Quotes about perfection

Source: On Politics: A Carnival of Buncombe

Variant: You may not be her first, her last, or her only. She loved before she may love again. But if she loves you now, what else matters? She's not perfect — you aren't either, and the two of you may never be perfect together but if she can make you laugh, cause you to think twice, and admit to being human and making mistakes, hold onto her and give her the most you can. She may not be thinking about you every second of the day, but she will give you a part of her that she knows you can break — her heart. So don't hurt her, don't change her, don't analyze and don't expect more than she can give. Smile when she makes you happy, let her know when she makes you mad, and miss her when she's not there.

Could you be loved
Uprising (1979)
Variant: I know that I'm not perfect and that I don't claim to be,
so before you point your fingers make sure your hands are clean.
Context: Who are you to judge the life I live?
I know that I'm not perfect and that I don't claim to be,
so before you point your fingers make sure your hands are clean.

Quoted in Bernard Weintraub, "Playboy Interview: Johnny Depp," Playboy (May 2004)
Context: I do have an affinity for damaged people, in life, in roles. I don't know why. We're all damaged in our own way. Nobody's perfect. I think we are all somewhat screwy, every single one of us.

Source: The Hiding Place

As quoted in Chanel (1987) by Jean Leymarie
Context: Women think of all colors except the absence of color. I have said that black has it all. White too. Their beauty is absolute. It is the perfect harmony.

Source: La Vita Nuova (1293), Chapter XIV, lines 49–50 (tr. Barbara Reynolds)

"Anthem"
The Future (1992)

1990s, Letter to the Union-Sun & Journal (1992)

Cited in Rules for methodizing the Apocalypse, Rule 9, from a manuscript published in The Religion of Isaac Newton (1974) by Frank E. Manuel, <!-- Oxford University Press -->p. 120, quoted in Never at Rest: A Biography of Isaac Newton (1983) by Richard S. Westfall, p. 326, in Fables of Mind: An Inquiry Into Poe's Fiction (1987) by Joan Dayan, p. 240, and in Everything Connects: In Conference with Richard H. Popkin (1999) by Richard H. Popkin, James E. Force, and David S. Katz, p. 124
Context: It is the perfection of God's works that they are all done with the greatest simplicity. He is the God of order and not of confusion. And therefore as they would understand the frame of the world must endeavor to reduce their knowledge to all possible simplicity, so must it be in seeking to understand these visions.

Panorama Magazine Article (September 19, 2010)

Cited as attributed to Zola in The Heretic's Handbook of Quotations : Cutting Comments on Burning Issues (1992) by Charles Bufe, p. 183, but no earlier citation has yet been located, and this appears to be very similar to remarks often attributed to Denis Diderot: "Men will never be free until the last king is strangled with the entrails of the last priest" and "Let us strangle the last king with the guts of the last priest" — these are loosely derived from a statement Diderot actually did make: "his hands would plait the priest's entrails, for want of a rope, to strangle kings."
This quote appeared in soviet popular-scientific work "Satellite atheist" (Sputnik ateista) http://books.google.ru/books/about/%D0%A1%D0%BF%D1%83%D1%82%D0%BD%D0%B8%D0%BA_%D0%B0%D1%82%D0%B5%D0%B8%D1%81%D1%82%D0%B0.html?id=Lq9AAAAAIAAJ&redir_esc=y (1959), p. 491.
Disputed

Ibid., p. 249
Original: Adoramos a perfeição, porque não a podemos ter; repugná-la-íamos, se a tivéssemos. O perfeito é o desumano, porque o humano é imperfeito.
Source: The Book of Disquiet

Source: Himalayan Lust

Source: Eat, Pray, Love

Epilogue. Compare: "An honest man's the noblest work of God", Alexander Pope, Essay on Man, epistle iv. line 248.
The Honest Man's Fortune, (1613; published 1647)

Matt Lauer interview http://www.msnbc.msn.com/id/13347509/page/4/, MSNBC (14 June 2006)

Fuckin' Perfect, written by Pink, Max Martin, and Shellback
Song lyrics, Greatest Hits... So Far!!! (2010)

