Quotes about styling
page 2

“I have peanut M&M's up there."
"Not my style"
"Raisinets."
"Feh."
"Sam Adams."
Thor narrowed his eyes. "Cold?"
"Downright icy."
Thor crossed his arms over his chest and told him self he was not pouting like a five-year-old. "I want Milk Duds.”

Jessica Bird (1969) U.S. novelist

Source: Lover Reborn

“Anyway, there is one thing I have learned and that is not to dress uncomfortably, in styles which hurt: winklepicker shoes that cripple your feet and tight pants that squash your balls. Indian clothes are better.”

George Harrison (1943–2001) British musician, former member of the Beatles

Shoe, Learning, Hurt, Clothes

“He thrived with passion and compassion, humor and style. We had him whether we know who he was or did not know, he was ours and we were his.”

Maya Angelou book I Know Why the Caged Bird Sings

We Had Him (2009)
Source: I Know Why the Caged Bird Sings
Context: Though we are many, each of us is achingly alone, piercingly alone.
Only when we confess our confusion can we remember that he was a gift to us and we did have him.
He came to us from the creator, trailing creativity in abundance.
Despite the anguish, his life was sheathed in mother love, family love, and survived and did more than that.
He thrived with passion and compassion, humor and style. We had him whether we know who he was or did not know, he was ours and we were his.

Passion

“No matter that we could be beheaded for this,” said Esa. “Heads are overrated.”
“Yes, they are so unfashionable,” said Miri, imitating an Aslandian accent. “This spring, ladies of style are wearing their feathers in their necks.”

Shannon Hale (1974) American fantasy novelist

Source: Palace of Stone

Spring

“Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgement. When a bunch of people begin to do it, it is a social error, a life-style. In this particular life-style the motto is “Be happy now because tomorrow you are dying,” but the dying begins almost at once, and the happiness is a memory.”

Philip K. Dick book A Scanner Darkly

Author’s Note (pp. 276-277)
A Scanner Darkly (1977)

Life, People, Disease, Cars

“The decorator of Las Colimas must have been a great admirer of both early Aztec and late Taco Bell architectural styles.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Bites

“Laughter, like love, has power to survive the worst things life has to offer. And to do it with style.”

Jim Butcher book Blood Rites

Source: Blood Rites

Love, Life, Laughter

“What bothered me most was their lack of style. I learned early that class is universally admired. Almost any fault, sin or crime is considered more leniently if there's a touch of class involved.”

Frank W. Abagnale (1948) American security consultant, former confidence trickster, check forger, impostor, and escape artist

Source: Catch Me If You Can: The True Story of a Real Fake

Learning, Universe

“Besides, if you're going to die horribly, you might as well do it with style.”

Jonathan Stroud book The Ring of Solomon

Source: The Ring of Solomon

“I personally like being unique. I like being my own person with my own style and my own opinions and my own toothbrush.”

Ellen DeGeneres (1958) American stand-up comedian, television host, and actress

Source: Seriously... I'm Kidding

Personality

“Go,” Marasi said. “Do what you do best, Waxillium Ladrian.”
“Which is what? Break things?”
“Break things,” Marasi said, “with style.”

Brandon Sanderson (1975) American fantasy writer

Source: The Bands of Mourning

“Whatever does not pretend at all has style enough.”

Booth Tarkington book The Magnificent Ambersons

Source: The Magnificent Ambersons

“Prescriptive grammar has spread linguistic insecurity like a plague among English speakers for centuries, numbs us to the aesthetic richness of non-standard speech, and distracts us from attending to genuine issues of linguistic style in writing.”

John McWhorter (1965) American linguist and political commentator

Source: Word on the Street: Debunking the Myth of "Pure" Standard English

“People don't have fortunes left them in that style nowadays; men have to work and women to marry for money. It's a dreadfully unjust world.”

Louisa May Alcott (1832–1888) American novelist

Women, Men, Money, People

“It's a man's business to be what he is, and to be it in style.”

Robert A. Heinlein (1907–1988) American science fiction author

Business

“Also, I didn’t trust any guy who used more styling products than I did.”

Richelle Mead Bloodlines

Source: Bloodlines

Guy

“I'm not a fast reader. I like to linger over each sentence, enjoying the style. If I don't enjoy the writing, I stop.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore

“Going to trial with a lawyer who considers your whole life-style a Crime in Progress is not a happy prospect.”

Hunter S. Thompson (1937–2005) American journalist and author

Life, Happiness

“We are tied down to a language which makes up in obscurity what it lacks in style.”

Tom Stoppard (1937) British playwright

Source: Rosencrantz and Guildenstern are Dead

“My style of writing is very diffrent from yours.”

Jane Austen book Pride and Prejudice

Source: Pride and Prejudice

“The reality distortion field was a confounding mélange of a charismatic rhetorical style, indomitable will, and eagerness to bend any fact to fit the purpose at hand”

Walter Isaacson book Steve Jobs

Source: Steve Jobs

Reality

“Create your own style… let it be unique for yourself and yet identifiable for others.”

