Quotes about the sun
page 11

Miguel de Cervantes photo

“Let us make hay while the sun shines.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part I, Book III, Ch. 11.

Leigh Brackett photo
Greg Egan photo
Jean-Baptiste-Camille Corot photo
Noel Gallagher photo
Tad Williams photo

“Sometimes you men are like lizards, sunning on the stones of a crumbled house, thinking: “what a nice basking-spot someone built for me.””

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, Stone of Farewell (1990), Chapter 9, “Cold and Curses” (p. 207).

John Cleveland photo
Frederick William Faber photo

“See! he sinks
Without a word; and his ensanguined bier
Is vacant in the west, while far and near
Behold! each coward shadow eastward shrinks,
Thou dost not strive, O sun, nor dost thou cry
Amid thy cloud-built streets.”

Frederick William Faber (1814–1863) British hymn writer and theologian

The Rosary and Other Poems, On the Ramparts at Angoulême; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 769-70.

Cormac McCarthy photo
Yoshida Shoin photo
Clive Staples Lewis photo

“I believe in Christianity as I believe that the sun has risen. Not only because I see it, but because by it I see everything else.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

"Is Theology Poetry?" (1945)

Khaled Hosseini photo
Jack McDevitt photo
Henry Brougham, 1st Baron Brougham and Vaux photo
Antonio Machado photo

“"These blue days and this sun of childhood". It was his last verse, found on his jacket after he died. It always appears at the end of all publications of his works.”

Antonio Machado (1875–1939) Spanish poet

"Estos días azules y este sol de infancia"
Bookrags wiki http://www.bookrags.com/wiki/Antonio_Machado

Carl Sagan photo
Alan Moore photo
Marcus Tullius Cicero photo

“If, then, the things achieved by nature are more excellent than those achieved by art, and if art produces nothing without making use of intelligence, nature also ought not to be considered destitute of intelligence. If at the sight of a statue or painted picture you know that art has been employed, and from the distant view of the course of a ship feel sure that it is made to move by art and intelligence, and if you understand on looking at a horologe, whether one marked out with lines, or working by means of water, that the hours are indicated by art and not by chance, with what possible consistency can you suppose that the universe which contains these same products of art, and their constructors, and all things, is destitute of forethought and intelligence? Why, if any one were to carry into Scythia or Britain the globe which our friend Posidonius has lately constructed, each one of the revolutions of which brings about the same movement in the sun and moon and five wandering stars as is brought about each day and night in the heavens, no one in those barbarous countries would doubt that that globe was the work of intelligence.”
Si igitur meliora sunt ea quae natura quam illa quae arte perfecta sunt, nec ars efficit quicquam sine ratione, ne natura quidem rationis expers est habenda. Qui igitur convenit, signum aut tabulam pictam cum aspexeris, scire adhibitam esse artem, cumque procul cursum navigii videris, non dubitare, quin id ratione atque arte moveatur, aut cum solarium vel descriptum vel ex aqua contemplere, intellegere declarari horas arte, non casu, mundum autem, qui et has ipsas artes et earum artifices et cuncta conplectatur consilii et rationis esse expertem putare. [88] Quod si in Scythiam aut in Brittanniam sphaeram aliquis tulerit hanc, quam nuper familiaris noster effecit Posidonius, cuius singulae conversiones idem efficiunt in sole et in luna et in quinque stellis errantibus, quod efficitur in caelo singulis diebus et noctibus, quis in illa barbaria dubitet, quin ea sphaera sit perfecta ratione.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Book II, section 34
De Natura Deorum – On the Nature of the Gods (45 BC)

R. G. Collingwood photo
Letitia Elizabeth Landon photo
James Russell Lowell photo
Thomas Buchanan Read photo
Vitruvius photo
Rufus Wainwright photo

“Even if the sun, it is blazing
Even if the snow, it is raging
All the elements, we must conquer
To get to the other side of town.”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

Tiergarten
Song lyrics, Release the Stars (2007)

Calvin Coolidge photo

“[Speaking of Chinese president Sun Yat-sen] …combined Benjamin Franklin and George Washington of China.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

Source: As quoted in The Human Odyssey: Volume 2 by Tanim Ansary et al, p. 653.

Emil M. Cioran photo
Colin Wilson photo
Anna Akhmatova photo

“The sand as white
as old bones, the pine trees
strangely red where the sun comes down.
I cannot say if it is our love,
or the day, that is ending.”

Anna Akhmatova (1889–1966) Russian modernist poet

Departures (1964), translated by Michael Cuanach http://web.archive.org/20041217155724/members.tripod.com/~Cuanach/anna.html

Federico García Lorca photo

“The wounds were burning like suns
at five in the afternoon,
and the crowd broke the windows
At five in the afternoon.
Ah, that fatal five in the afternoon!
It was five by all the clocks!
It was five in the shade of the afternoon!”