"Brand New," So Far Gone (2009)

Or, comme il y a une infinité d'univers possibles dans les idées de Dieu, et qu'il n'en peut exister qu'un seul, il faut qu'il y ait une raison suffisante du choix de Dieu qui le détermine à l'un plutôt qu'à l'autre. Et cette raison ne peut se trouver que dans la convenance, dans les degrés de perfection que ces mondes contiennent, chaque possible ayant droit de prétendre à l'existence à mesure de la perfection qu'il enveloppe.
La monadologie (53 & 54).
The Monadology (1714)

Source: Henri Fayol addressed his colleagues in the mineral industry, 1900, p. 909

na may sta da nari shundi dy pakar
na da zulfi wal pa wal laka khamar
na da bati pashan danga ghari ghwaram
nargasay stargy na daki da khumar
na ghakhuna dy laluna da adan
na nangy dak sara sara laka anar
na pasti da sarindy pa shan khabari
na wajood laka da saar way mazadar
khu bas yow shai rata ra ukhaya dilbara
da lala pashan zargy ghawaram daghdar
yow dawa ukhaqi chi da ghum ao muhabat way
lakuno laluna dy karam zaar
Entreaty (1929)

Letter to Catherine L. Moore (7 February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 407-408
Non-Fiction, Letters

Cosmic Command

As quoted in Vanity Fair, Vol. 62, (1999)

30 December 1850
Journal Intime (1882), Journal entries
Context: Each bud flowers but once and each flower has but its minute of perfect beauty; so, in the garden of the soul each feeling has, as it were, its flowering instant, its one and only moment of expansive grace and radiant kingship. Each star passes but once in the night through the meridian over our heads and shines there but an instant; so, in the heaven of the mind each thought touches its zenith but once, and in that moment all its brilliancy and all its greatness culminate. Artist, poet, or thinker, if you want to fix and immortalize your ideas or your feelings, seize them at this precise and fleeting moment, for it is their highest point. Before it, you have but vague outlines or dim presentiments of them. After it you will have only weakened reminiscence or powerless regret; that moment is the moment of your ideal.

introduction to De Curvis Elasticis, Additamentum I to his Methodus Inveniendi Lineas Curvas Maximi Minimive Proprietate Gaudentes 1744; translated on pg10-11, "Leonhard Euler's Elastic Curves" https://www.dropbox.com/s/o09w82abgtftpfr/1933-oldfather.pdf, Oldfather et al 1933
Context: All the greatest mathematicians have long since recognized that the method presented in this book is not only extremely useful in analysis, but that it also contributes greatly to the solution of physical problems. For since the fabric of the universe is most perfect, and is the work of a most wise Creator, nothing whatsoever takes place in the universe in which some relation of maximum and minimum does not appear. Wherefore there is absolutely no doubt that every effect in the universe can be explained as satisfactorily from final causes, by the aid of the method of maxima and minima, as it can from the effective causes themselves. Now there exist on every hand such notable instances of this fact, that, in order to prove its truth, we have no need at all of a number of examples; nay rather one's task should be this, namely, in any field of Natural Science whatsoever to study that quantity which takes on a maximum or a minimum value, an occupation that seems to belong to philosophy rather than to mathematics. Since, therefore, two methods of studying effects in Nature lie open to us, one by means of effective causes, which is commonly called the direct method, the other by means of final causes, the mathematician uses each with equal success. Of course, when the effective causes are too obscure, but the final causes are more readily ascertained, the problem is commonly solved by the indirect method; on the contrary, however, the direct method is employed whenever it is possible to determine the effect from the effective causes. But one ought to make a special effort to see that both ways of approach to the solution of the problem be laid open; for thus not only is one solution greatly strengthened by the other, but, more than that, from the agreement between the two solutions we secure the very highest satisfaction.

