photo

“Already my gaze is upon the hill, the sunny one,
at the end of the path which I've only just begun.
So we are grasped, by that which we could not grasp,
at such great distance, so fully manifest—and it changes us, even when we do not reach it,
into something that, hardly sensing it, we already are;
a sign appears, echoing our own sign…
But what we sense is the falling winds.”

Rainer Maria Rilke (1875–1926) Austrian poet and writer

<p>Schon ist mein Blick am Hügel, dem besonnten,
dem Wege, den ich kaum begann, voran.
So fasst uns das, was wir nicht fassen konnten,
voller Erscheinung, aus der Ferne an—</p><p>und wandelt uns, auch wenn wirs nicht erreichen,
in jenes, das wir, kaum es ahnend, sind;
ein Zeichen weht, erwidernd unserm Zeichen...
Wir aber spüren nur den Gegenwind.</p>
Spaziergang (A Walk) (March 1924)
Alternate translation:
My eyes already touch the sunny hill,
going far ahead of the road I have begun.
So we are grasped by what we cannot grasp;
it has its inner light, even from a distance—<p>and changes us, even if we do not reach it,
into something else, which, hardly sensing it, we already are;
a gesture waves us on, answering our own wave . . .
but what we feel is the wind in our faces.
Selected Poems of Rainer Maria Rilke as translated by Robert Bly (1981)

Virginia Woolf photo
Angelus Silesius photo

“God, being a great abyss, to men his depth reveals
Who climb the highest peak of the eternal hills”

Angelus Silesius (1624–1677) German writer

The Cherubinic Wanderer

William Shakespeare photo
Henry Van Dyke photo

“How often a man has cause to return thanks for the enthusiasms of his friends! They are the little fountains that run down from the hills to refresh the mental desert of the despondent.”

Henry Van Dyke (1852–1933) American diplomat

The White Blot
The Ruling Passion http://www.gutenberg.org/dirs/etext97/rlpsn10.txt (1901)

Lady Gaga photo
Ronald Reagan photo

“A troubled and afflicted mankind looks to us, pleading for us to keep our rendezvous with destiny; that we will uphold the principles of self-reliance, self-discipline, morality, and, above all, responsible liberty for every individual that we will become that shining city on a hill.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

Official Announcement http://www.reaganlibrary.com/reagan/speeches/intent.asp of being a candidate for U.S. President (13 November 1979)
1970s

H.P. Lovecraft photo

“As for your artificial conception of "splendid & traditional ways of life"—I feel quite confident that you are very largely constructing a mythological idealisation of something which never truly existed; a conventional picture based on the perusal of books which followed certain hackneyed lines in the matter of incidents, sentiments, & situations, & which never had a close relationship to the actual societies they professed to depict... In some ways the life of certain earlier periods had marked advantages over life today, but there were compensating disadvantages which would make many hesitate about a choice. Some of the most literarily attractive ages had a coarseness, stridency, & squalor which we would find insupportable... Modern neurotics, lolling in stuffed easy chairs, merely make a myth of these old periods & use them as the nuclei of escapist daydreams whose substance resembles but little the stern actualities of yesterday. That is undoubtedly the case with me—only I'm fully aware of it. Except in certain selected circles, I would undoubtedly find my own 18th century insufferably coarse, orthodox, arrogant, narrow, & artificial. What I look back upon nostalgically is a dream-world which I invented at the age of four from picture books & the Georgian hill streets of Old Providence.... There is something artificial & hollow & unconvincing about self-conscious intellectual traditionalism—this being, of course, the only valid objection against it. The best sort of traditionalism is that easy-going eclectic sort which indulges in no frenzied pulmotor stunts, but courses naturally down from generation to generation; bequeathing such elements as really are sound, losing such as have lost value, & adding any which new conditions may make necessary.... In short, young man, I have no quarrel with the principle of traditionalism as such, but I have a decided quarrel with everything that is insincere, inappropriate, & disproportionate; for these qualities mean ugliness & weakness in the most offensive degree. I object to the feigning of artificial moods on the part of literary moderns who cannot even begin to enter into the life & feelings of the past which they claim to represent... If there were any reality or depth of feeling involved, the case would be different; but almost invariably the neotraditionalists are sequestered persons remote from any real contacts or experience with life... For any person today to fancy he can truly enter into the life & feeling of another period is really nothing but a confession of ignorance of the depth & nature of life in its full sense. This is the case with myself. I feel I am living in the 18th century, though my objective judgment knows better, & realises the vast difference from the real thing. The one redeeming thing about my ignorance of life & remoteness from reality is that I am fully conscious of it, hence (in the last few years) make allowances for it, & do not pretend to an impossible ability to enter into the actual feelings of this or any other age. The emotions of the past were derived from experiences, beliefs, customs, living conditions, historic backgrounds, horizons, &c. &c. so different from our own, that it is simply silly to fancy we can duplicate them, or enter warmly & subjectively into all phases of their aesthetic expression.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 307
Non-Fiction, Letters, to Frank Belknap Long

