Quotes about mask (383 quotes, page 4) | Quotes of famous people

“Disturbances in society are never more fearful than when those who are stirring up the trouble can use the pretext of religion to mask their true designs.”

Denis Diderot (1713–1784) French Enlightenment philosopher and encyclopædist

Observations on the Drawing Up of Laws (1774)

Fear , Religion

“Now will I, in my old way, discover the whole and real truth of the matter to him, that he may not suspect one word on’t.
No mask like open truth to cover lies,
As to go naked is the best disguise.”

William Congreve The Double Dealer

Act V, scene iv
The Double Dealer (1694)

Truth , Way

“Today he (Lukashenka) won by the hands of "gorillas" in black masks. Already it is clear that there will be no Parliament in Belarus, no democratic election. The remains of a free press will disappear. A presidential Junta will govern the country… Well, we can congratulate Belarusians on the previous elections. Worse cannot be done. For ourselves, for society and for future generations.”

Vasil Bykaŭ (1924–2003) Belarusian writer

about results of Belarusian presidential election, 1994
“Ён Прыехаў, Сам Памёр, Усё Спакойна…” Апошнія Тыдні Васіля Быкава https://www.svaboda.org/amp/24853764.html // svaboda.org
(in Belarusian)

Future , Country

“To dissimulate is to pretend not to have what one has. To simulate is to feign to have what one doesn't have. One implies a presence, the other an absence. But it is more complicated than that because simulating is not pretending: "Whoever fakes an illness can simply stay in bed and make everyone believe he is ill. Whoever simulates an illness produces in himself some of the symptoms" (Littré). Therefore, pretending, or dissimulating, leaves the principle of reality intact: the difference is always clear, it is simply masked, whereas simulation threatens the difference between the "true" and the "false," the "real" and the "imaginary."”

Jean Baudrillard (1929–2007) French sociologist and philosopher

The Precession of Simulcra, The Divine Irreference Of Images
1980s, Simulacra and Simulation (1981)

Reality , Falseness

“Leslie White spoke of culture as an "organism" with life and death cycles of its own. But the cultural effect, by which we are conditioned, blinds us to a primary process that is our true source of communion and social being. Each of us is born with a "life scheme" that is masked, inhibited, and finally dominated by the process of acculturation. For all intents and purposes, this primary program, which is our birthright, becomes nonexistent through acculturation. Once our primary program is masked into noncognizance, culture emerges as the dominant meta program in our organism. Once this meta program of culture becomes dominant, it shapes our experience into an arbitrary and parallel counterfeit of that which is real. Once this meta program takes over our perceptual apparatus, it is the only mode we have for interacting with reality. Once that happens we can't question our culturally conditioned state, since that is our only reality experience.”

Joseph Chilton Pearce (1926–2016) American writer

Source: Exploring the Crack In the Cosmic Egg (1974), p. 9-10

Life , Death , Question , Reality

“The Mummy's Tomb was my only horror film, so I remember it vividly. We had to work all night on the kidnapping and graveyard scenes. Lon Chaney Jr. had a strap around his neck to support me. One arm was supposed to be paralyzed and he could only hold me with the other arm. I had this negligee with marabou—and one of the feathers somehow got under Lon’s rubber mummy mask. He was one unhappy actor—because he couldn’t get it out. After it was over, he thanked me for being petite. It seems some of my predecessors were a little on the heavy side! The day of the kidnapping scene—where the Mummy takes me from my bed, the director told me, "When you see him you really have to scream!" He thought since I’d never done anything like that before, I wouldn’t be able to do it. One look at Lon Chaney Jr. coming at me and it wasn’t hard to let out that scream at all!”

Elyse Knox (1917–2012) American actress

Interview with Ekyse Knox http://www.westernclippings.com/interview/elyseknox_interview.shtml

Support , Night

“In the last decade, the backlash has moved through the culture's secret chambers, traveling through passageways of flattery and fear. Along the way, it has adopted disguises: a mask of mild derision or the painted face of deep “concern”. Its lips profess pity for any woman who won't fit the mold, while it tries to clamp the mold around her ears. It pursues a divide-and-conquer strategy: single versus married women, working women versus homemakers, middle- versus working-class. It manipulates a system of rewards and punishments, elevating women who follow its rules, isolating those who don't. The backlash remarkets old myths about women as new facts and ignores all appeals to reason. Cornered, it denies its own existence, points an accusatory finger at feminism, and burrows deeper underground.”

Susan Faludi book Backlash: The Undeclared War Against American Women

Pages 16-17.
Backlash (1992)

Women , Secret , Fear , Way

“For the corporation executives, the military metaphysic often coincides with their interest in a stable and planned flow of profit; it enables them to have their risk underwritten by public money; it enables them reasonably to expect that they can exploit for private profit now and later, the risky research developments paid for by public money. It is, in brief, a mask of the subsidized capitalism from which they extract profit and upon which their power is based.”

C. Wright Mills (1916–1962) American sociologist

The Causes of World War Three (1960)

Money

“We have heard popular orators declaiming to audiences to whose fathers James Otis and Samuel Adams spoke, and whose fathers' cheeks would have burned with shame and their hearts tingled with indignation to hear, that the Declaration of Independence was the passionate manifesto of a revolutionary war, and its doctrine of equal human rights a glittering generality. And finally, throwing off the mask altogether, but still whining to be let alone, we see this system, grown now from seven hundred thousand to four millions of slaves, declaring that it is in a peculiar sense a divine and Christian institution; that it is right in itself and a blessing, not a bane; that it is ineradicable in the soil; that it is directly recognized and protected by the Constitution of the United States; that its rights under that Constitution are to be maintained at all hazards; and haw they are maintained we may see in the slave States, by the absolute annihilation of free speech and by codes of law insulting to humanity and common-sense; and how they are to be maintained in the new States we have seen in the story of Kansas. It declares that, the Congress of the United States being a slave instrument and being also the supreme law of the land, the rights of the slave States are to be protected from injury by the suppression in the free States of what shall be decided by the United States Courts to be incendiary discussion; and at last it openly announces, by its representative leaders in Congress, that if a majority of the people of the United States shall elect a government holding what they allow to have been the principles of the founders of the government upon this question, they will hesitate at no steps to destroy the Union.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

War , People , Law , Question

“You see, there’s a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be.”

