Quotes about mask
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Mo Yan photo
Michael Crichton photo
Letitia Elizabeth Landon photo
Roger Ebert photo

“The movie stars six teenage characters who have been marketed on TV and in toy stores. They have names, but no discernible personalities. None of them ever says anything more interesting than "You guys!" As teenagers, they are skilled in-line skaters and karate fighters, but they don't get their real powers until they turn into faceless clones in Power Rangers uniforms with plastic masks and helmets. Is that the message? Faceless conformity is the way to success? Certainly the Rangers are not individuals in or out of uniform, but I wonder if they don't represent a triumph of merchandising over creativity. Children's heroes have traditionally been individualistic and eccentric. The Rangers are not, properly speaking, even characters. They are color-coded products… Paging through the movie's press kit, I came across this quote attributed to Amy Jo Johnson, who plays Kimberly, the Pink Power Ranger: " `Mighty Morphin Power Rangers™: The Movie' is a mix between Star Wars and The Wizard of Oz. " I wonder if Amy Jo actually said "TM" when she was delivering that wonderfully fresh and spontaneous quote, which is so much more involved than anything she says in the movie. More to the point, I wonder if she has ever seen "Star Wars" or "The Wizard of Oz."”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/mighty-morphin-power-rangers-the-movie-1995 of Mighty Morphin' Power Rangers: The Movie (30 June 1995)
Reviews, Half-star reviews

Cyril Connolly photo
Marek Sanak photo
Charlotte Brontë photo

“The theatre was full — crammed to its roof: royal and noble were there; palace and hotel had emptied their inmates into those tiers so thronged and so hushed. Deeply did I feel myself privileged in having a place before that stage; I longed to see a being of whose powers I had heard reports which made me conceive peculiar anticipations. I wondered if she would justify her renown: with strange curiosity, with feelings severe and austere, yet of riveted interest, I waited. She was a study of such nature as had not encountered my eyes yet: a great and new planet she was: but in what shape? I waited her rising.She rose at nine that December night: above the horizon I saw her come. She could shine yet with pale grandeur and steady might; but that star verged already on its judgment-day. Seen near, it was a chaos — hollow, half-consumed: an orb perished or perishing — half lava, half glow.I had heard this woman termed "plain," and I expected bony harshness and grimness — something large, angular, sallow. What I saw was the shadow of a royal Vashti: a queen, fair as the day once, turned pale now like twilight, and wasted like wax in flame.For awhile — a long while — I thought it was only a woman, though an unique woman, who moved in might and grace before this multitude. By-and-by I recognized my mistake. Behold! I found upon her something neither of woman nor of man: in each of her eyes sat a devil. These evil forces bore her through the tragedy, kept up her feeble strength — for she was but a frail creature; and as the action rose and the stir deepened, how wildly they shook her with their passions of the pit! They wrote HELL on her straight, haughty brow. They tuned her voice to the note of torment. They writhed her regal face to a demoniac mask. Hate and Murder and Madness incarnate she stood.It was a marvellous sight: a mighty revelation.It was a spectacle low, horrible, immoral.Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public — a milder condiment for a people's palate — than Vashti torn by seven devils: devils which cried sore and rent the tenement they haunted, but still refused to be exorcised.Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor in finite measure, resenting it: she stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster — like silver: rather, be it said, like Death.”

