Quotes about the sun
page 12

John Clare photo
Charlotte Salomon photo

“…his book, Orpheus, or the Way to a Death Mask, of which he had said that he regretted not having written it as a poem.
And with dream-awakened eyes she saw all the beauty around her, saw the sea, felt the sun, and knew: she had to vanish for a while from the human plane and make every sacrifice in order to create her world anew out of the depths.”

Charlotte Salomon (1917–1943) German painter

Charlotte's 2th ending, written page in brush, related to JHM no. 4924v https://upload.wikimedia.org/wikipedia/commons/5/5e/Charlotte_Salomon_-_JHM_4924-02.jpg: 'Life? or Theater..', p. 822
Charlotte Salomon - Life? or Theater?

Isa Genzken photo
Garth Nix photo
Vincent Van Gogh photo
Théodore Guérin photo
Kenneth Gärdestad photo

“Sun, wind and water are
The best as I know
But it's on you, I
Think secretly
Sun, wind and water
High mountains and deep sea
That is my dream woven off.”

Kenneth Gärdestad (1948–2018) Swedish song lyricist, architect and lecturer

Sol, vind och vatten är
Det bästa som jag vet
Men det är på dig jag
Tänker I hemlighet
Sol, vind och vatten
Höga berg och djupa hav
Det, är mina drömmar vävda av
"Sol, vind och vatten", lyrics written by Kenneth
Song lyrics, With Ted Gärdestad, Ted (1973)

Mark Hopkins (educator) photo
Shankar Dayal Sharma photo

“The Rigveda stated that the earth was a …globe suspended freely in space. The Vedic texts disclosed that the Sun held the earth and heavenly bodies in its orbit. The Shatapatha Brahmana, a treatise of untold antiquity, recognized and explained the fact that the earth was spherical.. Aryabhata explained the daily rising and setting of planets and stars in terms of the earth’s constant revolutionary motion. The Surya Siddhantha said that the earth, owing to its gravitational force draw all things to itself. In physics, the thinker Kanada, explained light and heat as different aspects of the same element, thus anticipating Clarke Maxwell's Electro-magnetic Theory, which unified different forms of radiant energy. Sankaracharya, in his Advaita thought expanded the concept of unity of matter and energy. Vacaspati recognized light as composed of minute particles emitted by substances, anticipating Newton’s Corpuscular Theory of Light and the later discovery of the Photon. In Botany, Sankara Mishra and Kanada have discussed the circulation of sap in the Plant and the Santiparva of Mahabharata has clearly stated that the plants develop on the strength of nutrients made through interaction of sunlight and materials obtained from the air and ground. Bhaskarcharya's concept of Differential Calculus preceded Newton by many centuries. His study of time identified Truti: The 3400th part of a second as the unit of time.”

Shankar Dayal Sharma (1918–1999) Indian politician

He has rightly brought out the rationality and application of Sanskrit literature in diverse fields
Source: Aruna Goel Good Governance and Ancient Sanskrit Literature http://books.google.co.in/books?id=El_VADF13pUC&pg=PA16, Deep and Deep Publications, 1 January 2003, p. 16-17

Jayant Narlikar photo
Margaret Fuller photo
Margaret Thatcher photo

“It was a lovely morning. We have not had many lovely days. And the sun was just coming through the stained glass windows and falling on some flowers right across the church and it just occurred to me that this was the day I was meant not to see.”

Margaret Thatcher (1925–2013) British stateswoman and politician

TV Interview for Channel 4 A plus 4 (15 October 1984) http://www.margaretthatcher.org/speeches/displaydocument.asp?docid=105764, referring to the Brighton bombing in which the IRA attempted to assassinate her.
Second term as Prime Minister

Letitia Elizabeth Landon photo
Mary Wollstonecraft Shelley photo
Thomas Hobbes photo
Charles Grey, 2nd Earl Grey photo
Buckminster Fuller photo
Charles Dickens photo

