Quotes about the sun
page 10

Letitia Elizabeth Landon photo

“It shock'd me first to see the sun
Shine gladly o'er thy tomb;
To see the wild flowers o'er it run
In such luxuriant bloom.
Now I feel glad that they should keep
A bright sweet watch above thy sleep.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Forgotten One from The Keepsake, 1831 [Probably refers to Letitia’s little sister, Elizabeth]
The Vow of the Peacock (1835)

Assata Shakur photo
Ray Bradbury photo
Joanna MacGregor photo
Alauddin Khalji photo
Michael J. Behe photo
John Keats photo
Francisco de Sá de Miranda photo

“The sun is high — the birds oppress'd with heat
Fly to the shade, until refreshing airs
Lure them again to leave their cool retreat. —
The falls of water but of wearying cares”

Francisco de Sá de Miranda (1491) Portuguese poet

The sun is high — the birds oppress'd with heat, translated by John Adamson in Lusitania Illustrata, Vol. I, 1842

Norman Mailer photo
Nicholas Ferrar photo
Báb photo
Orson Pratt photo

“By and by an obscure individual, a young man, rose up, and, in the midst of all Christendom, proclaimed the startling news that God had sent an angel to him; that through his faith, prayers, and sincere repentance he had beheld a supernatural vision, that he had seen a pillar of fire descend from Heaven, and saw two glorious personages clothed upon with this pillar of fire, whose countenance shone like the sun at noonday; that he heard one of these personages say, pointing to the other, 'This is my beloved Son, hear ye him.' This occurred before this young man was fifteen years of age; and it was a startling announcement to make in the midst of a generation so completely given up to the traditions of their fathers; and when this was proclaimed by this young, unlettered boy to the priests and the religious societies in the State of New York, they laughed him to scorn. 'What!' said they, "visions and revelations in our day! God speaking to men in our day!" They looked upon him as deluded; they pointed the finger of scorn at him and warned their congregations against him. 'The canon of Scripture is closed up; no more communications are to be expected from Heaven. The ancients saw heavenly visions and personages; they heard the voice of the Lord; they were inspired by the Holy Ghost to receive revelations, but behold no such thing is to be given to man in our day, neither has there been for many generations past.'”

Orson Pratt (1811–1881) Apostle of the LDS Church

This was the style of the remarks made by religionists forty years ago. This young man, some four years afterwards, was visited again by a holy angel.
Journal of Discourses 13:65-66 (December 19, 1869).
Joseph Smith Jr.'s First Vision

Timothy Levitch photo
Vālmīki photo
Thomas De Witt Talmage photo

“At the beginning God said: “Let there be light,” and light was, and light is, and light shall be. So Christianity is rolling on, and it is going to warm all nations, and all nations are to bask in its light. Men may shut the window-blinds so they cannot see it, or they may smoke the pipe of speculation until they are shadowed under their own vaporing; but the Lord God is a sun!”

Thomas De Witt Talmage (1832–1902) American Presbyterian preacher, clergyman and reformer during the mid-to late 19th century.

Thomas De Witt Talmage (1832-1902), The Pathway of Life, New York: The Christian Herald, 1894 p 254.
The Pathway of Life, New York: The Christian Herald, 1894

Matthew Good photo

“Alert Status Red, but the sun comes up instead”

Matthew Good (1971) Canadian singer-songwriter

Musical Works, White Light Rock & Roll Review, Alert Status Red

Daniel T. Gilbert photo
Robert Lowell photo
Sten Nadolny photo
Bel Kaufmanová photo
Harry Chapin photo
Robert Southey photo

“It runs through the reeds,
And away it proceeds,
Through meadow and glade,
In sun and in shade,
And through the wood-shelter,
Among crags in its flurry,
Helter-skelter,
Hurry-skurry.”