Source: Villette (1853), Ch. XXIII: Vashi

Khalil Gibran photo
Joseph Strutt photo

“In each of the cathedral churches there was a bishop, or an archbishop of fools, elected; and in the churches immediately dependent upon the papal see a pope of fools. These mock pontiffs had usually a proper suit of ecclesiastics who attended upon them, and assisted at the divine service, most of them attired in ridiculous dresses resembling pantomimical players and buffoons; they were accompanied by large crowds of the laity, some being disguised with masks of a monstrous fashion, and others having their faces smutted; in one instance to frighten the beholders, and in the other to excite their laughter: and some, again, assuming the habits of females, practised all the wanton airs of the loosest and most abandoned of the sex. During the divine service this motley crowd were not contended with singing of indecent songs in the choir, but some of them ate, and drank, and played at dice upon the altar, by the side of the priest who celebrated the mass. After the service they put filth into the censers, and ran about the church, leaping, dancing, laughing, singing, breaking obscene jests, and exposing themselves in the most unseemly attitudes with shameless impudence. Another part of these ridiculous ceremonies was, to shave the precentor of fools upon a stage erected before the church, in the presence of the populace; and during the operation, he amused them with lewd and vulgar discourses, accompanied by actions equally reprehensible. The bishop, or the pope of fools, performed the divine service habited in the pontifical garments, and gave his benediction to the people before they quitted the church. He was afterwards seated in an open carriage, and drawn about to the different parts of the town, attended by a large train of ecclesiastics and laymen promiscuously mingled together; and many of the most profligate of the latter assumed clerical habits in order to give their impious fooleries the greater effect; they had also with them carts filled with ordure, which they threw occasionally upon the populace assembled to see the procession. These spectacles were always exhibited at Christmas-time, or near to it, but not confined to one particular day.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 345
The Sports and Pastimes of the People of England (1801), Festival of Fools

Ray Harryhausen photo
Christopher Hitchens photo
Wesley Willis photo

“"The bandit wore a werewolf mask" - Attempted Armed Robbery”

Wesley Willis (1963–2003) American singer-songwriter

Lyrics, Solo

Roberto Mangabeira Unger photo

“Obama’s manner in dealing with other people and acting in the world fully exemplifies the cheerful impersonal friendliness—the middle distance—that marks American sociability. (Now allow me to speak as a critic. Remember Madame de Staël’s meetings that deprive us of solitude without affording us company? Or Schopenhauer’s porcupines, who shift restlessly from getting cold at a distance to prickling one another at close quarters, until they settle into some acceptable compromise position?) The cheerful impersonal friendliness serves to mask recesses of loneliness and secretiveness in the American character, and no less with Obama than with anyone else. He is enigmatic—and seemed so as much then as now—in a characteristically American way…. Moreover, he excelled at the style of sociability that is most prized in the American professional and business class and serves as the supreme object of education in the top prep schools: how to cooperate with your peers by casting on them a spell of charismatic seduction, which you nevertheless disguise under a veneer of self-depreciation and informality. Obama did not master this style in prep school, but he became a virtuoso at it nevertheless, as the condition of preferment in American society that it is. As often happens, the outsider turned out to be better at it than the vast majority of the insiders…. Together with the meritocratic educational achievements, the mastery of the preferred social style turns Obama into what is, in a sense, the first American elite president—that is the first who talks and acts as a member of the American elite—since John Kennedy …. Obama's mixed race, his apparent and assumed blackness, his non-elite class origins and lack of inherited money, his Third-World childhood experiences—all this creates the distance of the outsider, while the achieved elite character makes the distance seem less threatening.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Quoted in David Remnick, The Bridgeː The Life and Rise of Barack Obama (2010), p. 185-6
On Barack Obama

Hermann Rauschning photo
Edward St. Aubyn photo
Gino Severini photo

“.. [a] generous display of scantily clad beauties and a carnavalesque inventiveness.... [the] beautifully masked and under-dressed women, with showers of confetti, multicolored streamers. The atmosphere was one of frenzy..”

Gino Severini (1883–1966) Italian painter

Severini described the popular Parisian nightspot 'Bal Tabarin', after which he made his painting 'Dynamic Hieroglyphic of the Bal Tabarin' https://www.moma.org/collection/works/79419, in 1912
Source: The Life of a Painter - autobiography', 1946, p. 54; as quoted in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 39

African Spir photo
Jeffrey Tucker photo
Greg Bear photo

“Altruism is masked self-interest. Aggressive self-interest is a masked urge to self-destruction.”

Source: The Forge of God (1987), Chapter 52 (p. 352)

Albert Camus photo
R. A. Salvatore photo
Craig Ferguson photo

“Just a warning: If you're a bunch of sexy teenagers at a lake where other sexy teenagers were killed 30 years ago, leave! The guy in the forest with a hockey mask… maybe doesn't play hockey.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

The Late Late Show with Craig Ferguson (2005–2014)

“isn't every kind of conformity really a sort of masquerade, the mask at once conspicuous and disguising?”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights Diaries 1957-59.