Patrick Rothfuss book The Name of the Wind

Source: The Name of the Wind (2007), Chapter 92, “The Music that Plays” (p. 716)

Understanding

“Men and women meet now to be idle. Is it extraordinary that they do not know each other, and that, in their mutual ignorance, they form no surer friendships? Did they meet to do something together, then indeed they might form some real tie.
But, as it is, they are not there, it is only a mask which is there — a mouth-piece of ready-made sentences about the "topics of the day"; and then people rail against men for choosing a woman "for her face"”

Florence Nightingale (1820–1910) English social reformer and statistician, and the founder of modern nursing

why, what else do they see?
Cassandra (1860)

Women , Men , Friendship , People

“If there was some central theme beneath the (more Irish than Greek) stew of intuitions about the nature of human existence – and of fiction – it is perhaps in the alternative title, whose rejection I still sometimes regret: The Godgame. I did intend Conchis to exhibit a series of masks representing human notions of God, from the supernatural to the jargon-ridden scientific, that is, a series of human illusions about something that does not exist in fact, absolute knowledge and absolute power. The destruction of such illusions seems to me still an eminently humanist aim; and I wish there were some super-Conchis who could put the Arabs and the Israelis, or the Ulster Catholics and Protestants, through the same heuristic mill as Nicholas.”

John Fowles book The Magus

Introduction (1977 edition)
The Magus (1965)

God , Nature , Knowledge

“They have fulfilled their duty.
But today we have gone beyond these needs; we have shattered this particular mask of the Abyss; our God no longer fits under the old features.”

Nikos Kazantzakis book The Saviors of God

The Saviors of God (1923)
Context: I do not care what face other ages and other people have given to the enormous, faceless essence. They have crammed it with human virtues, with rewards and punishments, with certain ties. They have given a face to their hopes and fears, they have submitted their anarchy to a rhythm, they have found a higher justification by which to live and labor. They have fulfilled their duty.
But today we have gone beyond these needs; we have shattered this particular mask of the Abyss; our God no longer fits under the old features.
Our hearts have overbrimmed with new agonies, with new luster and silence. The mystery has grown savage, and God has grown greater. The dark powers ascend, for they have also grown greater, and the entire human island quakes.
Let us stoop down to our hearts and confront the Abyss valiantly. Let us try to mold once more, with our flesh and blood, the new, contemporary face of God.
For our God is not an abstract thought, a logical necessity, a high and harmonious structure made of deductions and speculations.
He is not an immaculate, neutral, odorless, distilled product of our brains, neither male nor female.
He is both man and woman, mortal and immortal, dung and spirit. He gives birth, fecundates, slaughters — death and eros in one — and then he begets and slays once more, dancing spaciously beyond the boundaries of a logic which cannot contain the antinomies.

God

“Promises may not be kept, plighted faith may be broken, and vaunted virtue be only the cunning mask of vice. We do not know one promise these men made, one pledge they gave, one word they spoke: but we do know they summed up and perfected, by one supreme act, the highest virtues of men and citizens.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

Speech at Arlington Cemetery, Decoration Day (30 May 1868)
1860s
Context: I am oppressed with a sense of the impropriety of uttering words on this occasion. If silence is ever golden, it must be here, beside the graves of fifteen thousand men, whose lives were more significant than speech, and whose death was a poem, the music of which can never be sung. With words we make promises, plight faith, praise virtue. Promises may not be kept, plighted faith may be broken, and vaunted virtue be only the cunning mask of vice. We do not know one promise these men made, one pledge they gave, one word they spoke: but we do know they summed up and perfected, by one supreme act, the highest virtues of men and citizens. For love of country they accepted death, and thus resolved all doubts, and made immortal their patriotism and their virtue.

Men , Faith , Perfection

“The recent period — and in particular the last six weeks of our peaceful revolution — has shown the enormous human, moral and spiritual potential, and the civic culture that slumbered in our society under the enforced mask of apathy.”

Václav Havel (1936–2011) playwright, essayist, poet, dissident and 1st President of the Czech Republic

New Year's Address to the Nation (1990)
Context: The recent period — and in particular the last six weeks of our peaceful revolution — has shown the enormous human, moral and spiritual potential, and the civic culture that slumbered in our society under the enforced mask of apathy. Whenever someone categorically claimed that we were this or that, I always objected that society is a very mysterious creature and that it is unwise to trust only the face it presents to you. I am happy that I was not mistaken. Everywhere in the world people wonder where those meek, humiliated, skeptical and seemingly cynical citizens of Czechoslovakia found the marvelous strength to shake the totalitarian yoke from their shoulders in several weeks, and in a decent and peaceful way.

Peace

“There is and will be rousing language to keep citizens armed and arming; slaughtered and slaughtering in the malls, courthouses, post offices, playgrounds, bedrooms and boulevards; stirring, memorializing language to mask the pity and waste of needless death. There will be more diplomatic language to countenance rape, torture, assassination.”

Toni Morrison (1931–2019) American writer

Nobel Prize Lecture (1993)
Context: There is and will be rousing language to keep citizens armed and arming; slaughtered and slaughtering in the malls, courthouses, post offices, playgrounds, bedrooms and boulevards; stirring, memorializing language to mask the pity and waste of needless death. There will be more diplomatic language to countenance rape, torture, assassination. There is and will be more seductive, mutant language designed to throttle women, to pack their throats like paté-producing geese with their own unsayable, transgressive words; there will be more of the language of surveillance disguised as research; of politics and history calculated to render the suffering of millions mute; language glamorized to thrill the dissatisfied and bereft into assaulting their neighbors; arrogant pseudo-empirical language crafted to lock creative people into cages of inferiority and hopelessness.

Death , Memory

“I'm pressed into the inside of a mask
At the back of love, the back of air, the back of light.”

Stephen Spender (1909–1995) English poet and man of letters

"The Mask"
The Still Centre (1939)
Context: The seen and seeing softly mutually strike
Their glass barrier that arrests the sight.
But the world's being hides in the volcanoes
And the foul history pressed into its core;
And to myself my being is my childhood
And passion and entrails and the roots of senses;
I'm pressed into the inside of a mask
At the back of love, the back of air, the back of light.