Robert Southey (1774–1843) British poet

St. 2.
The Cataract of Lodore http://www.cs.rice.edu/~ssiyer/minstrels/poems/652.html (1820)

John Fante photo

“I went up to my room, up the dusty stairs of Bunker Hill, past the soot-covered frame buildings along that dark street, sand and oil and grease choking the futile palm trees standing like dying prisoners, chained to a little plot of ground with black pavement hiding their feet. Dust and old buildings and old people sitting at windows, old people tottering out of doors, old people moving painfully along the dark street. The old folk from Indiana and Iowa and Illinois, from Boston and Kansas City and Des Moines, they sold their homes and their stores, and they came here by train and by automobile to the land of sunshine, to die in the sun, with just enough money to live until the sun killed them, tore themselves out by the roots in their last days, deserted the smug prosperity of Kansas City and Chicago and Peoria to find a place in the sun. And when they got here they found that other and greater thieves had already taken possession, that even the sun belonged to the others; Smith and Jones and Parker, druggist, banker, baker, dust of Chicago and Cincinnati and Cleveland on their shoes, doomed to die in the sun, a few dollars in the bank, enough to subscribe to the Los Angeles Times, enough to keep alive the illusion that this was paradise, that their little papier-mâché homes were castles. The uprooted ones, the empty sad folks, the old and the young folks, the folks from back home. These were my countrymen, these were the new Californians. With their bright polo shirts and sunglasses, they were in paradise, they belonged.”

Ask the Dust (1939)

Charlotte Salomon photo

“.. Thus in the presence of the scorching sun, purple sea, and luxuriant blossoms, the memory of an experience of her fervid early love [Daberlohn = Alfred Wolfsohn ] came back to her. And she tried to visualize that face, that figure. And Io, she succeeded, and she noticed that this was a very interesting occupation. For she discovered that that figure…”

Charlotte Salomon (1917–1943) German painter

Charlotte's 6th ending, written page in brush, related to JHM no. 4922v https://charlotte.jck.nl/detail/M004922/part/character/theme/keyword/M004922: (553) 'Life? or Theater..', p. 818
Charlotte Salomon - Life? or Theater?

Eugène Boudin photo

“When I got back [from Le Havre], where I had made several sketches of the harbour exit, I thought of placing the sun in the background. I liked the picture so much that I painted it ten times over, with its three-master and its sun.”

Eugène Boudin (1824–1898) French painter

Quote from Boudin's letter, 1882; as cited in the article 'Artists around Monet http://www.muma-lehavre.fr/en/exhibitions/impressions-sun/artists-around-monet, Muma-museum, Le Havre
1880s - 1890s

“Love is the sun, desire – only flash.”

Ruslana Koršunova (1987–2008) fashion model

"Model's Web rants pined for love" in Daily News (29 June 2009)

Ursula K. Le Guin photo
Sara Teasdale photo
Joseph Addison photo
Guillaume Apollinaire photo

“And now comes the summer of violence
And my youth is as dead as the springtime
O Sun it is the time of fiery Reason”

Voici que vient l'été la saison violente
Et ma jeunesse est morte ainsi que le printemps
Ô soleil c'est le temps de la raison ardente
"La jolie rousse" (The Pretty Redhead), line 31; p. 135.
Calligrammes (1918)

Mike Oldfield photo
John Bunyan photo
Simon Phipps photo
C. V. Raman photo
Florbela Espanca photo

“If you came to see me in the evening,
That time of mild and magic weariness,
When nighttime softly covers everything,
And took me in your arms with tenderness.
[…]
And my lips are like a flower in the sun…
When my eyes are tightly closed with strong desire…
And I hold out my arms to bring you near…”

Florbela Espanca (1894–1930) Portuguese poet

Se tu viesses ver-me hoje à tardinha,
A essa hora dos mágicos cansaços,
Quando a noite de manso se avizinha,
E me prendesses toda nos teus barcos...
[...]
E é como um cravo ao sol a minha boca...
Quando os olhos se me cerram de desejo...
E os meus braços se estendem para ti...
Citações e Pensamentos de Florbela Espanca (2012), p. 108
Translated by John D. Godinho
The Flowering Heath (1931), "Se tu viesses ver-me hoje à tardinha"

Arthur Schopenhauer photo
Robert E. Howard photo
Peter Greenaway photo
Letitia Elizabeth Landon photo
Ted Hughes photo

“The brassy wood-pigeons
Bubble their colourful voices, and the sun
Rises upon a world well-tried and old.”