“If the people at large be not already convinced that a sufficient general case has been made out for Administrative Reform, I think they never can be, and they never will be…. Ages ago a savage mode of keeping accounts on notched sticks was introduced into the Court of Exchequer, and the accounts were kept, much as Robinson Crusoe kept his calendar on the desert island. In the course of considerable revolutions of time, the celebrated Cocker was born, and died; Walkinghame, of the Tutor's Assistant, and well versed in figures, was also born, and died; a multitude of accountants, book-keepers and actuaries, were born, and died. Still official routine inclined to these notched sticks, as if they were pillars of the constitution, and still the Exchequer accounts continued to be kept on certain splints of elm wood called "tallies." In the reign of George III an inquiry was made by some revolutionary spirit, whether pens, ink, and paper, slates and pencils, being in existence, this obstinate adherence to an obsolete custom ought to be continued, and whether a change ought not to be effected.
All the red tape in the country grew redder at the bare mention of this bold and original conception, and it took till 1826 to get these sticks abolished. In 1834 it was found that there was a considerable accumulation of them; and the question then arose, what was to be done with such worn-out, worm-eaten, rotten old bits of wood? I dare say there was a vast amount of minuting, memoranduming, and despatch-boxing on this mighty subject. The sticks were housed at Westminster, and it would naturally occur to any intelligent person that nothing could be easier than to allow them to be carried away for fire-wood by the miserable people who live in that neighbourhood. However, they never had been useful, and official routine required that they never should be, and so the order went forth that they were to be privately and confidentially burnt. It came to pass that they were burnt in a stove in the House of Lords. The stove, overgorged with these preposterous sticks, set fire to the panelling; the panelling set fire to the House of Lords; the House of Lords set fire to the House of Commons; the two houses were reduced to ashes; architects were called in to build others; we are now in the second million of the cost thereof, the national pig is not nearly over the stile yet; and the little old woman, Britannia, hasn't got home to-night…. The great, broad, and true cause that our public progress is far behind our private progress, and that we are not more remarkable for our private wisdom and success in matters of business than we are for our public folly and failure, I take to be as clearly established as the sun, moon, and stars.”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

"Administrative Reform" (June 27, 1855) Theatre Royal, Drury Lane Speeches Literary and Social by Charles Dickens https://books.google.com/books?id=bT5WAAAAcAAJ (1870) pp. 133-134

Al-Biruni photo
William Herschel photo
Edgar Guest photo
Chris Rea photo
Prem Rawat photo
Scott Lynch photo

“The sun is up, and all that money out there won’t steal itself.”

Interlude “The Undrowned Girl” section 1 (p. 69)
The Republic of Thieves (2013)

Sidney Lanier photo
Robert Silverberg photo
Halldór Laxness photo
James Macpherson photo

“Often does the memory of former times come, like the evening sun, on my soul.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

"Conlath and Cuthona"
The Poems of Ossian

Marianne Moore photo

“Consume hostility;
employ your weapon in this meeting-place of surging enmity!
Insurgent feet shall not outrun
multiplied flames, O Sun.”

Marianne Moore (1887–1972) American poet and writer

"Sun" from Tell Me, Tell Me (1966)
Poetry

Borís Pasternak photo
Thomas Fuller (writer) photo

“4776. The Sun is never the worse for shining on a Dunghill.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

“Patient, dramatic, serious, genial,
From over to over the game goes on,
Weaving a pattern of hardy perennial,
Civilisation under the sun.”

Gerald Bullett (1893–1958) British writer

Village Cricket in News from the Village (1952)

Joyce Kilmer photo
Daniel Handler photo
Nikos Kazantzakis photo
Alexandre Vinet photo
Carl Sagan photo
Godfrey Higgins photo
Frederick Douglass photo

“His zeal in the cause of my race was far greater than mine - it was as the burning sun to my taper light - mine was bounded by time, his stretched away to the boundless shores of eternity. I could live for the slave, but he could die for him.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Regarding John Brown, address at the 14th anniversary of Storer College http://www.wvculture.org/history/jbexhibit/bbspr05-0032.html (30 May 1881)
1880s, Address at the Anniversary of Storer College (1881)

Bal Gangadhar Tilak photo
Paula Modersohn-Becker photo
T. H. White photo
Gerald Durrell photo