Love , Light

“No turn, no shift, no courtly arts avail,
Each mask is broken, all illusions fail”

Joel Barlow (1754–1812) American diplomat

The Conspiracy of Kings (1792)
Context: Once draw the sword; its burning point shall bring
To thy quick nerves a never-ending sting;
The blood they shed thy weight of wo shall swell,
And their grim ghosts for ever with thee dwell. Learn hence, ye tyrants, ere ye learn too late,
Of all your craft th' inevitable fate.
The hour is come, the world's unclosing eyes
Discern with rapture where its wisdom lies;
From western heav'ns th' inverted Orient springs,
The morn of man, the dreadful night of kings.
Dim, like the day-struck owl, ye grope in light,
No arm for combat, no resource in sight;
If on your guards your lingering hopes repose,
Your guards are men, and men you've made your foes;
If to your rocky ramparts ye repair,
De Launay's fate can tell your fortune there.
No turn, no shift, no courtly arts avail,
Each mask is broken, all illusions fail;
Driv'n to your last retreat of shame and fear,
One counsel waits you, one relief is near :
By worth internal, rise to self-wrought fame,
Your equal rank, your human kindred claim;
'Tis Reason's choice, 'tis Wisdom's final plan,
To drop the monarch and assume the man.

Art

“It is undoubtedly necessary for the ambassador occasionally to mask his game; but it should be done so as not to awaken suspicion and he ought also to be prepared with an answer in case of discovery.”

Niccolo Machiavelli (1469–1527) Italian politician, Writer and Author

"Instructions given by Niccolo Machiavelli to Rafael Girolami, Ambassador to the Emperor," The History of Florence and of the Affairs of Italy: From the Earliest Times to the Death of Lorenzo the Magnificent; Together with The Prince, and Various Historical Tracts, H.G. Bohn, Editor, p.505–06 (1854).
Context: Now, in order to execute a political commission well, it is necessary to know the character of the prince and those who sway his counsels;... but it is above all things necessary to make himself esteemed, which he will do if he so regulates his actions and conversation that he shall be thought a man of honour, liberal, and sincere. The latter point is highly essential, though too much neglected, as I have seen more than one so lose themselves in the opinion of princes by their duplicity, that they have been unable to conduct a negotiation of the most trifling importance. It is undoubtedly necessary for the ambassador occasionally to mask his game; but it should be done so as not to awaken suspicion and he ought also to be prepared with an answer in case of discovery.

Game

“So it is more useful to watch a man in times of peril, and in adversity to discern what kind of man he is; for then at last words of truth are drawn from the depths of his heart, and the mask is torn off, reality remains.”
Quo magis in dubiis hominem spectare periclis convenit adversisque in rebus noscere qui sit; nam verae voces tum demum pectore ab imo eliciuntur et eripitur persona, manet res.

Lucretius (-94–-55 BC) Roman poet and philosopher

Book III, lines 55–58 (reported in Bartlett's Familiar Quotations)
De Rerum Natura (On the Nature of Things)

Truth , Reality , Time , Heart

“And star-bright masks for youth to wear,
Lest any dream that fare
— Bright pilgrim — past our ken, should see
Hints of Reality.”

Edith Sitwell (1887–1964) British poet

"Clowns' Houses"
Clowns' Houses (1918)
Context: p>The busy chatter of the heat
Shrilled like a parakeet;
And shuddering at the noonday light
The dust lay dead and whiteAs powder on a mummy's face,
Or fawned with simian grace
Round booths with many a hard bright toy
And wooden brittle joy:The cap and bells of Time the Clown
That, jangling, whistled down
Young cherubs hidden in the guise
Of every bird that flies;And star-bright masks for youth to wear,
Lest any dream that fare
— Bright pilgrim — past our ken, should see
Hints of Reality.</p

Youth , Dreams , Star , Reality

“Straddling the top of the world, one foot in China and the other in Nepal, I cleared the ice from my oxygen mask, hunched a shoulder against the wind, and stared absently down at the vastness of Tibet.”

Jon Krakauer book Into Thin Air

Source: Into Thin Air (1997), Ch. 1.
Context: Straddling the top of the world, one foot in China and the other in Nepal, I cleared the ice from my oxygen mask, hunched a shoulder against the wind, and stared absently down at the vastness of Tibet. I understood on some dim, detached level that the sweep of earth beneath my feet was a spectacular sight. I'd been fantasizing about this moment, and the release of emotion that would accompany it, for many months. But now that I was finally here, actually standing on the summit of Mount Everest, I just couldn't summon the energy to care.

World

“As a protective mechanism, I developed a terse, cynical mode of speech that rebuffed those who sought to get too close to me. Conversation was my way of avoiding expression; my words were reserved for those times when I sat down alone to write. My face was always a deadpan or a mask of general friendliness; no word or event could jar me into a gesture of enthusiasm or despair.”

Richard Wright book Black Boy

Source: Black Boy (American Hunger) (1991), p. 278

Way , Time , Despair

“For the first time the sun kissed my own naked face and my soul was inflamed with love for the sun, and I wanted my masks no more. And as if in a trance I cried, "Blessed, blessed are the thieves who stole my masks."”

Khalil Gibran (1883–1931) Lebanese artist, poet, and writer

Thus I became a madman.
And I have found both freedom and safety in my madness; the freedom of loneliness and the safety from being understood, for those who understand us enslave something in us.
But let me not be too proud of my safety. Even a Thief in a jail is safe from another thief.
Introduction
The Madman (1918)

Love , Soul , Kiss , Time

“Poet, never chase the dream.
Laugh yourself and turn away.
Mask your hunger, let it seem
Small matter if he come or stay”

Robert Graves (1895–1985) English poet and novelist

"A Pinch of Salt".
Fairies and Fusiliers (1917)
Context: Poet, never chase the dream.
Laugh yourself and turn away.
Mask your hunger, let it seem
Small matter if he come or stay;
But when he nestles in your hand at last,
Close up your fingers tight and hold him fast.

Hunger , Dreams

“I can't design a mask and say to someone else, "Just do it."”

Julie Taymor (1952) American film and theatre director

It's partly because I'm a better sculptor than I am a drawer. Considering the amount of time it would take me to draw exactly what I want, I might as well sculpt it. I paint most of it too. It's incredibly time consuming so I end up turning down a lot of jobs I want to do.
As quoted in "The Lively Arts" in Connoisseur No. 219 (1989), p. 72

“Fire is the first and final mask of my God.”