Su Shi photo

“The brimming waves delight the eye on sunny days;
The dimming hills give a rare view in rainy haze.
The West Lake looks like the fair lady at her best
Whether she is richly adorned or plainly dressed.”

Su Shi (1037–1101) Chinese writer

"The West Lake, the Beauty" (《饮湖上初晴后雨》) (1073), in Song of the Immortals: An Anthology of Classical Chinese Poetry, trans. Yuanchong Xu (Beijing: New World Press, 1994), p. 200

Eugene O'Neill photo
Robert Browning photo
Henri Barbusse photo
Thomas Campbell photo
Raymond Chandler photo
Caspar David Friedrich photo
Barack Obama photo

“And at some point, I know that one of my daughters will ask, perhaps my youngest, will ask, "Daddy, why is this monument here? What did this man do?" How might I answer them? Unlike the others commemorated in this place, Dr. Martin Luther King Jr. was not a president of the United States — at no time in his life did he hold public office. He was not a hero of foreign wars. He never had much money, and while he lived he was reviled at least as much as he was celebrated. By his own accounts, he was a man frequently racked with doubt, a man not without flaws, a man who, like Moses before him, more than once questioned why he had been chosen for so arduous a task — the task of leading a people to freedom, the task of healing the festering wounds of a nation's original sin. And yet lead a nation he did. Through words he gave voice to the voiceless. Through deeds he gave courage to the faint of heart. By dint of vision, and determination, and most of all faith in the redeeming power of love, he endured the humiliation of arrest, the loneliness of a prison cell, the constant threats to his life, until he finally inspired a nation to transform itself, and begin to live up to the meaning of its creed.
Like Moses before him, he would never live to see the Promised Land. But from the mountain top, he pointed the way for us — a land no longer torn asunder with racial hatred and ethnic strife, a land that measured itself by how it treats the least of these, a land in which strength is defined not simply by the capacity to wage war but by the determination to forge peace — a land in which all of God's children might come together in a spirit of brotherhood.
We have not yet arrived at this longed for place. For all the progress we have made, there are times when the land of our dreams recedes from us — when we are lost, wandering spirits, content with our suspicions and our angers, our long-held grudges and petty disputes, our frantic diversions and tribal allegiances. And yet, by erecting this monument, we are reminded that this different, better place beckons us, and that we will find it not across distant hills or within some hidden valley, but rather we will find it somewhere in our hearts.”

Barack Obama (1961) 44th President of the United States of America

Dr. Martin Luther King Jr. National Memorial Groundbreaking Ceremony (13 November 2006)
2006

Omar Bradley photo
H.P. Lovecraft photo
William Wordsworth photo
Friedrich Schiller photo
H.P. Lovecraft photo

“I am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous—that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn't. It makes no difference how well they mean or how cordial they are—they simply get on my nerves unless they chance to represent a peculiarly similar combination of tastes, experiences, and heritages; as, for instance, Belknap chances to do... Therefore it may be taken as axiomatic that the people of a place matter absolutely nothing to me except as components of the general landscape and scenery. Let me have normal American faces in the streets to give the aspect of home and a white man's country, and I ask no more of featherless bipeds. My life lies not among people but among scenes—my local affections are not personal, but topographical and architectural. No one in Providence—family aside—has any especial bond of interest with me, but for that matter no one in Cambridge or anywhere else has, either. The question is that of which roofs and chimneys and doorways and trees and street vistas I love the best; which hills and woods, which roads and meadows, which farmhouses and views of distant white steeples in green valleys. I am always an outsider—to all scenes and all people—but outsiders have their sentimental preferences in visual environment. I will be dogmatic only to the extent of saying that it is New England I must have—in some form or other. Providence is part of me—I am Providence—but as I review the new impressions which have impinged upon me since birth, I think the greatest single emotion—and the most permanent one as concerns consequences to my inner life and imagination—I have ever experienced was my first sight of Marblehead in the golden glamour of late afternoon under the snow on December 17, 1922. That thrill has lasted as nothing else has—a visible climax and symbol of the lifelong mysterious tie which binds my soul to ancient things and ancient places.”

