Quotes about finisher
page 8

“[man leans into doorway of WTC bathroom]
"Hey, you gotta finish up in there. 9/11 is happening."
"Alright. Just a sec."”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/457675646970634240] Tweets by year, 2014

“We were supposed to collaborate once, and along with Kurosawa make one love story each for a movie produced by Dino de Laurentiis. I flew down to Rome with my script and spent a lot of time with Fellini while we waited for Kurosawa, who finally couldn't leave Japan because of his health, so the project went belly-up. Fellini was about to finish Satyricon. I spent a lot of time in the studio and saw him work. I loved him both as a director and as a person, and I still watch his movies, like La Strada and that childhood rememberance…”

Ingmar Bergman (1918–2007) Swedish filmmaker

On Federico Fellini
Jan Aghed interview (2002)

Love, Health, Time, Waiting

“The book of Philippine history is far from finished. However, does every sentence in our country’s story need to be finished with a period?”

Francis Escudero (1969) Filipino politician

2015, Speech: Declaration as Vice Presidential Candidate

Books, History, Country

“That world begins where the lawful wife finishes; it finishes where the venal wife begins. It is divided from the world of honest women by the public scandal it provokes; it is divided from the world of courtesans by money.”

Alexandre Dumas, fils (1824–1895) French writer and dramatist, son of the homonym writer and dramatist

Ce monde commence où l'épouse légale finit, et il finit où l'épouse vénale commence, il est séparé des honnêtes femmes par le scandale, des courtisanes par l'argent.
Preface to Le Demi-Monde (1855), in Théatre complet de Al. Dumas fils (Paris: Michel Lévy Frères, 1868-98) vol. 2, p. 10; translation from Albert D. Vandam Undercurrents of the Second Empire (London: William Heinemann, 1897) p. 247.

Women, Money, World, Law

“Nobody will finish above us in the league. It wouldn't surprise me if we were to go unbeaten for the whole of the season.”

Arsène Wenger (1949) French footballer and manager

Before the 2002-03 season commenced, (2002) http://www.theguardian.com/football/2003/may/18/newsstory.sport7 Arsenal (1996–present)

Season

“Oh, Adam was a gardener, and God who made him sees
That half a proper gardener's work is done upon his knees,
So when your work is finished, you can wash your hands and pray
For the Glory of the Garden that it may not pass away!”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Glory of the Garden http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/verse/english_history/glorygarden.html, Stanza 8. Other works

God

“Many years ago I heard a paper read by a colleague who was very philosophically astute and informed. The paper was on ethics, and it was rigorously argued, proper distinctions were made, and the critique of other points of view was cogent. … When my colleague finished his paper the man chairing the meeting said, "That's not ethics. Ethics has to do with prophecy. I learned that from Rabbi Abraham Heschel."”

James Gustafson (1925) American academic

Source: "Varieties of Moral Discourse: Prophetic, Narrative, Ethical and Policy", p. 47

Learning, Reading

“What if God provided everything for everybody all the time and you never had to work a moment in your life. All we would do is sit around and think up ways to get into trouble. That's one of the problems of welfare. The Bible says God's welfare program is real simple. If you don't work, you don't eat. That was my welfare program with my kids when they were growing up; if you don't work, you don't eat. It doesn't take long for them to get their chores done. In the morning you give them a list to do. You know, you make your bed, do your homework, clean your room, etc. You sit down for supper, you all pray together, "Lord, bless the bunch as they crunch their lunch. Amen." And you go, "Stop, before anybody eats, let's see. I noticed son that your bedroom is not clean, and daughter, your homework is not done, so you guys go finish that and come back and eat when you are done." You only have to do that once to get their attention. If you don't work, you don't eat. That's God's welfare program. But in America today, we have a serious problem because we pay people to not work. And God said, "Cursed is the ground for thy sake." Work is one of the best things for you. It's a wonderful therapy.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), The Hovind theory

Life, God, People, Way

“Most mathematics books are filled with finished theorems and polished proofs, and to a surprising extent they ignore the methods used to create mathematics. It is as if you merely walked through a picture gallery and never told how to mix paints, how to compose pictures, or all the other "tricks of the trade."”

Richard Hamming (1915–1998) American mathematician and information theorist

Methods of Mathematics Applied to Calculus, Probability, and Statistics (1985)

Books, Mathematics, Painting

“New Dresden is not a McWorld: it’s a shitty little flea hole populated by pathologically suspicious Serbs, bumptiously snobbish Saxons, three different flavors of Balkan refugee, and an entire bestiary of psychopathic nationalist loons. The planetary national sport is the grudge match, at which they are undisputed past masters. I say “past masters” for a reason—they’re not as bad as they used to be. The planet has been unified for the past ninety years, since the survivors finished merrily slaughtering everyone else, formed a federation, had a nifty little planetary-scale nuclear war, formed another federation, and buried the hatchet”

Charles Stross book Iron Sunrise

in one another’s backs
Source: Iron Sunrise (2004), Chapter 13, “Hold the Front Page” (pp. 200-201)

War, Sport, Past

“Reading the Bible is the fast track to atheism. Reading the Bible means starting at "In the beginning…" and throwing it down with disgust at "… the grace of the lord Jesus be with all. Amen." I'm sure there are lots of religious people who've read the Bible from start to finish and kept their faith, but in my self-selected sample, all the people I know who have done that are atheists.”

Penn Jillette (1955) American magician

p. 42 http://books.google.com/books?id=KsI3sswEg14C&pg=PA42&dq=%22reading+the+bible+is+the+fast+track+to+atheism%22 2010s, God, No!: Signs You May Already Be an Atheist and Other Magical Tales (2011)

People, Faith, Reading

“In sculpture the projection of the fasciculi must be accentuated, the foreshortening forced, the hollows deepened; sculpture is the art of the hole and the lump, not of clear, well-smoothed, unmodelled figures. Ignorant people, when they see close-knitted true surfaces, say that 'it is not finished.' No notion is falser than that of finish unless it be that of elegance; by means of these two ideas people would kill our art. The way to obtain solidity and life is by work carried out to the fullest, not in the direction of achievement and of copying détails, but in that of truth in the successive schemes. The public, perverted by académie préjudices, confounds art with neatness. The simplicity of the 'École' is a painted cardboard ideal, A cast from life is a copy, the exactest possible copy, and yet it has neither motion nor eloquence. Art intervenes to exaggerate certain surfaces, and also to fine down others. In sculpture everything depends upon the way in which the modelling is carried out with a constant thought of the main line of the scheme, upon the rendering of the hollows, of the projections and of their connections; thus it is that one may get fine lights, and especially fine shadows that are not opaque. Everything should be emphasised according to the accent that it is desired to render, and the degree of amplification is personal, according to the tact and the temperament of each sculptor; and for this reason there is no transmissible process, no studio recipe, but only a true law. I see it in the antique and in Michael Angelo. To work by the profiles, in depth not by surfaces, always thinking of the few geometrical forms from which all nature proceeds, and to make these eternal forms perceptible in the individual case of the object studied, that is my criterion. That is not idealism, it is a part of the handicraft. My ideas have nothing to do with it but for that method; my Danaids and my Dante figures would be weak, bad things. From the large design that I get your mind deduces ideas.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

Life, People, Truth, Law

“Every human being is tried this way in the active service of expectancy. Now comes the fulfillment and relieves him, but soon he is again placed on reconnaissance for expectancy; then he is again relieved, but as long as there is any future for him, he has not yet finished his service. And while human life goes on this way in very diverse expectancy, expecting very different things according to different times and occasions and in different frames of mind, all life is again one nightwatch of expectancy.”

Sören Kierkegaard book Eighteen Upbuilding Discourses

Eighteen Upbuilding Discourses: "Patience in Expectancy" (1844)
1840s, Eighteen Upbuilding Discourses

Life, Way, Time, Future

“Thoughts that are light, clear, distinct, finished; and words that resemble their thoughts. Words that often retain their meaning even when they are detached from others and that please when isolated as sounds.”

Joseph Joubert (1754–1824) French moralist and essayist

Light

“Beck is finishing Bratton’s legacy of transforming the department. It’s Beck who will bring it over the line and say, yes, LAPD is a new police force with a new culture, a new outlook, a new way of treating the public — especially the minority public — and we will never go back to the days of Rodney King because we have changed the culture of the Los Angeles Police Department.”