Anna Wintour (1949) English editor-in-chief of American Vogue

“No matter how subtle the wizard, a knife between the shoulder blades will seriously cramp his style.”

Steven Brust (1955) American fantasy and science fiction author

“Check out that one at the end. He's taken the form of a footstool. Weird… but somehow I like his style."

"That is a footstool.”

Jonathan Stroud book The Golem's Eye

Source: The Golem's Eye

“God seems to have a kind of laid-back management style I’m not crazy about.”

David Foster Wallace book Infinite Jest

Source: Infinite Jest

God

“The most durable thing in writing is style, and style is the single most valuable investment a writer can make with his time.”

Raymond Chandler (1888–1959) Novelist, screenwriter

Time

“So, what’s your style preference? (Grace)
For what I have in mind, nudity works best. (Julian)”

Sherrilyn Kenyon Fantasy Lover

Source: Fantasy Lover

“In the immemorial style of young men under pressure, they decided to lie down for a while and waste time.”

Michael Chabon book The Amazing Adventures of Kavalier & Clay

Source: The Amazing Adventures of Kavalier & Clay

Men, Lie, Time

“If you have any young friends who aspire to become writers, the second greatest favor you can do them is to present them with copies of The Elements of Style. The first greatest, of course, is to shoot them now, while they’re happy.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

From a review of the revised edition of “The Elements of Style” by William Strunk Jr. and E. B. White published in Esquire, November 1959.

Happiness

“Probably human cruelty is fixed and eternal. Only styles change.”

Martin Amis book Time's Arrow

Source: Time's Arrow

Change

“Getting to the top of any given mountain was considered much less important than how one got there: prestige was earned by tackling the most unforgiving routes with minimal equipment, in the boldest style imaginable.”

Jon Krakauer (1954) American outdoors writer and journalist

Source: Into Thin Air: A Personal Account of the Mount Everest Disaster

Imagination, Mountain

“« He squeezed his hands into fists. I picked up a grapefruit-sized rock and handed it to him. It went flying. Home run, Beast Lord style.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Rises

Home, Flying

“In matters of style, swim with the current: in matters of principle, stand like a rock.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

As quoted in Careertracking: 26 success Shortcuts to the Top (1988) by James Calano and Jeff Salzman; though used in an address by Bill Clinton (31 March 1997), and sometimes cited to Notes on the State of Virginia (1787) no earlier occurence of this has yet been located.
Disputed

Motivational, Leadership, Back To Work

“Proper words in proper places, make the true definition of a style.”

Jonathan Swift (1667–1745) Anglo-Irish satirist, essayist, and poet

Letter to a Young Clergyman http://www.online-literature.com/swift/religion-church-vol-one/7/ (January 9, 1720)

“A classic,' suggested Anthony, 'is a successful book that has survived the reaction of the next period or generation. Then it's safe, like a style in architecture or furniture. It's acquired a picturesque dignity to take the place of its fashion.”

F. Scott Fitzgerald book The Beautiful and Damned

Source: The Beautiful and Damned

Books, Fashion, Success

“Hide-and-seek, grown-up style. Wanting to hide. Needing to be sought. Confused about being found.”

Robert Fulghum (1937) American writer

Source: All I Really Need to Know I Learned in Kindergarten: Uncommon Thoughts on Common Things

“Joan of Arc had style. Jesus had style.”

Charles Bukowski (1920–1994) American writer

“For me, music and life are all about style.”

Miles Davis (1926–1991) American jazz musician

Miles, the Autobiography (1989) (co-written with Quincy Troupe, p. 398.)
1980s

Life, Music

“Style is not neutral; it gives moral directions.”

Martin Amis (1949) Welsh novelist

Novelists in Interview (1985) edited by John Haffenden

“One man's style must not be the rule of another's.”

Jane Austen book Emma

Source: Emma

“Chicks dig a dude who’s sporting the latest eggplant turtleneck styles.”

Jordan Sonnenblick (1969) American writer

Source: Drums, Girls & Dangerous Pie

Sport

“If you write with passion in your own style, you will make a place for yourself”

Dean Koontz (1945) American author

Passion

“He was very much a man of moods, possibly owing to what is styled the artistic temperment. I have never seen, myself, why the possession of artistic ability should be supposed to excuse a man from a decent exercise of self-control.”

Agatha Christie (1890–1976) English mystery and detective writer

Exercises, Mood

“As honest as you can expect a man to be in a world where its going out of style.”

Raymond Chandler book The Big Sleep

Source: The Big Sleep

World

“Style is knowing who you are, what you want to say, and not giving a damn.”