H.P. Lovecraft (1890–1937) American author

Letter to Lillian D. Clark (29 March 1926), quoted in Lord of a Visible World: An Autobiography in Letters edited by S. T. Joshi, p. 186
Non-Fiction, Letters

Virginia Woolf photo
Tina Turner photo

“I have a simple, childlike view of life, and I want to keep it. That’s why I never got into that Beverly Hills world. So many pretentious people. They just aren’t real.”

Tina Turner (1939) singer, dancer, actress, and author

Oprah’s Interview with Tina Turner http://www.oprah.com/omagazine/Oprahs-Interview-with-Tina-Turner/10, 2005, page 10

H.P. Lovecraft photo
Sarojini Naidu photo

“Stand here with me…with the stars and hills as witness and in their presence consecrate your life and talent, your song and your speech, your thought and your dream, to the motherland. O poet see visions from hill –tops and spread abroad the message of hope to the toilers of the valleys.”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

G.K. Gokhale urged her to join the Indian Independence Movement quoted in [Naravane, Vishwanath S., Sarojini Naidu: An Introduction to Her Life, Work and Poetry, http://books.google.com/books?id=h6v8HsRUBucC&pg=PA133, 1 January 1996, Orient Blackswan, 978-81-250-0931-3, 133]

Ba Jin photo

“I felt a joy in my heart, which seemed filled with love, love for the sun, the snow, the wind and the hills, love for everything around me.”

Ba Jin (1904–2005) Chinese novelist

"When the Snow Melted" http://www.wordswithoutborders.org/article.php?lab=BaJin [Hua-Hsueh Ti Jih-Tzu] (1962), as translated by Tang Sheng at Words Without Borders
Context: I felt a joy in my heart, which seemed filled with love, love for the sun, the snow, the wind and the hills, love for everything around me. It was in this mood that I walked down the snow-covered path dotted with black footprints. Further down the footprints mingled and made dirty little puddles. I picked my way over the thickest snow because I loved the crunching of snow underfoot. With the sunlight pouring down and a breeze in my face I felt that balmy spring was coming to meet me.

H.P. Lovecraft photo

“West of Arkham the hills rise wild, and there are valleys with deep woods that no axe has ever cut.”

H.P. Lovecraft (1890–1937) American author

Fiction, The Colour Out of Space (1927)
Context: West of Arkham the hills rise wild, and there are valleys with deep woods that no axe has ever cut. There are dark narrow glens where the trees slope fantastically, and where thin brooklets trickle without ever having caught the glint of sunlight. On the gentle slopes there are farms, ancient and rocky, with squat, moss-coated cottages brooding eternally over old New England secrets in the lee of great ledges; but these are all vacant now, the wide chimneys crumbling and the shingled sides bulging perilously beneath low gambrel roofs. The old folk have gone away, and foreigners do not like to live there. French-Canadians have tried it, Italians have tried it, and the Poles have come and departed. It is not because of anything that can be seen or heard or handled, but because of something that is imagined. The place is not good for imagination, and does not bring restful dreams at night.