Charlie Beck (1953) Chief of the Los Angeles Police Department

Civil rights lawyer Connie Rice — quoted in: December 5, 2014, LAPD Chief Charlie Beck earns good reviews; tough challenges lie ahead, Los Angeles Daily News, August 9, 2014, Brenda Gazzar http://www.dailynews.com/government-and-politics/20140809/lapd-chief-charlie-beck-earns-good-reviews-tough-challenges-lie-ahead, About

Angels, Way, Change

“Universal was like a family. When I was having a terrible time during my pregnancy, they came to my home and built sets right in my bedroom so I could finish the few scenes I had left in ‘That’s the Spirit’. But Columbia—that was work! I did a lot of crime pictures and another horror called ‘The Creeper’. When it was time for those cats to be all over my dead body, I yelled for a stand in. I couldn’t stand having dozens of cats walking all over me. It gave me the shivers!”

June Vincent (1920–2008) actress

An Interview with June Vincent (1996)

Family, Home, Cats, Universe

“I felt as if I had blundered into someone else's life by chance, discovered I wanted to stay, then blundered back into my own, without a clue, a hint, or a way of finishing the story.”

Jeanette Winterson (1959) English writer

The Powerbook (2000)

Life, Way, Chance

“I feel it, but I cannot express it,… I cannot analyse the Celtic genius to my own satisfaction. In the Middle Ages art came from groups, not from individuals. It was anonymous; the sculptors of cathedrals no more put their names to their works than our workmen put theirs on the pavement that they lay. Ah! what an admirable scorn of notoriety! The signature is what destroys us. We do portraits, but what we do is not so great. Thèse kings and queens, on the cathedrals, were not portraits. The fellow-workers stood for one another, and they interpreted; they did not copy. They made clothed figures; the nude and portraiture only date from the Renascence. And then those fellows cut with the tool's end into the block, that is why they were called sculptors. As for us, we are modellers. And what a disgraceful thing that casting from life is, which so many well-known sculptors do not blush to use! It is a mere swindling in art. Art was a vital function to the image-makers of the thirteenth century; they would hâve laughed at the idea of signing what they did, and never dreamed of honours and titles. When once their work was finished, they said no more about it, or else they talked among themselves. How curious it would hâve been to hear them, to be present at their gatherings, where they must hâve discussed in amusing phrases, and with simple, deep ideas!… Whenever the cathedrals disappear civilisation will go down one step. And even now we no longer understand them, we no longer know how to read their silent language. We need to make excavations not in the earth, but towards heaven…”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 63-64; About the genius of the Gothic sculptors.

Life, Age, Dreams, Art

“The album is very different from the all the other albums today. First of all, the album was one year delayed because I wasn’t happy and every time I did an album it was unofficially finished. I had some time to listen to some new songs and plug into some music programs and discovered this new song and delayed the release for a month, because I wanted to update the new tracks to these new sounds I found… so then when I did that all the other songs sounded like crap compared to the new ones! So I said f*** this I need to reproduce the other ones as well. Then I scrapped a few songs and produced new ones. So to produce this album I pretty much produced maybe about 50 tracks and picked out the best of them. You know when you buy an album from a producer/artist, you kind of hear the same sound repeating in each song, you hear the same sound repeating, but this album is like every song is individual. Like you wont find two songs which have the same sound. Each song is completely different which I think kind of represents what I do because I produce everything and I love producing everything. Sometimes I’m in the mood to produce you know a dance song, sometimes I’m in the mood to produce an R&B song, it’s just interesting because I just want to show people that I can deliver to all ears.”

Basshunter Calling Time

Guestlist interview with Ria Talsania (10 July 2013) https://guestlist.net/article/9219/catching-up-with-basshunter Calling Time

Love, Happiness, People, Music

“… the city of mirrors (or mirages) would be wiped out by the wind and exiled from the memory of men at the precise moment when Aureliano Babilonia would finish deciphering the parchments, and that everything written on them was unrepeatable since time immemorial and forever more, because races condemned to one hundred years of solitude did not have a second opportunity on earth.”

Gabriel García Márquez book One Hundred Years of Solitude

Last Paragraph
One Hundred Years of Solitude (1967)

Men, Solitude, Memory, Time

“A work is perfectly finished only when nothing can be added to it and nothing taken away.”

Joseph Joubert (1754–1824) French moralist and essayist

“But you could do extreme programming. In fact, I had a college buddy I did pair programming with. We took a compiler writing class together and studied all that fancy stuff from the dragon book. Then of course the professor announced we would be implementing our own language, called PL/0. After thinking about it a while, we announced that we were going to do our project in BASIC. The professor looked at us like we were insane. Nobody else in the class was using BASIC. And you know what? Nobody else in the class finished their compiler either. We not only finished but added I/O extensions, and called it PL 0.5. That's rapid prototyping.”

Larry Wall (1954) American computer programmer and author, creator of Perl

Public Talks, The State of the Onion 11

Books, Thinking, Study

“To paraphrase Truman Capote, finishing a novel is like taking a child out behind the house and shooting it. To which I would hasten to add, that makes critics a bit like stranger who come along later to piss on the corpse.”

Caitlín R. Kiernan (1964) writer

Trilobite: The Writing of Threshold (2003)

Housing

“Teller’s irascible behavior forced him out of the mainstream but not out of the lab, thanks to Oppenheimer who didn’t think we should be without geniuses, even those whose enormous egos caused serious friction. As bright and innovative as Teller was, his overall performance during the war left a lot to be desired. He was not content to be part of a team effort (like yours truly) and preferred to work off to the side on new and different and sometime pretty far-out ideas (like yours truly). This caused considerable resentment. After all there was a war going on and most people thought future nuclear weapon concepts should be worked on sometime in the future, after we had finished our primary assignment. Edward’s behavior was like a colonel on a planning staff during a military campaign who tells his commanding general that he’d like to plan for the next war. That would be the end of the colonel, who would be demoted and shipped off to some base in the Aleutian Islands.
[5]Oppenheimer, however, realized that guys like Teller, despite their shortcomings, were necessary to have around; one never knows when a guy like that can be worth his weight in gold, which to the best of my recollection never happened with Teller. So an arrangement was worked out where Teller and a handful of like-minded theoretical physicists, willing to put up with his domineering ways, formed a small group dedicated to doing what they pleased, realizing their efforts stood precious little chance of impacting on the project.
[5]The one idea dearest to Teller’s heart was the H-bomb. He and a couple of his cronies applied themselves to devising various schemes on designing such a weapon. All of them turned out to be impractical and most of them unworkable. Which never slowed him down in the slightest for reasons we’ll never know nor will he. I’ve known Edward for a very long time and although I’ve never known him well, one thing about him became clear to me from the very beginning: he was a creature possessed. By what? Again, who knows? Many, if not most, who have read about his life and what he has done, plus those who have known him directly and observed him close at hand and at great length, would say by Satan (which has been said all over the world about me). I wouldn’t go along with that and although I have seen Teller give some of the most impassioned statements morally defending his positions, some of which I have found deeply moving and thoroughly convincing, I would not say that the God I’ve been told exists has had a tight hold on him. If Edward has been possessed by anyone it’s been himself. I’d say the same for myself, and I’ve given you some reasons why, but hardly all of them. I don’t know all of them and would be ashamed to tell you if I did.”

Samuel T. Cohen (1921–2010) American physicist

F*** You! Mr. President: Confessions of the Father of the Neutron Bomb (2006)

Life, God, War, People

“Indeed at times we feel tempted to think that they had finished with their seriously meant philosophical investigations ever before their twelfth year and that at that age they had for the rest of their lives settled their view on the nature of the world and on everything pertaining thereto. We feel so tempted because after all the philosophical discussions and dangerous deviations, … they always come back to what is usually made plausible to us at that tender age and appear to accept this even as the criterion of truth. All heterodox philosophical doctrines, with which they must at times be concerned in the course of their lives, appear to them to exist merely to be refuted and this to establish those others the more firmly.”