Nikos Kazantzakis book The Saviors of God

The Saviors of God (1923)
Context: "Fire is the first and final mask of my God. We dance and weep between two enormous pyres."
Our thoughts and our bodies flash and glitter with reflected light. Between the two pyres I stand serenely, my brain unshaken amid the vertigo, and I say:
"Time is most short and space most narrow between these two pyres, the rhythm of this life is most sluggish, and I have no time, nor a place to dance in. I cannot wait."
Then all at once the rhythm of the earth becomes a vertigo, time disappears, the moment whirls, becomes eternity, and every point in space — insect or star or idea — turns into dance.

God

“Such grinning inanity is very sad to the soul of man. Human faces should not grin on one like masks; they should look on one like faces! I love honest laughter, as I do sunlight; but not dishonest”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Past and Present (1843)
Context: "No man in this fashionable London of yours," friend Sauerteig would say, "speaks a plain word to me. Every man feels bound to be something more than plain; to be pungent withal, witty, ornamental. His poor fraction of sense has to be perked into some epigrammatic shape, that it may prick into me;—perhaps (this is the commonest) to be topsyturvied, left standing on its head, that I may remember it the better! Such grinning inanity is very sad to the soul of man. Human faces should not grin on one like masks; they should look on one like faces! I love honest laughter, as I do sunlight; but not dishonest: most kinds of dancing too; but the St.-Vitus kind not at all! A fashionable wit, ach Himmel, if you ask, Which, he or a Death's- head, will be the cheerier company for me? pray send not him!"

Love , Sadness , Soul , Laughter

“The most strongly enforced of all known taboos is the taboo against knowing who or what you really are behind the mask of your apparently separate, independent, and isolated ego.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Inside Information
The Book on the Taboo Against Knowing Who You Are (1966)

“There is the frightful possibility in all such trials as these that the judgment has already been pronounced and the trial is just a mask for murder.”

Katherine Anne Porter (1890–1980) American journalist, essayist, short story writer, novelist, and political activist

The Never-Ending Wrong (1977)
Context: The trial of Jesus of Nazareth, the trial and rehabilitation of Joan of Arc, any one of the witchcraft trials in Salem during 1691, the Moscow trials of 1937 during which Stalin destroyed all of the founders of the 1924 Soviet Revolution, the Sacco-Vanzetti trial of 1920 through 1927 — there are many trials such as these in which the victim was already condemned to death before the trial took place, and it took place only to cover up the real meaning: the accused was to be put to death. These are trials in which the judge, the counsel, the jury, and the witnesses are the criminals, not the accused. For any believer in capital punishment, the fear of an honest mistake on the part of all concerned is cited as the main argument against the final terrible decision to carry out the death sentence. There is the frightful possibility in all such trials as these that the judgment has already been pronounced and the trial is just a mask for murder.

“The record is full of other examples of dissimulations and evasions. Even Schacht showed that he, too, had adopted the Nazi attitude that truth is any story which succeeds. Confronted on cross-examination with a long record of broken vows and false words, he declared in justification and I quote from the record: "I think you can score many more successes when you want to lead someone if you don't tell them the truth than if you tell them the truth." This was the philosophy of the National Socialists. When for years they have deceived the world, and masked falsehood with plausibilities, can anyone be surprised that they continue their habits of a lifetime in this dock? Credibility is one of the main issues of this Trial. Only those who have failed to learn the bitter lessons of the last decade can doubt that men who have always played on the unsuspecting credulity of generous opponents would not hesitate to do the same, now. It is against such a background that these defendants now ask this Tribunal to say that they are not guilty of planning, executing, or conspiring to commit this long list of crimes and wrongs. They stand before the record of this Trial as bloodstained Gloucester stood by the body of his slain king. He begged of the widow, as they beg of you: "Say I slew them not." And the Queen replied, "Then say they were not slain. But dead they are…"”

Robert H. Jackson (1892–1954) American judge

If you were to say of these men that they are not guilty, it would be as true to say that there has been no war, there are no slain, there has been no crime.
Summation for the Prosecution, July 26, 1946
Quotes from the Nuremberg Trials (1945-1946)

Men , War , Truth , World

“I met Murder on the way —
He had a mask like Castlereagh”

Percy Bysshe Shelley The Masque of Anarchy

Very smooth he looked, yet grim;
Seven blood-hounds followed him.
St. 2
The Masque of Anarchy (1819)

Way

“To know that the balance does not quite rest,
That the mask is strange, however like.”

Wallace Stevens (1879–1955) American poet

The Man With the Blue Guitar (1937)
Context: What is beyond the cathedral, outside,
Balances with nuptial song.
So it is to sit and to balance things
To and to and to the point of still,
To say of one mask it is like,
To say of another it is like,
To know that the balance does not quite rest,
That the mask is strange, however like.

“Women have been charged with deviousness and duplicity since the dawn of civilization so they have never been able to pretend that their masks were anything but masks.”

Germaine Greer book The Female Eunuch

Womanpower (p. 129)
The Female Eunuch (1970)
Context: Women have been charged with deviousness and duplicity since the dawn of civilization so they have never been able to pretend that their masks were anything but masks. It is a slender case but perhaps it does mean that women have always been in closer contact with reality than men: it would seem to be the just recompense for being deprived of idealism.

Women

“I am a stranger. You do not need to lie to me or pretend. Only with friends do you need masks.”

David Gemmell book The King Beyond the Gate

Source: Drenai series, The King Beyond the Gate, Ch. 2

“Bands of men, masked and armed, made their appearance; White Leagues and other societies were formed; large quantities of arms and ammunition were imported and distributed to these organizations; military drills, with menacing demonstrations, were held, and with all these murders enough were committed to spread terror among those whose political action was to be suppressed, if possible, by these intolerant and criminal proceedings.”

Ulysses S. Grant (1822–1885) 18th President of the United States

1870s, Sixth State of the Union Address (1874)
Context: I regret to say that with preparations for the late election decided indications appeared in some localities in the Southern States of a determination, by acts of violence and intimidation, to deprive citizens of the freedom of the ballot because of their political opinions. Bands of men, masked and armed, made their appearance; White Leagues and other societies were formed; large quantities of arms and ammunition were imported and distributed to these organizations; military drills, with menacing demonstrations, were held, and with all these murders enough were committed to spread terror among those whose political action was to be suppressed, if possible, by these intolerant and criminal proceedings.

Men , Appearance

“All visible objects, man, are but as pasteboard masks.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

Ahab to Starbuck, in Ch. 36 : The Quarter-Deck
Moby-Dick: or, the Whale (1851)
Context: All visible objects, man, are but as pasteboard masks. But in each event — in the living act, the undoubted deed — there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask.