“Halfway up the slope, guarded by a group of tall, slim, cypress-trees, nestled a small strawberry-pink villa, like some exotic fruit lying in the greenery. The cypress-trees undulated gently in the breeze, as if they were busily painting the sky a still brighter blue for our arrival.
The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuschia hedges, had the flower beds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake's head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles, and circles all overgrown with a shaggy tangle of flowers run wild. Roses dropped petals that seemed as big and smooth as saucers, flame-red, moon-white, glossy, and unwrinkled; marigolds like broods of shaggy suns stood watching their parent's progress through the sky. In the low growth the pansies pushed their velvety, innocent faces through the leaves, and the violets drooped sorrowfully under their heart-shaped leaves. The bougainvillaea that sprawled luxuriously over the tiny iron balcony was hung, as though for a carnival, with its lantern-shaped magenta flowers. In the darkness of the fuschia-hedge a thousand ballerina-like blooms quivered expectantly. The warm air was thick with the scent of a hundred dying flowers, and full of the gentle, soothing whisper and murmur of insects.”

My Family and Other Animals (1956)

John Burroughs photo
Chuck Berry photo
John Kenneth Galbraith photo

“It is a magnificent country, lonely, grand in scale, stretching for mile upon mile, the clear blue air stabbed with peaks of snow, where the sun glints on the ice surfaces, green as sea ice, breath taking in its scope.”

Judy LaMarsh (1924–1980) Canadian politician, writer, broadcaster and barrister.

Source: Memoirs Of A Bird In A Gilded Cage (1969), CHAPTER 8, Centennial summer, p. 196 (On Canada...)

Gertrude Stein photo

“The sun is invisible in men, but visible in the world, yet both are of one and the same sun.”

Gerhard Dorn (1530–1584) alchemist, bibliophile, philosopher, physician, translator

Theatrum Chemicum Volume 1 Spec. phil.

Gordon Lightfoot photo

“Hail hero, hail hero, child of the sun
All covered with flowers still having your fun”

Gordon Lightfoot (1938) Canadian singer-songwriter

Theme song of Hail, Hero! (1969), co-written with Jerome Moross

Gerard Manley Hopkins photo
Ralph Waldo Emerson photo

“I wiped away the weeds and foam,
And fetched my sea-born treasures home;
But the poor, unsightly, noisome things
Had left their beauty on the shore
With the sun, and the sand, and the wild uproar.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Each and All, st. 3
1840s, Poems (1847)
Variant: I wiped away the weeds and foam,
And fetched my sea-born treasures home;
But the poor, unsightly, noisome things
Had left their beauty on the shore
With the sun, and the sand, and the wild uproar.

Sarah Fuller Flower Adams photo

“He sendeth sun, he sendeth shower,-
Alike they’re needful to the flower;
And joys and tears alike are sent
To give the soul fit nourishment.
As comes to me or cloud or sun,
Father! thy will, not mine, be done.”

Sarah Fuller Flower Adams (1805–1848) English poet, hymnwriter

"He sendeth Sun, he sendeth Shower", reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 282; and in Bartlett's Familiar Quotations, 10th ed. (1919).

Kate Bush photo
Ralph Chaplin photo
Natasha Bedingfield photo

“Just like the moon, I'll step aside, and let your sun shine while I follow behind…”

Natasha Bedingfield (1981) English singer and songwriter

"Angel" from Pocketful of Sunshine (2007)

Richard Henry Horne photo

“Far out at sea,—the sun was high,
While veer'd the wind and flapped the sail,
We saw a snow-white butterfly
Dancing before the fitful gale,
Far out at sea.”

Richard Henry Horne (1802–1884) English poet and critic

Genius; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 88.

