Quotes about mask
page 2

Anne Lamott photo

“… because when people have seen you at their worst, you don't have to put on the mask as much.”

Anne Lamott (1954) Novelist, essayist, memoirist, activist

Source: Traveling Mercies: Some Thoughts on Faith

Luke Davies photo
Alan Moore photo
Bret Easton Ellis photo
Sherrilyn Kenyon photo

“… all cynicism masks a failure to cope.”

Source: The Magus

Khaled Hosseini photo
Tom Stoppard photo

“Give us this day our daily mask.”

Source: Rosencrantz and Guildenstern Are Dead

David Foster Wallace photo
Jodi Picoult photo
Ralph Waldo Emerson photo
René Descartes photo

“Masked, I advance.”

René Descartes (1596–1650) French philosopher, mathematician, and scientist
Sören Kierkegaard photo

“Do you not know that there comes a midnight hour when every one has to throw off his mask? Do you believe that life will always let itself be mocked? Do you think you can slip away a little before midnight to avoid this?”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Variant: Don't you know that a midnight hour comes when everyone has to take off his mask? Do you think life always lets itself be trifled with? Do you think you can sneak off a little before midnight to escape this?
Source: Either/Or, Part I

Erich Segal photo
Alexandre Dumas photo
Norman Manea photo
Katherine Mansfield photo

“It's a terrible thing to be alone — yes it is — it is — but don't lower your mask until you have another mask prepared beneath — as terrible as you like — but a mask.”

Katherine Mansfield (1888–1923) New Zealand author

Letter to her future husband, John Middleton Murry (July 1917), from The Collected Letters of Katherine Mansfield, vol. I

Gabriel García Márquez photo
William Golding photo
Charles Bukowski photo
Paulo Coelho photo

“behind the mask of ice that people wear, there beats a heart of fire.”

Paulo Coelho (1947) Brazilian lyricist and novelist

Source: Warrior of the Light

Sylvia Plath photo

“God, it was good to let go, let the tight mask fall off, and the bewildered, chaotic fragments pour out. It was the purge, the catharsis.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Source: The Unabridged Journals of Sylvia Plath

Megan Whalen Turner photo
Paul Laurence Dunbar photo

“.. we wear the mask that grins and lies,
it hides our cheeks and shades our eyes-
this debt we pay to human guile;
with torn and bleeding hearts we smile.”

We Wear The Mask, in the 1913 collection of his work, The Complete Poems of Paul Laurence Dunbar.
Context: We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.

Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.

We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!

“Because no retreat from the world can mask what is in your face.”

Source: Wicked: The Life and Times of the Wicked Witch of the West

Jodi Picoult photo
Neal Stephenson photo

“Boredom is a mask frustration wears.”

Source: Anathem

Thomas Fuller (writer) photo

“3104. Insolence is Pride, with her Mask pulled off.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Bob Dylan photo

“The old Rounder in the iron mask slipped me the master key, somebody had to unlock your heart, he said it was up to me.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Biograph (1985), Up to Me (recorded 1974)

Marshall McLuhan photo

“The mask, like the side-show freak, is mainly participatory rather than pictorial in its sensory appeal.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 352

John Steinbeck photo
Bernard Harcourt photo
Subhash Kak photo

“Man is a mimic animal, happiest acting a part, needing a mask to tell the truth.”

Subhash Kak (1947) Indian computer scientist

The Prajna Sutra (2007)

Sri Aurobindo photo

“O Death, our masked friend and maker of opportunities, when thou wouldst open the gate, hesitate not to tell us beforehand; for we are not of those who are shaken by its iron jarring.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Thoughts and Aphorisms (1913), Karma

Colum McCann photo
Chris Hedges photo
Chris Hedges photo
Ingmar Bergman photo
Daniel Handler photo
Peter Sloterdijk photo
Subhash Kak photo
Slavoj Žižek photo
Edvard Munch photo
Georges Bernanos photo
Tanith Lee photo
W. Somerset Maugham photo
Alan Keyes photo
Baba Amte photo
Stephen Harper photo
Attar of Nishapur photo

“All things are but masks at God's beck and call,
They are symbols that instruct us that God is all.”