Source: La Dolce Vita: Federico Fellini's Masterpiece

Source: Runaway Horses

https://www.japantimes.co.jp/culture/2018/06/02/books/book-reviews/yukio-mishimas-demons-full-force-runaway-horses/ note: Runaway Horses (1969)

Source: The Wise Man's Fear (2011)
Context: We love what we love. Reason does not enter into it. In many ways, unwise love is the truest love. Anyone can love a thing because. That's as easy as putting a penny in your pocket. But to love something despite. To know the flaws and love them too. That is rare and pure and perfect.

Variant: In a higher world it is otherwise, but here below to live is to change, and to be perfect is to have changed often.
Source: An Essay on the Development of Christian Doctrine (1845), Chapter 1, Section 1, Part 7.

Source: The Last Report on the Miracles at Little No Horse

Source: A Midsummer Night's Dream

Reflections on Gandhi (1949)
Source: In Front of Your Nose: 1945-1950

Intentions (1891)

Source: Brown Girl Dreaming

Source: The Exploits & Adventures of Miss Alethea Darcy

VII, 69
Source: Meditations (c. 121–180 AD), Book VII

Source: Sputnik Sweetheart

Source: 1984

Source: Pudd'nhead Wilson

Source: My Sister's Keeper (2004)

Majlisi, Bihārul Anwār, vol. 78, p. 6
Regarding Knowledge & Wisdom, Religious

The First Notebook
No Longer Human

Canto VI, lines 107–108 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno

Majlisi, Bihārul Anwār, vol.50, p. 179.
Regarding Knowledge & Wisdom, General

R.U.R. (1920)

2008, A More Perfect Union (March 2008)

http://www.details.com/culture-trends/news-and-politics/201008/interview-boxing-mike-tyson
On himself

Central Hall, Westminster, London, UK, November 2, 1971
1970s

R.U.R. (1920)

Source: Reflections and Maxims (1746), p. 177.

1990s, MTV interview (1994)

Ethics of the Spirituals

Canto XX, lines 136–138 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Paradiso

Plato, Phaedo

Bk. 3, ch. 17, sect. 1; p. 137.
Etymologiae

Kiyokazu Washida. The Past, the Feminine, the Vain in Talking to Myself (2002), Ch. 2: The Feminine, or the Gap Which Cannot be Filled.

Source: A Means for Furthering Peace (1905)

From the book De divina proportione

R.U.R. (1920)

Music, Mind, and Meaning (1981)

As quoted in Dictionary of Quotations from Ancient and Modern, English and Foreign Sources (1893) selected and compiled by James Wood.

Source: Nietzsche (1961), p. 127

As quoted in Lives by Plutarch, as translated by Arthur Hugh Clough

Source: The Society of Mind (1987), p. 308

Source: The Montessori Method (1912), Ch. 5 : Discipline, p. 100.
Context: Let us picture to ourselves a clever and proficient workman, capable, not only of producing much and perfect work, but of giving advice in his workshop, because of his ability to control and direct the general activity of the environment in which he works. The man who is thus master of his environment will be able to smile before the anger of others, showing that great mastery of himself which comes from consciousness of his ability to do things. We should not, however, be in the least surprised to know that in his home this capable workman scolded his wife if the soup was not to his taste, or not ready at the appointed time. In his home, he is no longer the capable workman; the skilled workman here is the wife, who serves him and prepares his food for him. He is a serene and pleasant man where he is powerful through being efficient, but is domineering where he is served. Perhaps if he should learn how to prepare his soup he might become a perfect man! The man who, through his own efforts, is able to perform all the actions necessary for his comfort and development in life, conquers himself, and in doing so multiplies his abilities and perfects himself as an individual.
We must make of the future generation, powerful men, and by that we mean men who are independent and free.

"Why Socialists Don't Believe in Fun" http://www.k-1.com/Orwell/site/work/essays/fun.html, Tribune (20 December 1943)
Context: Nearly all creators of Utopia have resembled the man who has toothache, and therefore thinks happiness consists in not having toothache. They wanted to produce a perfect society by an endless continuation of something that had only been valuable because it was temporary. The wider course would be to say that there are certain lines along which humanity must move, the grand strategy is mapped out, but detailed prophecy is not our business. Whoever tries to imagine perfection simply reveals his own emptiness.

