Quotes about art
page 13

Henry Wadsworth Longfellow photo
Raymond Chandler photo
Dorothy Parker photo

“Travel, trouble, music, art, a kiss, a frock, a rhyme --
I never said they feed my heart, but still they pass my time.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Source: The Portable Dorothy Parker

Don Marquis photo

“procrastination is the
art of keeping
up with yesterday”

Don Marquis (1878–1937) American writer

certain maxims of archy
archy and mehitabel (1927)

Robert Harris photo
James Thurber photo
Steven Pressfield photo

“To labor in the arts for any reason other than love is prostitution.”

Steven Pressfield (1943) United States Marine

Source: The War of Art: Break Through the Blocks and Win Your Inner Creative Battles

Cyril Connolly photo

“Literature is the art of writing something that will be read twice; journalism what will be grasped at once, and they require separate techniques.”

Source: Enemies of Promise (1938), Part 1: Predicament, Ch. 3: The Challenge of the Mandarins (p. 19)

Henry Miller photo

“This is not a book in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of art, a kick in the pants to God, Man, Destiny, Time, Love, Beauty… what you will.”

Source: Tropic of Cancer (1934), Chapter One
Context: This is not a book. This is libel, slander, defamation of character. This is not a book, in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of Art, a kick in the pants to God, Man, Destiny, Time, Love, Beauty... what you will.

Chuck Palahniuk photo

“Art never comes from happiness.”

Source: Choke

Maya Angelou photo
John F. Kennedy photo

“If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Speech at Amherst College
Context: If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him. We must never forget that art is not a form of propaganda; it is a form of truth.
Context: If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him. We must never forget that art is not a form of propaganda; it is a form of truth. And as Mr. MacLeish once remarked of poets, there is nothing worse for our trade than to be in style. In free society art is not a weapon and it does not belong to the spheres of polemic and ideology. Artists are not engineers of the soul. It may be different elsewhere. But democratic society — in it, the highest duty of the writer, the composer, the artist is to remain true to himself and to let the chips fall where they may. In serving his vision of the truth, the artist best serves his nation. And the nation which disdains the mission of art invites the fate of Robert Frost's hired man, the fate of having "nothing to look backward to with pride, and nothing to look forward to with hope."

Elizabeth Berg photo
Vincent Van Gogh photo

“Art is communication.”

Madeleine L'Engle (1918–2007) American writer

Source: Walking on Water: Reflections on Faith and Art

George Sand photo

“Art for the sake of art itself is an idle sentence. Art for the sake of truth, for the sake of what is beautiful and good — that is the creed I seek.”

George Sand (1804–1876) French novelist and memoirist; pseudonym of Lucile Aurore Dupin

L'art pour l'art est un vain mot. L'art pour le vrai, l'art pour le beau et le bon, voilà la religion que je cherche....
Letter to Alexandre Saint-Jean, (19 April 1872), published in Calmann Lévy (ed.) Correspondance (1812-1876). Eng. Transl by Raphaël Ledos de Beaufort in Letters of George Sand Vol. III, p. 242

John Keats photo

“The excellency of every art is its intensity, capable of making all disagreeables evaporate, from their being in close relationship with beauty and truth.”

John Keats (1795–1821) English Romantic poet

Letter to G. and F. Keats (December 21, 1817)
Letters (1817–1820)

Candace Bushnell photo
John Ashbery photo
E.M. Forster photo
Robert A. Heinlein photo
Rudyard Kipling photo

“And the first rude sketch that the world has seen
was joy to his mighty heart,
Till the Devil whispered behind the leaves, "It's pretty, but is it art?”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Conundrum of the Workshops, Stanza 1 (1890).
Other works
Source: The Barrack-Room Ballads and Other Verses
Context: When the flush of a new-born sun fell first on Eden's green and gold,
Our father Adam sat under the Tree and scratched with a stick in the mould;
And the first rude sketch that the world had seen was joy to his mighty heart,
Till the Devil whispered behind the leaves, “It's pretty, but is it Art?”

Henry Wadsworth Longfellow photo

“For his heart was in his work, and the heart
Giveth grace unto every Art.”

Source: The Building of the Ship (1849), Line 7.
Source: Hiawatha: The Story and Song

Andy Warhol photo
Thich Nhat Hanh photo

“Sometimes it is better not to talk about art by using the word "art". If we just act with awareness and integrity, our art will flower, and we don't have to talk about it at all.”