“Acting deals with very delicate emotions. It is not putting up a mask. Each time an actor acts he does not hide; he exposes himself. ”

Rodney Dangerfield (1921–2004) American actor and comedian

Time

“Bright star, would I were stedfast as thou art--
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors--
No--yet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever--or else swoon to death.”

John Keats (1795–1821) English Romantic poet

Love , Death , Art , Feeling

“When we appreciate how natural it is for man to strive to be a hero, how deeply it goes in his evolutionary and organismic constitution, how openly he shows it as a child, then it is all the more curious how ignorant most of us are, consciously, of what we really want and need. In our culture anyway, especially in modern times, the heroic seems too big for us, or we too small for it. Tell a young man that he is entitled to be a hero and he will blush. We disguise our struggle by piling up figures in a bank book to reflect privately our sense of heroic worth. Or by having only a little better home in the neighborhood, a bigger car, brighter children. But underneath throbs the ache of cosmic specialness, no matter how we mask it in concerns of smaller scope. Occasionally someone admits that he takes his heroism seriously, which gives most of us a chill, as did U.S. Congressman Mendel Rivers, who fed appropriations to the military machine and said he was the most powerful man since Julius Caesar. We may shudder at the crassness of earthly heroism, of both Caesar and his imitators, but the fault is not theirs, it is in the way society sets up its hero system and in the people it allows to fill its roles. The urge to heroism is natural, and to admit it honest. For everyone to admit it would probably release such pent-up force as to be devastating to societies as they now are.”

Ernest Becker book The Denial of Death

The Recasting of Some Basic Psychoanalytic Ideas
The Denial of Death (1973)

Home , Time , Children , People

“Liberalism, as a set of ideals, is still viable, and even compelling to Western men. That is one reason why it has become a common denominator of American political rhetoric; but there is another reason. The ideals of liberalism have been divorced from any realities of modern social structure that might serve as the means of their realization. Everybody can easily agree on general ends; it is more difficult to agree on means and the relevance of various means to the ends articulated. The detachment of liberalism from the facts of a going society make it an excellent mask for those who do not, cannot, or will not do what would have to be done to realize its ideals.”

C. Wright Mills (1916–1962) American sociologist

"Liberal Values in the Modern World"
Power, Politics, and People (1963)

Making love , Reality , Men

“PowerPoint is symptomatic of a certain type of bureaucratic environment: one typified by interminable presentations with lots of fussy little bullet-points and flashy dissolves and soundtracks masked into the background, to try to convince the audience that the goon behind the computer has something significant to say. It’s the tool of choice for pointy-headed idiots with expensive suits and skinny laptops who desperately want to look as if they’re in command of the job, with all the facts at their fiddling fingertips, even if Rome is burning in the background. Nothing stands for content-free corporate bullshit quite like PowerPoint. And that’s just scratching the surface…”

Charles Stross The Laundry Files

Source: The Laundry Files, The Jennifer Morgue (2006), Chapter 2, “Going Down to Dunwich” (pp. 42-43)

“According to the laws of social development established by Marx, a backward agricultural country cannot show the way to Socialism to other countries. Its failure in this respect is foreordained. It is merely a question of when and how this failure will finally manifest itself. Until now the Bolsheviki have been skillful in disguising their failure under the mask of promises of a glorious future. The last such promise was the Five-Year plan. But the Bolshevist state economy has been in existence now more than fifteen years. For more than ten years the USSR has been enjoying complete peace. And yet, contrary to all promises, things under the Bolshevist state economy have been getting worse every year, (excepting the short period of the Nep), and the day is not far distant when even the most credulous will become convinced that the Bolshevist way leads not upward, toward Socialism, but downward, to open ruin or slow disintegration.”

Karl Kautsky (1854–1938) Czech-Austrian philosopher, journalist, and Marxist theoretician

Chap. IV, Democracy and Dictatorship
“Marxism and Bolshevism: Democracy and Dictatorship,” (1934) http://www.marxists.org/archive/kautsky/1934/bolshevism/index.htm

Peace , Law , Country , Question

“Americans are becoming increasingly polarized right and left, with the great body of the people in the middle confused and, sometimes to mask their confusion, feigning indifference.”

Eldridge Cleaver (1935–1998) American activist

"Rallying Round the Flag"
1960s, Soul on Ice (1968)

Indifference , People

“Maybe there are a group of gay banditos… who, every night climb into a van and go from village to dell, from community to community. They wander, and as the sun is coming down, just setting over a suburban village, the gays drive in. And there in a cul-de-sac, there in the light of a house, you can see a young American family, sitting down for their evening meal. And those gays… put on their masks and their festive colored robes, and sneak slowly into the house… and begin to FUCK EACH OTHER IN THE ASS! AND ANOTHER AMERICAN FAMILY IS DESTROYED!”

Lewis Black (1948) American stand-up comedian, author, playwright, social critic and actor

The Carnegie Hall Performance (2006)

Family , Housing , Night , Light

“Even Dick Turpin had the decency to wear a mask when he robbed people.”

Ed Miliband (1969) British politician

During Miliband's response to the 2015 budget. http://blogs.spectator.co.uk/coffeehouse/2015/03/budget-2015-full-text-of-ed-miliband-response/
2015

People

“Taiwan is a free, democratic and liberal nation, so the government would not issue a mask ban, but the government would not tolerate masked thugs, such as the man who tossed red paint on Hong Kong singer and rights advocate Denise Ho on the sidelines of a rally last month.”

Su Tseng-chang (1947) Taiwanese politician

Su Tseng-chang (2019) cited in " No ban on rally masks, MOI head and premier say http://www.taipeitimes.com/News/taiwan/archives/2019/10/09/2003723647" on Taipei Times, 9 October 2019.