Gore Vidal (1925–2012) American writer

“I'll say God seems to have a kind of laid-back management style I'm not crazy about. I'm pretty much anti-death. God looks by all accounts to be pro-death. I'm not seeing how we can get together on this issue, he and I…”

David Foster Wallace book Infinite Jest

Source: Infinite Jest

Death, God

“Some people never say those words "I love you".
It's not their style to be so bold.
Some people never say those words "I love you".
But like a child, they're longing to be told.”

Paul Simon (1941) American musician, songwriter and producer

Something So Right
Song lyrics, There Goes Rhymin' Simon (1973)

Love, People

“I pursue no objectives, no systems, no tendency; I have no program, no style, no direction. I have no time for specialized concerns, working themes, or variations that lead to mastery. I steer clear of definitions. I don't know what I want. I am inconsistent, non-committal, passive; I like the indefinite, the boundless; I like continual uncertainty.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 60, note 92

Time

“[I] purposely avoided the styles of Raphael and Michaelangelo because I was ambitious of higher distinction than that of a clever imitator.”

Titian (1488–1576) Italian painter

Titian's remark to Francesco Vargas, the Spanish envoy, c. 1545; in Vicus, De studiorum ratione, u. s. p. 109; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account..., publisher John Murray, London, 1877, p. 115
1541-1576

“When most Italian artists of my own generation were afraid to be too 'modern,' too 'international' in their style, not 'national' or 'imperial' enough, I was still left in peace, perhaps because I demanded so little recognition. My privacy was thus my protection and, in the eyes of the Grand Inquisitors of Italian art, I remained a provincial professor of etching, at the Fine Art Academy in Bologna.”

Giorgio Morandi (1890–1964) Italian painter

In a 1960 interview; as quoted in Giorgio Morandi, 1890–1964, eds. Renato Miracco and Maria Christina Bandera, Exh. cat. Milan: Skira, 2008
Morandi claimed in the interview this position
1945 - 1964

Peace, Art

“Each form of the sacrosanct was regarded by members of the culture which gave rise to it as a revelation of the Truth; at Byzantium it was not a mere hypothesis that was sponsored by the majesty of the Byzantine style. To us, however, these forms make their appeal as forms alone — in other words, as they would be were they the work of a contemporary (and, since this actually is unthinkable, they affect us in a puzzling manner); or else as so many grandiose vestiges of a faith that has died out. We look at them from outside; they are still emotive, but they are no longer true. Thus we deprive them of what was their most vital element; for a religious civilization that regarded what it revered as a mere hypothesis is inconceivable.”

André Malraux (1901–1976) French novelist, art theorist and politician

Part IV, Chapter V
Les voix du silence [Voices of Silence] (1951)

Truth, Faith

“My main inspiration is sardonic British TV critics like Charlie Brooker, whose excellent show Screenwipe is fully on Youtube, and I recommend everyone watch it. He used to write for a PC magazine I read fanatically as a child. My own style is a mixture of him, possibly Douglas Adams, and internet writers like Seanbaby, Old Man Murray, or Something Awful. I’m such a rip-off.”

Ben Croshaw (1983) English video game journalist

http://www.geek.com/interview-zero-punctuations-yahtzee/
Other Articles

Reading

“We should not speak of all subjects in one tone and in the same manner. We do not march at the head of a regiment as we walk on a promenade; and we should use the same style in which we should naturally speak of different things in the same way, with the same difference as we should walk, but always naturally, and as is suitable, either at the head of a regiment or on a promenade.”

François de La Rochefoucauld (1613–1680) French author of maxims and memoirs

Reflections on Various Subjects (1665–1678), VII. On Air and Manner

Way, Nature

“Style of the future is the convergence of function and fashion.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

NASA Ames presentation, April 12, 2008 Vanna Bonta Presents Smart Fashion At NASA Ames Yuri's Night http://ireport.cnn.com/docs/DOC-13127 CNN i Report, April 19, 2008

Fashion, Future

“The Leader of the Future 2 is divided into five parts. In Part One, our book begins where it should, with Peter Drucker’s vision of leadership… Part Two, "Leading in a Diverse World," begins with the recognized world authority on building a learning organization. "Systems Citizenship" presents MIT’s Peter Senge at his best, as he challenges us to understand systems, implement systems intelligence, and build partnerships that are a mandate for the new millennium… Part Three, "Leading in a Time of Crisis and Complexity," begins with Ron Heifetz of Harvard’s Kennedy School. Ron describes new approaches to solving leadership dilemmas as he challenges leaders in "Anchoring Leadership in the Work of Adaptive Progress"… Part Four, "Leading Organizations of the Future," shows how changing context has an impact leadership needs, demanding changes in leadership styles. Charles Handy is one of the great social philosophers of our time… Part Five, "The Quality and Character of the Leader of the Future," begins with one of the most influential thought leaders in history, Stephen Covey. In "Leading in the Knowledge Worker Age."”

