Quotes about finisher
page 8

Ingmar Bergman photo
Francis Escudero photo
Alexandre Dumas, fils photo

“That world begins where the lawful wife finishes; it finishes where the venal wife begins. It is divided from the world of honest women by the public scandal it provokes; it is divided from the world of courtesans by money.”

Alexandre Dumas, fils (1824–1895) French writer and dramatist, son of the homonym writer and dramatist

Ce monde commence où l'épouse légale finit, et il finit où l'épouse vénale commence, il est séparé des honnêtes femmes par le scandale, des courtisanes par l'argent.
Preface to Le Demi-Monde (1855), in Théatre complet de Al. Dumas fils (Paris: Michel Lévy Frères, 1868-98) vol. 2, p. 10; translation from Albert D. Vandam Undercurrents of the Second Empire (London: William Heinemann, 1897) p. 247.

Arsène Wenger photo

“Nobody will finish above us in the league. It wouldn't surprise me if we were to go unbeaten for the whole of the season.”

Arsène Wenger (1949) French footballer and manager

Before the 2002-03 season commenced, (2002) http://www.theguardian.com/football/2003/may/18/newsstory.sport7
Arsenal (1996–present)

Rudyard Kipling photo

“Oh, Adam was a gardener, and God who made him sees
That half a proper gardener's work is done upon his knees,
So when your work is finished, you can wash your hands and pray
For the Glory of the Garden that it may not pass away!”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Glory of the Garden http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/verse/english_history/glorygarden.html, Stanza 8.
Other works

Kent Hovind photo
Charles Stross photo
Penn Jillette photo
Auguste Rodin photo

“In sculpture the projection of the fasciculi must be accentuated, the foreshortening forced, the hollows deepened; sculpture is the art of the hole and the lump, not of clear, well-smoothed, unmodelled figures. Ignorant people, when they see close-knitted true surfaces, say that 'it is not finished.' No notion is falser than that of finish unless it be that of elegance; by means of these two ideas people would kill our art. The way to obtain solidity and life is by work carried out to the fullest, not in the direction of achievement and of copying détails, but in that of truth in the successive schemes. The public, perverted by académie préjudices, confounds art with neatness. The simplicity of the 'École' is a painted cardboard ideal, A cast from life is a copy, the exactest possible copy, and yet it has neither motion nor eloquence. Art intervenes to exaggerate certain surfaces, and also to fine down others. In sculpture everything depends upon the way in which the modelling is carried out with a constant thought of the main line of the scheme, upon the rendering of the hollows, of the projections and of their connections; thus it is that one may get fine lights, and especially fine shadows that are not opaque. Everything should be emphasised according to the accent that it is desired to render, and the degree of amplification is personal, according to the tact and the temperament of each sculptor; and for this reason there is no transmissible process, no studio recipe, but only a true law. I see it in the antique and in Michael Angelo. To work by the profiles, in depth not by surfaces, always thinking of the few geometrical forms from which all nature proceeds, and to make these eternal forms perceptible in the individual case of the object studied, that is my criterion. That is not idealism, it is a part of the handicraft. My ideas have nothing to do with it but for that method; my Danaids and my Dante figures would be weak, bad things. From the large design that I get your mind deduces ideas.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

Sören Kierkegaard photo
Joseph Joubert photo
Charlie Beck photo

“Beck is finishing Bratton’s legacy of transforming the department. It’s Beck who will bring it over the line and say, yes, LAPD is a new police force with a new culture, a new outlook, a new way of treating the public — especially the minority public — and we will never go back to the days of Rodney King because we have changed the culture of the Los Angeles Police Department.”

Charlie Beck (1953) Chief of the Los Angeles Police Department

Civil rights lawyer Connie Rice — quoted in: December 5, 2014, LAPD Chief Charlie Beck earns good reviews; tough challenges lie ahead, Los Angeles Daily News, August 9, 2014, Brenda Gazzar http://www.dailynews.com/government-and-politics/20140809/lapd-chief-charlie-beck-earns-good-reviews-tough-challenges-lie-ahead,
About

June Vincent photo
Jeanette Winterson photo
Auguste Rodin photo

“I feel it, but I cannot express it,… I cannot analyse the Celtic genius to my own satisfaction. In the Middle Ages art came from groups, not from individuals. It was anonymous; the sculptors of cathedrals no more put their names to their works than our workmen put theirs on the pavement that they lay. Ah! what an admirable scorn of notoriety! The signature is what destroys us. We do portraits, but what we do is not so great. Thèse kings and queens, on the cathedrals, were not portraits. The fellow-workers stood for one another, and they interpreted; they did not copy. They made clothed figures; the nude and portraiture only date from the Renascence. And then those fellows cut with the tool's end into the block, that is why they were called sculptors. As for us, we are modellers. And what a disgraceful thing that casting from life is, which so many well-known sculptors do not blush to use! It is a mere swindling in art. Art was a vital function to the image-makers of the thirteenth century; they would hâve laughed at the idea of signing what they did, and never dreamed of honours and titles. When once their work was finished, they said no more about it, or else they talked among themselves. How curious it would hâve been to hear them, to be present at their gatherings, where they must hâve discussed in amusing phrases, and with simple, deep ideas!… Whenever the cathedrals disappear civilisation will go down one step. And even now we no longer understand them, we no longer know how to read their silent language. We need to make excavations not in the earth, but towards heaven…”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 63-64; About the genius of the Gothic sculptors.