Las heridas quemaban como soles
a las cinco de la tarde,
y el gentío rompía las ventanas
a las cinco de la tarde.
A las cinco de la tarde.
¡Ay qué terribles cinco de la tarde!
¡Eran las cinco en todos los relojes!
¡Eran las cinco en sombra de la tarde!
Llanto por Ignacio Sanchez Mejias (1935)

Camille Pissarro photo
Bram van Velde photo
Leo Tolstoy photo
Henry Edward Manning photo
Harry Chapin photo
Prince photo
Paul Gauguin photo
Baba Amte photo
A. James Gregor photo
Richard Feynman photo
Abraham Joshua Heschel photo

“Battles ended with sunset or dusk; so heroes, on special occasions when they needed more time, were vouchsafed victory by the stoppage of the sun in Greek as well as Hebrew saga.”

Cyrus H. Gordon (1908–2001) American linguist

Footnote Iliad 18: 239-242 (cf: 2: 412-18); Joshua 10: 13-14
Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VIII Further Observations on the Bible

Jim Morrison photo

“Even
After
All this time
The Sun never says to the Earth,"You owe me."Look
What happens
With a love like that,
It lights the whole sky.”

Daniel Ladinsky (1948) American poet

From Daniel Ladinsky, The Gift: Poems by Hafiz https://books.google.com/books?id=_cdWZkYE_ZQC (1999), p. 34.

Anna Akhmatova photo

“Thinking of the sun makes
my heart beat faster — too fast!
What darkness!
From this night winter begins.”

Anna Akhmatova (1889–1966) Russian modernist poet

Variant translations:
Memory of sun fades in my heart
What is this? Darkness? Maybe! —
During the night comes
winter.
"Memory of the Sun" (alternate translation by Paula Goodman)
Thinking Of The Sun (1911)

Enoch Powell photo

“Make no mistake, the real power resides not where present authority is exercised but where it is expected that authority will in future be exercised. The magnetic attraction of power is exercised by the prospect long before the reality is achieved; and the trek towards the rising sun, which is already in progress in 1972, would swell to an exodus before long. What do you imagine is the reason why Roy Jenkins is prepared to resign the front bench and divide his party in the endeavour to give a Conservative Prime Minister a majority in the House of Commons? The motive is not ignoble or discreditable—I am not asserting that—but it is a motive which it behoves people in Britain well to understand. It is the ambition to exercise his talents on the stage of Europe and to participate in taking decisions not for Britain here at home but for Europe in Brussels, Paris, Luxembourg or wherever else the imperial pavilions may be pitched. He does not, I assure you, forsee his future triumphs and achievements where his predecessors have seen them in the past – at the despatch box in the House of Commons or in the Cabinet room at Downing St. These are not good enough: the vision splendid beckons elsewhere.”

Enoch Powell (1912–1998) British politician

Speech at Millom, Cumberland (29 April 1972), from A Nation or No Nation? Six Years in British Politics (Elliot Right Way Books, 1977), p. 42. Jenkins had resigned from the Shadow Cabinet and as deputy leader of the Labour Party due to Labour's opposition to British entry into the EEC. Jenkins wrote to Powell to claim what he said was "totally untrue". Four years later Jenkins would leave front line British politics to become President of the European Commission.
1970s

William Saroyan photo
Anthony Burgess photo
Philip Stanhope, 4th Earl of Chesterfield photo

“Cheerful with wisdom, with innocence gay,
And calm with your joys gently glide thro' the day.
The dews of the evening most carefully shun —
Those tears of the sky for the loss of the sun.”

Philip Stanhope, 4th Earl of Chesterfield (1694–1773) British statesman and man of letters

"Advice to a Lady in Autumn", published in A Collection of Poems in Six Volumes. By Several Hands. Vol. I. (1763), printed by J. Hughs, for R. and J. Dodsley

John Fante photo
Robert Jordan photo

“Better to try understanding the sun than a woman.”

Robert Jordan (1948–2007) American writer

Thom Merrilin
(15 October 1993)

Shmuel Yosef Agnon photo
Iris DeMent photo
Bruno Schulz photo

“Do you see it?
Do you see that sunflower, raising its head
Glaring at the sun?
Its head almost eclipses the sun
Yet even when there is no sun
Its head still glows.”

Mang Ke (1951) Chinese writer

"Sunflower in the Sun" ( trans. Jonathan Stalling and Yibing Huang https://english.chass.ncsu.edu/freeverse/Archives/Winter_2010/prose/PushOpenTheWindow.htm)

Georges Seurat photo
Elizabeth Barrett Browning photo

“Her suffering ended with the day,
Yet lived she at its close,
And breathed the long, long night away
In statue-like repose.But when the sun in all his state
Illumed the eastern skies,
She passed through Glory's morning-gate,
And walked in Paradise.”

