Quotes about window
page 2

Jeremy Bentham photo
Henry Miller photo
Laozi photo
Eminem photo

“Now you get to watch her leave out the window, Guess that's why they call it 'window pane.”

Eminem (1972) American rapper and actor

Love The Way You Lie
2010s, Recovery (2010)

H.P. Lovecraft photo
Leonardo Da Vinci photo

“The eye, which is called the window of the soul, is the principal means by which the central sense can most completely and abundantly appreciate the infinite works of nature; and the ear is the second, which acquires dignity by hearing of the things the eye has seen.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
Context: The eye, which is called the window of the soul, is the principal means by which the central sense can most completely and abundantly appreciate the infinite works of nature; and the ear is the second, which acquires dignity by hearing of the things the eye has seen. If you, historians, or poets, or mathematicians had not seen things with your eyes you could not report of them in writing. And if you, O poet, tell a story with your pen, the painter with his brush can tell it more easily, with simpler completeness and less tedious to be understood. And if you call painting dumb poetry, the painter may call poetry blind painting. Now which is the worse defect? to be blind or dumb? Though the poet is as free as the painter in the invention of his fictions they are not so satisfactory to men as paintings; for, though poetry is able to describe forms, actions and places in words, the painter deals with the actual similitude of the forms, in order to represent them. Now tell me which is the nearer to the actual man: the name of man or the image of the man. The name of man differs in different countries, but his form is never changed but by death.

William Saroyan photo

“One day, back there in the good old days when I was nine and the world was full of every kind of magnificence, and life was still a delightful and mysterious dream, my cousin Mourad, who was considered crazy by everybody who knew him except me, came to my house at four in the morning and woke me up by tapping on the window of my room.”

"The Summer of the Beautiful White Horse".
My Name Is Aram (1940)
Context: One day, back there in the good old days when I was nine and the world was full of every kind of magnificence, and life was still a delightful and mysterious dream, my cousin Mourad, who was considered crazy by everybody who knew him except me, came to my house at four in the morning and woke me up by tapping on the window of my room.
"Aram," he said.
I jumped out of bed and looked out the window.
I couldn't believe what I saw.
It wasn't morning yet, but it was summer and with daybreak not many minutes around the corner of the world it was light enough for me to know I wasn't dreaming.
My cousin Mourad was sitting on a beautiful white horse.

Horace Mann photo

“Books are the windows through which the soul looks out. A house without books is like a room without windows.”

Horace Mann (1796–1859) American politician

The Duty of Owning Books (1859)
Context: Books are the windows through which the soul looks out. A house without books is like a room without windows. No man has a right to bring up his children without surrounding them with books, if he has the means to buy them. It is a wrong to his family. He cheats them! Children learn to read by being in the presence of books. The love of knowledge comes with reading and grows upon it.

“Our earth is round, and, among other things, that means that you and I can hold completely different points of view and both be right. The difference of our positions will show stars in your window I cannot even imagine.”

June Jordan (1936–2002) Poet, essayist, playwright, feminist and bisexual activist

Introduction to the "Corners on the Curving Sky" section of the book Soulscript (1970) compiled by Jordan. These lines have been widely published in verse format as work misattributed to Gwendolyn Brooks, usually as a poem titled "Corners on the Curving Sky." One website http://web.archive.org/20090809112040/www.geocities.com/juscurious/anon.html indicated that Brooks had publicly repudiated the attribution of these lines to her, but the misattribution seems to have long remained largely unrecognized.
Context: Our earth is round, and, among other things, that means that you and I can hold completely different points of view and both be right. The difference of our positions will show stars in your window I cannot even imagine. Your sky may burn with light, while mine, at the same moment, spreads beautiful to darkness. Still we must choose how we separately corner the circling universe of our experience. Once chosen, our cornering will determine the message of any star and darkness we encounter. These poems speak to philosophy; they reveal the corners where we organize what we know.

Henri Barbusse photo

“I was walking, but I seemed to be falling from dream to dream, from desire to desire. A door ajar, an open window gave me a pang. A woman passing by grazed against me, a woman who told me nothing of what she might have told me. I dreamed of her tragedy and of mine.”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XVI
Context: I went out on the street like an exile, I who am an everyday man, who resemble everybody else so much, too much. I went through the streets and crossed the squares with my eyes fixed upon things without seeing them. I was walking, but I seemed to be falling from dream to dream, from desire to desire. A door ajar, an open window gave me a pang. A woman passing by grazed against me, a woman who told me nothing of what she might have told me. I dreamed of her tragedy and of mine. She entered a house, she disappeared, she was dead.