Arthur Schopenhauer book Parerga and Paralipomena

Ja, bisweilen fühlt man sich versucht zu glauben, daß sie ihre ernstlich gemeinten philosophischen Forschungen schon vor ihrem zwölften Jahre abgethan und bereits damals ihre Ansicht vom Wesen der Welt, und was dem anhängt, auf immer festgestellt hätten; weil sie, nach allen philosophischen Diskussionen und halsbrechenden Abwegen, unter verwegenen Führern, doch immer wieder bei Dem anlangen, was uns in jenem Alter plausibel gemacht zu werden pflegt, und es sogar als Kriterium der Wahrheit zu nehmen scheinen. Alle die heterodoren philosophischen Lehren, mit welchen sie dazwischen, im Laufe ihres Lebens, sich haben beschäftigen müssen, scheinen ihnen nur dazu- seyn, um widerlegt zu werben und dadurch jene ersteren desto fester zu etabliren.
Sämtliche Werke, Bd. 5, p. 156, E. Payne, trans. (1974) Vol. 1, pp. 143-144
Parerga and Paralipomena (1851), On Philosophy in the Universities

Truth, Age, World, Feeling

“King Lear: How hath my fool offended?
Regan: He hath shagged me roughly, against my will, and finished too soon.
King Lear: By force- Pocket? He isn't eight-stone on a feast day- he couldn't shag a cat by force.
Pocket: That's not true, sire. If the cat is distracted with a trout, then - well, uh, never mind.”

Christopher Moore book Fool

Ch 14 - On Tender Horns - pg 177
Fool (2009)

Fools, Cats

“The Bush boom is alive and well. It's finishing up its sixth splendid year with many more years to come.”

Lawrence Kudlow (1947) American economist

Article entitled "The Recession Debate Is Over" https://www.nationalreview.com/kudlows-money-politics/recession-debate-over-larry-kudlow/ published in National Review magazine, December 5, 2007.

“That's good advice.... all the more so since I may well be forced to leave it [the painting] at that, as so often happens when the model doesn't come back. That's always been my principal concern, to make sure of getting regular sittings. Whenever I start something, I'm always afraid the model will let me down... They come, they pose, then away they go, telling themselves that he can finish it off on his own. Well no, one can't finish anything on one's own, particularly since one only finishes on the day one starts, and that means starting often and having plenty of days available.”

Edouard Manet (1832–1883) French painter

Quote of Manet c. 1880, recorded by Antonin Proust; as quoted in 'The Importance of Manet's Conceptualization in 'Olympia' and 'The Bar at the Folies-Bergère' http://www.arthistoryarchive.com/arthistory/manet/arthistory_manet.html, by Charles Moffat, on 'The Art History Archive', c. 2001 1876 - 1883

Painting

“Looking backward on a period which is finished, we are looking at actually realized returns, costs, etc., as those items are registered in the bookkeeping of business. In such an ex post calculation there is, as we will show later, an exact balance between the invested waiting and the value of gross investment [Phil: he appears to mean savings and investment]. Looking forward there is no such balance except under certain conditions which remain to be ascertained. In the ex ante calculus it is a question not of realized results but of anticipations, calculations, and plans driving the dynamic process forward. Had this distinction been kept in mind, much confusion about “saving and investment” would have been avoided. There is in fact no contradiction at all between the statement of an exact bookkeeping balance ex post and the obvious inference that in a situation in which saving is increasing without a corresponding increase in investment, or perhaps with an adverse movement in investment, there must be a tendency ex ante to disparity.”

Gunnar Myrdal (1898–1987) Swedish economist

Source: Monetary Equilibrium (1939), p. 34

Question, Business, Appearance, Waiting

“There are some who feel like that, uh, if they, attack us? That we may decide to leave prematurely. They don't understand what they're talking about, if that's the case. Let me finish. Uh, there are some who uh feels like that the conditions are such that they they can attack us there. My answer is, bring 'em on. We've got the force necessary to deal with the security situation. Of course, we want other countries to help us. Great Britain is there, Poland is there.”

George W. Bush (1946) 43rd President of the United States

Press conference http://listenonrepeat.com/watch/?v=uKdbZWNqF00#President_George_W._Bush_Says__Bring__em_on_, discussing the then-incipient insurgency in Iraq; press conference, July 2, 2003. 2000s, 2003

Feeling, Understanding, Help, Country

“One has to seek Beauty and Truth, Sir! As I always say to my pupils, you have to work to the finish. There's only one kind of painting. It is the painting that presents the eye with perfection, the kind of beautiful and impeccable enamel you find in Veronese and Titian.”

William-Adolphe Bouguereau (1825–1905) French painter

Bouguereau (1895); Attributed in: Jefferson C. Harrison (1986) French paintings from the Chrysler Museum. Chrysler Museum, North Carolina Museum of Art, Birmingham Museum of Art (Birmingham, Ala.). p.45.

Truth, Beauty, Painting, Perfection

“Whats good with a holiday right.. say if you work in a factory from 8 in the morning till 8 at night, packin socks into a rubber bag right.. between 8 and.. what time did i say he finishes?”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast - Bonus Hour
On Work

Time, Holiday, Night

“When you are working, you are so far away and so absorbed, it's inevitable that you fall into a vacuum when you stop.... every time when I finish a painting, I always have to wait to get my strength back before I can begin another.”

Bram van Velde (1895–1981) Dutch painter

3 April 1972; p. 90
1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

Time, Waiting, Painting

“Hunter Thompson wasn't Joseph Conrad, Jimmy Carter wasn't Harry Trueman. But strangely, Richard Nixon was Richard Nixon.
I'm no Pablo Picasso but there's no harm in straining. After all, the charm of any activity is in the trying and so rarely in the finished article.”

Ralph Steadman book The Joke's Over

The Filming Of Where The Buffalo Roam, p. 171
The Joke's Over (2006)

“We [Frida and Diego] moved from the house on Reforma [street] to Coyoacán, and that had an enormous influence on me. How we painted the house and the Mexican furniture, all that influenced my painting a lot. While still on Reforma, I painted a self-portrait [Self-portrait 'Time Flies', 1929] that is owned by Morillo Safa. Once in Coyoacán I began to make paintings with backgrounds and Mexican things in them. I painted the portraits of Hale's sister.... and the one of Diego, which I did not finish [this painting is lost and was never documented before]. Those three paintings, who knows where they are. Mirillo Safa has the third self-portrait [her Self-portrait of 1930], showing me bald and sitting in a cane chair.”

Frida Kahlo (1907–1954) Mexican painter

1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', p. 75

Sister, Time, Painting, Housing

“I've just finished reading Shakespeare's Sonnets, that is, I've read and understood them for the first time. One passionate, desolate lament - immeasurable and inconsolable - for the waning, wasting and passing of beauty. At the same time there's something disturbingly un-Christian here - the utterly heathen, desperate keening of the dirges, the grisly dances of death, danses macabres, in which death is nothing but the end, finality - destruction, not transition.”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights p. 38 Diaries 1951

Death, Beauty, Passion, Time

“You don't paint the way someone, by observing his life, thinks you have to paint, you paint the way you have to in order to give. That's life itself, and someone will look and say it is the product of knowing, but it has nothing to do with knowing, it has to do with giving. The question about knowing will naturally be wrong. When you've finished giving, the look surprises you as anyone else. Some painters talking about painting are like a lot of kids dancing at a prom. An hour later you are too shy to get out on the floor.”

Franz Kline (1910–1962) American painter

1950's, Evergreen Review, 1958

Life, Way, Question, Nature

“Christ's finished sacrifice was sufficient. By participating in the mass, Roman Catholics are calling Him a liar! It's an abomination in the eyes of God.”

Jack T. Chick (1924–2016) Christian comics writer

Chick tracts, " Are Roman Catholics Christians? http://www.chick.com/reading/tracts/0071/0071_01.asp" (1985)

God, Christ

“If kids were allowed to get married as soon as God made them physically able to get married & have children, they would be so busy working so hard taking care of kids, house & mate they wouldn't have time to even think about crime or all the other hanky-panky they get into!
Of course they wouldn't have time for a big education either. But who the hell needs it! See, that's another reason why they don't let them get married: "Oh, you haven't finished your education yet! It's so sad! You're just going to have to take some menial job, some dumb thing & you can't make a huge salary like you could in some big highly technical job!"”

