“Nature is inside art as its content, not outside as its model.”
Northrop Frye (1912–1991) Canadian literary critic and literary theorist
Fables of Identity (1963)
"Quotes"
Quoted in: Richard Roud, Godard, introduction (1967, repr. 1970).
“Nature is inside art as its content, not outside as its model.”
Northrop Frye (1912–1991) Canadian literary critic and literary theorist
Fables of Identity (1963)
"Quotes"
Jonathan Safran Foer book Extremely Loud and Incredibly Close
Oskar during a visit to his therapist, Dr. Fein
"Happiness, Happiness" (p. 201)
Source: Extremely Loud and Incredibly Close (2005)
Context: "I feel too much. That's what's going on." "Do you think one can feel too much? Or just feel the wrong ways? "My insides don't match up with my outsides." "Do anyone's inside and outsides match up?" "I don't know. I'm only me." "Maybe that's what a person's personality is: the difference between the inside and the outside." "But it's worse for me." "I wonder if everyone thinks it's worse for him." "Probably. But it really is worse for me."
Elmer Eric Schattschneider (1892–1971) American political scientist
Source: Two Hundred Million Americans in Search of a Government (1969), p. 24
Robert Venturi book Complexity and Contradiction in Architecture
9. The Inside and the Outside
Complexity and Contradiction in Architecture (1966)
Willem de Kooning (1904–1997) Dutch painter
De Kooning's speech 'What Abstract Art means to me' on the symposium 'What is Abstract At' - at the Museum of Modern Art, New York, 5 February, 1951, n.p.
1950's
“Boasting, like gilded armour, is very different inside from outside.”
Diogenes of Sinope (-404–-322 BC) ancient Greek philosopher, one of the founders of the Cynic philosophy
Stobaeus, iii. 22. 40
Quoted by Stobaeus
Louise Glück (1943–2023) American poet
Source: As quoted in "Poet Laureate: Louise Glück and the Public Face of a Private Artist" https://www.nytimes.com/2003/11/04/opinion/editorial-observer-poet-laureate-louise-gluck-public-face-private-artist.html by Andrew Johnston, The New York Times (November 4, 2003)