Basshunter photo

“The album is very different from the all the other albums today. First of all, the album was one year delayed because I wasn’t happy and every time I did an album it was unofficially finished. I had some time to listen to some new songs and plug into some music programs and discovered this new song and delayed the release for a month, because I wanted to update the new tracks to these new sounds I found… so then when I did that all the other songs sounded like crap compared to the new ones! So I said f*** this I need to reproduce the other ones as well. Then I scrapped a few songs and produced new ones. So to produce this album I pretty much produced maybe about 50 tracks and picked out the best of them. You know when you buy an album from a producer/artist, you kind of hear the same sound repeating in each song, you hear the same sound repeating, but this album is like every song is individual. Like you wont find two songs which have the same sound. Each song is completely different which I think kind of represents what I do because I produce everything and I love producing everything. Sometimes I’m in the mood to produce you know a dance song, sometimes I’m in the mood to produce an R&B song, it’s just interesting because I just want to show people that I can deliver to all ears.”

Guestlist interview with Ria Talsania (10 July 2013) https://guestlist.net/article/9219/catching-up-with-basshunter
Calling Time

Gabriel García Márquez photo
Larry Wall photo
Caitlín R. Kiernan photo
Samuel T. Cohen photo

“Teller’s irascible behavior forced him out of the mainstream but not out of the lab, thanks to Oppenheimer who didn’t think we should be without geniuses, even those whose enormous egos caused serious friction. As bright and innovative as Teller was, his overall performance during the war left a lot to be desired. He was not content to be part of a team effort (like yours truly) and preferred to work off to the side on new and different and sometime pretty far-out ideas (like yours truly). This caused considerable resentment. After all there was a war going on and most people thought future nuclear weapon concepts should be worked on sometime in the future, after we had finished our primary assignment. Edward’s behavior was like a colonel on a planning staff during a military campaign who tells his commanding general that he’d like to plan for the next war. That would be the end of the colonel, who would be demoted and shipped off to some base in the Aleutian Islands.
[5]Oppenheimer, however, realized that guys like Teller, despite their shortcomings, were necessary to have around; one never knows when a guy like that can be worth his weight in gold, which to the best of my recollection never happened with Teller. So an arrangement was worked out where Teller and a handful of like-minded theoretical physicists, willing to put up with his domineering ways, formed a small group dedicated to doing what they pleased, realizing their efforts stood precious little chance of impacting on the project.
[5]The one idea dearest to Teller’s heart was the H-bomb. He and a couple of his cronies applied themselves to devising various schemes on designing such a weapon. All of them turned out to be impractical and most of them unworkable. Which never slowed him down in the slightest for reasons we’ll never know nor will he. I’ve known Edward for a very long time and although I’ve never known him well, one thing about him became clear to me from the very beginning: he was a creature possessed. By what? Again, who knows? Many, if not most, who have read about his life and what he has done, plus those who have known him directly and observed him close at hand and at great length, would say by Satan (which has been said all over the world about me). I wouldn’t go along with that and although I have seen Teller give some of the most impassioned statements morally defending his positions, some of which I have found deeply moving and thoroughly convincing, I would not say that the God I’ve been told exists has had a tight hold on him. If Edward has been possessed by anyone it’s been himself. I’d say the same for myself, and I’ve given you some reasons why, but hardly all of them. I don’t know all of them and would be ashamed to tell you if I did.”

Samuel T. Cohen (1921–2010) American physicist

F*** You! Mr. President: Confessions of the Father of the Neutron Bomb (2006)

Arthur Schopenhauer photo

“Indeed at times we feel tempted to think that they had finished with their seriously meant philosophical investigations ever before their twelfth year and that at that age they had for the rest of their lives settled their view on the nature of the world and on everything pertaining thereto. We feel so tempted because after all the philosophical discussions and dangerous deviations, … they always come back to what is usually made plausible to us at that tender age and appear to accept this even as the criterion of truth. All heterodox philosophical doctrines, with which they must at times be concerned in the course of their lives, appear to them to exist merely to be refuted and this to establish those others the more firmly.”