C.G. Jung photo

“Well, I was sitting opposite of her one day, with my back to the window, listening to her flow of rhetoric. She had an impressive dream the night before, in which someone had given her a golden scarab-a costly piece of jewellery. While she was still telling me this dream, I heard something behind me gently tapping on the window. I turned round and saw that it was a fairly large flying insect that was knocking against the window from outside in the obvious effort to get into the dark room. This seemed to me very strange. I opened the window and immediately and caught the insect in the air as it flew in. It was a scarabaeid beetle, or common rose-chafer, whose gold-green color most nearly resembles that of a golden scarab. I handed the beetle to my patient with the words "Here is your scarab."”

Source: Synchronicity: An Acausal Connecting Principle (1960), p. 110
Context: My example concerns a young woman patient who, in spite of efforts made on both sides, proved to be psychologically inaccessible. The difficulty lay in the fact that she always knew better about everything. Her excellent education had provided her with a weapon ideally suited to this purpose, namely a highly polished Cartesian rationalism with an impeccably "geometrical" idea of reality. After several fruitless attempts to sweeten her rationalism with a somewhat more human understanding, I had to confine myself to the hope that something unexpected and irrational would turn up, something that burst the intellectual retort into which she had sealed herself. Well, I was sitting opposite of her one day, with my back to the window, listening to her flow of rhetoric. She had an impressive dream the night before, in which someone had given her a golden scarab-a costly piece of jewellery. While she was still telling me this dream, I heard something behind me gently tapping on the window. I turned round and saw that it was a fairly large flying insect that was knocking against the window from outside in the obvious effort to get into the dark room. This seemed to me very strange. I opened the window and immediately and caught the insect in the air as it flew in. It was a scarabaeid beetle, or common rose-chafer, whose gold-green color most nearly resembles that of a golden scarab. I handed the beetle to my patient with the words "Here is your scarab." This broke the ice of her intellectual resistance. The treatment could now be continued with satisfactory results.

Omar Bradley photo

“I walked to the window and ripped open the blackout blinds. Outside the sun was climbing into the sky. The war in Europe had ended.”

Omar Bradley (1893–1981) United States Army field commander during World War II

Closing words, p. 554.
A Soldier's Story (1951)
Context: A canvas map lay under my helmet with its four silver stars. Only five years before on May 7, as a lieutenant colonel in civilian clothes, I had ridden a bus down Connecticut Avenue to my desk in the old Munitions building. I opened the mapboard and smoothed out the tabs of the 43 divisions now under my command. They stretched across a 640-mile front of the 12th Army Group. With a china-marking pencil, I wrote in the new date: D plus 335. I walked to the window and ripped open the blackout blinds. Outside the sun was climbing into the sky. The war in Europe had ended.

“LATER than usual one summer morning in 1984, Zoyd Wheeler drifted awake in sunlight through a creeping fig that hung in the window, with a squadron of blue jays stomping around on the roof. In his dream these had been carrier pigeons from someplace far across the ocean, landing and taking off again one by one, each bearing a message for him, but none of whom, light pulsing in their wings, he could ever quite get to in time.”

First lines
Vineland (1990)
Context: LATER than usual one summer morning in 1984, Zoyd Wheeler drifted awake in sunlight through a creeping fig that hung in the window, with a squadron of blue jays stomping around on the roof. In his dream these had been carrier pigeons from someplace far across the ocean, landing and taking off again one by one, each bearing a message for him, but none of whom, light pulsing in their wings, he could ever quite get to in time. He understood it to be another deep nudge from forces unseen, almost surely connected with the letter that had come along with his latest mental-disability check, reminding him that unless he did something publicly crazy before a date now less than a week away, he would no longer qualify for benefits. He groaned out of bed.

Al Capone photo
Dan Abnett photo

“If he speaks again without me knowing who he is, I will throw him out of the window. And I won't open it first.”

Dan Abnett (1965) British comic book writer, novelist

Source: Xenos

Megan Whalen Turner photo
Joe Hill photo

“Who knows what may lie around the next corner? There may be a window somewhere ahead. It may look out on a field of sunflowers.”

Joe Hill (1879–1915) Swedish-American labor activist, songwriter, and member of the Industrial Workers of the World

Source: 20th Century Ghosts

Shannon Hale photo
Jean Cocteau photo

“The window can be fixed, Katerina. I'm far more concerned about him.”