Fred Thompson photo
Robert E. Howard photo
Omar Khayyám photo

“Wake! For the Sun, who scatter'd into flight
The Stars before him from the Field of Night,
Drives Night along with them from Heav'n, and strikes
The Sultan's Turret with a Shaft of Light.”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

Awake! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.
FitzGerald's first edition (1859).
The Rubaiyat (1120)

David Eugene Smith photo

“It is difficult to say when algebra as a science began in China. Problems which we should solve by equations appear in works as early as the Nine Sections (K'iu-ch'ang Suan-shu) and so may have been known by the year 1000 B. C. In Liu Hui's commentary on this work (c. 250) there are problems of pursuit, the Rule of False Position… and an arrangement of terms in a kind of determinant notation. The rules given by Liu Hui form a kind of rhetorical algebra.
The work of Sun-tzï contains various problems which would today be considered algebraic. These include questions involving indeterminate equations. …Sun-tzï solved such problems by analysis and was content with a single result…
The Chinese certainly knew how to solve quadratics as early as the 1st century B. C., and rules given even as early as the K'iu-ch'ang Suan-shu… involve the solution of such equations.
Liu Hui (c. 250) gave various rules which would now be stated as algebraic formulas and seems to have deduced these from other rules in much the same way as we should…
By the 7th century the cubic equation had begun to attract attention, as is evident from the Ch'i-ku Suan-king of Wang Hs'iao-t'ung (c. 625).
The culmination of Chinese is found in the 13th century. …numerical higher equations attracted the special attention of scholars like Ch'in Kiu-shao (c.1250), Li Yeh (c. 1250), and Chu-Shï-kié (c. 1300), the result being the perfecting of an ancient method which resembles the one later developed by W. G. Horner”

David Eugene Smith (1860–1944) American mathematician

1819
Source: History of Mathematics (1925) Vol.2, Ch. 6: Algebra

Letitia Elizabeth Landon photo
Paula Modersohn-Becker photo
Arnobius photo
Norman Mailer photo
Aristarchus of Samos photo

“Proposition 3. The circle in the moon which divides the dark and the bright portions is least when the cone comprehending both the sun and the moon has its vertex at our eye.”

Aristarchus of Samos ancient Greek astronomer and mathematician

p, 125
On the Sizes and Distances of the Sun and the Moon (c. 250 BC)

Clive Staples Lewis photo
Harry Chapin photo
Eugène Boudin photo

“[Venice is] somewhat disguised by the artists who usually paint Venice, who have disfigured it by turning it into a city heated by the brightest and hottest sun. On the contrary, Venice, like all luminous cities, has a grey hue, the atmosphere is mild and misty and the sky arrays itself with clouds, just like the sky of our Norman and Dutch regions.”

Eugène Boudin (1824–1898) French painter

Quote of Boudin's letter, from Venice, 1895; to art-dealer Durand-Ruel; as cited in 'Venice, The Grand Canal' 1895, by Anne-Marie Bergeret-Gourbin https://www.museothyssen.org/en/collection/artists/boudin-eugene/venice-grand-canal, Museo Thyssen
1880s - 1890s

Mike Oldfield photo
Kent Hovind photo
Paul Gabriël photo

“Amice, be so good, if it is not too late, to scrape the title 'l'Aprês-Midi' ['Afternoon', title of the work submitted for the exhibition] and simply put on it 'Paysage', for the simple reason.... because I chose the moment [in the work] that the sun starts to color and (sic) because there is vapor - many people will wrongly see it as a 'morning'. Mauve will send another aquarelle..”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: Amice, Wees zoo goed, indien het niet te laat is, de titel 'l'Aprês-Midi' ['Namiddag' titel van een ingezonden werk voor een expositie] uit te schrabben en eenvoudig maar Paysage te zetten om den eenvoudige reden.. ..daar ik het moment genomen heb [in het werkje] dat de zon begint te kleuren en (sic) doordien er damp is - door velen voor een morgen aangezien zal worden. Mauve zal een anderen aquarelle zenden..
Quote of Gabriël, in his letter to Henry Hymans (Secr. de Societé des Aquarellistes Bruxelles, from Schaerbeek 14 April, 1867; taken from an excerpt in the Collection RKD: Letters, Manuscripts and small Archives https://rkd.nl/explore/excerpts/158, The Hague
1860's + 1870's

Bawa Muhaiyaddeen photo
Georges Bataille photo
Paul Laurence Dunbar photo
Halldór Laxness photo

“You Danes really are a sorry lot if you think that the day will dawn when you'll get hold of Snæfríður, Iceland's sun.”