Bhakti Tirtha Swami photo
Sinclair Lewis photo
Charles Bukowski photo

“We all know the type of American executive or professional man who does not allow himself to age, but by what appears to be almost sheer will keeps himself “well-preserved,” as if in creosote. … The will which burns within him, while often admirable, cannot be said to be truly “his”: it is compulsive; he has no control over it, but it controls him. He appears to exist in a psychological deep-freeze; new experience cannot get at him, but rather he fulfills himself by carrying out ever-renewed tasks which are given by his environment: he is borne along on the tide of cultural agendas. So long as these agendas remain, he is safe; he does not acquire wisdom, as the old of some cultures are said to do, but he does not lose skill—or if he does, is protected by his power from the consequences, perhaps the awareness, of loss of skill. In such a man, responsibility may substitute for maturity. Indeed, it could be argued that the protection furnished such people in the united States is particularly strong since their “youthfulness” remains a social and economic prestige-point and wisdom might actually, if it brought awareness of death and which the culture regarded as pessimism, be a count against them. … They prefigure … the cultural cosmetic that makes Americans appears youthful to other peoples. And, since they are well-fed, well-groomed, and vitamin-dosed, there may be an actual delay-in-transit of the usual physiological declines to partly compensate for lack of psychological growth. Their outward appearance of aliveness may mask inner sterility.”

David Riesman (1909–2002) American Sociologist

“Clinical and Cultural Aspects of the Aging Process,” p. 486
Individualism Reconsidered (1954)

G. K. Chesterton photo
Don Soderquist photo

“I frequently ask leaders if they know what their personal values are, and most say yes. Then I ask them: ‘Have you written them down?’ Most say no.  Values are incredibly important! They determine who we really are—what our character is, the real you when the mask is off.”

Don Soderquist (1934–2016)

Don Soderquist “ Live Learn Lead to Make a Difference https://books.google.com/books?id=s0q7mZf9oDkC&lpg=pg=PP1&dq=Don%20Soderquist&pg=PP1#v=onepage&q&f=false, Thomas Nelson, April 2006 p. 68-69.
On Living Your Values

Paul Tillich photo
Zalman Schachter-Shalomi photo

“I realized that all forms of religion are masks that the divine wears to communicate with us. Behind all religions there’s a reality, and this reality wears whatever clothes it needs to speak to a particular people.”

Zalman Schachter-Shalomi (1924–2014) American writer and activist, Jewish Renewal movement pioneer

The December Project: An Extraordinary Rabbi and a Skeptical Seeker Confront Life’s Greatest Mystery, with Sara Davidson.

Jorge Luis Borges photo
Steven Erikson photo
Samuel Beckett photo
Percy Bysshe Shelley photo
Doug Stanhope photo
Thomas Jefferson photo
Marcus Annaeus Lucanus photo

“Boldness is a mask for fear, however great.”
Audendo magnus tegitur timor.

Book IV, line 702 (tr. J. D. Duff).
Pharsalia

Margaret Cho photo
Letitia Elizabeth Landon photo

“Are we not like that actor of old time,
Who wore his mask so long his face took
Its likeness?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

A Summer Evening’s Tale
The Venetian Bracelet (1829)

G. I. Gurdjieff photo
Henry Adams photo
Margaret Fuller photo

“There are to whom each symbol is a mask;
The life of love is a mysterious task;
They want no answer, for they would not ask.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Life Without and Life Within (1859), The One In All

Hermann Friedrich Kohlbrügge photo
W. H. Auden photo
Howard Bloom photo
Eugene Rotberg photo
Clarence Thomas photo
Richard Stallman photo
Luigi Pirandello photo

“Woe to him who doesn't know how to wear his mask, be he king or pope!”