Ally Carter (1974) American writer

Source: Perfect Scoundrels

Thomas Wolfe photo
Maureen Johnson photo
Nicholas Sparks photo
Henry James photo
Ayn Rand photo
Gordon Korman photo
Libba Bray photo
Paulo Coelho photo
Lev Grossman photo
Sören Kierkegaard photo
Scott Westerfeld photo
Mitch Albom photo
James Patterson photo
Markus Zusak photo
David Levithan photo

“Oh, Blimey O'Riley's pantyhose…. What is the point of Shakespeare? I know he is a genius and so on, but he does rave on. 'What light doth through yonder window break?' It's the bloody moon, for God sake, Will, get a grip!”

Louise Rennison (1951–2016) British writer

Variant: Oh Blimey O‘Reilly's pantyhose... what is the point of Shakespeare? I know he is a genius and so on, but he does rave on. It's the bloody moon, for God's sake, Will, get a grip!!
Source: Dancing in My Nuddy-Pants

Jodi Picoult photo
Ernest Hemingway photo

“we would be together and have our books and at night be warm in bed together with the windows open and the stars bright.”

Variant: Where we would be together and have our books and at night be warm in bed together with the windows open and the stars bright. That was where we could go.
Source: A Moveable Feast

Elie Wiesel photo
Jeffrey Eugenides photo
Scott Adams photo

“The human mind is a delusion generator, not a window to trurh.”

Scott Adams (1957) cartoonist, writer

Source: God's Debris: A Thought Experiment

Kim Harrison photo
Kim Harrison photo
Haruki Murakami photo
Laurell K. Hamilton photo
Ken Follett photo
Paulo Coelho photo

“Sometimes, certain of God's blessings arrive by shattering all the windows. (Brida)”

Variant: Sometimes the best of gods gift's arrive by the shattering of all the window panes.
Source: Brida

Matthew Arnold photo
Edward Gorey photo

“My favorite journey is looking out the window.”

Edward Gorey (1925–2000) American writer, artist, and illustrator
George Bernard Shaw photo
Langston Hughes photo
Haruki Murakami photo
Rick Riordan photo
Marcus Aurelius photo
Bernard Malamud photo

“There comes a time in a man's life when to get where he has to – if there are no doors or windows – he walks through a wall.”

Bernard Malamud (1914–1986) American author

"The Man in the Drawer", in Rembrandt's Hat (1973); cited from Selected Stories (Harmondsworth: Penguin, 1985) p. 225

Tariq Ramadan photo
Gustave Flaubert photo
Rick Riordan photo
Sara Shepard photo
Kelley Armstrong photo
Cassandra Clare photo

“So, what are you?"
"What I am is someone who doesn't want you to jump out of the window. The rest are details.”

Cassandra Clare (1973) American author

Source: The Rise of the Hotel Dumort

John Steinbeck photo
Alberto Manguel photo
Dorianne Laux photo
Philip Larkin photo
Walter Isaacson photo
John Irving photo

“Keep passing the open windows.”

Source: The Hotel New Hampshire

Frances Hodgson Burnett photo
Ayn Rand photo

“He stepped to the window and pointed to the skyscrapers of the city. He said that we had to extinguish the lights of the world, and when we would see the lights of New York go out, we would know that our job was done.”

The Fountainhead (1943).
Source: Atlas Shrugged
Context: That particular sense of sacred rapture men say they experience in contemplating nature- I've never received it from nature, only from. Buildings, Skyscrapers. I would give the greatest sunset in the world for one sight of New York's skyline. The shapes and the thought that made them. The sky over New York and the will of man made visible. What other religion do we need? And then people tell me about pilgrimages to some dank pest-hole in a jungle where they go to do homage to a crumbling temple, to a leering stone monster with a pot belly, created by some leprous savage. Is it beauty and genius they want to see? Do they seek a sense of the sublime? Let them come to New York, stand on the shore of the Hudson, look and kneel. When I see the city from my window - no, I don't feel how small I am - but I feel that if a war came to threaten this, I would like to throw myself into space, over the city, and protect these buildings with my body.

“Every window in Alcatraz has a view of San Francisco.”

Source: Girl, Interrupted

Raymond Carver photo
Brené Brown photo

“Elisabeth Kübler-Ross: “People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their beauty is revealed only if there is a light from within.”

Brené Brown (1965) US writer and professor

Source: The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are

Arthur Conan Doyle photo
David Levithan photo
Cassandra Clare photo
Diana Gabaldon photo
David Levithan photo
Alice Walker photo
Rodney Dangerfield photo
Greg Behrendt photo
Peter F. Drucker photo