David Berg (1919–1994) Children of God founder

All of that is not of God anyhow!-Technology is destroying the Earth!
Child Brides!

God, Children, Education, Sadness

“When you've shouted "Rule Brittania": when you've sung "God Save the Queen,"
When you've finished killing Kruger with your mouth,
Will you kindly drop a shilling in my little tambourine
For a gentleman in khaki headed South?”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Absent-Minded Beggar (1899)

God

“I want to finish work on my mother's juvenile (Farmer Boy manuscript) by the end of June. There's a curious half-angry reluctance in my writing for other people. I say to myself that whatever earnings there may be are all in the family. Also I seize upon this task as an excuse to postpone my own work.”

Rose Wilder Lane (1886–1968) American journalist

Diary (May 29, 1933).

People, Family, Boy

“The result of my work has been the most extraordinary, the most unforeseen, and the happiest, that ever was; for, after having performed all the equations, multiplications, antitheses, and other operations of my method, and having finally finished the problem, I have found that my principle gives exactly and precisely the same proportion for the refractions which Monsieur Descartes has established.”

Pierre de Fermat (1601–1665) French mathematician and lawyer

Epist. XLII, written at Toulouse (Jan. 1, 1662) and reprinted in Œvres de Fermat, ii, p. 457; i, pp. 170, 173, as quoted by E. T. Whittaker, A History of the Theories of Aether and Electricity from the Age of Descartes to the Close of the Nineteenth Century (1910) p. 10. https://books.google.com/books?id=CGJDAAAAIAAJ&pg=PA10

Problem

“Snow had fallen and from the museum [in Pittsburgh, The ] you had a beautiful view of a valley with a railway, through some sheds, etc. But I could not finish it, and today, Sunday, I went back there again, but then the snow was already so far away that I could not make anything of it any more. It is a pity. Otherwise I could have sold something. [The painting was sold to the Stedelijk Museum Amsterdam in 1934] (translation from the original Dutch, Fons Heijnsbroek)”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Er was namelijk sneeuw gevallen en uit het museum [in Pittsburgh, Breitner nam deel aan een jury en maakte vanuit een raam aan de achterzijde van het Carnegie Institute enkele schetsen en begon aan een schilderij] had men een prachtig gezicht op een dal met een spoorweg, door wat loodsen, enz. Maar ik kon 't niet afkrijgen, en vandaag, zondag, was ik er weer heengegaan, maar toen was de sneeuw al zoo ver dat ik [er] niets meer van kon maken. Het is wel jammer. Anders had ik nog wat kunnen verkoopen misschien. [Het schilderij is in 1934 verkocht aan het Stedelijk museum Amsterdam.]
In Breitner' letter to his wife, 1909, from Pittsburgh; as cited in George Hendrik Breitner in Amsterdam, J. F. Heijbroek, Erik Schmitz; uitgeverij THOTH, Bussum, 2014, p. 22
Breitner took part in an art-jury in Pittsburgh in 1909. He started to make some sketches from a window at the back-side of the Carnegie Institute and later the painting]
1900 - 1923

Beauty, Painting

“I am bound to say that it took me a long time to understand what he meant. He began by saying that everybody thought of Space as an 'empty homogeneous medium.' 'Never mind at present what the ultimate constituents of that medium are. We take it as a finished product, and we think of it as mere extension, something without any quality at all. That is the view of civilised man. You will find all the philosophers taking it for granted. Yes, but every living thing does not take that view.”

John Buchan (1875–1940) British politician

Space (1912)

Understanding, Thinking, Time

“I finished my first woodcut in Dresden in 1905 after the Xylographic art, cutting out of the hard boxwood the clean sketches with the slate pencil. Then followed the rounded iron, to arrive at the woodcut more freely through the simply ripped out sketch on the log (alder, lime tree, poplar), which would be utilized from here on out. Then finally came a short cobbler knife, and without a pré-sketch, the hand cuts freely into the wood a woodcut, just like it would work on paper with the pen.”

Erich Heckel (1883–1970) German artist

Heckel later summarized in this way his woodcut developments, mainly developed during his years in Die Brücke Source: Brücke' Zeichnungen, Aquarelle, Druckgraphik, Magdalena M. Moeller; Verlag Gerd Hatje, Stuttgart 1992, p. 21; as quoted by Louise Albiez https://www.researchgate.net/publication/272168564Claire (incl. translation), Brücke und Berlin: 100 Jahre Expressionismus; submitted to the Division of Humanities New College of Florida, Sarasota, Florida, May, 2013 p.12

Art, Tree

“In the [art-magazine] 'Kunst-Kronijk' my work 'Monastic corridor' came under your eyes; it is after a drawing that I started at Kleve after Nature and of which the painting is now almost finished. I believe, you know Kleve. The smallest of the Catholic Churches is a kind of monastery church; it has a nice sacristy, and the passage along the building gave me the motive of which you saw the lithography. On the same spot I designed a sketch in the 'Paarden-posterij' [Horse post-location] (where the cars are stored at Emmerich). I later made it a drawing - one of my best, and also the construction of it is now already in oil, to be completed soon. As motive, aspect, effect, etc. it pleases everyone - it is a real stable with lots of horses in it, and yet I do not have to make an enormous effort to paint the horses. As they are in the stable, they take the mysterious part [of the image]. Who knows, the K[unst]-K[ronyk] will produce a reproduction of it.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch, (citaat van een brief van Johannes Bosboom, in het Nederlands:) In de 'Kunstkronijk' kwam U mijn 'Kloostergang' onder de oogen; 't is naar een Teek[ening] die ik te Cleef naar de Natuur begon en waarvan nu de schilderij bijna gereed is. Ik geloof, gij kent Kleef. De kleinste der Kath. Kerken is een [soort] van Kloosterkerk, heeft een aardige sacristy en de gang langs het Pand gaf mij het motief, waarvan gij de lith[ographie] zaagt. Bij datzelfde verblijf ontwierp ik eene schets in de Paardenposterij (waar de wagens op Emmerik stallen). Ik maakte die later tot eene Teek[ening], een mijner beste, en ook daarvan staat de aanleg in olie gereed, om eerlang voltooid te worden. Als motief, aspect, effect, etc. bevalt het een ieder - 't is een echte stal, waar veel paarden in zijn, en toch hoef ik mij aan het schilderen der paarden niet te buiten te gaan. Zooals ze erin zijn, nemen zij het mysterieuse gedeelte in. Wie weet, levert de K[unst]-K[ronyk] er niet een reproductie van. Quote from Bosboom's letter, 1866; as cited in: Uit het leven van een kunstenaarspaar: brieven van Johannes Bosboom, H.F.W. Jeltes, 1916 https://rkd.nl/nl/explore/excerpts/437 (translation from the original Dutch: Fons Heijnsbroek) 1860's

Art, Cars, Motivation, Nature

“Years ago, I had an experience with a playground bully. (…) This bully was after me and he was gonna do this, he was gonna do that, all the other kids were terrified of this bully. And he came to me one night, just before immediately the school was over, and he said to me "Icke, I'm beating you up tonight, you're gonna meet me here." And he expected me to run. And I said "alright", and I took him on. I never threw a punch! He was trying to hit me and trying to hit me, and I was just, you know, a bit like Neo in The Matrix, only at normal speed. Cause he was all front! He was all front! His power in that playground perception of his power. Look him in the eye, "come on then, let's have ya", gone. Finished! Over! And that night, his power of that playground disappeared, cause people realized he was a fraud as the word got out.”

David Icke (1952) English writer and public speaker

Source: Icke's 2016 interview https://www.youtube.com/watch?v=qkcqBQyCVD8 on the Richie Allen Show (starts at 01:39:49)

People, School, Fraud, Speed

“Having now finished the observations on this, probably, the last occasion I shall have of communicating with you, all me to express the hope, that whatever errors I may have committed, will be attributed to no want of zeal in the discharge of my official duties, and that they may find a correction in the intelligence and patriotism, of the gentleman who will succeed me. And in my retirement, whatever may be my lot, I shall not cease to invoke that Beneficent Being, to whose providence we are so signally indebted for the general prosperity of the Territory; for the continuance of his blessings upon Oregon—upon you—and upon your constituents, from whom I have received uniform kindness and support in the discharge of my duties.”