Painting

“But if we look a little deeper we shall find there is a pathetic, one might almost say a tragic, side to the picture. A shy man means a lonely man—a man cut off from all companionship, all sociability. He moves about the world, but does not mix with it. Between him and his fellow-men there runs ever an impassable barrier—a strong, invisible wall that, trying in vain to scale, he but bruises himself against. He sees the pleasant faces and hears the pleasant voices on the other side, but he cannot stretch his hand across to grasp another hand. He stands watching the merry groups, and he longs to speak and to claim kindred with them. But they pass him by, chatting gayly to one another, and he cannot stay them. He tries to reach them, but his prison walls move with him and hem him in on every side. In the busy street, in the crowded room, in the grind of work, in the whirl of pleasure, amid the many or amid the few—wherever men congregate together, wherever the music of human speech is heard and human thought is flashed from human eyes, there, shunned and solitary, the shy man, like a leper, stands apart. His soul is full of love and longing, but the world knows it not. The iron mask of shyness is riveted before his face, and the man beneath is never seen. Genial words and hearty greetings are ever rising to his lips, but they die away in unheard whispers behind the steel clamps. His heart aches for the weary brother, but his sympathy is dumb. Contempt and indignation against wrong choke up his throat, and finding no safety-valve whence in passionate utterance they may burst forth, they only turn in again and harm him. All the hate and scorn and love of a deep nature such as the shy man is ever cursed by fester and corrupt within, instead of spending themselves abroad, and sour him into a misanthrope and cynic.”

Jerome K. Jerome book Idle Thoughts of an Idle Fellow

Idle Thoughts of an Idle Fellow (1886)

Soul , Hate , Business , Strong

“My face and your faces shall not be masked; our hand shall hold neither sword nor sceptre, and our subjects shall love us in peace and shall not be in fear of us.”

Khalil Gibran book Jesus, The Son of Man

Thus spoke Jesus, and unto all the kingdoms of the earth I was blinded, and unto all the cities of walls and towers; and it was in my heart to follow the Master to His kingdom.
James The Son Of Zebedee: On The Kingdoms Of The World
Jesus, The Son of Man (1928)

Love , Fear , Making love , Peace

“People tend to wear the mask that shows them off in the best possible light—humble, confident, diligent. They say the right things, smile, and seem interested in our ideas. They learn to conceal their insecurities and envy. If we take this appearance for reality, we never really know their true feelings, and on occasion we are blindsided by their sudden resistance, hostility, and manipulative actions. Fortunately, the mask has cracks in it. People continually leak out their true feelings and unconscious desires in the nonverbal cues they cannot completely control—facial expressions, vocal inflections, tension in the body, and nervous gestures. You must master this language by transforming yourself into a superior reader of men and women. Armed with this knowledge, you can take the proper defensive measures. On the other hand, since appearances are what people judge you by, you must learn how to present the best front and play your role to maximum effect.”

Robert Greene (1959) American author

Chap. 3 : See Through People’s Masks
The Laws of Human Nature (2018)

Confidence , Hostility , Light , Smile

“Your task as a student of human nature is twofold: First, you must understand and accept the theatrical quality of life. You do not moralize and rail against the role-playing and the wearing of masks so essential to smooth social functioning. In fact, your goal is to play your part on the stage of life with consummate skill, attracting attention, dominating the limelight, and making yourself into a sympathetic hero or heroine. Second, you must not be naive and mistake people’s appearances for reality. You are not blinded by people’s acting skills. You transform yourself into a master decoder of their true feelings, working on your observation skills and practicing them as much as you can in daily life.”

Robert Greene (1959) American author

Chap. 3 : See Through People’s Masks
The Laws of Human Nature (2018)

Understanding , People , Nature , Reality

“In general, the best thing to do when you suspect people of trying to distract you from the truth is not to actively confront them in the beginning, but in fact to encourage them to continue by showing interest in what they are saying or doing. You want them to talk more, to reveal more signs of tension and contrivance. At the right moment you must surprise them with a question or remark that is designed to make them uncomfortable, revealing you are onto them. Pay attention to the microexpressions and body language they emit at such moments. If they are really deceiving, they will often have a freeze response as they take this in, and then quickly try to mask the underlying anxiety. This was the favorite strategy of detective Columbo in the television series of the same name—facing criminals who had tried to reverse engineer the evidence to make it look like someone else had done it, Columbo would pretend to be perfectly friendly and harmless but then would suddenly ask an uncomfortable question and then pay extra attention to the face and body.”

Robert Greene (1959) American author

Chap. 3 : See Through People’s Masks
The Laws of Human Nature (2018)

Truth , Making love , People , Question

“On the surface, the people around you appear so polite and civilized. But beneath the mask, they are all inevitably dealing with frustrations. They have a need to influence people and gain power over circumstances. Feeling blocked in their endeavors, they often try to assert themselves in manipulative ways that catch you by surprise. And then there are those whose need for power and impatience to obtain it are greater than others. They turn particularly aggressive, getting their way by intimidating people, being relentless and willing to do almost anything. You must transform yourself into a superior observer of people’s unsatisfied aggressive desires, paying extra attention to the chronic aggressors and passive aggressors in our midst. You must recognize the signs—the past patterns of behavior, the obsessive need to control everything in their environment—that indicate the dangerous types. They depend on making you emotional—afraid, angry—and unable to think straight. Do not give them this power. When it comes to your own aggressive energy, learn to tame and channel it for productive purposes—standing up for yourself, attacking problems with relentless energy, realizing great ambitions.”

Robert Greene (1959) American author

Chap. 16 : See the Hostility Behind the Friendly Façade
The Laws of Human Nature (2018)

Dependency , Past , People , Learning

“I want to advise everyone to wear a face mask at all times when travelling in an aircraft and also in confined spaces such as inside airports”

Chen Shih-chung politician

to protect oneself against COVID-19
Chen Shih-chung (2020) cited in " Taiwan says coronavirus couple likely infected on Hong Kong flight to Italy https://www.channelnewsasia.com/news/asia/wuhan-coronavirus-taiwan-couple-infected-hong-kong-flight-italy-12405134" on Channel News Asia, 7 February 2020.

Travel , Time

“Let's take our masks off and wash our faces up!”

Luiz Carlos Alborghetti (1945–2009) Italian-Brazilian radio commenter, showman and political figure

Original: (pt) Vamos tirar a máscara e lavar a cara!

Source: [9 December 2009, Morre Luiz Carlos Alborghetti, dono do bordão 'bandido bom é bandido morto', https://extra.globo.com/tv-e-lazer/morre-luiz-carlos-alborghetti-dono-do-bordao-bandido-bom-bandido-morto-209786.html, Portuguese, Extra, Editora Globo S/A, 31 March 2019]

quote against hypocrisy and tendency

“Normal surgical masks are sufficient to guard against the (COVID-19) virus.”