As translated by Raficq Abdulla
The Conference of the Birds (1177)

Henryk Sienkiewicz photo
Percy Bysshe Shelley photo
John Milton photo
Marguerite Yourcenar photo

“I knew that good like bad becomes a routine, that the temporary tends to endure, that what is external permeates to the inside, and that the mask, given time, comes to be the face itself.”

Je savais que le bien comme le mal est affaire de routine, que le temporaire se prolonge, que l'extérieur s'infiltre au dedans, et que le masque, à la longue, devient visage.
Source: Memoirs of Hadrian (1951), p. 97

Ulysses S. Grant photo
Ryū Murakami photo
Glen Cook photo

“I went back to staring tomorrow in the face. Better than looking backward. But tomorrow refused to shed its mask.”

Source: The Black Company (1984), Chapter 1, “Legate” (p. 34)

Umberto Boccioni photo
Thomas Bailey Aldrich photo

“Here is woe, a self and not the mask of woe.”

Thomas Bailey Aldrich (1836–1907) American poet, novelist, editor

Andromeda; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Jacques Plante photo

“The shot by [Andy] Bathgate nearly ripped my nose off. I told Toe [Blake] I would only return if I could wear the mask, so there was no choice. He never wanted me to wear the mask because he thought it would make me too complacent.”

Jacques Plante (1929–1986) Canadian ice hockey player

Plante refers to November 1, 1959, when he debuted the first practical goaltender mask.
Quoted in Kevin Shea, "One on One with Jacques Plante," http://www.legendsofhockey.net/html/spot_oneononep197802.htm Legends of Hockey.net (2005-05-24)

Auguste Rodin photo
Richard Eberhart photo
Mario Bunge photo

“If one aims to judge political movements, their deeds are far more important than their speeches, which are often masking rather than revealing.”

Mario Bunge (1919) Argentine philosopher and physicist

Emergence and Convergence (2003), p. 424.
2000s

Orson Scott Card photo
Silius Italicus photo

“Even so a shepherd, seeking safety for his flock, lures the wolves at night by the bleating of a tethered lamb into the pitfall masked by a slender covering of leafage.”
Haud secus ac stabulis procurans otia pastor in foveam parco tectam velamine frondis ducit nocte lupos positae balatibus agnae.

Book VI, lines 329–331
Punica

Asger Jorn photo

“It is said that my art has some typically Nordic features: the curving lines, the convolutions, the magical masks and staring eyes that appear in myths and folk art. This may be. My interest in the dynamics of Jugend style probably also comes into it.”

Asger Jorn (1914–1973) Danish artist

Quote of Jorn, from: Tecken för liv, tecken till liv [Signs of life, the characters to life], interview by Marita Lindgren-Fridell, in Konstrevy (1963)
1959 - 1973, Various sources

Mike Tyson photo
Neville Chamberlain photo

“How horrible, fantastic, incredible it is that we should be digging trenches and trying on gas-masks here because of a quarrel in a far away country between people of whom we know nothing. It seems still more impossible that a quarrel which has already been settled in principle should be the subject of war.”

Neville Chamberlain (1869–1940) Former Prime Minister of the United Kingdom

Broadcast (27 September 1938), quoted in "Prime Minister on the Issues", The Times (28 September 1938), p. 10
Referring to the Czechoslovakia crisis
Prime Minister

Aron Ra photo

“I was a young man in the ’80s, and I was into medieval weapons, Harleys and Heavy Metal. I even played D&D back when that was supposed to induct players into real-life witchcraft. So I remember all the ridiculous superstition surrounding the secret meanings of ear piercing, the pseudo-paganism of Procter & Gamble, the seemingly Satanic messages in back-masking, and the allegedly suicidal insinuations of some metal albums. I attribute a lot of that to the fact that atheism didn’t have any appreciable presence back then. In those days, if you didn’t buy into Christian dogma and were openly critical of it, then you were a witch. You were either a neo-pagan or (more likely) you were Satanic. The latter would be applied regardless how you might prefer to identify. To my cultural experience, there was no such thing as a skeptic as that is known today. Back then, skeptics were considered cynics who refused to open their minds. It must have been a great time for paranoid Christian conservatives. They actually like Satanists a lot more than atheists. Because Satanists not only play the Christian game; they give Christians the moral high ground. Whereas atheists piss everybody off by pointing out that it is a game and that every believer in any religion is just pretending.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Satanic Panic and Exorcism in Schools? http://www.patheos.com/blogs/reasonadvocates/2016/09/21/satanic-panic-and-exorcism-in-schools/ (September 21, 2016)

Julio Cortázar photo

“"Hair loss and retrieval" (Translation of "Pérdida y recuperación del pelo")


To combat pragmatism and the horrible tendency to achieve useful purposes, my elder cousin proposes the procedure of pulling out a nice hair from the head, knotting it in the middle and droping it gently down the hole in the sink. If the hair gets caught in the grid that usually fills in these holes, it will just take to open the tap a little to lose sight of it.