Joseph Lane

Joseph Lane (May 7, 1850) " Governor Joseph Lane Legislative Message, 1850 http://records.sos.state.or.us/ORSOSWebDrawer/Recordpdf/6777826", Oregon State Archives, Oregon Secretary of State, Oregon Provisional and Territorial Records, 1850, Calendar No. 10571.

Hope, Error, Intelligence, Communication

“…Upon this, Sher Shah turned again towards Kalinjar… The Raja of Kalinjar, Kirat Sing, did not come out to meet him. So he ordered the fort to be invested, and threw up mounds against it, and in a short time the mounds rose so high that they overtopped the fort. The men who were in the streets and houses were exposed, and the Afghans shot them with their arrows and muskets from off the mounds. The cause of this tedious mode of capturing the fort was this. Among the women of Raja Kirat Sing was a Patar slave-girl, that is a dancing-girl. The king had heard exceeding praise of her, and he considered how to get possession of her, for he feared lest if he stormed the fort, the Raja Kirat Sing would certainly make a jauhar, and would burn the girl…
“On Friday, the 9th of RabI’u-l awwal, 952 A. H., when one watch and two hours of the day was over, Sher Shah called for his breakfast, and ate with his ‘ulama and priests, without whom he never breakfasted. In the midst of breakfast, Shaikh NizAm said, ‘There is nothing equal to a religious war against the infidels. If you be slain you become a martyr, if you live you become a ghazi.’ When Sher Shah had finished eating his breakfast, he ordered Darya Khan to bring loaded shells, and went up to the top of a mound, and with his own hand shot off many arrows, and said, ‘Darya Khan comes not; he delays very long.’ But when they were at last brought, Sher Shah came down from the mound, and stood where they were placed. While the men were employed in discharging them, by the will of Allah Almighty, one shell full of gunpowder struck on the gate of the fort and broke, and came and fell where a great number of other shells were placed. Those which were loaded all began to explode. Shaikh Halil, Shaikh Nizam, and other learned men, and most of the others escaped and were not burnt, but they brought out Sher Shah partially burnt. A young princess who was standing by the rockets was burnt to death. When Sher Shah was carried into his tent, all his nobles assembled in darbAr; and he sent for ‘Isa Khan Hajib and Masnad Khan Kalkapur, the son-in-law of Isa Khan, and the paternal uncle of the author, to come into his tent, and ordered them to take the fort while he was yet alive. When ‘Isa Khan came out and told the chiefs that it was Sher Shah’s order that they should attack on every side and capture the fort, men came and swarmed out instantly on every side like ants and locusts; and by the time of afternoon prayers captured the fort, putting every one to the sword, and sending all the infidels to hell. About the hour of evening prayers, the intelligence of the victory reached Sher Shah, and marks of joy and pleasure appeared on his countenance. Raja Kirat Sing, with seventy men, remained in a house. Kutb Khan the whole night long watched the house in person lest the Raja should escape. Sher Shah said to his sons that none of his nobles need watch the house, so that the Raja escaped out of the house, and the labour and trouble of this long watching was lost. The next day at sunrise, however, they took the Raja alive…””

Sher Shah Suri (1486–1545) founder of Sur Empire in Northern India

Tarikh-i-Sher Shahi of Abbas Khan Sherwani in Elliot and Dowson, History of India as told by its own Historians, Volume IV, pp. 407-09. Quoted in S.R.Goel, The Calcutta Quran Petition

Death, Women, Men, War

“The British…used to regard foreigners as either a comic turn or a sexual menace. To learn a European language…was, at best, to seek to acquire a sort of girls’-finishing-school ornament, at worst, to capitulate feebly to the enemy.”

Anthony Burgess (1917–1993) English writer

Non-Fiction, A Mouthful of Air: Language and Languages, Especially English (1992)

School, Girl, Learning

“You know there is the Fudesaki. What do you think of it? The seventeen parts of the Fudesaki were not completed in a short while. God spoke into my ears, saying, ‘Do not look at any writings, even the charge book from a bean curd shop.’ I wondered why. Then God said, ‘Brush, brush, take up the brush.’ I took the brush up for the first time at New Year’s when I became seventy-two years old. And when I took the brush up, My hand moved by itself. From heaven, God did it. After what was to be done was finished, My hand became numb and it could not be moved. God said, ‘Calm Your mind, and read this. If You find something You cannot understand, ask Me.’ I added brush strokes when I found something I could not understand. That is the Fudesaki.”

Nakayama Miki (1798–1887) Founder of Tenrikyo

Anecdotes of Oyasama, Foundress of Tenrikyo, from Anecdote 22, "Writing the Ofudesaki," p. 16.
Anecdotes of Oyasama

God, Books, Understanding, Thinking

“We are in the process of seeing the fulfillment of Edgar Allan Poe's prophecy in which the painter, impassioned by his mistress-model and also by his art, "did not want to see that the colors he spread on his canvas were taken from the cheeks of the woman seated beside him. And when several weeks had passed, and very little remained to be done, nothing but a stroke on the mouth and a glaze over the eye, the mistress’s spirit still flickered like the flame at the base of a lamp. Then he put on the final touch, put the glaze in place, and for a moment the painter stood in ecstasy before the work he had finished. But a moment later, he was struck with panic, and shouting with a piercing voice: ‘It is truly Life itself,’ he suddenly turned around to look at his mistress. She was dead."”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

Nothing ever constrains us to face what is dying when we see it so alive in our images.
J. Hanks, trans. (1985), p. 208
The Humiliation of the Word (1981)

Life, Art, Color, Dead

“Far between sundown’s finish an’ midnight’s broken toll,
We ducked inside the doorway, thunder crashing.
As majestic bells of bolts struck shadows in the sounds,
Seeming to be the chimes of freedom flashing.
Flashing for the warriors whose strength is not to fight,
Flashing for the refugees on the unarmed road of flight,
An’ for each an’ ev’ry underdog soldier in the night,
An’ we gazed upon the chimes of freedom flashing.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Another Side of Bob Dylan (1964), Chimes of Freedom

Freedom, Fight, Night

“The House of Lords must go - not be reformed, not be replaced, not be reborn in some nominated life-after-death patronage paradise, just closed down, abolished, finished.”

Neil Kinnock (1942) British politician

Tribune (November 19, 1976).

Life, Death, Housing

“But this, this which we say before we’re sorry,
This which we live behind our unseen faces,
Is neither dream, nor childhood, neither
Myth, nor landscape, final, nor finished,
For we are incomplete and know no future,
And we are howling or dancing out our souls
In beating syllables before the curtain:
We are Shakespearean, we are strangers.”

Delmore Schwartz (1913–1966) American poet

"Dogs Are Shakespearean, Children Are Strangers" http://poetryfoundation.org/archive/print.html?id=171346 Selected Poems: Summer Knowledge (1959)

Dreams, Soul, Future, Dance

“The war against terrorism will not be finished as long as he [Saddam Hussein] is in power.”

Carl Levin (1934) American politician

In an appearance on CNN (December 16, 2001)

War

“David Tudor and I went to Hilversum in Holland to make a recording for the Dutch radio. We arrived at the studio early and there was some delay. To pass the time, we chatted with the engineer who was to work with us. He asked me what kind of music he was about to record. Since he was a Dutchman I said, 'It may remind you of the work of Mondrian.' When the session was finished and the three of us were leaving the studio, I asked the engineer what he thought of the music we had played. He said, 'It reminded me of the work of Mondrian.”

John Cage (1912–1992) American avant-garde composer

Quote from 'Lecture on Nothing', (c. 1949), in 'Silence: lectures and writings by John Cage; Publisher Middletown, Conn. Wesleyan University Press, June 1961, p. 127
this lecture had been prepared some years earlier, but was not printed until 1959, when it appeared in 'It Is', ed. Philip Pavia
1950s

Music, Time

“Generally speaking, changes in the prices of finished goods are "cost determined" while changes in the prices of raw materials inclusive of primary foodstuffs are "demand determined."”