Ja, bisweilen fühlt man sich versucht zu glauben, daß sie ihre ernstlich gemeinten philosophischen Forschungen schon vor ihrem zwölften Jahre abgethan und bereits damals ihre Ansicht vom Wesen der Welt, und was dem anhängt, auf immer festgestellt hätten; weil sie, nach allen philosophischen Diskussionen und halsbrechenden Abwegen, unter verwegenen Führern, doch immer wieder bei Dem anlangen, was uns in jenem Alter plausibel gemacht zu werden pflegt, und es sogar als Kriterium der Wahrheit zu nehmen scheinen. Alle die heterodoren philosophischen Lehren, mit welchen sie dazwischen, im Laufe ihres Lebens, sich haben beschäftigen müssen, scheinen ihnen nur dazu- seyn, um widerlegt zu werben und dadurch jene ersteren desto fester zu etabliren.
Sämtliche Werke, Bd. 5, p. 156, E. Payne, trans. (1974) Vol. 1, pp. 143-144
Parerga and Paralipomena (1851), On Philosophy in the Universities

Christopher Moore photo
Lawrence Kudlow photo

“The Bush boom is alive and well. It's finishing up its sixth splendid year with many more years to come.”

Lawrence Kudlow (1947) American economist

Article entitled "The Recession Debate Is Over" https://www.nationalreview.com/kudlows-money-politics/recession-debate-over-larry-kudlow/ published in National Review magazine, December 5, 2007.

Edouard Manet photo
Gunnar Myrdal photo
George W. Bush photo
William-Adolphe Bouguereau photo

“One has to seek Beauty and Truth, Sir! As I always say to my pupils, you have to work to the finish. There's only one kind of painting. It is the painting that presents the eye with perfection, the kind of beautiful and impeccable enamel you find in Veronese and Titian.”

William-Adolphe Bouguereau (1825–1905) French painter

Bouguereau (1895); Attributed in: Jefferson C. Harrison (1986) French paintings from the Chrysler Museum. Chrysler Museum, North Carolina Museum of Art, Birmingham Museum of Art (Birmingham, Ala.). p.45.

Karl Pilkington photo

“Whats good with a holiday right.. say if you work in a factory from 8 in the morning till 8 at night, packin socks into a rubber bag right.. between 8 and.. what time did i say he finishes?”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast - Bonus Hour
On Work

Bram van Velde photo
Ralph Steadman photo
Frida Kahlo photo

“Christ's finished sacrifice was sufficient. By participating in the mass, Roman Catholics are calling Him a liar! It's an abomination in the eyes of God.”

Jack T. Chick (1924–2016) Christian comics writer

Chick tracts, " Are Roman Catholics Christians? http://www.chick.com/reading/tracts/0071/0071_01.asp" (1985)

David Berg photo
Rudyard Kipling photo
Rose Wilder Lane photo
Pierre de Fermat photo

“The result of my work has been the most extraordinary, the most unforeseen, and the happiest, that ever was; for, after having performed all the equations, multiplications, antitheses, and other operations of my method, and having finally finished the problem, I have found that my principle gives exactly and precisely the same proportion for the refractions which Monsieur Descartes has established.”

Pierre de Fermat (1601–1665) French mathematician and lawyer

Epist. XLII, written at Toulouse (Jan. 1, 1662) and reprinted in Œvres de Fermat, ii, p. 457; i, pp. 170, 173, as quoted by E. T. Whittaker, A History of the Theories of Aether and Electricity from the Age of Descartes to the Close of the Nineteenth Century (1910) p. 10. https://books.google.com/books?id=CGJDAAAAIAAJ&pg=PA10

George Hendrik Breitner photo

“Snow had fallen and from the museum [in Pittsburgh, The ] you had a beautiful view of a valley with a railway, through some sheds, etc. But I could not finish it, and today, Sunday, I went back there again, but then the snow was already so far away that I could not make anything of it any more. It is a pity. Otherwise I could have sold something. [The painting was sold to the Stedelijk Museum Amsterdam in 1934] (translation from the original Dutch, Fons Heijnsbroek)”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Er was namelijk sneeuw gevallen en uit het museum [in Pittsburgh, Breitner nam deel aan een jury en maakte vanuit een raam aan de achterzijde van het Carnegie Institute enkele schetsen en begon aan een schilderij] had men een prachtig gezicht op een dal met een spoorweg, door wat loodsen, enz. Maar ik kon 't niet afkrijgen, en vandaag, zondag, was ik er weer heengegaan, maar toen was de sneeuw al zoo ver dat ik [er] niets meer van kon maken. Het is wel jammer. Anders had ik nog wat kunnen verkoopen misschien. [Het schilderij is in 1934 verkocht aan het Stedelijk museum Amsterdam.]
In Breitner' letter to his wife, 1909, from Pittsburgh; as cited in George Hendrik Breitner in Amsterdam, J. F. Heijbroek, Erik Schmitz; uitgeverij THOTH, Bussum, 2014, p. 22
Breitner took part in an art-jury in Pittsburgh in 1909. He started to make some sketches from a window at the back-side of the Carnegie Institute and later the painting]
1900 - 1923