Thich Nhat Hanh (1926) Religious leader and peace activist

Source: Peace Is Every Step: The Path of Mindfulness in Everyday Life

Malcolm Muggeridge photo
Machado de Assis photo

“He felt that there is a loose balance of good and evil, and that the art of living consists in getting the greatest good out of the greatest evil.”

Entendia que há larga ponderação de males e bens, e que a arte de viver consiste em tirar o maior bem do maior mal.
Source: Iaiá Garcia (1878) ch. 3; Albert I. Bagby, Jr. (trans.) Iaiá Garcia (Lexington: University of Kentucky Press, 1977) p. 23.

Allen Ginsberg photo
Albert Einstein photo

“The most beautiful experience we can have is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science. Whoever does not know it and can no longer wonder, no longer marvel, is as good as dead, and his eyes are dimmed.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Variant translations: The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. He who knows it not and can no longer wonder, no longer feel amazement, is as good as dead, a snuffed-out candle. It was the experience of mystery — even if mixed with fear — that engendered religion. A knowledge of the existence of something we cannot penetrate, of the manifestations of the profoundest reason and the most radiant beauty, which are only accessible to our reason in their most elementary forms — it is this knowledge and this emotion that constitute the truly religious attitude; in this sense, and in this alone, I am a deeply religious man.
The finest emotion of which we are capable is the mystic emotion. Herein lies the germ of all art and all true science. Anyone to whom this feeling is alien, who is no longer capable of wonderment and lives in a state of fear is a dead man. To know that what is impenetrable for us really exists and manifests itself as the highest wisdom and the most radiant beauty, whose gross forms alone are intelligible to our poor faculties — this knowledge, this feeling … that is the core of the true religious sentiment. In this sense, and in this sense alone, I rank myself among profoundly religious men.
As quoted in After Einstein : Proceedings of the Einstein Centennial Celebration (1981) by Peter Barker and Cecil G. Shugart, p. 179
The most beautiful thing we can experience is the mysterious. It is the source of all true art and science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed.
As quoted in Introduction to Philosophy (1935) by George Thomas White Patrick and Frank Miller Chapman, p. 44
The most beautiful emotion we can experience is the mysterious. It is the fundamental emotion that stands at the cradle of all true art and science. He to whom this emotion is a stranger, who can no longer wonder and stand rapt in awe, is as good as dead, a snuffed-out candle. To sense that behind anything that can be experienced there is something that our minds cannot grasp, whose beauty and sublimity reaches us only indirectly: this is religiousness. In this sense, and in this sense only, I am a devoutly religious man."
He who can no longer pause to wonder and stand rapt in awe, is as good as dead; his eyes are closed.
1930s, Mein Weltbild (My World-view) (1931)
Context: The most beautiful experience we can have is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science. Whoever does not know it and can no longer wonder, no longer marvel, is as good as dead, and his eyes are dimmed. It was the experience of mystery — even if mixed with fear — that engendered religion. A knowledge of the existence of something we cannot penetrate, our perceptions of the profoundest reason and the most radiant beauty, which only in their most primitive forms are accessible to our minds: it is this knowledge and this emotion that constitute true religiosity. In this sense, and only this sense, I am a deeply religious man.

Walt Whitman photo
Ralph Waldo Emerson photo

“Thou art to me a delicious torment.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Friendship
Bartlett's Familiar Quotations, 10th ed. (1919), Essays, First Series

Anatole France photo

“The whole art of teaching is only the art of awakening the natural curiosity of young minds for the purpose of satisfying it afterwards.”

L'art d'enseigner n'est que l'art d'éveiller la curiosité des jeunes âmes pour la satisfaire ensuite.
Pt. II, ch. 4
The Crime of Sylvestre Bonnard (1881)

Anaïs Nin photo
Matthew Arnold photo

“Art still has truth. Take refuge there.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools
Charles Bukowski photo
Seth Grahame-Smith photo
Gordon Korman photo
James Joyce photo
Bell Hooks photo
Susan Sontag photo
Chinua Achebe photo
Hettie Jones photo
Raymond Chandler photo
Gertrude Stein photo

“The contemporary thing in art and literature is the thing which doesn't make enough difference to the people of that generation so that they can accept it or reject it.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

"How Writing is Written," Choate Literary Magazine (February 1935)
How Writing Is Written: Previously Uncollected Writings, vol.II (1974)

Auguste Rodin photo
Albrecht Thaer photo
Anthony Burgess photo
Eric R. Kandel photo
Leo Tolstoy photo
Paul Gauguin photo