James Aldrich (1810–1856) American editor and minor poet

A Death-Bed, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: Thomas Hood, The Death Bed, p. 591; Phoebe Cary, The Wife, p. 171.

Diogenes Laërtius photo

“When a man reproached him for going into unclean places, he said, "The sun too penetrates into privies, but is not polluted by them."”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Diogenes, 6.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 6: The Cynics

Sarah Orne Jewett photo

“The warm sun kissed the earth
To consecrate thy birth,
And from his close embrace
Thy radiant face
Sprang into sight,
A blossoming delight.”

Sarah Orne Jewett (1849–1909) American novelist, short story writer and poet

"The Soul of the Sunflower" in Scribner's Magazine, Vol. XXII (October 1881), p. 942

George Chapman photo

“Our hopes, I see, resemble much the sun,
That rising and declining cast large shadows;
But when his beams are dressed in's midday brightness,
Yields none at all: when they are farthest from
Success, their guilt reflection does display
The largest shows of events fair and prosperous.”

George Chapman (1559–1634) English dramatist, poet, and translator

Revenge for Honour (1654), Act II, scene i. Attributed, probably falsely, to Chapman. The play may have been written by Henry Glapthorne.
Disputed

Henry Adams photo
Robert Burton photo

“To enlarge or illustrate this power and effect of love is to set a candle in the sun.”

Section 2, member 1, subsection 2.
The Anatomy of Melancholy (1621), Part III

Surendra Pratap Singh photo
Caspar David Friedrich photo

“Alas, the blue arc of heaven / Is covered with gloomy clouds, / And the bright radiance of the sun / Is completely hidden
See the terrifying force of the tempest / Bows the oaks so that is groans, / And the rose on the beautiful pasture / has ben bent down by the rain.”

Caspar David Friedrich (1774–1840) Swedish painter

some poetry lines of Friedrich, c. 1807-09; as cited by C. D. Eberlein in C. D. Friedrich Bekenntnisse, p 57; as quoted and translated by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 52
1794 - 1840

Theognis of Megara photo

“True as the needle to the pole,
Or as the dial to the sun.”

Barton Booth (1681–1733) famous dramatic actor of the 18th century

Song, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "True as the dial to the sun, Although it be not shin’d upon", Samuel Butler, Hudibras, Part iii, Canto ii, line 175.

Aldo Leopold photo
Calvin Coolidge photo
Richard Brautigan photo
Thomas Gray photo

“See the wretch that long has tost
On the thorny bed of pain,
At length repair his vigour lost,
And breathe and walk again:
The meanest floweret of the vale,
The simplest note that swells the gale,
The common sun, the air, the skies,
To him are opening paradise.”

Thomas Gray (1716–1771) English poet, historian

Source: Ode on the Pleasure Arising from Vicissitude http://www.thomasgray.org/cgi-bin/display.cgi?text=oopv (1754), Line 41

Thomas Browne photo
Rufus Wainwright photo

“Guess the world needs both sun
And the moon too
Sad with what I have except for you.”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

Sad With What I Have
Song lyrics, All Days Are Nights: Songs for Lulu (2010)

Richard Henry Dana Jr. photo
Thomas Carlyle photo

“Seek and possess holiness, and consolation will follow, as assuredly as warmth follows the dispensation of the rays of the sun.”

Thomas Cogswell Upham (1799–1872) American philosopher and psychologist

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 316.

Steven Erikson photo
Grant Morrison photo

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

John Muir photo
William Congreve photo

“Defer not till tomorrow to be wise,
Tomorrow's sun to thee may never rise.”

William Congreve (1670–1729) British writer

"Letter to Cobham", line 61. Compare: "Be wise to-day, 't is madness to defer", Edward Young, Night Thoughts, Night i. line 390

Robert Anton Wilson photo
David Dixon Porter photo
Rebecca Solnit photo
Paul Williams (songwriter) photo

“Before the rising sun we fly,
So many roads to choose
We start out walking and learn to run.”

Paul Williams (songwriter) (1940) American composer, singer, songwriter and actor

"We've Only Just Begun" (1970).

Letitia Elizabeth Landon photo
Khalil Gibran photo
Thomas Parnell photo
E.E. Cummings photo
Donald Ervin Knuth photo

“The sun comes up just about as often as it goes down, in the long run, but this doesn't make its motion random.”

Vol. II, Seminumerical Algorithms, Section 3.3.2 part B, first paragraph (1969)
The Art of Computer Programming (1968–2011)

Rudyard Kipling photo

“Of all the trees that grow so fair,
Old England to adorn,
Greater are none beneath the Sun,
Than Oak, and Ash, and Thorn.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

A Tree Song,
Puck of Pook's Hill 1906

John Lancaster Spalding photo

“A hobby is the result of a distorted view of things. It is putting a planet in the place of a sun.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 245

Alain de Botton photo