John Buchan photo
Erich Heckel photo

“I finished my first woodcut in Dresden in 1905 after the Xylographic art, cutting out of the hard boxwood the clean sketches with the slate pencil. Then followed the rounded iron, to arrive at the woodcut more freely through the simply ripped out sketch on the log (alder, lime tree, poplar), which would be utilized from here on out. Then finally came a short cobbler knife, and without a pré-sketch, the hand cuts freely into the wood a woodcut, just like it would work on paper with the pen.”

Erich Heckel (1883–1970) German artist

Heckel later summarized in this way his woodcut developments, mainly developed during his years in Die Brücke
Source: Brücke' Zeichnungen, Aquarelle, Druckgraphik, Magdalena M. Moeller; Verlag Gerd Hatje, Stuttgart 1992, p. 21; as quoted by Louise Albiez https://www.researchgate.net/publication/272168564Claire (incl. translation), Brücke und Berlin: 100 Jahre Expressionismus; submitted to the Division of Humanities New College of Florida, Sarasota, Florida, May, 2013 p.12

Johannes Bosboom photo

“In the [art-magazine] 'Kunst-Kronijk' my work 'Monastic corridor' came under your eyes; it is after a drawing that I started at Kleve after Nature and of which the painting is now almost finished. I believe, you know Kleve. The smallest of the Catholic Churches is a kind of monastery church; it has a nice sacristy, and the passage along the building gave me the motive of which you saw the lithography. On the same spot I designed a sketch in the 'Paarden-posterij' [Horse post-location] (where the cars are stored at Emmerich). I later made it a drawing - one of my best, and also the construction of it is now already in oil, to be completed soon. As motive, aspect, effect, etc. it pleases everyone - it is a real stable with lots of horses in it, and yet I do not have to make an enormous effort to paint the horses. As they are in the stable, they take the mysterious part [of the image]. Who knows, the K[unst]-K[ronyk] will produce a reproduction of it.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch, (citaat van een brief van Johannes Bosboom, in het Nederlands:) In de 'Kunstkronijk' kwam U mijn 'Kloostergang' onder de oogen; 't is naar een Teek[ening] die ik te Cleef naar de Natuur begon en waarvan nu de schilderij bijna gereed is. Ik geloof, gij kent Kleef. De kleinste der Kath. Kerken is een [soort] van Kloosterkerk, heeft een aardige sacristy en de gang langs het Pand gaf mij het motief, waarvan gij de lith[ographie] zaagt. Bij datzelfde verblijf ontwierp ik eene schets in de Paardenposterij (waar de wagens op Emmerik stallen). Ik maakte die later tot eene Teek[ening], een mijner beste, en ook daarvan staat de aanleg in olie gereed, om eerlang voltooid te worden. Als motief, aspect, effect, etc. bevalt het een ieder - 't is een echte stal, waar veel paarden in zijn, en toch hoef ik mij aan het schilderen der paarden niet te buiten te gaan. Zooals ze erin zijn, nemen zij het mysterieuse gedeelte in. Wie weet, levert de K[unst]-K[ronyk] er niet een reproductie van.
Quote from Bosboom's letter, 1866; as cited in: Uit het leven van een kunstenaarspaar: brieven van Johannes Bosboom, H.F.W. Jeltes, 1916 https://rkd.nl/nl/explore/excerpts/437 (translation from the original Dutch: Fons Heijnsbroek)
1860's