Chen Shih-chung politician

Chen Shih-chung (2020) cited in " WUHAN VIRUS / Taiwan closes borders to current, former Wuhan residents https://focustaiwan.tw/society/202001230011" on Focus Taiwan, 23 January 2020.

“There is (currently) indeed a shortage of surgical masks (in New Taipei due to COVID-19 outbreak). There is a lack of transparency on information about mask manufacturers and distribution. The (Republic of China) central government should clearly tell people how many masks each person can purchase.”

Hou You-yi (1957) Taiwanese politician

Hou You-yi (2020) cited in " Virus Outbreak: NHI cards required to purchase masks http://www.taipeitimes.com/News/front/archives/2020/02/04/2003730320" on Taipei Times, 4 February 2020.

Personality , People

“Government violence is not the result of violent revolutions, but the product of government itself. Any movement that leaves the State intact will fail in ending the oppressions we are fighting against. A nonviolent movement that replaces one government with another—and this is the greatest victory a nonviolent movement has ever achieved in the history of the world—ends up betraying itself, allowing Power to change its masks without addressing the fundamental problems of society. Nonviolence as an analytical tool has no means of understanding this kind of defeat—the kind that looks like victory.”

Peter Gelderloos (1982) American anarchist

Source: "The Failure of Nonviolence" (2013) https://theanarchistlibrary.org/library/peter-gelderloos-the-failure-of-nonviolence, Chapter 2. Recuperation is How We Lose

Understanding , History , Victory , Problem

“In the light of the coronavirus pandemic, I focus criticism on capitalism and the vulnerabilities it has accumulated for several reasons. Viruses are part of nature. They have attacked human beings—sometimes dangerously—in both distant and recent history. In 1918, the Spanish Flu killed nearly 700,000 in the United States and millions elsewhere. Recent viruses include SARS, MERS and Ebola. What matters to public health is each society's preparedness: stockpiled tests, masks, ventilators, hospital beds, trained personnel, etc., to manage dangerous viruses. In the U.S., such objects are produced by private capitalist enterprises whose goal is profit. It was not profitable to produce and stockpile such products, that was not and still is not being done. Nor did the U.S. government produce or stockpile those medical products. Top U.S. government personnel privilege private capitalism; it is their primary objective to protect and strengthen. The result is that neither private capitalism nor the U.S. government performed the most basic duty of any economic system: to protect and maintain public health and safety. U.S. capitalism's response to the coronavirus pandemic continues to be what it has been since December 2019: too little, too late. It failed. It is the problem.”

Richard D. Wolff (1942) American economist

COVID-19 and the Failures of Capitalism (2020)

History , Light , Health , Nature

“They are hideous Golgothas, these old intermural cemeteries of ours. In other cities cemeteries are beautiful with all that the art of the gardener and sculptor can give....There the horror is masked. Here it glares at us with empty sockets. The tombs are fissured, or have caved in, or have crumbled down into shapeless bricks and mortar...[and] crawfish undermine the walls to feast upon what is hidden within.”

Lafcadio Hearn (1850–1904) writer

Lafcadio Hearn, Creole Sketches, ed. Charles Woodward Hutsun (1880; Boston: Houghton Mifflin 1924), p. 136. Lafcadio Hearn referring to the cemeteries in New Orleans.

Beauty , Art

“Situations that require a mask are when you are in a crowd ... or if you are caring for a sick person. If it makes you feel better, wear a surgical mask.”

Angela Rasmussen virologist and researcher

Angela Rasmussen (2020) cited in " To mask or not to mask: confusion spreads over coronavirus protection https://www.thestar.com.my/business/business-news/2020/02/01/to-mask-or-not-to-mask-confusion-spreads-over-coronavirus-protection" on The Star Online, 1 February 2020.

Personality , Making love , Feeling

“Poet, never chase the dream.
Laugh yourself and turn away.
Mask your hunger, let it seem
Small matter if he come or stay;
But when he nestles in your hand at last,
Close up your fingers tight and hold him fast.”

Robert Graves (1895–1985) English poet and novelist

"A Pinch of Salt"
Fairies and Fusiliers (1917)

Hunger , Dreams

“No, we didn’t do horror in the sense of haunted houses or people with masks the way you might see them today; something lurking in an anteroom. Our stories were more like peasants sitting around a fire. We had the “Strange World of Your Dreams.””

Jack Kirby (1917–1994) American comic book artist, writer and editor

Ours didn’t run to bloody horror. Ours ran to weirdness. We began to interpret dreams. Remember, Joe and I were wholesome characters. We weren’t guys that were bent on the weird and the bizarre. We were the kind of guys who wouldn’t offend our mother, who wouldn’t offend anyone in your family, and certainly not the reader. So we knew that we had to depart from adventure and that there were other ways to go and we came up with the “Strange World of Your Dreams”.
Context: page 4 http://www.tcj.com/jack-kirby-interview/4/ 1990, Gary Groth interview

Housing , Dreams , People , Way

“Love doesn’t eliminate defensiveness, because love creates vulnerability, and defensiveness is vulnerability’s mask.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: The Boy Crisis (2018), pp. 308

Love , Making love

“You can easily feel judged and alone if you are the only one to understand that your son’s anger is the mask of his vulnerability.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: The Boy Crisis (2018), pp. 260

Anger , Feeling , Understanding

“I have seen a German youth camp, housing six thousand children around the age of ten, display in tree-high letters the words: ‘You were born to die for Germany!’ I have seen babies of six and seven, black-shirted and belted, march in Italy in military drill. I have seen children in Russia kindergartens taught how to adjust gas masks and the strategy of trench warfare.”

Dorothy Thompson (1893–1961) American journalist and radio broadcaster

Dorothy Thompson’s Political Guide: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
Source: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
p. 34-35

Baby , Tree , Housing , Children

“I see the nations of the world arming in ways that have never before been known in the modern world. I am not speaking of new forms of poison gas, heavier or swifter bombing planes, or parachutes to land brigades of soldiers… What is revolutionary is that the minds of men, women and children are being deliberately trained, directed, distorted, by every conceivable instrument of education and propaganda, to make them tolerant of war, receptive of war, prepared for war, lovers of war. The greatest menace in the world today is not poison gas. There are gas masks against that. The menace is poisoned words, poisoned ideas.”