Marshall Goldsmith (1949) American author of leadership and management literature

Source: The leader of the future 2, 2006, p. xiv-xvii; preview

Books, Age, World, School

“I live cinema. I chose the cinema when I was very young, sixteen years old, and from then on my memories virtually coincide with the history of the cinema … I'm not a director with a personal style, I am simply cinema. I have grown up with and through cinema; everything that I've had in the way of education has been through the cinema; insofar as I'm interested in images, in books, in music, it's all due to the cinema.”

Michael Powell (1905–1990) English film director

Midi-Minuit Fantastique, Oct. 1968

Books, Education, Music, Way

“He knew that the whole mystery of beauty can never be comprehended by the crowd, and that while clearness is a virtue of style, perfect explicitness is not a necessary virtue.”

Arthur Symons book The Symbolist Movement in Literature

Gérard de Nerval.
The Symbolist Movement in Literature (1899)

Beauty, Perfection

“Styles change, style doesn't.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Styles, like everything else, change. Style doesn't. - Linda Ellerbee, Move On: Adventures in the Real World (1991), p. 35 G.P. Putnam's Sons ISBN 0399136231
Misattributed

Change

“The one art that is abstract and pure enough to have the one problem and possibility, in our time and timelessness, of the 'one single grand original problem' is pure abstract painting. Abstract painting is not just another school or movement or style but the first truly unmannered and untrammeled and un-entangled, styleless, universal painting. No other art or painting is detached or empty or immaterial enough.”

Ad Reinhardt (1913–1967) American painter

Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 157

School, Art, Problem, Universe

“In boxing, the style has changed over the years from crouching to being more and more vertical. Also people used to jump around, but the modern boxer like Tyson just moves in flat footed to demolish his opponent in a scientific way. In Wing Chun a person does not bob as in boxing. When two beginners fight it doesn't matter how they fight, but against professionals it makes a difference. Even a smaller [person] is better off to keep the body vertical and step back, then to bob and weave. This is because the hand can move faster than the body. Boxing is still like a game because there are rules for how you can hit and how you can't hit. If you attack someone and they bend their head, then in Wing Chun you can still hit them with your hand even without pulling your hand back.”

Wong Shun Leung (1935–1997) martial artist

Boxing <br class="br">Source: Comments From Wong Shun Leung and Tsui Shan Ting, by Ray Van Raamsdonk http://www.springtimesong.com/wcqanda.htm

People, Way, Game, Change

“Whether you know what you're doing or not, efficiency & style are your only improvement opportunities.”

David Allen (1945) American productivity consultant and author

16 September 2010 https://twitter.com/gtdguy/status/24608868849 <br class="br"> Official Twitter profile (@gtdguy) https://twitter.com/gtdguy

“In China's communist era, despite all of the rhetoric about internationalism and "liberation of mankind" during the Mao years, the regime, especially in its claims to legitimacy, has consistently stressed nationalism. Nationalism has taken different forms at different stages - an arrogant, bellicose style under Mao; a pragmatic, defensive style under Deng Xiaoping; and a resurgence of the arrogant, bellicose style under Jiang Zemin - but the underlying passions that shape the policies have always been caught up in a vicious cycle between self-abasement and self-aggrandizement.”

Liu Xiaobo (1955–2017) Chinese literary critic, writer, professor, and human rights activist

"Bellicose and Thuggish: The Roots of Chinese "Patriotism" at the Dawn of the Twenty-First Century" (2002)
No Enemies, No Hate: Selected Essays and Poems

Passion

“But that (i. e., colonialism) was only half the story, he reminded himself wearily. What about the government corruption and endless red tape, the heedless economic policies, the lavish life-styles of graft-taking officials, the bloated bureaucracies, the mismanaged state industries? Surely no victim of colonial plunder had ever participated more enthusiastically in its own rape than Egypt.”

Jamil Nasir (1955) American writer

Source: Tower of Dreams (1999), Chapter 8 (p. 107)

Life

“Consider some of the qualities of typical modernistic poetry: very interesting language, a great emphasis on connotation, "texture"; extreme intensity, forced emotion — violence; a good deal of obscurity; emphasis on sensation, perceptual nuances; emphasis on details, on the part rather than on the whole; experimental or novel qualities of some sort; a tendency toward external formlessness and internal disorganization — these are justified, generally, as the disorganization required to express a disorganized age, or, alternatively, as newly discovered and more complex types of organization; an extremely personal style — refine your singularities; lack of restraint — all tendencies are forced to their limits; there is a good deal of emphasis on the unconscious, dream structure, the thoroughly subjective; the poet's attitudes are usually anti-scientific, anti-common-sense, anti-public — he is, essentially, removed; poetry is primarily lyric, intensive — the few long poems are aggregations of lyric details; poems usually have, not a logical, but the more or less associational style of dramatic monologue; and so on and so on. This complex of qualities is essentially romantic; and the poetry that exhibits it represents the culminating point of romanticism.”