Michał Kalecki (1899–1970) Polish economist

Source: Theory of Economic Dynamics (1965), Chapter 1, Cost and Prices, p. 11

Change

“The "Second System Effect":
An architect’s first work is apt to be spare and clean. He knows he doesn’t know what he’s doing, so he does it carefully and with great restraint.
As he designs the first work, frill after frill and embellishment after embellishment occur to him. These get stored away to be used “next time.” Sooner or later the first system is finished, and the architect, with firm confidence and a demonstrated mastery of that class of systems, is ready to build a second system.
This second is the most dangerous system a man ever designs. When he does his third and later ones, his prior experiences will confirm each other as to the general characteristics of such systems, and their differences will identify those parts of his experience that are particular and not generalizable.
The general tendency is to over-design the second system, using all the ideas and frills that were cautiously sidetracked on the first one. The result, as Ovid says, is a "big pile."”

Fred Brooks (1931) American computer scientist

Page 55.
The Mythical Man-Month: Essays on Software Engineering (1975, 1995)

Confidence, Idea, Time, Parting

“I will tolerate no opposition. We recognize only subordination – authority downwards and responsibility upwards. You just tell the German bourgeoisie that I shall be finished with them far quicker than I shall with marxism… When once the conservative forces in Germany realize that only I and my party can win the German proletariat over to the State and that no parliamentary games can be played with marxist parties, then Germany will be saved for all time, then we can found a German Peoples State.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

Hitler's interview with Richard Breiting, 1931, published in Edouard Calic, ed., “First Interview with Hitler,4 May 1931,” Secret Conversations with Hitler: The Two Newly-Discovered 1931 Interviews, New York: John Day Co., 1971, pp. 36-37. Also published under the title Unmasked: Two Confidential Interviews with Hitler in 1931 published by Chatto & Windus in 1971
1930s

People, Game, Time

“Where do you think I was today? I stood straight in front of him (Himmler) for a whole hour and talked, and he… he played with a puzzle the whole time – you know, this glass cube with three balls on the inside… When I finished, he took off his pince-nez, wiped it with a handkerchief – he has a skull even on his handkerchief – and said, "Listen, Ernst! Have you by any chance, ever had a dream, where you're riding in the back of a ragged truck to who knows where, and some monsters are sitting around you?" I didn’t say anything. Then he smiled and said, "Ernst, you know, I know as well as you that no astral exists. But what do you think, if you, and even Canaris, have your own people in 'Annenerbe', shouldn’t I have my own people there as well?" I did not understand what he meant. "Think Ernst, think!" he said. I kept silent. Then he smiled and asked, "Whose man do you think is Kröger?" …Yes, Emma… It seems I'm too simple for all these intrigues… But I know that while the Führer needs me, my heart will keep beating… You know, Emma… Sometimes it seems to me, that it's not me who is alive, but it's the Führer who is living inside me…”

Ernst Kaltenbrunner (1903–1946) Austrian-born senior official of Nazi Germany executed for war crimes

To Emma, recorded by secret spy listening device WS-M/13 located in Kaltenbrunner's bedroom, 1/14/1935. Quoted in "Kröger's Revelation" - by Viktor Pelevin - 1991 - Page 277

People, Smile, Dreams, Understanding

“It was not till Jesus had cried, "It is finished," and from His riven side the soldier's spear had fetched the blood and water; it was not till then, that the fountain sealed of Incarnate Love became the fountain opened of Redeeming merit, and that the Siloah began to flow, which ever since has flowed adown the oracles of God.”

James Hamilton (1814–1867) Scottish minister and a prolific author of religious tracts

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 74.

Love, God, Water

“I probably took more than anybody could survive. … I was bangin' seven-gram rocks and finishing them because that's how I roll. I have one speed, I have one gear, GO!. … I'm different. I have a different constitution, I have a different brain, I have a different heart. I got tiger blood, man. … Dying's for fools, dying's for amateurs.”

Charlie Sheen (1965) American film and television actor

On Good Morning America February 28, 2011

Fools, Heart, Speed

“…grandees pay for a work of art considerably under its value, and according to their own caprice. … When an Omrah or Mansabdar requires the services of an artisan, he sends to the bazar for him, employing force, if necessary, to make the poor man work; and after the task is finished, the unfeeling lord pays, not according to the value- of the labour, but agreeably to his own standard of fair remuneration; the artisan having reason to congratulate himself if the Korrah has not been given in part payment.”

François Bernier (1620–1688) French physician and traveller

François Bernier, quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7
Travels in the Mogul Empire (1656-1668)

Art, Parting

“Don’t start anything you can’t finish.”

Elfriede Jelinek book The Piano Teacher

The Piano Teacher (1988)

“It is true – is it not – that even Ingres [French classical painter, famous for his line] had to revise – yes, the surface of the painting is smooth, finished and incorruptible as a diamond, but under the accomplished surface are pentimenti – see there at the shoulder, how the line of the black dress was lowered qua fraction and the hand was extended to give greater elegance... Are these not signs of the patient revision that even a genius has to make.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: 1942 - 1948, Arshile Gorky, – Goats on the roof' (2009), p. 358: in: 'A visit to the Metropolitan Museum with Gorky', Ethel Schwabacher, 1947

Painting

“As the misfortune befell in November [1918], I threw myself into the woodcut... It is a technique that provokes one to confession, to the unmistakable statement of what one finally means. It, or far more she, enforces a certain general validity of expression... I have finished a number of large woodcuts that deal with all of the distress of the times.”

Ernst Barlach (1870–1938) German expressionist sculptor, printmaker and writer

Barlach in a letter to his cousin, 1919; in Erhard Gopel, Deutsche Holzschnitte des zwanzigsten Jahr- hunderts, Wiesbaden: Insel Verlag, 1955, p. 44; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 46
Barlach explained why the woodcut spoke so poignantly to the current times

Time

“I've got more important things to think about. I've got a yogurt to finish by today, the expiry date is today. That can be my priority rather than Agustin Delgado.”

Gordon Strachan (1957) Scottish footballer and manager

Metro Article http://www.metro.co.uk/sport/football/756336-gordon-strachans-greatest-quotes 22nd October, 2009

Thinking

“I could no more write a romance than an epic poem. I could not sit seriously down to write a serious romance under any other motive than to save my life; and if it were indispensable for me to keep it up and never relax into laughing at myself or other people, I am sure I should be hung before I had finished the first chapter. No, I must keep to my own style and go on in my own way; and though I may never succeed again in that, I am convinced that I should totally fail in any other.”

Jane Austen (1775–1817) English novelist

Letter to Mr. Clarke (1816-04-01) [Letters of Jane Austen -- Brabourne Edition]
Letters

Life, People, Way, Motivation

“The species is in a state of transition, one of many. This one began, generally speaking, when the species tried to step apart from nature in order to develop the unique kind of consciousness that is presently your own. That consciousness is not a finished product, however, but one meant to change, [to] evolve and develop. Certain artificial divisions were made along the way that must now be dispensed with. You must return, wiser creatures, to the nature that spawned you - not only as loving caretakers but as partners with the other species of the earth. You must discover once again the spirituality of your biological heritage.”

Jane Roberts (1929–1984) American Writer

Session 805, Page 45
The Individual and the Nature of Mass Events, (1981)

Love, Way, Nature, Change

“And when she was finished they laid her in earth
Flowers growing, butterflies juggling over her…
She, so light, barely pressed the earth down
How much pain it took to make her as light as that!”