Without wasting an instant, must start the hair recovery task. The first operation is reduced to dismantling the siphon from the sink to see if the hair has become hooked in any of the rugosities of the drain. If it is not found, it is necessary to expose the section of pipe that goes from the siphon to the main drainage pipe. It is certain that in this part will appear many hairs and we will have to count on the help of the rest of the family to examine them one by one in search of the knot. If it does not appear, the interesting problem of breaking the pipe down to the ground floor will arise, but this means a greater effort, because for eight or ten years we will have to work in a ministry or trading house to collect enough money to buy the four departments located under the one of my elder cousin, all that with the extraordinary disadvantage of what while working during those eight or ten years, the distressing feeling that the hair is no longer in the pipes anymore can not be avoided and that only by a remote chance remains hooked on some rusty spout of the drain.


The day will come when we can break the pipes of all the departments, and for months to come we will live surrounded by basins and other containers full of wet hairs, as well as of assistants and beggars whom we will generously pay to search, assort, and bring us the possible hairs in order to achieve the desired certainty. If the hair does not appear, we will enter in a much more vague and complicated stage, because the next section takes us to the city's main sewers. After buying a special outfit, we will learn to slip through the sewers at late night hours, armed with a powerful flashlight and an oxygen mask, and explore the smaller and larger galleries, assisted if possible by individuals of the underworld, with whom we will have established a relationship and to whom we will have to give much of the money that we earn in a ministry or a trading house.


Very often we will have the impression of having reached the end of the task, because we will find (or they will bring us) similar hairs of the one we seek; but since it is not known of any case where a hair has a knot in the middle without human hand intervention, we will almost always end up with the knot in question being a mere thickening of the caliber of the hair (although we do not know of any similar case) or a deposit of some silicate or any oxide produced by a long stay against a wet surface. It is probable that we will advance in this way through various sections of major and minor pipes, until we reach that place where no one will decide to penetrate: the main drain heading in the direction of the river, the torrential meeting of detritus in which no money, no boat, no bribe will allow us to continue the search.


But before that, and perhaps much earlier, for example a few centimeters from the mouth of the sink, at the height of the apartment on the second floor, or in the first underground pipe, we may happen to find the hair. It is enough to think of the joy that this would cause us, in the astonished calculation of the efforts saved by pure good luck, to choose, to demand practically a similar task, that every conscious teacher should advise to its students from the earliest childhood, instead of drying their souls with the rule of cross-multiplication or the sorrows of Cancha Rayada.”

Julio Cortázar (1914–1984) Argentinian writer

Historias de Cronopios y de Famas (1962)

Thomas Henry Huxley photo
Nikos Kazantzakis photo
Charlotte Salomon photo

“…his book, Orpheus, or the Way to a Death Mask, of which he had said that he regretted not having written it as a poem.
And with dream-awakened eyes she saw all the beauty around her, saw the sea, felt the sun, and knew: she had to vanish for a while from the human plane and make every sacrifice in order to create her world anew out of the depths.”

Charlotte Salomon (1917–1943) German painter

Charlotte's 2th ending, written page in brush, related to JHM no. 4924v https://upload.wikimedia.org/wikipedia/commons/5/5e/Charlotte_Salomon_-_JHM_4924-02.jpg: 'Life? or Theater..', p. 822
Charlotte Salomon - Life? or Theater?

Michel Foucault photo
Anna Akhmatova photo
Thomas Wolfe photo
Michel Foucault photo
Milan Kundera photo
Hermann Rauschning photo

“The nihilist foreign policy of the National Socialism of today uses ideas as a mask, and has no philosophical basis.”

Hermann Rauschning (1887–1982) German politician

Source: The Revolution of Nihilism: Warning to the West (1939), p. 253

George Steiner photo
C. Wright Mills photo
J.M. Coetzee photo
Philip K. Dick photo