Randall Jarrell book Five Young American Poets

"A Note on Poetry," preface to The Rage for the Lost Penny: Five Young American Poets (New Directions, 1940) [p. 49]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Age, Dreams, Sense, Parting

“I am primarily painting from photographs these days (from illustrated magazines but also from family photos), in a sense this is a stylistic problem, the form is naturalistic, even though the photograph is not nature at all but a prefabricated product (the “second-hand world” in which we live), I do not have to intervene artistically with style, since the stylization (deformation in form and color) contributes only under very particular circumstances toward clarifying and intensifying an object or a subject (generally stylization becomes the central problem which obscures everything else (object, subject), it leads to an unmotivated artificiality, an untouchable formalist taboo.”

Gerhard Richter (1932) German visual artist, born 1932

In Richter's letters from Düsseldorf, 19 July 1963 - to two artist friends, Helmut and Erika Heinze
1960's

World, Family, Color, Photo

“The day will come when the two-state solution collapses and we face a South African-style struggle for equal voting rights. As soon as that happens, the state of Israel is finished. The Jewish organizations, which were our power base in America, will be the first to come out against us, because they will say they cannot support a state that does not support democracy and equal voting rights for all its residents.”

Ehud Olmert (1945) Israeli politician, prime minister of Israel

Financial Times (30 NOV 2007)

Democracy, Support

“You don’t want to be imitating his [Miyazaki] style. You’ve got to create something different, something that he hasn’t done.”

Makoto Shinkai (1973) Japanese anime director and former graphic designer

About Your Name

“To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body—both go together, they can’t be separated.”

Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic

Quoted in: Richard Roud, Godard, introduction (1967, repr. 1970).

“My peculiarity is that I don't have a particular style of investing or, more exactly, I try to change my style to fit the conditions.”

George Soros (1930) Hungarian-American business magnate, investor, and philanthropist

Soros on Soros (1995)

Change

“In the twenty-four years since its birth in 1921, the Communist Party of China has gone through three great struggles--the Northern Expedition, the Agrarian Revolutionary War and the War of Resistance Against Japan which is still going on. From its very beginning our Party has based itself on the theory of Marxism-Leninism, for Marxism-Leninism is the crystallization of the most correct and most revolutionary scientific thought of the world proletariat. When the universal truth of Marxism-Leninism began to be integrated with the concrete practice of the Chinese revolution, the Chinese revolution took on an entirely new complexion and the entire historical stage of New Democracy emerged. Armed with Marxist-Leninist theory, the Communist Party of China has brought a new style of work to the Chinese people, a style of work which essentially entails integrating theory with practice, forging close links with the masses and practicing self-criticism.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On Coalition Government (1945)

War, People, Truth, World

“Stephan Arkadievich chose neither his attitudes nor his opinions, no, the attitudes and opinions came to him on their own, just as he chose neither the style of his hat nor of his coats but got what people were wearing.”

Leo Tolstoy book Anna Karenina

Part 1, Chapter 3
Anna Karenina (1875–1877; 1878)

People

“The immobility that the artist creates is not at all that of the photograph. A worth of art contains latent life, possibility of movement; a grimace made eternal does not represent life. One always talks of w:Donatello, but never of della Quercia. Yet della Qercia invented w:Michelangelo’s style before Michelangelo.”

Aristide Maillol (1861–1944) sculptor from France

Source: Conversations with Judith Cladel (1939–1944), p. 408

Life, Art

“It is impossible to explain the latest works of these wild men | that is, the artists of Der Blaue Reiter, and Die Brücke, [working in Munich, and Berlin] in terms of a formal evolution and a reinterpretation of Impressionism. The loveliest prismatic colors and the famous Cubist style have become meaningless in terms of the objectives of the iconoclasts. Their thinking has a different aim: with their labor, they want to create symbols for their era. symbols that belong on the altars of the coming spiritual religions behind which the technical producer will vanish.”

Franz Marc (1880–1916) German painter

Quote of Franz Marc, in his text in the Almanac of the 'Blaue Reiter', 1912; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 95
1911 - 1914

Men, Religion, Color, Thinking

“Those who, like the present writer, never had the privilege of meeting Sidgwick can infer from his writings, and still more from the characteristic philosophic merits of such pupils of his as McTaggart and Moore, how acute and painstaking a thinker and how inspiring a teacher he must have been. Yet he has grave defects as a writer which have certainly detracted from his fame. His style is heavy and involved, and he seldom allowed that strong sense of humour, which is said to have made him a delightful conversationalist, to relieve the uniform dull dignity of his writing. He incessantly refines, qualifies, raises objections, answers them, and then finds further objections to the answers. Each of these objections, rebuttals, rejoinders, and surrejoinders is in itself admirable, and does infinite credit to the acuteness and candour of the author. But the reader is apt to become impatient; to lose the thread of the argument: and to rise from his desk finding that he has read a great deal with constant admiration and now remembers little or nothing. The result is that Sidgwick probably has far less influence at present than he ought to have, and less than many writers, such as Bradley, who were as superior to him in literary style as he was to them in ethical and philosophical acumen. Even a thoroughly second-rate thinker like T. H. Green, by diffusing a grateful and comforting aroma of ethical "uplift", has probably made far more undergraduates into prigs than Sidgwick will ever make into philosophers.”