Ted Hughes (1930–1998) English poet and children's writer

"Stealing Trout on a May Morning"
Wodwo (1967)

Jean-François Lyotard photo

“While we talk, the sun is getting older. It will explode in 4.5 billion years. … In comparison everything else seems insignificant. Wars, conflicts, political tension, shifts in opinion, philosophical debates, even passions—everything’s dead already if this infinite reserve from which you now draw energy to defer answers, if in short thought as a quest, dies out with the sun. … The inevitable explosion to come, the one that’s always forgotten in your intellectual ploys, can be seen in a certain way as coming before the fact to render these ploys … futile. … In 4.5 billions years there will arrive the demise of your phenomenology and your utopian politics, and there’ll be no one there to toll the death knell or hear it. It will be too late to understand that your passionate, endless questioning always depended on a “life of the mind.” … Thought borrows a horizon and orientation, the limitless limit and the end without end it assumes, from the corporeal, sensory, emotional and cognitive experience of a quite sophisticated but definitely earthly existence. With the disappearance of the earth, thought will have stopped—leaving that disappearance absolutely unthought of. … The death of the sun is a death of mind. … There’s no sublation or deferral if nothing survives. … The sun, our earth, and your thought will have been no more than a spasmodic state of energy, an instant of established order, a smile on the surface of matter in a remote corner of the cosmos. … Human death is included in the life of the mind. Solar death implies an irreparably exclusive disjunction between death and thought: if there’s death, then there’s no thought.”

Jean-François Lyotard (1924–1998) French philosopher

Source: Thought Without a Body? (1994), pp. 286-289

Dara Ó Briain photo
Chuck Lorre photo
Mo Yan photo
Frances Farmer photo
L. Onerva photo
Tanith Lee photo
Subcomandante Marcos photo

“As I came down the Highgate Hill,
The Highgate Hill, the Highgate Hill,
As I came down the Highgate Hill
I met the sun's bravado,
And saw below me, fold on fold,
Grey to pearl and pearl to gold,
This London like a land of old,
The land of Eldorado.”

Henry Howarth Bashford (1880–1961) British physician and writer

London, from Romances http://www.giga-usa.com/quotes/authors/henry_howarth_bashford_a001.htm (1917). Compare: Alfred Noyes, Go down to Kew in Lilac-time.

Chuck Berry photo
Thomas Hood photo

“Alas! for the rarity
Of Christian charity
Under the sun!”

The Bridge of Sighs (1844), st. 9.
1840s

Dan Quayle photo

“Mars is essentially in the same orbit. … Mars is somewhat the same distance from the Sun, which is very important. We have seen pictures where there are canals, we believe, and water. If there is water, that means there is oxygen. If oxygen, that means we can breathe.”

Dan Quayle (1947) American politician, lawyer

Press comment on Mars exploration http://bobpark.physics.umd.edu/WN89/wn090189.html (11 August 1989), televised on CNN, and referenced in "A Quayle Vision of Mars" in The Washington Post (1 September 1989)

Robert W. Service photo

“There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.”

Robert W. Service (1874–1958) Canadian poet

The Shooting of Dan McGrew http://freemasonry.bcy.ca/biography/service_r_w/dan_mcgrew.html (1907), The Cremation of Sam McGee http://www.wordinfo.info/words/index/info/view_unit/2640/?letter=C&spage=26

Zooey Deschanel photo
Buckminster Fuller photo
Samuel Taylor Coleridge photo
Karl Kraus photo

“There is no more unfortunate creature under the sun than a fetishist who yearns for a woman's shoe and has to settle for the whole woman.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

Han-shan photo
Peter Gabriel photo
Jacopone da Todi photo
John Muir photo
Alexander Pope photo
Paul Cézanne photo
Ben Jonson photo
Matthew Hayden photo
George Marshall photo

“We are determined that before the sun sets on this terrible struggle, Our Flag will be recognized throughout the World as a symbol of Freedom on the one hand and of overwhelming force on the other.”