Bertolt Brecht (1898–1956) German poet, playwright, theatre director

"To my mother" [Meiner Mutter] (May 1920), trans. John Willett in Poems, 1913-1956, p. 49
Poems, 1913-1956 (1976)

Pain, Flowers, Light

“It's all about the atmosphere of nature, for sure, but I want the painting to arouse clarity, cheerfulness. When it is finished, then I have to live with it, that's why it must become a pleasant thing. Sun. Clarity. Never white-black, because there are so many shades in between! (translation from Dutch: Fons Heijnsbroek, 2018)”

Gerrit Benner (1897–1981) Dutch painter

version in original Dutch (citaat van Gerrit Benner, in het Nederlands:) Het gaat om de sfeer van de natuur, zeker, maar ik wil dat het schilderij klaarte, vrolijkheid opwekt. Als zo'n ding af is, dan moet ik ermee leven, daarom moet het prettig zijn. Zon. Klaarte. Nooit wit-zwart, want daar zijn zoveel tinten tussen! quoted by Hans Redeker (before 1967), in Gerrit Benner; Meulenhoff, Amsterdam, 1967; as cited by Susan van den Berg in 'Benner en Bregman', website 'de Moanne' http://www.demoanne.nl/benner-en-bregman/, 1 Sept. 2008, note xx 1950 - 1980

Nature, Sun, Painting

“Today, having come far in our own historical journey, we must decide. Will we turn back, or finish well? Before history is written down in books, it is written in courage. Like Americans before us, we will show that courage and we will finish well. We will lead freedom's advance. We will compete and excel in the global economy. We will renew the defining moral commitments of this land, and so we move forward, optimistic about our country, faithful to its cause, and confident of victories to come.”

George W. Bush (1946) 43rd President of the United States

2000s, 2006, State of the Union (January 2006)

Books, Faith, Confidence, History

“Usually they finish by whining «but I WANT it!!! and so, I tell them: «So what? Everybody wants something. I want a pony. Get over it.”

Paul Vixie (1963) American internet pioneer

CircleID article http://www.circleid.com/posts/putting_multiple_root_nameserver_issue_to_rest/ Notes: referring to proponents of multiple DNS roots.

“Now my daughter's wedding is finished, I shall improve the economy in Taiwan.”

Chen Shui-bian (1950) Taiwanese politician

During his daughter's wedding banquet, September 27, 2001
Pet Phrases, 2001

Wedding, Daughters

“The history of most fictions would be far stranger than the fictions themselves; but it would be a dark and sad chronicle. Half the works that constitute the charm of our leisure, that give their own interest to the long November evening, or add to the charm of a summer noon beneath the greenwood tree, are the offspring of poverty and of pain. … How often is the writer obliged to put his own trouble, his suffering, or his sorrow aside, to finish the task! The hand may tremble, the eyes fill with unbidden tears, and the temples throb with feverish pain, yet how often is there some hard and harsh necessity, which says, "the work must be done.””

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Literary Remains

Pain, Sadness, History, Tear

“I was trying to solve the problem of this book. (My Life as a Man) When it seemed I never would, I stopped and wrote Our Gang; when I tried again and still couldn't write it, I stopped and wrote the baseball book; then while finishing the baseball book, I stopped to write The Breast. It was as though I were blasting my way through a tunnel to reach the novel I couldn't write. Each of one's books is a blast, clearing the way for what's next.”

Philip Roth (1933–2018) American novelist

Paris Review Interview (1986)

Life, Books, Way, Problem

“He yawned. He had finished the day and he had also finished with his youth. Various well-bred moralities had already discreetly offered him their services: disillusioned epicureanism, smiling tolerance, resignation, common sense stoicism - all the aids whereby a man may savour, minute by minute, like a connoisseur, the failure of a life.”

Jean Paul Sartre book The Age of Reason

L'âge de raison (The Age of Reason) (1945)

Life, Youth, Smile, Failure

“[The title] was the last thing that I chose, after all the songs and the cover art were finished. So none of the songs directly allude to that myth. But the main themes that emerge out of that myth are really close to the themes on the record -- mortality, decadence, an excess of water, isolation, rebirth. The myth is also significant to me because of the way that I encountered it, which relates to one of the huge events the record is about.
I also liked the power of the word itself. I liked how violent and cryptic it felt; it's such a daunting word to encounter. I like how it contrasted this finely rendered, carefully composed front cover -- the painting is information-dense, formal, and stylized; it looks the way something looks when a painter spends a year on it, which is what Benjamin [Vierling] did. So it has all this detail and carefulness to it, which was really important to me and relates very closely to the record. But I also felt like it needed some sort of ballast, or balance, next to it, to reflect the other elements of the record; its innate violence. I wanted a word that was like throwing a brick at the visual on the front cover; I liked that whenever someone looked at that cover they also had to encounter this short, weird word.”

Joanna Newsom (1982) American musician

Interview with Pitchfork (2006)

Art, Way, Water, Painting

“The proverbial German phenomenon of the verb-at-the-end about which droll tales of absentminded professors who would begin a sentence, ramble on for an entire lecture, and then finish up by rattling off a string of verbs by which their audience, for whom the stack had long since lost its coherence, would be totally nonplussed, are told, is an excellent example of linguistic recursion.”

Douglas Hofstadter book Gödel, Escher, Bach: an Eternal Golden Braid

"Recursive Structures and Processes"
Gödel, Escher, Bach: an Eternal Golden Braid (1979)

“Early one morning in the winter of 1906-7, Henry Ford dropped in at the pattern department of the Piquette Avenue plant to see me. 'Come with me, Charlie,' he said, 'I want to show you something.'
I followed him to the third floor and its north end, which was not fully occupied for assembly work. He looked about and said, 'Charlie, I'd like to have a room finished off right here in this space. Put up a wall with a door in big enough to run a car in and out. Get a good lock for the door, and when you're ready, we'll have Joe Galamb come up in here. We're going to start a completely new job.”

Charles E. Sorensen (1881–1968) American businessman

The room he had in mind became the maternity ward for Model T. Source: My Forty Years with Ford, 1956, p. 96 ; As cited in: EyeWitness to History, " Henry Ford Changes the World, 1908 http://www.eyewitnesstohistory.com/ford.htm," www.eyewitnesstohistory.com (2005).

Cars, Winter, Maternity

“A discordant mind, black with confusion and despair, would finish me off as thoroughly as the cold.”

Richard Evelyn Byrd (1888–1957) Medal of Honor recipient and United States Navy officer

Ch 7
Alone (1938)

Despair

“India is a country of empty words, not action. Only repeating, 'Mera Bharat Mahaan' won't help. Learn to finish the race first in order to finish first.”

N. R. Narayana Murthy (1946) Indian businessman

Narayana Murthy shocks with 'Mera Bharat Mahaan' quote, indicates Infosys Ltd on hiring spree, 16k jobs on offer

Learning, Help, Country

“The painting is finished when it has erased the idea.”

Georges Braque (1882–1963) French painter and sculptor

as quoted in Georges Braque: A Life (2005), p. 191 https://books.google.com/books?id=G2aWVKnJWaYC&pg=PA191 posthumous quotes

Idea, Painting

“I will soon have finished another drawing [= watercolor], in the spirit as Den Tessaro [art-seller in Antwerp] wished another one, that is 'airy' and 'thin', with 'lots of space', etc.-. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik zal binnenkort eene andere teekening [= aquarel] gereed hebben, in den geest zoals Den Heer Tessaro [kunst-handelaar in Antwerpen] er nog een wenschte, namenlijk 'luchtig' en 'dun', met 'veel ruimte', etc.-.
In a letter to art-seller Frans Buffa in Amsterdam, 1874; ; as cited in Willem Roelofs 1822-1897 De Adem der natuur, ed. Marjan van Heteren & Robert-Jan te Rijdt; Thoth, Bussum - ISBN13 * 978 90 6868 4322, 2006, p. 57
1870's

Art, Drawing

“I had measured the difference that separated art prior to 1900 from the art which I felt was being born. I knew that all instruction was at an end. The age of personal expression had finally begun. The value of an artist was no longer to be judged by the finish of his execution, or by the analogies his work suggested with such-and-such an archetype. It would be judged – exclusively – by what distinguished this artist from all the others. The age of the master and pupil was finally over; I could see about me only a handful of creators and whole colonies of monkeys. But I could not ask Gleizes to see it that way. Happily, nothing of his social or mystical opinions remained when he was engaged in the work of painting. The work of reconciling an oval and a lozenge, a yellow and a blue, prevailed and saved him.”

Jean Metzinger (1883–1956) French painter

Cubism was born

Age, Art, Way, Painting

“You have no control over your cat! You can't say to your cat, "Cat, heel! Stay! Wait! Lie down! Roll over!" 'Cause the cat's just gonna be sitting there going, "Interesting words … have you finished?" While you're shouting all this to your cat, your dog's next to you, going … [mimes obeying all commands] "What the hell are you doing? I'm talking to the cat!"”