David Icke photo
Sher Shah Suri photo

“…Upon this, Sher Shah turned again towards Kalinjar… The Raja of Kalinjar, Kirat Sing, did not come out to meet him. So he ordered the fort to be invested, and threw up mounds against it, and in a short time the mounds rose so high that they overtopped the fort. The men who were in the streets and houses were exposed, and the Afghans shot them with their arrows and muskets from off the mounds. The cause of this tedious mode of capturing the fort was this. Among the women of Raja Kirat Sing was a Patar slave-girl, that is a dancing-girl. The king had heard exceeding praise of her, and he considered how to get possession of her, for he feared lest if he stormed the fort, the Raja Kirat Sing would certainly make a jauhar, and would burn the girl…
“On Friday, the 9th of RabI’u-l awwal, 952 A. H., when one watch and two hours of the day was over, Sher Shah called for his breakfast, and ate with his ‘ulama and priests, without whom he never breakfasted. In the midst of breakfast, Shaikh NizAm said, ‘There is nothing equal to a religious war against the infidels. If you be slain you become a martyr, if you live you become a ghazi.’ When Sher Shah had finished eating his breakfast, he ordered Darya Khan to bring loaded shells, and went up to the top of a mound, and with his own hand shot off many arrows, and said, ‘Darya Khan comes not; he delays very long.’ But when they were at last brought, Sher Shah came down from the mound, and stood where they were placed. While the men were employed in discharging them, by the will of Allah Almighty, one shell full of gunpowder struck on the gate of the fort and broke, and came and fell where a great number of other shells were placed. Those which were loaded all began to explode. Shaikh Halil, Shaikh Nizam, and other learned men, and most of the others escaped and were not burnt, but they brought out Sher Shah partially burnt. A young princess who was standing by the rockets was burnt to death. When Sher Shah was carried into his tent, all his nobles assembled in darbAr; and he sent for ‘Isa Khan Hajib and Masnad Khan Kalkapur, the son-in-law of Isa Khan, and the paternal uncle of the author, to come into his tent, and ordered them to take the fort while he was yet alive. When ‘Isa Khan came out and told the chiefs that it was Sher Shah’s order that they should attack on every side and capture the fort, men came and swarmed out instantly on every side like ants and locusts; and by the time of afternoon prayers captured the fort, putting every one to the sword, and sending all the infidels to hell. About the hour of evening prayers, the intelligence of the victory reached Sher Shah, and marks of joy and pleasure appeared on his countenance. Raja Kirat Sing, with seventy men, remained in a house. Kutb Khan the whole night long watched the house in person lest the Raja should escape. Sher Shah said to his sons that none of his nobles need watch the house, so that the Raja escaped out of the house, and the labour and trouble of this long watching was lost. The next day at sunrise, however, they took the Raja alive…””

Sher Shah Suri (1486–1545) founder of Sur Empire in Northern India

Tarikh-i-Sher Shahi of Abbas Khan Sherwani in Elliot and Dowson, History of India as told by its own Historians, Volume IV, pp. 407-09. Quoted in S.R.Goel, The Calcutta Quran Petition

Anthony Burgess photo
Nakayama Miki photo
Jacques Ellul photo
Bob Dylan photo
Neil Kinnock photo
Carl Levin photo

“The war against terrorism will not be finished as long as he [Saddam Hussein] is in power.”

Carl Levin (1934) American politician

In an appearance on CNN (December 16, 2001)

John Cage photo

“David Tudor and I went to Hilversum in Holland to make a recording for the Dutch radio. We arrived at the studio early and there was some delay. To pass the time, we chatted with the engineer who was to work with us. He asked me what kind of music he was about to record. Since he was a Dutchman I said, 'It may remind you of the work of Mondrian.' When the session was finished and the three of us were leaving the studio, I asked the engineer what he thought of the music we had played. He said, 'It reminded me of the work of Mondrian.”

John Cage (1912–1992) American avant-garde composer

Quote from 'Lecture on Nothing', (c. 1949), in 'Silence: lectures and writings by John Cage; Publisher Middletown, Conn. Wesleyan University Press, June 1961, p. 127
this lecture had been prepared some years earlier, but was not printed until 1959, when it appeared in 'It Is', ed. Philip Pavia
1950s

Michał Kalecki photo

“Generally speaking, changes in the prices of finished goods are "cost determined" while changes in the prices of raw materials inclusive of primary foodstuffs are "demand determined."”

Michał Kalecki (1899–1970) Polish economist

Source: Theory of Economic Dynamics (1965), Chapter 1, Cost and Prices, p. 11

Fred Brooks photo
Adolf Hitler photo

“I will tolerate no opposition. We recognize only subordination – authority downwards and responsibility upwards. You just tell the German bourgeoisie that I shall be finished with them far quicker than I shall with marxism… When once the conservative forces in Germany realize that only I and my party can win the German proletariat over to the State and that no parliamentary games can be played with marxist parties, then Germany will be saved for all time, then we can found a German Peoples State.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

Hitler's interview with Richard Breiting, 1931, published in Edouard Calic, ed., “First Interview with Hitler,4 May 1931,” Secret Conversations with Hitler: The Two Newly-Discovered 1931 Interviews, New York: John Day Co., 1971, pp. 36-37. Also published under the title Unmasked: Two Confidential Interviews with Hitler in 1931 published by Chatto & Windus in 1971
1930s

Ernst Kaltenbrunner photo

“Where do you think I was today? I stood straight in front of him (Himmler) for a whole hour and talked, and he… he played with a puzzle the whole time – you know, this glass cube with three balls on the inside… When I finished, he took off his pince-nez, wiped it with a handkerchief – he has a skull even on his handkerchief – and said, "Listen, Ernst! Have you by any chance, ever had a dream, where you're riding in the back of a ragged truck to who knows where, and some monsters are sitting around you?" I didn’t say anything. Then he smiled and said, "Ernst, you know, I know as well as you that no astral exists. But what do you think, if you, and even Canaris, have your own people in 'Annenerbe', shouldn’t I have my own people there as well?" I did not understand what he meant. "Think Ernst, think!" he said. I kept silent. Then he smiled and asked, "Whose man do you think is Kröger?" …Yes, Emma… It seems I'm too simple for all these intrigues… But I know that while the Führer needs me, my heart will keep beating… You know, Emma… Sometimes it seems to me, that it's not me who is alive, but it's the Führer who is living inside me…”