George Marshall (1880–1959) US military leader, Army Chief of Staff

Statement (29 May 1942); The Papers of George Catlett Marshall Vol 3 (1991) by the George C. Marshall Foundation

Mirkka Rekola photo
Pete Doherty photo
André Maurois photo

“Old age is far more than white hair, wrinkles, the feeling that it is too late and the game finished, that the stage belongs to the rising generations. The true evil is not the weakening of the body, but the indifference of the soul. Upon crossing the shadow line, it is more the desire to act than the power to do so that is lost. Is it possible, after fifty years of experiences and disappointments, to retain the ardent curiosity of youth, the desire to know and understand, the power to love wholeheartedly, the certainty that beauty, intelligence, and kindness unite naturally, and to preserve faith in the efficacy of reason? Beyond the shadow line lies the realm of even, tempered light where the eyes, not being dazzled any more by the blinding sun of desire, can see things and people as they are. How is it possible to believe in the moral perfection of pretty women if you have loved one of them? How is it possible to believe in progress when you have discovered throughout a long and difficult life that no violent change can triumph over human nature and that it is only the most ancient customs and ceremonies that can provide people with the flimsy shelter of civilization? "What's the use?" says the old man to himself. This is perhaps the most dangerous phrase he can utter, for after having said: "What's the use of struggling?" he will say one day: "What's the use of going out?" then: "What's the use of leaving my room?" then: "What's the use of leaving my bed?" and at last comes "What's the use of living?"”

André Maurois (1885–1967) French writer

which opens the portals of death.
Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Johannes Kepler photo
Toni Morrison photo
Letitia Elizabeth Landon photo
Zisi photo
Nick Drake photo
Van Morrison photo
Julius Streicher photo

“Can't you feel that the German people has carried for seven years from one station of pain to another a huge cross? Can't you feel that it is persecuted, hounded and whipped bloody like the Nazarene? If you cannot feel that it is gasping under the weight of the cross which was burdened on it and that it walks on its way to Golgatha -- then you're not worth that God the Lord will again let the sun of his mercy shine upon you. …
Help us so that in this decisive hour the German people will be freed from the weight of the cross of the yoke of Jewry! Help us, so that a mighty man who's been gifted by God can give us back our freedom and that it will again be a proud people in a German country! Take care that Germany is freed from the chains she has been bound with for seven years. Put an end to this slavery! Our people shall again be great, proud and beautiful!”

Julius Streicher (1885–1946) German politician

Fühlt Ihr denn nicht, dass das deutsche Volk sieben Jahre lang von einer Leidensstation zur anderen ein Riesenkreuz geschleppt hat? Fühlt Ihr nicht, dass es gejagt, gehetzt und blutig gepeitscht worden ist wie jener Nazarener? Wenn Ihr nicht fühlt, dass unser Volk sich keuchend unter der Last des Kreuzes, das man ihm auflud, auf dem Weg nach Golgatha schleppt, dann seid Ihr nicht wert, dass unser Herrgott Euch noch einmal mit seiner Gnadensonne bescheint. ...
Helft in dieser entscheidungsvollen Stunde mit, dass das deutsche Volk von der Kreuzeslast des jüdischen Joches befreit wird! Helft mit, dass ein starker, von Gott begnadeter Mann ihm die Freiheit schenkt und dass es wieder ein stolzes Volk in deutschen Landen wird! Sorgt, dass Deutschland von der Kette, die es sieben Jahre lange tragen musste, frei wird. Deshalb heraus aus der Sklaverei! Unser Volk muss wieder groß, stolz und schön werden!
03/07/1932, speech in the convention center (Kongresshalle) in Nuremberg ("Kampf dem Weltfeind", Stürmer publishing house, Nuremberg, 1938)

Vitruvius photo
David Thomas (born 1813) photo
Paul Cézanne photo

“But there are motifs that would need three or four months' work, which could be done, as the vegetation doesn't change here. There are the olive trees and the pines that always keep their leaves. The sun is so fierce that objects seem to be silhouetted, not only in black or white, but in blue, red, brown, violet. I may be wrong, but this seems to be the very opposite of 'modeling'. How happy the gentle landscapists of Auvers would be here, and that [con, or 'bastard'? ] Guillemet.”