C. D. Broad (1887–1971) English philosopher

From Five Types of Ethical Theory (1930)

Sense, Strong, Teachers, Reading

“There's an applied style of being minimal and simple, and then there's real simplicity. This looks simple, because it really is.”

Jonathan Ive (1967) English designer and VP of Design at Apple

On the design of the Apple Cinema Display http://www.apple.com/displays/, in an article by Leander Kahney in Wired News magazine (June 2003)

“… Nothing is so simple as the subject matter of his works. The two greatest of his creations, the character of Satan and the character of Eve, are two of the simplest—the latter probably the very simplest—in the whole field of literature. On this side, Milton's art is classical. On the other hand, in no writer is the imagery more profuse, the illustrations more various, the dress altogether more splendid; and in this respect the style of his art seems romantic and modern. In real truth, however, it is only ancient art in a modern disguise: the dress is a mere dress, and can be stripped off when we will.—we all of us do perhaps in memory strip it off for ourselves.”

Walter Bagehot (1826–1877) British journalist, businessman, and essayist

[ART. VII—John Milton, National Review, July 1859, 9, 150–186, https://babel.hathitrust.org/cgi/pt?id=mdp.39015027193559;view=1up;seq=184] (quote from p. 174)
John Milton (1859)

Truth, Art, Literature, Memory

“No matter how small or large the budget, I always tried to make my movies look like movies. They’re always well cut, well framed, look good and have energy. Rodney and I developed that style, and I’ve always done it since then. I’ve been very lucky that way, because that’s how I’ve been able to survive being in Canada all these years.”

George Mihalka (1953) film director

Interview: George Mihalka http://www.canuxploitation.com/interview/mihalka.html (May 9, 2009)

Way

“I copied Jackson's style because I thought he was the greatest hitter I had ever seen, the greatest natural hitter I ever saw. He's the guy who made me a hitter.”

Babe Ruth (1895–1948) American baseball player

On Shoeless Joe Jackson, as quoted in Joe Jackson: A Biography (2004) by Kelly Boyer Sagert

Guy, Nature

“I fancy I need more than another to speak (rather than write), with such a formidable tendency to the lapidary style. I build my house of boulders.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Letter to Thomas Carlyle (30 October 1841)

Housing

“Forcible marriages, euphemistically called matrimonial alliances, were common throughout the medieval period. Only some of them find mention in Muslim chronicles with their bitter details. Here is one example given by Shams Siraj Afif (fourteenth century). The translation from the original in Persian may be summarised as follows. Firoz Shah was born in the year 709 H. (1309 C. E.). His father was named Sipahsalar Rajjab, who was a brother of Sultan Ghiyasuddin Tughlaq Ghazi. The three brothers, Tughlaq, Rajjab, and Abu Bakr, came from Khurasan to Delhi in the reign of Alauddin (Khalji), and that monarch took all the three in the service of the Court. The Sultan conferred upon Tughlaq the country of Dipalpur. Tughlaq was desirous that his brother Sipahsalar Rajjab should obtain in marriage the daughter of one of the Rais of Dipalpur. He was informed that the daughters of Ranamall Bhatti were very beautiful and accomplished. Tughlaq sent to Ranamall a proposal of marriage. Ranamall refused. Upon this Tughlaq proceeded to the villages (talwandi) belonging to Ranamall and demanded payment of the whole year’s revenue in a lump sum. The Muqaddams and Chaudharis were subjected to coercion. Ranamall’s people were helpless and could do nothing, for those were the days of Alauddin, and no one dared to make an outcry. One damsel was brought to Dipalpur. Before her marriage she was called Bibi Naila. On entering the house of Sipahsalar Rajjab she was styled Sultan Bibi Kadbanu. After the lapse of a few years she gave birth to Firoz shah. If this could be accomplished by force by a regional officer, there was nothing to stop the king.”

Firuz Shah Tughlaq (1309–1388) Tughluq sultan

Shams Siraj Afif cited in Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan. Chapter 12

Marriage, People, Beauty, Birth

“But I am no longer trying to formulate a stylised version of anxiety such as we find in the Laocoon group and in so many other sculptures of the Silver Age of antiquity. I feel that these works are always a bit too melodramatic. If you really want to find the sources of my present style [1958] in antiquity, I must confess that you will find them in the remains of the life of the past rather than in those of its art. The fossilized corpses that have been unearthed in Pompeii.... if the whole earth is destroyed in our atomic age, I feel that the human forms which may survive as mere fossils will have become sculptures similar to mine.”