Ernst Kaltenbrunner (1903–1946) Austrian-born senior official of Nazi Germany executed for war crimes

To Emma, recorded by secret spy listening device WS-M/13 located in Kaltenbrunner's bedroom, 1/14/1935. Quoted in "Kröger's Revelation" - by Viktor Pelevin - 1991 - Page 277

James Hamilton photo
Charlie Sheen photo
François Bernier photo
Elfriede Jelinek photo

“Don’t start anything you can’t finish.”

The Piano Teacher (1988)

Arshile Gorky photo
Ernst Barlach photo

“As the misfortune befell in November [1918], I threw myself into the woodcut... It is a technique that provokes one to confession, to the unmistakable statement of what one finally means. It, or far more she, enforces a certain general validity of expression... I have finished a number of large woodcuts that deal with all of the distress of the times.”

Ernst Barlach (1870–1938) German expressionist sculptor, printmaker and writer

Barlach in a letter to his cousin, 1919; in Erhard Gopel, Deutsche Holzschnitte des zwanzigsten Jahr- hunderts, Wiesbaden: Insel Verlag, 1955, p. 44; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 46
Barlach explained why the woodcut spoke so poignantly to the current times

Gordon Strachan photo

“I've got more important things to think about. I've got a yogurt to finish by today, the expiry date is today. That can be my priority rather than Agustin Delgado.”

Gordon Strachan (1957) Scottish footballer and manager

Metro Article http://www.metro.co.uk/sport/football/756336-gordon-strachans-greatest-quotes 22nd October, 2009

Jane Austen photo
Jane Roberts photo
Bertolt Brecht photo

“And when she was finished they laid her in earth
Flowers growing, butterflies juggling over her…
She, so light, barely pressed the earth down
How much pain it took to make her as light as that!”

Bertolt Brecht (1898–1956) German poet, playwright, theatre director

"To my mother" [Meiner Mutter] (May 1920), trans. John Willett in Poems, 1913-1956, p. 49
Poems, 1913-1956 (1976)

Gerrit Benner photo

“It's all about the atmosphere of nature, for sure, but I want the painting to arouse clarity, cheerfulness. When it is finished, then I have to live with it, that's why it must become a pleasant thing. Sun. Clarity. Never white-black, because there are so many shades in between! (translation from Dutch: Fons Heijnsbroek, 2018)”

Gerrit Benner (1897–1981) Dutch painter

version in original Dutch (citaat van Gerrit Benner, in het Nederlands:) Het gaat om de sfeer van de natuur, zeker, maar ik wil dat het schilderij klaarte, vrolijkheid opwekt. Als zo'n ding af is, dan moet ik ermee leven, daarom moet het prettig zijn. Zon. Klaarte. Nooit wit-zwart, want daar zijn zoveel tinten tussen!
quoted by Hans Redeker (before 1967), in Gerrit Benner; Meulenhoff, Amsterdam, 1967; as cited by Susan van den Berg in 'Benner en Bregman', website 'de Moanne' http://www.demoanne.nl/benner-en-bregman/, 1 Sept. 2008, note xx
1950 - 1980

George W. Bush photo

“Usually they finish by whining «but I WANT it!!! and so, I tell them: «So what? Everybody wants something. I want a pony. Get over it.”

Paul Vixie (1963) American internet pioneer

CircleID article http://www.circleid.com/posts/putting_multiple_root_nameserver_issue_to_rest/
Notes: referring to proponents of multiple DNS roots.

Chen Shui-bian photo

“Now my daughter's wedding is finished, I shall improve the economy in Taiwan.”

Chen Shui-bian (1950) Taiwanese politician

During his daughter's wedding banquet, September 27, 2001
Pet Phrases, 2001

Letitia Elizabeth Landon photo
Philip Roth photo
Jean Paul Sartre photo
Joanna Newsom photo
Douglas Hofstadter photo
Richard Evelyn Byrd photo

“A discordant mind, black with confusion and despair, would finish me off as thoroughly as the cold.”

Richard Evelyn Byrd (1888–1957) Medal of Honor recipient and United States Navy officer

Ch 7
Alone (1938)

N. R. Narayana Murthy photo

“India is a country of empty words, not action. Only repeating, 'Mera Bharat Mahaan' won't help. Learn to finish the race first in order to finish first.”