Halldór Laxness (1902–1998) Icelandic author

Þórður Narfason
Íslandsklukkan (Iceland's Bell) (1946), Part II: The Fair Maiden

Octavio Paz photo

“the reality beyond language is not completely reality, a reality that does not speak or say is not reality;
and the moment I say that, the moment I write, letter by letter, that a reality stripped of names is not reality, the names evaporate, they are air, they are a sound encased in another sound and in another and another, a murmur, a faint cascade of meanings that fade away to nothingness:
the tree that I say is not the tree that I see, tree does not say tree, the tree is beyond its name, a leafy, woody reality: impenetrable, untouchable, a reality beyond signs, immersed in itself, firmly planted in its own reality: I can touch it but I cannot name it, I can set fire to it but if I name it I dissolve it:
the tree that is there among the trees is not the tree that I name but a reality that is beyond names, beyond the word reality, it is simply reality just as it is, the abolition of differences and also the abolition of similarities;
the tree that I name is not the tree, and the other one, the one that I do not name and that is there, on the other side of my window, its trunk now black and its foliage still inflamed by the setting sun, is not the tree either, but, rather, the inaccessible reality in which it is planted:
between the one and the other there appears the single tree of sensation which is the perception of the sensation of tree that is vanishing, but
who perceives, who senses, who vanishes as sensations and perceptions vanish?”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Jeanette Winterson photo
Tim McGraw photo
Michel De Montaigne photo
Samuel Rutherford photo
Samuel Butler (poet) photo

“The sun had long since in the lap
Of Thetis taken out his nap,
And, like a lobster boil'd, the morn
From black to red began to turn.”

Samuel Butler (poet) (1612–1680) poet and satirist

Canto II, line 29
Source: Hudibras, Part II (1664)

Halldór Laxness photo

“Gold is precious because it resembles the sun. Silver has the light of the moon.”

Halldór Laxness (1902–1998) Icelandic author

the blind man at the Ölfus River
Íslandsklukkan (Iceland's Bell) (1946), Part I: Iceland's Bell

Amit Chaudhuri photo

“As the sun came up, we/saw the leaves peer out, shivering.’ ( Letter from the Hills )”

Amit Chaudhuri (1962) contemporary Indian-English novelist

St Cyril Road and Other Poems (2005)

Carlos Santana photo
Dylan Thomas photo
Conrad Aiken photo

“p>One translucent day I leave the city
to visit my home, the land of Champa.Here are stupas gaunt with yearning,
ancient temples ruined by time,
streams that creep alone through the dark
past peeling statues that moan of Champa.Here are dense and drooping forests
where long processions, lost souls of Champa,
march; and evening spills through thick,
fragrant leaves, mingling with the cries of moorhens.Here is the field where two great armies
were reduced to a horde of clamoring souls.
Champa blood still cascades in streams of hatred
to grinding oceans filled with Champa bones.Here too are placid images: hamlets at rest
in evening sun, Champa girls gliding homeward,
their light chatter floating
with the pink and saffron of their dresses.Here are magnificent sunbaked palaces,
temples that blaze in cerulean skies.
Here battleships dream on the glossy river, while the thunder
of sacred elephants shakes the walls.Here, in opaque light sinking through lapis lazuli,
the Champa king and his men are lost in a maze of flesh
as dancers weave, wreathe, entranced,
their bodies harmonizing with the flutes.All this I saw on my way home years ago
and still I am obsessed,
my mind stunned, sagged with sorrow
for the race of Champa.”

Chế Lan Viên (1920–1989) Vietnamese writer

"On the Way Home", in A Thousand Years of Vietnamese Poetry, ed. Nguyễn Ngọc Bích (Alfred A. Knopf, 1975), p. 167; quoted in full in Buddhism & Zen in Vietnam by Thich Thien-an (Tuttle Publishing, 1992)

Letitia Elizabeth Landon photo