Marino Marini (1901–1980) Italian sculptor

Source: Interview with Edouard Roditi' (1958), p. 88

Life, Age, Art, Feeling

“And why do I sew each new chapeau
With a style they most look positively grim in?
Strictly between us, entre-nous
I hate women.”

Sylvia Fine (1913–1991) American lyricist and songwriter

Song Anatole of Paris

Women, Hate

“All men want to be different, and to be greater than they are; they seek for an air other than their own, and a mind different from what they possess; they take their style and manner at chance. They make experiments upon themselves without considering that what suits one person will not suit everyone, that there is no universal rule for taste or manners, and that there are no good copies.”

François de La Rochefoucauld (1613–1680) French author of maxims and memoirs

Reflections on Various Subjects (1665–1678), VII. On Air and Manner

Men, Universe, Chance, Personality

“Many people find it hard working with their boss and often leave their jobs because of their boss’ working style, behaviours and attitude. I once heard someone say, “I joined the company, but I left my boss.””

Nigel Cumberland (1967) British author and leadership coach

page 184 <br class="br">Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?id=p24GkAsgjGEC&printsec=frontcover&dq=nigel+cumberland&hl=en&sa=X&ved=0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#v=onepage&q=nigel%20cumberland&f=false, Managing Teams in a Week (2013) https://books.google.ae/books?id=qZjO9_ov74EC&printsec=frontcover&dq=nigel+cumberland&hl=en&sa=X&ved=0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIIDAB#v=onepage&q=nigel%20cumberland&f=false, Secrets of Success at Work – 50 techniques to excel (2014) https://books.google.ae/books?id=4S7vAgAAQBAJ&printsec=frontcover&dq=nigel+cumberland&hl=en&sa=X&ved=0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIJjAC#v=onepage&q=nigel%20cumberland&f=false

People

“There has never been just one best way to teach quantum mechanics. My goal is neither to sow nostalgia for the philosophically engaged style of Oppenheimer and Nordheim, nor to condemn the pragmatic approach of Fermi, Bethe and Feynman. It is rather to highlight the choices that physicists must always make when stepping into the classroom. Choices of topics to discuss and problems to assign reflect deeper decisions about the ideal type of physicist one seeks to train. Should the new generation be philosophically attuned, concerned with minute details of conceptual interpretation? Or should physicists hone their ability to calculate, pushing Heisenberg’s and Schrödinger’s equations into the service of ever more elaborate problems to solve and phenomena to analyse? Competing ideals have flourished under different pedagogical conditions.”

David Kaiser (1971) American physicist

Turning physicists into quantum mechanics (2007)

Way, Problem, Decision, Nostalgia

“Investigative practice therefore constitutes an area of considerable anxiety within the discipline of psychology. Concern with questions of methodological orthodoxy often takes the place of concern about theoretical orthodoxy when research or its results are discussed and evaluated. These preoccupations with the purity of method frequently deteriorate to a kind of method fetishism or "methodolatry." From this point of view there may be something distinctly subversive about the suggestion that the sphere of methodology is not a realm of pure reason but an area of human social activity governed by mundane circumstances like any other social activity. Nevertheless, the consequences of this suggestion should be explored, for not to do so exposes one to all the risks entailed by a naive and self-deluded style of scientific practice.”

Kurt Danziger (1926) German academic

Source: Constructing the subject: Historical origins of psychological research. 1994, p. 5-6

Question

“I was impressed mostly by Gieseking [Horowitz said in 1987]. He had a finished style, played with elegance, and had a fine musical mind.”

Vladimir Horowitz (1903–1989) American classical pianist and composer

quoted in Harold C. Schonberg, Horowitz: his life and music

Music

“Style should be like window-glass, perfectly transparent, and with very little sash.”

Nathaniel Emmons (1745–1840) American clergy

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 481.

“I could have made the language [in the translation of Meditations] more easy and flowing, but I have preferred a ruder style as being better suited to express the character of the original.”

George Long (1800–1879) English classical scholar

M. Aurelius Antoninus

“The playing of Soviet pianists of the younger generation differed significantly from the composer’s performing style, as discussed above. (Here I am referring to the generation of Richter and Gilels or younger, as opposed to Prokofiev’s coevals such as Neuhaus and Samuil Feinberg, who also had Prokofiev’s works in their repertoires.) Since we know that Prokofiev appreciated their playing, does it mean that he accepted their approach? Should we regard the new generation’s playing as a distortion of the composer’s intentions or as a natural evolution of interpretive style?
I believe that Prokofiev, having been exposed to the new performing style of the Soviet pianists, accepted at least some of its qualities. We can mention assertive muscular playing, open expressivity, and a gripping commitment to the music among those traits that brought recognition to Soviet pianists and assured their success in the international arena. These characteristics were concordant with the evolving compositional style of Prokofiev, whose later works became both more virile (often heroic) and expressive in a warmer and more open way.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev the pianist

Music, Way, Nature, Success

“What is this televisual mastery of Reagan's? It is a celebration of good intentions and unexceptional abilities. His style is one of hammy self-effacement, a wry dismay at his own limited talents and their drastic elevation.”