N. R. Narayana Murthy (1946) Indian businessman

Narayana Murthy shocks with 'Mera Bharat Mahaan' quote, indicates Infosys Ltd on hiring spree, 16k jobs on offer

Georges Braque photo

“The painting is finished when it has erased the idea.”

Georges Braque (1882–1963) French painter and sculptor

as quoted in Georges Braque: A Life (2005), p. 191 https://books.google.com/books?id=G2aWVKnJWaYC&pg=PA191
posthumous quotes

Willem Roelofs photo

“I will soon have finished another drawing [= watercolor], in the spirit as Den Tessaro [art-seller in Antwerp] wished another one, that is 'airy' and 'thin', with 'lots of space', etc.-. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik zal binnenkort eene andere teekening [= aquarel] gereed hebben, in den geest zoals Den Heer Tessaro [kunst-handelaar in Antwerpen] er nog een wenschte, namenlijk 'luchtig' en 'dun', met 'veel ruimte', etc.-.
In a letter to art-seller Frans Buffa in Amsterdam, 1874; ; as cited in Willem Roelofs 1822-1897 De Adem der natuur, ed. Marjan van Heteren & Robert-Jan te Rijdt; Thoth, Bussum - ISBN13 * 978 90 6868 4322, 2006, p. 57
1870's

Jean Metzinger photo
Eddie Izzard photo
Gerald Durrell photo
George Hendrik Breitner photo

“Last Saturday it was a rainy evening. I took advantage of that to draw once again the whole evening at Dam Square all over and Sunday I repainted my painting [of Dam square] completely, that yellow nasty color has disappeared now completely. The work has become much broader, and I believe it is really finished now. When my model came, the change struck her so strongly that she said, 'sir, the painting has become beautifully now'. I myself am very happy with it, because I believe it is really good.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Zaterdag avond was het een regenachtige avond. Ik heb daarvan geprofiteerd en [om] de heele avond op de Dam alles nog eens goed over te teekenen en Zondag mijn schilderij heelemaal overgeschilderd, de geele nare kleur is er heelemaal uit. Het is veel ruimer geworden, en ik geloof dat het er nu is. Toen mijn modelletje kwam, trof haar de verandering zoo erg dat het zei, hè meneer, nou is het schilderij mooi geworden. Ik zelf ben er erg mee in mijn schik, want het is geloof ik, heel goed.
quote of Breitner in a letter to his friend Herman van der Weele, Amsterdam, 14 June 1893; original letter in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/54
1890 - 1900

Ben Carson photo

“There's only two paragraphs in there about George Washington … little or nothing about Martin Luther King, a whole section on slavery and how evil we are, a whole section on Japanese internment camps and how we slaughtered millions of Japanese with our bombs… I think most people when they finish that course, they'd be ready to go sign up for ISIS … We have got to stop this silliness crucifying ourselves.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

As quoted in "Fox News' Ben Carson Thinks New AP U.S. History Course Will Make Students Join ISIS" http://www.huffingtonpost.com/2014/10/01/ben-carson-ap-us-history_n_5910982.html, The Huffington Post (January 10, 2014)