“If we observe the totality of Camille Pissarro's works, we find there, despite the fluctuations, not only an extreme artistic will which never lies, but what is more, an essentially intuitive pure-bred art... He looked at everybody, you say! Why not? Everyone looked at him, too, but denied him. He was one of my masters and I do not deny him.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Quote c. 1902, in Racontars d'un Rapin, Paul Gauguin; as quoted in 'Introduction' of Camille Pissarro - Letters to His Son Lucien, ed. John Rewald, with assistance of Lucien Pissarro – (translated from the unpublished French letters by Lionel Abel); Pantheon Books Inc. New York, second edition, 1943, p. 15
After Paul Cezanne it was Gauguin who came to ask advice and painted landscape at the side of the much elder Pissarro. The traces of this apprenticeship as an impressionist were soon to disappear from Gauguin's works, but shortly before he died, he wrote these sentences about his former teacher
1890s - 1910s

John F. Kennedy photo

“But Goethe tells us in his greatest poem that Faust lost the liberty of his soul when he said to the passing moment: "Stay, thou art so fair." And our liberty, too, is endangered if we pause for the passing moment, if we rest on our achievements, if we resist the pace of progress. For time and the world do not stand still. Change is the law of life. And those who look only to the past or the present are certain to miss the future.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Address in the Assembly Hall at the Paulskirche in Frankfurt
Variant: Change is the law of life. And those who look only to the past or the present are certain to miss the future.
Documents on International Affairs, 1963, Royal Institute of International Affairs, ed. Sir John Wheeler Wheeler-Bennett, p. 36.

Clement of Alexandria photo
Elizabeth Rowe photo
Giorgio Morandi photo
Charles Reade photo

“Art is not imitation but illusion.”

Source: Christie Johnstone (1853), CHAPTER XII.

Calvin Coolidge photo
Edmund Burke photo

“Society is indeed a contract. Subordinate contracts for objects of mere occasional interest may be dissolved at pleasure — but the state ought not to be considered as nothing better than a partnership agreement in a trade of pepper and coffee, calico or tobacco, or some other such low concern, to be taken up for a little temporary interest, and to be dissolved by the fancy of the parties. It is to be looked on with other reverence; because it is not a partnership in things subservient only to the gross animal existence of a temporary and perishable nature. It is a partnership in all science; a partnership in all art; a partnership in every virtue, and in all perfection. As the ends of such a partnership cannot be obtained in many generations, it becomes a partnership not only between those who are living, but between those who are to be born. Each contract of each particular state is but a clause in the great primaeval contract of eternal society, linking the lower with the higher natures, connecting the visible and the invisible world, according to a fixed compact sanctioned by the inviolable oath which holds all physical and all moral natures, each in their appointed place. This law is not subject to the will of those, who by an obligation above them, and infinitely superior, are bound to submit their will to that law. The municipal corporations of that universal kingdom are not morally at liberty at their pleasure, and on their speculations of a contingent improvement, wholly to separate and tear asunder the bands of their subordinate community, and to dissolve it into an unsocial, uncivil, unconnected chaos of elementary principles. It is the first and supreme necessity only, a necessity that is not chosen, but chooses, a necessity paramount to deliberation, that admits no discussion, and demands no evidence, which alone can justify a resort to anarchy. This necessity is no exception to the rule; because this necessity itself is a part too of that moral and physical disposition of things, to which man must be obedient by consent or force: but if that which is only submission to necessity should be made the object of choice, the law is broken, nature is disobeyed, and the rebellious are outlawed, cast forth, and exiled, from this world of reason, and order, and peace, and virtue, and fruitful penitence, into the antagonist world of madness, discord, vice, confusion, and unavailing sorrow.”

Reflections on the Revolution in France (1790)

Thomas Carlyle photo
Evelyn Waugh photo

“Art is the symbol of the two noblest human efforts: to construct and to refrain from destruction.”

Evelyn Waugh (1903–1966) British writer

Simone Weil, The Pre-War Notebook (1933-1939), published in First and Last Notebooks (1970) edited by Richard Rees
Misattributed

John Ogilby photo

“But who art thou? that Voyce, and beauteous Face,
Not Mortal is; thou art of Heavenly Race.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Æneis

Roy Lichtenstein photo
Karen Armstrong photo
Mani Madhava Chakyar photo
Arjo Klamer photo
Alain de Botton photo

“In their different ways, art and philosophy help us, in Schopenhauer's words, to turn pain into knowledge.”