Martin Amis (1949) Welsh novelist

"Ronald Reagan" (1979)
The Moronic Inferno and Other Visits to America (1986)

“If we’re going to start calling out religious and political groups for extremism, we could start at home with Republicans. Too many of them spew animus. Too many foment sectarianism. Too many sit by, or make excuses, as others appeal to tribalism. If Obama were to treat them the way they say he should treat Islam — holding the entire faith accountable for its ugliest followers — they’d squeal nonstop about slander and demagogy. They’re lucky that’s not his style.”

William Saletan (1964) American journalist

" Go Ahead and Say It, Mr. President http://www.slate.com/articles/news_and_politics/politics/2015/02/barack_obama_should_name_the_enemy_it_s_the_republican_party.html", Slate (24 February 2015)

Faith, Way, Home

“It is a myth that style can't be learnt. It's all about dressing for your body shape, following the rules and wearing colours that suit your skin tone.”

Susannah Constantine (1962) British fashion designer and journalist

As quoted in "Mistresses of the makeover" by Cathrin Schaer in New Zealand Herald http://www.nzherald.co.nz/topic/story.cfm?c_id=182&objectid=10493332&pnum=2 (25 February 2008)

“As a dreamer of dreams and a travelin' man,
I have chalked up many a mile.
Read dozens of books about heroes and crooks,
And I've learned much from both of their styles.”

Jimmy Buffett (1946) American singer–songwriter and businessman

Son of a Son of a Sailor
Song lyrics, Son of a Son of a Sailor (1978)

Books, Dreams, Learning, Reading

“The show is called 'Wind'. I tried here to make work which looks like wind, and it is the most difficult thing to do; I was thinking of Leonardo da Vinci – as he was, for instance, always wanting to fly. And then, this hand of Michael Jackson is like 'ffffffff', 'I'm leaving' (makes gesture with her hand and mouth in the mirror in the hallway of the gallery, mimicking the action that Jackson is depicted making on the invitation card of her show - Simon Denny). Not in a sad way, but…. in a way a little bit sad too. And then I said 'Isa Genzken', because I always liked him so much. For instance, I would always have jackets like this one. This is my favourite kind of style, and so I said 'ffff' [blowing gesture] 'Now I'm coming'… It's like 'don't be afraid, don't be sad, you know… I'm here.”

Isa Genzken (1948) German sculptor

2001 - 2010, Out to Lunch with Isa Genzken' (2009)

Sadness, Way, Thinking, Flying

“A dog,” said Mr. Baldock, in his lecture-room style, which was capable of rousing almost anybody to violent irritation, “has an extraordinary power of bolstering up the human ego.”

Agatha Christie book The Burden

The Burden (1956)

Dogs

“At the base of the plane, Styles freelance photographer is down on one knee, going handheld, still in the same Hawaiian shirt. The famously reclusive R. Vaughn Corliss is nowhere in view. Doug Llewellyn’s wardrobe furnished by Hugo Boss. The Malina blanket for the artist’s lap and thighs, however, is the last minute fix of a production oversight, retrieved from the car of an apprentice gaffer whose child is still nursing, and is not what anyone would call an appropriate color or design, and appears unbilled. There’s also some eleventh hour complication involving the ground level camera and the problem of keeping the commode’s special monitor out of its upward shot, since video capture of a camera’s own monitor causes what is known in the industry as feedback glare — the artist in such a case would see, not his own emergent Victory, but a searing and amorphous light.”

David Foster Wallace (1962–2008) American fiction writer and essayist

"The Suffering Channel", Oblivion: Stories
Short stories

Cars, Color, Problem, Light

“The naked body is an altogether suitable object. In art classes I have gradually learned something of it from every angle. But now I will no more project some plan of it: I will proceed so that all its essentials, even those hidden by optical perspective, will appear upon the paper. And thus a little uncontested personal property has already been discovered, a style has been created.”

Paul Klee (1879–1940) German Swiss painter

Quote (June 1902), as cited in Artists on Art, from the 14th – 20th centuries, ed. Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 443
1895 - 1902

Art, Learning, Appearance, Personality

“We mustn’t complain too much of being comedians—it’s an honourable profession. If only we could be good ones the world might gain at least a sense of style. We have failed—that’s all. We are bad comedians, we aren’t bad men.”

Graham Greene book The Comedians

Pt. 1, ch. 5, sct. 2
The Comedians (1966)

Men, World, Sense

“We wallow in nostalgia but manage to get it all wrong. True nostalgia is an ephemeral composition of disjointed memories […] but American-style nostalgia is about as ephemeral as copyrighted déjà vu.”

Florence King (1936–2016) American writer

"Déjà Views", in Reflections in a Jaundiced Eye (1989), p. 112

Nostalgia, Memory

Quotes about styling page 2

Quotes about styling
page 2