Henry IV (1922), trans. Edward Storer http://encarta.msn.com/quote_561557863/Diplomacy_Woe_to_him_who_doesn't_know_how_to_wear_his.html

John Major photo

“John Major: What I don't understand, Michael, is why such a complete wimp like me keeps winning everything.
Michael Brunson: You've said it, you said precisely that.
Major: I suppose Gus will tell me off for saying that, won't you Gus?
Brunson: No, no, no … it's a fair point. The trouble is that people are not perceiving you as winning.
Major: Oh, I know … why not? Because…
Brunson: Because rotten sods like me, I suppose, don't get the message clear [laughs].
Major: No, no, no. I wasn't going to say that - well partly that, yes, partly because of S-H-one-Ts like you, yes, that's perfectly right. But also because those people who are opposing our European policy have said the way to oppose the Government on the European policy is to attack me personally. The Labour Party started before the last election. It has been picked up and it is just one of these fashionable things that slips into the Parliamentary system and it is an easy way to proceed.
Brunson: But I mean you … has been overshadowed … my point is there, not just the fact that you have been overshadowed by Maastricht and people don't…
Major: The real problem is this…
Brunson: But you've also had all the other problems on top - the Mellors, the Mates … and it's like a blanket - you use the phrase 'masking tape' but I mean that's it, isn't it?
Major: Even, even, even, as an ex-whip I can't stop people sleeping with other people if they ought not, and various things like that. But the real problem is…
Brunson: I've heard other people in the Cabinet say 'Why the hell didn't he get rid of Mates on Day One?' Mates was a fly, you could have swatted him away.
Major: Yeah, well, they did not say that at the time, I have to tell you. And I can tell you what they would have said if I had. They'd have said 'This man was being set up. He was trying to do his job for his constituent. He had done nothing improper, as the Cabinet Secretary told me. It was an act of gross injustice to have got rid of him'. Nobody knew what I knew at the time. But the real problem is that one has a tiny majority. Don't overlook that. I could have all these clever and decisive things that people wanted me to do and I would have split the Conservative Party into smithereens. And you would have said, Aren't you a ham-fisted leader? You've broken up the Conservative Party.
Brunson: No, well would you? If people come along and…
Major: Most people in the Cabinet, if you ask them sensibly, would tell you that, yes. Don't underestimate the bitterness of European policy until it is settled - It is settled now.
Brunson: Three of them - perhaps we had better not mention open names in this room - perhaps the three of them would have - if you'd done certain things, they would have come along and said, 'Prime Minister, we resign'. So you say 'Fine, you resign'.
Major: We all know which three that is. Now think that through. Think it through from my perspective. You are Prime Minister. You have got a majority of 18. You have got a party still harking back to a golden age that never was but is now invented. And you have three rightwing members of the Cabinet actually resigned. What happens in the parliamentary party?
Brunson: They create a lot of fuss but you have probably got three damn good ministers in the Cabinet to replace them.
Major: Oh, I can bring in other people into the Cabinet, that is right, but where do you think most of this poison has come from? It is coming from the dispossessed and the never-possessed. You and I can both think of ex-ministers who are going around causing all sorts of trouble. Would you like three more of the bastards out there? What's the Lyndon Johnson, er, maxim?
Brunson: If you've got them by the balls their hearts and minds will follow.
Major: No, that's not what I had in mind, though it's pretty good.”

John Major (1943) Former Prime Minister of the United Kingdom

Andrew Culf, "What the `wimp' really said to the S-H-one-T", The Guardian, 26 July 1993.
'Off-the-record' exchange with ITN reporter Michael Brunson following videotaped interview, 23 July 1993. Neither Major nor Brunson realised their microphones were still live and being recorded by BBC staff preparing for a subsequent interview; the tape was swiftly leaked to the Daily Mirror.

José Ortega Y Gasset photo
Victor Davis Hanson photo
Tom Morello photo
Wilhelm II, German Emperor photo

“England must…have the mask of Christian peaceableness torn publicly off her face…Our consuls in Turkey and India, agents, etc., must inflame the whole Mohammedan world to wild revolt against this hateful, lying, conscienceless people of hagglers; for if we are to be bled to death, at least England shall lose India.”

