“…[Bob Kane] had an idea for a character called "Batman", and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of … reddish tights, I believe, with boots … no gloves, no gauntlets … with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign … BATMAN.”

[Jim Steranko, The Steranko History of Comics, Supergraphics, Reading, Pa., 1970, ISBN 0-517-50188-0, p.44]

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Bill Finger6

American comic strip and comic book writer 1914–1974

Bill Finger (1914–1974) American comic strip and comic book writer

George Roussos, quoted in "Interviews with George Roussos", Dark Knight Archives, vol. 2, DC Comics, page 8
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“Robin was an outgrowth of a conversation I had with Bob. As I said, Batman was a combination of Fairbanks and Sherlock Holmes. Holmes had his Watson. The thing that bothered me was that Batman didn't have anyone to talk to, and it got a little tiresome always having him thinking. I found that as I went along Batman needed a Watson to talk to. That's how Robin came to be. Bob called me over and said he was going to put a boy in the strip to identify with Batman. I thought it was a great idea”

Bill Finger (1914–1974) American comic strip and comic book writer

[Jim Steranko, The Steranko History of Comics, Supergraphics, Reading, Pa., 1970, ISBN 0-517-50188-0, p.44]
Variant: Robin was an outgrowth of a conversation I had with Bob. As I said, Batman was a combination of Fairbanks and Sherlock Holmes. Holmes had his Watson. The thing that bothered me was that Batman didn't have anyone to talk to, and it got a little tiresome always having him thinking. I found that as I went along Batman needed a Watson to talk to. That's how Robin came to be. Bob called me over and said he was going to put a boy in the strip to identify with Batman. I thought it was a great idea

“My first exposure to Batman as a character was Batman the TV series. But honestly, I didn’t know it was supposed to be a parody or campy. I thought it was the coolest thing I’d ever seen. Of course, I was 5 at the time. But all in one fell swoop, I became an instant super hero fan. Later on, as I got older and started reading more comics and getting into the super hero scene, I realized that the Batman show was kind of a comedy. I was reading Neal Adams comics and thinking, "Batman is kind of cooler than that show, he’s kind of scary and mysterious." So my perception of Batman changed over time, and then I went through the periods with Frank Miller and the Tim Burton movies. So now I’ve got these warring Batmans in my head. I still love the Adam West/Batman show. I still love the Neal Adams take on Batman comics. I still love The Dark Knight. All of these things totally contradict each other, and yet it’s fine to me. I’ve said it over and over again, Batman as a character is such a strong concept, he’s the kind of character that you can take him in any number of ways and it still feels right.”

Bruce Timm (1961) Animator

ruce Timm Interview http://www.animationmagazine.net/home-entertainment/batman-under-the-red-hood-clip-and-bruce-timm-interview/ (June 25, 2010)

“Adam set the bar so high for portraying the role of Batman, He was wonderful, spot on, with a twinkle in his eye. He had it all -- looks, charm, intelligence, I could go on and on. In conversation, he was very animated and once told me that Batman was the father that everyone wanted! I never thought of it that way! He had a great way of playing that 'tongue-in-cheek' nature in so much of the dialogue. I had a long, engaging conversation with him and his wife, Marcelle, about their life in Montana, If I had to describe him in a word or two, they would be 'stellar' and 'exemplar,' qualities that we want to encourage in ourselves and in young people.”

Julie Newmar (1933) American actress

'Batman' Co-Star Julie Newmar Remembers Adam West: 'He Had It All' http://www.etonline.com/news/219389_batman_star_julie_newmar_remembers_adam_west/ (June 10, 2017)

“Yeah. Floyd is his batman."
His what?"
Batman, like in the British army, each officer had a batman, a personal servant."
You spend too much time reading, Spenser. You know more stuff that don't make you money than anybody I know.”