Reflections of a Non-Political Man [Betrachtungen eines Unpolitischen] (1918)
Context: The important thing for me, then, is not the "work," but my life. Life is not the means for the achievement of an esthetic ideal of perfection; on the contrary, the work is an ethical symbol of life.

Sādhanā : The Realisation of Life http://www.spiritualbee.com/spiritual-book-by-tagore/ (1916)
Context: Want of love is a degree of callousness; for love is the perfection of consciousness. We do not love because we do not comprehend, or rather we do not comprehend because we do not love. For love is the ultimate meaning of everything around us. It is not a mere sentiment; it is truth; it is the joy that is at the root of all creation. It is the white light of pure consciousness that emanates from Brahma. So, to be one with this sarvānubhūh, this all-feeling being who is in the external sky, as well as in our inner soul, we must attain to that summit of consciousness, which is love: Who could have breathed or moved if the sky were not filled with joy, with love?

"Suzanne" - Isle of Wight performance (1970) http://www.youtube.com/watch?v=n_56ep729TE - Live in London (2008) http://www.youtube.com/watch?v=snMOmHzgssk
Songs of Leonard Cohen (1967)
Context: Suzanne takes you down to her place near the river.
You can hear the boats go by,
You can spend the night beside her,
And you know that she's half crazy
But that's why you want to be there,
And she feeds you tea and oranges
That come all the way from China.
And just when you mean to tell her
That you have no love to give her
Then she gets you on her wavelength
And she lets the river answer
That you've always been her lover.
And you want to travel with her,
And you want to travel blind,
And you know that she will trust you,
For you've touched her perfect body with your mind.

Hyperion
Context: What is all that men have done and thought over thousands of years, compared with one moment of love. But in all Nature, too, it is what is nearest to perfection, what is most divinely beautiful! There all stairs lead from the threshold of life. From there we come, to there we go.

Article on Philosophy, Vol. 25, p. 667, as quoted in Main Currents of Western Thought : Readings in Western European Intellectual History from the Middle Ages to the Present (1978) by Franklin Le Van Baumer
Variant translation: Reason is to the philosopher what grace is to the Christian. Grace moves the Christian to act, reason moves the philosopher. Other men walk in darkness; the philosopher, who has the same passions, acts only after reflection; he walks through the night, but it is preceded by a torch. The philosopher forms his principles on an infinity of particular observations. … He does not confuse truth with plausibility; he takes for truth what is true, for forgery what is false, for doubtful what is doubtful, and probable what is probable. … The philosophical spirit is thus a spirit of observation and accuracy.
L'Encyclopédie (1751-1766)
Context: Reason is to the philosopher what grace is to the Christian.
Grace causes the Christian to act, reason the philosopher. Other men are carried away by their passions, their actions not being preceded by reflection: these are the men who walk in darkness. On the other hand, the philosopher, even in his passions, acts only after reflection; he walks in the dark, but by a torch.
The philosopher forms his principles from an infinity of particular observations. Most people adopt principles without thinking of the observations that have produced them, they believe the maxims exist, so to speak, by themselves. But the philosopher takes maxims from their source; he examines their origin; he knows their proper value, and he makes use of them only in so far as they suit him.
Truth is not for the philosopher a mistress who corrupts his imagination and whom he believes to be found everywhere; he contents himself with being able to unravel it where he can perceive it. He does not confound it with probability; he takes for true what is true, for false what is false, for doubtful what is doubtful, and probable what is only probable. He does more, and here you have a great perfection of the philosopher: when he has no reason by which to judge, he knows how to live in suspension of judgment...
The philosophical spirit is, then, a spirit of observation and exactness, which relates everything to true principles...

So when I was working in kitchens, I did good work.
As quoted in the New York Times Magazine (11 September 1994).

Preface (8 May 1686)
Philosophiæ Naturalis Principia Mathematica (1687)

Bernard, section IX
The Waves (1931)

Source: "Can Socialists Be Happy?" https://www.orwellfoundation.com/the-orwell-foundation/orwell/essays-and-other-works/can-socialists-be-happy/, Tribune (20 December 1943). Published under the name ‘John Freeman’.