Wilhelm II, German Emperor (1859–1941) German Emperor and King of Prussia

Marginal note in a telegram from the German ambassador in St Petersburg, Count Friedrich von Pourtalès (30 July 1914), quoted in Fritz Fischer, Germany's Aims in the First World War (New York: W. W. Norton & Co, 1967), p. 121
1910s

Joel Fuhrman photo
Cyril Connolly photo
Common (rapper) photo
Jacques Bertin photo

“The author has the reputation of being against color. I am indeed against color when it masks incompetence; when it allows the superimposition of characteristics to the point of absurdity; when people believe it capable of representing ordered data.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Graphics and graphic information processing (1981), p. 222; partly cited in: Laura R. Novick and Sean M. Hurley (2001) " To Matrix, Network, or Hierarchy: That Is the Question http://homepage.psy.utexas.edu/homepage/faculty/Markman/PSY394/NovHur.pdf" in: Cognitive Psychology 42, 158–216 (2001)

Camille Paglia photo
August Macke photo
Gordon R. Dickson photo
Aldo Leopold photo
Kate Bush photo

“You came out of the night,
Wearing a mask in white colour.
My eyes were shining
On the wine, and your aura.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

Slavoj Žižek photo
Phillip Guston photo
Tariq Ali photo
Max Beckmann photo

“Politics is a subordinate matter; its form of appearance constantly changes depending on the needs of the masses, the same way cocottes adjust to the needs of men by transforming and masking themselves. Because of that it is not fundamental. That is about what endures, what is unique, what is in the stream of illusions – what is eliminated from the workings of the shadows.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

In a letter to Stephan Lackner, Amsterdam, 29 January 1938; as quoted in Max Beckmann – On my Painting, in the preface, Mayen Beckmann; Tate Publishing London, 2003
1930s

Chinua Achebe photo
Ernst Bloch photo
Bob Harper (personal trainer) photo

“I’m a big meditator… I do it every day, twice a day. You turn off your phone, you can put an eye mask on, shut down and you will do much benefit to your body and your mind.”

Bob Harper (personal trainer) (1965) American personal trainer

"'Biggest Loser' host Bob Harper's 5 steps to a healthier new year" https://www.today.com/health/biggest-loser-host-bob-harper-s-health-tips-new-year-t106445, interview with Today (December 27, 2016).

Walter Savage Landor photo

“Ambition is but Avarice on stilts and masked.”

"Lord Brooke and Sir Philip Sidney".
Imaginary Conversations (1824-1829)

Gerard Manley Hopkins photo

“Natural heart’s ivy, Patience masks
Our ruins of wrecked past purpose.”

Gerard Manley Hopkins (1844–1889) English poet

" Patience, hard thing! the hard thing but to pray http://www.bartleby.com/122/46.html", lines 6-7
Wessex Poems and Other Verses (1918)

William Makepeace Thackeray photo
Linda McQuaig photo
Brian W. Aldiss photo
George Steiner photo

“The primary ambition of Nietzsche’s critique of knowledge is … to demonstrate that ‘truths’ are fictions masking moral commitments.”

John Carroll (1944) Australian professor and author

Source: Break-Out from the Crystal Palace (1974), p. 102

Graham Greene photo
Hugo Ball photo
Nikos Kazantzakis photo
Isaiah Berlin photo
Jonathan Safran Foer photo

“You may have heard of a character from the batman movies, called the Joker. The joker just lives a normal life like you or me, going to the grocery store, and the office or what have you. But WHen the joker puts his mask on, he becomes the joker, and he mercilessly goes out there and gets Paid. Thats what I try to do in my life and the way I live life, and I do do it every day, and it is the essence of understanding my pain.”

Dril Twitter user

[ "We Interviewed the Guy Behind @dril, the Undisputed King of Twitter", Caffier, Justin, August 24, 2018, Vice, August 25, 2018, http://archive.today/2018.08.26-011141/https://www.vice.com/en_us/article/3kymv8/we-interviewed-the-guy-behind-dril-the-undisputed-king-of-twitter, August 25, 2018, no https://www.vice.com/en_us/article/3kymv8/we-interviewed-the-guy-behind-dril-the-undisputed-king-of-twitter,]
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