Robert B. Parker Mortal Stakes

Source: Mortal Stakes

“Karl Pilkington: And I was high up. Russell Brand: I'm picturing you as a sort of vigilante Batman figure, looking down over Salford, to see if there's any crimes. Karl Pilkington: And I was in my pants. Rusell Brand: Again, like a vigilante Batman figure.”

Russell Brand (1975) British comedian, actor, and author

6 Music Show

“I listened to the San Juan games on the radio and my idol was Monte Irvin, because he not only was a good hitter but had a very good arm. Even my friends called me Monte Irvin as a nickname. I never thought I’d be good enough to play pro ball. I always felt you had to be like Superman to play professionally. But in 1952, at age 17, I signed a contract with Santurce. My bonus? It was $500 and one glove. They also paid me $30 a week. Two years later – when I was 19 – there were eight or nine big league teams after me and I signed with the Dodgers for a $10,000 bonus. This was a big day in my life.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in “Clouter Clemente: Popular Buc; Rifle-Armed Flyhawk Aims At Second Bat Crown”
Baseball-related, <big><big>1960s</big></big>, <big>1964</big>

“The 'minute' meant more like minute … Like we were small compared to a big arena rock band. And the other reason for the name — I had a bunch of names on a paper, and D. Boon picked that one. He liked it because there was some right-wing group who used the name. We thought, we'll call ourselves the same thing — there goes their power! It'll dilute it and confuse things.”

Mike Watt (1957) musician, songwriter

On the name of The Minutemen
watt bio (2005)

“I suppose he had the good luck to be executed, no? I had an hour's chat with him in Buenos Aires. He struck me as a kind of play actor, no? Living up to a certain role. I mean, being a professional Andalusian… But in the case of Lorca, it was very strange because I lived in Andalusia and the Andalusians aren't a bit like that. His were stage Andalusians. Maybe he thought that in Buenos Aires he had to live up to that character, but in Andalusia, people are not like that. In fact, if you are in Andalusia, if you are talking to a man of letters and you speak to him about bullfights, he'll say, 'Oh well, that sort of this pleases people, I suppose, but really the torero works in no danger whatsoever. Because they are bored by these things, because every writer is bored by the local color in his own country. Well, when I met Lorca, he was being a professional Andalusian… Besides, Lorca wanted to astonish us. He said to me that he was very troubled about a very important figure in the contemporary world. A character in whom he could see all the tragedy of American life. And then he went on in this way until I asked him who was this character and it turned out this character was Mickey Mouse. I suppose he was trying to be clever. And I thought, 'That's the kind of thing you say when you are very, very young and you want to astonish somebody.' But after all, he was a grown man, he had no need, he could have talked in a different way. But when he started in about Mickey Mouse being a symbol of America, there was a friend of mine there and he looked at me and I looked at him and we both walked away because we were too old for that kind of game, no? Even at that time.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Richard Burgin, Conversation with Jorge Luis Borges, pages 92-93.
Conversations with Jorge Luis Borges (1968)

“Let's just ruin all the movies about pterosaurs: they could soar like airplanes, but they couldn't hover like hummingbirds. They couldn't carry things in their feet either, they couldn't perch on tree branches like birds, they didn't look like "bird-monsters", and they didn't look like "lizard-bats". They didn't have four-fingered wings like bats; their wings were based on an elongated pinky finger. The only thing bat-like about them was the way they walked; on all fours. So what are the possibilities for fluffy pterosaurs? We know they were a very diverse and almost certainly colorful group. They looked like a wide range of things, from fluttering bats to darting falcons. Some had powerful shell-crushing jaws and some had ridiculous crests, and some were quite huge. For decades, we were told that Pteranodon was the biggest animal that ever flew, then they discovered Ornithocheirus, then Quetzalcoatlus, then Hatzegopteryx (an apex predator)… These were capable killers of even human-sized prey, with a skull larger than that of even the biggest carnosaurs.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Youtube, Other, Pterosaurs are Terrible Lizards https://www.youtube.com/watch?v=3_htQ8HJ1cA (December 3, 2013)

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