Dorothy Thompson (1893–1961) American journalist and radio broadcaster

Dorothy Thompson’s Political Guide: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
Source: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
pp. 33-34

War , Children , World , Way

“The most basic problem for democracy raided by propaganda is the possibility that the vocabulary of liberal democracy is used to mask an undemocratic reality. If so, there could be a state that appeared to be a liberal democracy. It would be a state the citizens of which believed was a liberal democracy. But the appearance of liberal democracy would be merely the outer trappings of an illiberal, undemocratic reality.”

Jason Stanley book How Propaganda Works

Source: How Propaganda Works (2015), p. 11

Democracy , Problem , Appearance , Reality

“if you ask me many of Americans have been wearing the mask even before from covid 19. the mask i refer to is of course the clown's mask.”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/1272935502753087489]
Tweets by year, 2020

“At that time I needed a mask rather than an actor, and Eastwood had only two facial expressions: one with the hat and one without it.”

Clint Eastwood (1930) actor and director from the United States

Sergio Leone
Source: Mininni, Francesco (1988), Intervista: Sergio Leone http://www.cinemadelsilenzio.it/index.php?mod=interview&id=17, Cinema del Silenzo (see also, The Guardian http://www.guardian.co.uk/film/2008/jun/06/1)

Time

“Marjorie is wrong, and her intentional decision to compare the horrors of the Holocaust with wearing masks is appalling. The Holocaust is the greatest atrocity committed in history. The fact that this needs to be stated today is deeply troubling.”

Marjorie Taylor Greene (1974) American politician and businesswoman from the state of Georgia

Statement from House Republican Leader Kevin McCarthy https://republicanleader.house.gov/leader-mccarthy-condemns-comparisons-to-the-holocaust/, 25 May 2021
About

History , Decision

“If you think America is more racist now than ever, more sexist than before women could vote and more homophobic than when blow jobs were a felony, you have ‘Progressophobia’ and you should adjust your mask because it’s covering your eyes.”

Bill Maher (1956) American stand-up comedian

New Rule: ‘Progressophobia’, (2021)

Thinking , Women

“I’m OK with masks. I tell people, wear a mask. But just the other day they came out with a statement that 85% of the people that wear masks catch it.”

Donald J. Trump (1946) 45th President of the United States of America

Claimed about the coronavirus, as quoted by * 2020-10-16
FactChecking Trump’s Town Hall
Brooks Jackson, Lori Robertson, Robert Farley, Angelo Fichera, Jessica McDonald, Rem Rieder, Katie Busch, Eugene Kiely
FactCheck.org
https://www.factcheck.org/2020/10/factchecking-trumps-town-hall/
2020, October 2020

People

“We now all accept that Covid-19 is a destroyer. Covid-19 is not good at all, that is why you now see us with masks which were previously for doctors and nurses.”

Joice Mujuru (1955) Zimbabwean politician

Source: "Zimbabwe: 'I Have Quit Politics' - Joice Mujuru" https://allafrica.com/stories/202103090190.html, All Africa (March 9, 2021)

“I think the emotions that they truly feel within them and what they try to show to others, the mask that they put on, is different.”

HoYeon Jung (1994) South Korean model, actress

Source: "“Squid Game” Star Hoyeon Jung on Her Rapid Rise, BLACKPINK’s Jennie, and What’s Next" in Teen Vogue https://www.teenvogue.com/story/squid-game-star-hoyeon-jung-interview (6 October 2021)

Thinking , Feeling

“Just resume living. I know some people seem to not want to give up on the wonderful pandemic, but you know what? It’s over. There’s always going to be a variant. You shouldn’t have to wear masks.”

Bill Maher (1956) American stand-up comedian

Source: Sen. Chris Coons and Caitlin Flanagan, Natural Immunity, (2021)

People

“Also, vaccine? Mask? Pick one! You've got to pick. You can't make me mask if I've had the vaccine.”

Bill Maher (1956) American stand-up comedian

Source: Sen. Chris Coons and Caitlin Flanagan, Natural Immunity, (2021)

“You could never know what it's like
Your blood like winter freezes just like ice
And there's a cold lonely light that shines from you
You'll wind up like the wreck you hide behind that mask you use”

Elton John (1947) English rock singer-songwriter, composer and pianist

Source: Song I'm Still Standing

Light , Winter

“The [mask-wearing] ban [by Hong Kong protesters] represents a setback in democracy.”

Cho Jung-tai (1959) Taiwanese politician

Source: Cho Jung-tai (2019) cited in " HK’s mask ban not a solution: MAC http://www.taipeitimes.com/News/taiwan/archives/2019/10/06/2003723473" on Taipei Times, 6 October 2019.

Democracy

“When we are combating a deadly virus & vaccine hesitancy, this kind of rhetoric is dangerous. Showing proof of vaccination is not slavery or birtherism. We are too close to give ground to COVID. Science is science. It's pretty simple - Vax up and mask up.”

Kim Janey (1965) American politician

Source: 3 August 2021 reply https://twitter.com/andreaforboston/status/1422642209938186245 by Andrea Campbell

Science

“We don’t have a tradition of masked heroes really anywhere else in the world apart from America.”

Alan Moore (1953) English writer primarily known for his work in comic books

Source: “Fawkes & Robin Hood didn’t wear masks; ‘hero’ anonymity is US shtick going back to KKK – ‘V for Vendetta’ author Alan Moore to RT” https://www.rt.com/usa/537158-alan-moore-rt-interview/, Russia Today, (11 Oct, 2021)
Context: Moore said in an interview with RT’s Sophie Shevardnadze. “I mean, Guy Fawkes, who the ‘V for Vendetta’ mask is based upon – that wasn’t a mask, that was his face,” he said. Ditto for Robin Hood.

World

“You will be able to wear infinite masks, take on different attitudes and change your usual language, but you will always remain, inevitably, only what you prove yourself to be.”

Prevale (1983) Italian DJ and producer

Original: Potrete indossare infinite maschere, assumere atteggiamenti diversi e cambiare il vostro linguaggio abituale, ma rimarrete sempre, inevitabilmente, solo ciò che dimostrate di essere.
Source: prevale.net

Change

This quote waiting for review.

“Does literature change social reality? Perhaps not. But it reveals it, brings it into the conversation—which is no small thing. It puts it in tension with reality itself. It strips it of its masks. It takes away the official discourse, or at least makes it squirm.”

José Baroja (1983) Chilean author and editor

Source: Interview to José Baroja. https://grupoigneo.com/blog/entrevista-jose-baroja-literatura/

Literature , Change , Reality

Quotes about mask page 4

Quotes about mask
page 4