Cesare Pavese photo

“Let me remind you that science is not necessarily wisdom. To know, is not the sole nor even the highest office of the intellect; and it loses all its glory unless it act in furtherance of the great end of man's life. That end is, as both reason and revelation unite in telling us, to acquire the feelings and habits that will lead us to love and seek what is good in all its forms, and guide us by following its traces to the first Great Cause of all, where only we find it pure and unclouded.
If science be cultivated in congruity with this, it is the most precious possession we can have— the most divine endowment. But if it be perverted to minister to any wicked or ignoble purpose — if it even be permitted to take too absolute a hold of the mind, or overshadow that which should be paramount over all, the perception of right, the sense of Duty — if it does not increase in us the consciousness of an Almighty and All-beneficent presence, — it lowers instead of raising us in the great scale of existence.
This, however, it can never do but by our fault. All its tendencies are heavenward; every new fact which it reveals is a ray from the origin of light, which leads us to its source. If any think otherwise, their knowledge is imperfect, or their understanding warped, or darkened by their passions. The book of nature is, like that of revelation, written by God, and therefore cannot contradict it; both we are unable to read through all their extent, and therefore should neither wonder nor be alarmed if at times we miss the pages which reconcile any seeming inconsistence. In both, too, we may fail to interpret rightly that which is recorded; but be assured, if we search them in quest of truth alone, each will bear witness to the other, — and physical knowledge, instead of being hostile to religion, will be found its most powerful ally, its most useful servant. Many, I know, think otherwise; and because attempts have occasionally been made to draw from astronomy, from geology, from the modes of the growth and formation of animals and plants, arguments against the divine origin of the sacred Scripture, or even to substitute for the creative will of an intelligent first cause the blind and casual evolution of some agency of a material system, they would reject their study as fraught with danger. In this I must express my deep conviction that they do injury to that very cause which they think they are serving.
Time will not let me touch further on the cavils and errors in question; and besides they have been often fully answered. I will only say, that I am here surrounded by many, matchless in the sciences which are supposed so dangerous, and not less conspicuous for truth and piety. If they find no discord between faith and knowledge, why should you or any suppose it to exist? On the contrary, they cannot be well separated. We must know that God is, before we can confess Him; we must know that He is wise and powerful before we can trust in Him, — that He is good before we can love Him. All these attributes, the study of His works had made known before He gave that more perfect knowledge of himself with which we are blessed. Among the Semitic tribes his names betoken exalted nature and resistless power; among the Hellenic races they denote his wisdom; but that which we inherit from our northern ancestors denotes his goodness. All these the more perfect researches of modern science bring out in ever-increasing splendour, and I cannot conceive anything that more effectually brings home to the mind the absolute omnipresence of the Deity than high physical knowledge. I fear I have too long trespassed on your patience, yet let me point out to you a few examples.
What can fill us with an overwhelming sense of His infinite wisdom like the telescope? As you sound with it the fathomless abyss of stars, till all measure of distances seems to fail and imagination alone gauges the distance; yet even there as here is the same divine harmony of forces, the same perfect conservation of systems, which the being able to trace in the pages of Newton or Laplace makes us feel as if we were more than men. If it is such a triumph of intellect to trace this law of the universe, how transcendent must that Greatest over all be, in which it and many like it, have their existence! That instrument tells us that the globe which we inhabit is but a speck, the existence of which cannot be perceived beyond our system. Can we then hope that in this immensity of worlds we shall not be overlooked? The microscope will answer. If the telescope lead to one verge of infinity, it brings us to the other; and shows us that down in the very twilight of visibility the living points which it discloses are fashioned with the most finished perfection, — that the most marvellous contrivances minister to their preservation and their enjoyment, — that as nothing is too vast for the Creator's control, so nothing is too minute or trifling for His care. At every turn the philosopher meets facts which show that man's Creator is also his Father, — things which seem to contain a special provision for his use and his happiness : but I will take only two, from their special relation to this very district. Is it possible to consider the properties which distinguish iron from other metals without a conviction that those qualities were given to it that it might be useful to man, whatever other purposes might be answered by them. That it should. be ductile and plastic while influenced by heat, capable of being welded, and yet by a slight chemical change capable of adamantine hardness, — and that the metal which alone possesses properties so precious should be the most abundant of all, — must seem, as it is, a miracle of bounty. And not less marvellous is the prescient kindness which stored up in your coalfields the exuberant vegetation of the ancient world, under circumstances which preserved this precious magazine of wealth and power, not merely till He had placed on earth beings who would use it, but even to a late period of their existence, lest the element that was to develope to the utmost their civilization and energy migbt be wasted or abused.
But I must conclude with this summary of all which I would wish to impress on your minds—* that the more we know His works the nearer we are to Him. Such knowledge pleases Him; it is bright and holy, it is our purest happiness here, and will assuredly follow us into another life if rightly sought in this. May He guide us in its pursuit; and in particular, may this meeting which I have attempted to open in His name, be successful and prosperous, so that in future years they who follow me in this high office may refer to it as one to be remembered with unmixed satisfaction.”

Robinson in his 1849 adress, as quoted in the Report of the Nineteenth Meeting of the British Association for the Advancement of Science https://archive.org/stream/report36sciegoog#page/n50/mode/2up, London, 1850.

Arshile Gorky photo
Leo Tolstoy photo
Prince photo

“At this point, I wouldn't want to jinx it by meeting him. His arrangements are incredible. I just send him a tape, we talk on the phone, and he sends me the finished orchestra tracks. Hear that? I'm gonna get that chord on the radio!”

Prince (1958–2016) American pop, songwriter, musician and actor

Discussing his then nearly decade-and-a-half-long working relationship with arranger Clare Fischer (whom he'd never met, nor ever would meet, face to face), as quoted in the January 2000 issue of Keyboard Magazine, reprinted in Keyboard Presents Synth Gods https://books.google.com/books?id=BMucfBTXvMgC&pg=PA97&dq=%22I+wouldn't+want+to+jinx+it%22+%22that+chord+on+the+radio%22&hl=en&sa=X&ei=w2acVdevKIKYyASn3oCoBg&ved=0CBQQ6AEwAA#v=onepage&q&f=false (2011), edited by Ernie Rideout, p. 97

Martin Amis photo
Maria Edgeworth photo
Javad Alizadeh photo

“The world starts with a Big Bang and finishes with a human-made atomic Big Bang!”

Javad Alizadeh (1953) cartoonist, journalist and humorist

Quoted in Humor & Caricature (May 1995), p. 3