H.P. Lovecraft photo

“With me, the very quality of being cosmically sensitive breeds an exaggerated attachment to the familiar and the immediate—Old Providence, the woods and hills, the ancient ways and thoughts of New England”

H.P. Lovecraft (1890–1937) American author

Letter to August Derleth (21 November 1930), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 220
Non-Fiction, Letters, to August Derleth
Context: Time, space, and natural law hold for me suggestions of intolerable bondage, and I can form no picture of emotional satisfaction which does not involve their defeat—especially the defeat of time, so that one may merge oneself with the whole historic stream and be wholly emancipated from the transient and the ephemeral. Yet I can assure you that this point of view is joined to one of the plainest, naivest, and most unobtrusively old-fashioned of personalities—a retiring old hermit and ascetic who does not even know what your contemporary round of activities and "parties" is like, and who during the coming winter will probably not address two consecutive sentences to any living person—tradesmen apart—save a pair of elderly aunts! Some people—a very few, perhaps—are naturally cosmic in outlook, just as others are naturally 'of and for the earth'. I am myself less exclusively cosmic than Klarkash-Ton and Wandrei... I begin with the individual and the soil and think outward—appreciating the sensation of spatial and temporal liberation only when I can scale it against the known terrestrial scene. They, on the other hand, are able to think of wholly non-human abysses of ultimate space—without reference-points—as realities neither irrelevant nor less significant than immediate human life. With me, the very quality of being cosmically sensitive breeds an exaggerated attachment to the familiar and the immediate—Old Providence, the woods and hills, the ancient ways and thoughts of New England—whilst with them it seems to have the opposite effect of alienating them from immediate anchorages. They despise the immediate as trivial; I know that it is trivial, but cherish rather than despise it—because everything, including infinity itself, is trivial. In reality I am the profoundest cynic of them all, for I recognize no absolute values whatever.

“If only this fear would leave me I could dream of Crickley Hill”

Ivor Gurney (1890–1937) English composer and poet

From De Profundis
Context: If only this fear would leave me I could dream of Crickley Hill
And a hundred thousand thoughts of home would visit my heart in sleep;
But here the peace is shattered all day by the devil's will,
And the guns bark night-long to spoil the velvet silence deep.

John of the Cross photo

“Let us rejoice, O my Beloved!
Let us go forth to see ourselves in Thy beauty,
To the mountain and the hill,
Where the pure water flows:”

John of the Cross (1542–1591) Spanish mystic and Roman Catholic saint

Spiritual Canticle of The Soul and The Bridegroom
Context: Let us rejoice, O my Beloved!
Let us go forth to see ourselves in Thy beauty,
To the mountain and the hill,
Where the pure water flows:
Let us enter into the heart of the thicket. ~ 36

Alfred, Lord Tennyson photo
William Shakespeare photo
T.S. Eliot photo

“The growth of love is not a straight line, but a series of hills and valleys.”

Madeleine L'Engle (1918–2007) American writer

Source: Two-Part Invention: The Story of a Marriage

Gail Carson Levine photo
Wallace Stevens photo

“Children picking up our bones
Will never know that these were once
As quick as foxes on the hill;”

Wallace Stevens (1879–1955) American poet

Source: The Palm at the End of the Mind: Selected Poems and a Play

Bill Bryson photo
E.M. Forster photo

“… there are shadows because there are hills.”

Source: A Room with a View

Martin Luther King, Jr. photo
Rick Riordan photo
Dwight D. Eisenhower photo

“Never send a battalion to take a hill if a regiment is available.”

Dwight D. Eisenhower (1890–1969) American general and politician, 34th president of the United States (in office from 1953 to 1961)
Robert Jordan photo

“The lions sing and the hills take flight.
The moon by day, and the sun by night.
Blind woman, deaf man, jackdaw fool.
Let the Lord of Chaos rule.”

Chant from a children’s game heard in Great Arvalon, the Fourth Age
(15 October 1994)
Source: Lord of Chaos

Edna St. Vincent Millay photo
John Bunyan photo
Emily Brontë photo
Anne Lamott photo
Pablo Neruda photo
Charles Bukowski photo

“I just let it roll. Like a hot turd down a hill.”

Charles Bukowski (1920–1994) American writer

Source: The Captain is Out to Lunch and the Sailors Have Taken Over the Ship

Warren Buffett photo
Cheryl Strayed photo
Rick Riordan photo
William Wordsworth photo

“I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils.
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.”

William Wordsworth (1770–1850) English Romantic poet

Stanza 1.
I Wandered Lonely as a Cloud http://www.bartleby.com/145/ww260.html (1804)
Source: I Wander'd Lonely as a Cloud

Cassandra Clare photo
Emily Dickinson photo
John Bunyan photo
Haruki Murakami photo
Jon Krakauer photo
Philip Yancey photo
Margaret Wise Brown photo
John Steinbeck photo