Source: The Consolations of Philosophy (2000), Chapter V, Consolation For A Broken Heart, p. 199.

Robert Herrick photo
Théodore Rousseau photo

“What has art to do with those things [Revolution, socialism]? Art will never come except from some little disregarded corner where some isolated man is studying the mysteries of nature, fully assured that the answer which he finds and which is good for him is good also for humanity, whatever may be the number of succeeding generations.”

Théodore Rousseau (1812–1867) French painter (1812-1867)

as quoted by Romain Rolland in his book Millet, c. 1900; transl. Miss Clementina Black; published by Duckworth & Co, Londo / E. P. Dutton & Co, New York, 1919, p. 8
undated quotes

Thomas Gray photo

“Behind the steps that Misery treads
Approaching Comfort view:
The hues of bliss more brightly glow
Chastised by sabler tints of woe,
And blended form, with artful strife,
The strength and harmony of life.”

Thomas Gray (1716–1771) English poet, historian

Source: Ode on the Pleasure Arising from Vicissitude http://www.thomasgray.org/cgi-bin/display.cgi?text=oopv (1754), Line 35

Pauline Kael photo

“I see little of more importance to the future of our country and of civilization than full recognition of the place of the artist. If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.”

Pauline Kael (1919–2001) American film critic

John F. Kennedy, address at the dedication of the Robert Frost Library, Amherst College, Amherst, Massachusetts (1963-10-26).
Misattributed

Leo Tolstoy photo

“The activity of art is… as important as the activity of language itself, and as universal.”

Leo Tolstoy (1828–1910) Russian writer

What is Art? (1897)

Martin Heidegger photo
Giorgio Morandi photo
Peter Blake photo
Aaron Copland photo

“The composer who is frightened of losing his artistic integrity through contact with a mass audience is no longer aware of the meaning of the word art.”

Aaron Copland (1900–1990) American composer, composition teacher, writer, and conductor

Aaron Copland and His World, ISBN 9780691124704.

Théophile Gautier photo

“Everything passes.–
Only robust art is eternal.
The bust outlives the city.
And the simple coin
Unearthed by a peasant
Reveals the image of an emperor.”

Théophile Gautier (1811–1872) French writer

Tout passe.
L'art robuste
Seul a l'éternité,
Le buste
Survit à la cité.
Et la médaille austère
Que trouve un laboureur
Sous terre
Révèle un empereur.
All passes, art alone
Enduring stays to us;
The bust outlasts the throne, —
The coin, Tiberius.
"L'Art", line 41, in Émaux et Camées (1852; Genève: Librairie Droz, 1947) pp. 131-2; Dean de la Motte and Jeannene M. Przyblyski (eds.) Making the News (Amherst: University of Massachusetts Press, 1999) p. 144; Henry Austin Dobson "Ars Victrix", line 29, in The Complete Poetical Works of Austin Dobson (Whitefish, Montana: Kessenger, 2005) p. 142.

William Burges photo
Mani Madhava Chakyar photo

““Mani Madhava Chakyar was the personification of all the greatness of this rich Indian classical art tradition”
- Kapila Vatsyayan (leading scholar of classical Indian dance), 1990”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya
Source: Kapila Vatsyayan, Gurupuja, Mathrubhumi weekly, February (11-17) 1990, p. 7.

Salvador Dalí photo
Pauline Kael photo

“Your mission, Roman, is to rule the world.
These will be your arts: to establish peace,
To spare the humbled, and to conquer the proud.”

Stanley Lombardo (1943) Philosopher, Classicist

Book VI, lines 1016–1018; Anchises to Aeneas.
Translations, Aeneid (2005)

Anthony Burgess photo
E.M. Forster photo
Louisa May Alcott photo
Jack Kerouac photo

“Your art is the Holy Ghost blowing through your soul.”

Jack Kerouac (1922–1969) American writer

A misquote. It derives from an interview that journalist Bruce Cook conducted with Kerouac in 1968 and reported in his book The Beat Generation (1971). According to Cook, Kerouac explained to him his method of writing: "I'll just sit down and let it flow out of me ... It's the Holy Ghost that comes through you. You don't have to be a Catholic to know what I mean, and you don't have to be a Catholic for the Holy Ghost to speak through you." Source of misquote.

André Gide photo

“The sole art that suits me is that which, rising from unrest, tends toward serenity.”

André Gide (1869–1951) French novelist and essayist

Entry for November 23, 1940
Journals 1889-1949