Paul Cézanne (1839–1906) French painter

Quote from Cezanne's letter to Camille Pissarro, from L'Estaque 2 July 1876, taken from Alex Danchev, The Letters of Paul Cézanne, 2013; as quoted in the 'Daily Beast' online, 13 Oct. 2013 https://www.thedailybeast.com/cezannes-letter-to-pissarro-picture-business-isnt-going-well
'The very opposite of 'modeling' meant roughly that Cézanne and Pissarro in their common painting-years in open air would lay down one plane or patch of color next to another in the painting, without any 'modeling' or shading between them - so that it looked as if each component part of the painting could be picked up from the canvas a little like a 'playing card from the table', as Cezanne explains here.
Quotes of Paul Cezanne, 1860s - 1870s

Harald V of Norway photo
Park Chung-hee photo

“Like a Long Magnolia Blossom Bending to the Wind. Under heavy silence. Of a house in mourning. Only the cry of cicadas. Ma'am, ma'am, ma'am. Seem to long for you who is now gone. Under the August sun. The Indian Lilacs turn crimson. As if trying to heal the wounds of the mind. My wife has departed alone. Only I am left. Like a lone magnolia blossom bending to the wind. Where can I appeal. The sadness of a broken heart.”

Park Chung-hee (1917–1979) Korean Army general and the leader of South Korea from 1961 to 1979

Poem (August 1974), as quoted in Brothers at War: The Unending Conflict in Korea https://en.wikiquote.org/wiki/Special:BookSources/9781846680670 (2013), by Sheila Miyoshi Jager, London: Profile Books, p. 414.
1970s

Christiaan Huygens photo
Robert G. Ingersoll photo
John Ruskin photo
Wallace Stevens photo
Miguel de Cervantes photo

“Let me leap out of the frying-pan into the fire; or, out of God's blessing into the warm sun.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part I, Book III, Ch. 4.

Dylan Thomas photo
Henry Van Dyke photo
John Ruysbroeck photo

“And there you In a new embrace, with a new torrent of eternal love: all the elect, angels and men, from the last to the first are embraced It is a living and fruitful unity, which is the source and the fount of all life All creatures are there without themselves as in their eternal origin, One essence and one life with God These enlightened people are lifted up with free mind above reason…To the summit of their spirit Their naked understanding is penetrated with eternal clarity as the air is penetrated by the light of the sun. The bare elevated will is transformed and penetrated with fathomless love, just as iron is penetrated by the fire [God] gives Himself in the soul’s essence…Where the soul’s powers are unified…And undergo God’s transformation in simplicity. In this place all is full and overflowing, for the spirit feels itself as one truth and one richness. And one unity with God All spirits thus raised up Melt away and are annihilated by reason of enjoyment in God’s essence They fall away from themselves and are lost in a bottomless unknowingWith God they will ebb and flow, and will always be in repose…They are drunk with love and have passed away into God in a dark luminosity must accept that the Persons yield and lose themselves whirling in essential love, that is, in enjoyable unity; nevertheless, they always remain according to their personal properties In the working of the Trinity. You may thus understand that the divine nature is eternally at rest and without mode according to the simplicity of its essence. It is why all that God has chosen and enfolded with eternal personal love, he has possessed essentially, enjoyably in unity, with essential love.”

John Ruysbroeck (1293–1381) Flemish mystic

The Little Book of Enlightenment (c. 1364)

Joseph Hayne Rainey photo

“A remedy is needed to meet the evil now existing in most of the southern states, but especially in that one which I have the honor to represent in part, the State of South Carolina. The enormity of the crimes constantly perpetrated there finds no parallel in the history of this republic in her very darkest days. There was a time when the early settlers of New England were compelled to enter the fields, their homes, even the very sanctuary itself, armed to the full extent of their means. While the people were offering their worship to God within those humble walls their voices kept time with the tread of the sentry outside. But, sir, it must be borne in mind that at the time referred to civilization had but just begun its work upon this continent. The surroundings were unpropitious, and as yet the grand capabilities of this fair land lay dormant under the fierce tread of the red man. But as civilization advanced with its steady and resistless sway it drove back those wild cohorts and compelled them to give way to the march of improvement. In course of time superior intelligence made its impress and established its dominion upon this continent. That intelligence, with an influence like that of the sun rising in the east and spreading its broad rays like a garment of light, gave life and gladness to the dark.”

Joseph Hayne Rainey (1832–1887) politician

1871, Speech on the the Ku Klux Klan Bill of 1871 (1 April 1871)