Eddie Izzard (1962) British stand-up comedian, actor and writer

"Oh, I'm sorry!"
Unrepeatable (1994)

Lie, Dogs, Cats, Hell

“"Air! Air!" croaked Kralefsky, "Give me air!"
"Interesting," said Colonel Ribbindane. "Saw a pygmy like that once in the Congo… been trapped in an elephant’s stomach. The elephant is the largest African quadruped.."
"Do get him out," said Mother agitatedly. "Get some brandy."
"Fan him! Blow on him!" shrilled Margo, and burst into tears. "He’s dying, he’s dying, and he never finished his trick."”

Gerald Durrell book Fauna and Family

On a magic trick shown by family friends
The Garden of the Gods (1978)

Tear

“Last Saturday it was a rainy evening. I took advantage of that to draw once again the whole evening at Dam Square all over and Sunday I repainted my painting [of Dam square] completely, that yellow nasty color has disappeared now completely. The work has become much broader, and I believe it is really finished now. When my model came, the change struck her so strongly that she said, 'sir, the painting has become beautifully now'. I myself am very happy with it, because I believe it is really good.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Zaterdag avond was het een regenachtige avond. Ik heb daarvan geprofiteerd en [om] de heele avond op de Dam alles nog eens goed over te teekenen en Zondag mijn schilderij heelemaal overgeschilderd, de geele nare kleur is er heelemaal uit. Het is veel ruimer geworden, en ik geloof dat het er nu is. Toen mijn modelletje kwam, trof haar de verandering zoo erg dat het zei, hè meneer, nou is het schilderij mooi geworden. Ik zelf ben er erg mee in mijn schik, want het is geloof ik, heel goed. quote of Breitner in a letter to his friend Herman van der Weele, Amsterdam, 14 June 1893; original letter in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/54 1890 - 1900

Happiness, Color, Change, Drawing

“Now the drummers did not rush out to grab Chaney or shoot him but instead scattered like poultry while Chaney took my father's purse from his warm body and ripped open the trouser band and took the gold pieces too. I cannot say how he knew about them. When he finished his thieving he raced to the end of the street and struck the night watchman at the stock barn a fierce blow to the mouth with his rifle stock, knocking him silly. He put a bridle on Papa's horse Judy and rode out bareback. Darkness swallowed him up. He might have taken the time to saddle the horse or hitched up three spans of mules to a Concord stagecoach and smoked a pipe as it seems no one in that city was after him. He had mistaken the drummers for men.”

Charles Portis book True Grit

Source: True Grit (1968), Chapter 1, pp. 14-15 : thoughts of 'Mattie Ross'

Men, Time, Horse, Night

“There's only two paragraphs in there about George Washington … little or nothing about Martin Luther King, a whole section on slavery and how evil we are, a whole section on Japanese internment camps and how we slaughtered millions of Japanese with our bombs… I think most people when they finish that course, they'd be ready to go sign up for ISIS … We have got to stop this silliness crucifying ourselves.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

As quoted in "Fox News' Ben Carson Thinks New AP U.S. History Course Will Make Students Join ISIS" http://www.huffingtonpost.com/2014/10/01/ben-carson-ap-us-history_n_5910982.html, The Huffington Post (January 10, 2014)

People, Thinking, Evil

“Even then he had those piercing cat's eyes of his and when he had said something, finished up by saying: "If I'm wrong, put me right." And so I began to understand that you didn't speak for the sake of speaking, to say that you had done this or that, what you had eaten or drunk, but to work out an idea, to find out what makes the world go round.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

Source: The moon and the bonfire (1950), Chapter XVII, p. 98

World, Cats, Idea, Understanding

“Let me remind you that science is not necessarily wisdom. To know, is not the sole nor even the highest office of the intellect; and it loses all its glory unless it act in furtherance of the great end of man's life. That end is, as both reason and revelation unite in telling us, to acquire the feelings and habits that will lead us to love and seek what is good in all its forms, and guide us by following its traces to the first Great Cause of all, where only we find it pure and unclouded.
If science be cultivated in congruity with this, it is the most precious possession we can have— the most divine endowment. But if it be perverted to minister to any wicked or ignoble purpose — if it even be permitted to take too absolute a hold of the mind, or overshadow that which should be paramount over all, the perception of right, the sense of Duty — if it does not increase in us the consciousness of an Almighty and All-beneficent presence, — it lowers instead of raising us in the great scale of existence.
This, however, it can never do but by our fault. All its tendencies are heavenward; every new fact which it reveals is a ray from the origin of light, which leads us to its source. If any think otherwise, their knowledge is imperfect, or their understanding warped, or darkened by their passions. The book of nature is, like that of revelation, written by God, and therefore cannot contradict it; both we are unable to read through all their extent, and therefore should neither wonder nor be alarmed if at times we miss the pages which reconcile any seeming inconsistence. In both, too, we may fail to interpret rightly that which is recorded; but be assured, if we search them in quest of truth alone, each will bear witness to the other, — and physical knowledge, instead of being hostile to religion, will be found its most powerful ally, its most useful servant. Many, I know, think otherwise; and because attempts have occasionally been made to draw from astronomy, from geology, from the modes of the growth and formation of animals and plants, arguments against the divine origin of the sacred Scripture, or even to substitute for the creative will of an intelligent first cause the blind and casual evolution of some agency of a material system, they would reject their study as fraught with danger. In this I must express my deep conviction that they do injury to that very cause which they think they are serving.
Time will not let me touch further on the cavils and errors in question; and besides they have been often fully answered. I will only say, that I am here surrounded by many, matchless in the sciences which are supposed so dangerous, and not less conspicuous for truth and piety. If they find no discord between faith and knowledge, why should you or any suppose it to exist? On the contrary, they cannot be well separated. We must know that God is, before we can confess Him; we must know that He is wise and powerful before we can trust in Him, — that He is good before we can love Him. All these attributes, the study of His works had made known before He gave that more perfect knowledge of himself with which we are blessed. Among the Semitic tribes his names betoken exalted nature and resistless power; among the Hellenic races they denote his wisdom; but that which we inherit from our northern ancestors denotes his goodness. All these the more perfect researches of modern science bring out in ever-increasing splendour, and I cannot conceive anything that more effectually brings home to the mind the absolute omnipresence of the Deity than high physical knowledge. I fear I have too long trespassed on your patience, yet let me point out to you a few examples.
What can fill us with an overwhelming sense of His infinite wisdom like the telescope? As you sound with it the fathomless abyss of stars, till all measure of distances seems to fail and imagination alone gauges the distance; yet even there as here is the same divine harmony of forces, the same perfect conservation of systems, which the being able to trace in the pages of Newton or Laplace makes us feel as if we were more than men. If it is such a triumph of intellect to trace this law of the universe, how transcendent must that Greatest over all be, in which it and many like it, have their existence! That instrument tells us that the globe which we inhabit is but a speck, the existence of which cannot be perceived beyond our system. Can we then hope that in this immensity of worlds we shall not be overlooked? The microscope will answer. If the telescope lead to one verge of infinity, it brings us to the other; and shows us that down in the very twilight of visibility the living points which it discloses are fashioned with the most finished perfection, — that the most marvellous contrivances minister to their preservation and their enjoyment, — that as nothing is too vast for the Creator's control, so nothing is too minute or trifling for His care. At every turn the philosopher meets facts which show that man's Creator is also his Father, — things which seem to contain a special provision for his use and his happiness : but I will take only two, from their special relation to this very district. Is it possible to consider the properties which distinguish iron from other metals without a conviction that those qualities were given to it that it might be useful to man, whatever other purposes might be answered by them. That it should. be ductile and plastic while influenced by heat, capable of being welded, and yet by a slight chemical change capable of adamantine hardness, — and that the metal which alone possesses properties so precious should be the most abundant of all, — must seem, as it is, a miracle of bounty. And not less marvellous is the prescient kindness which stored up in your coalfields the exuberant vegetation of the ancient world, under circumstances which preserved this precious magazine of wealth and power, not merely till He had placed on earth beings who would use it, but even to a late period of their existence, lest the element that was to develope to the utmost their civilization and energy migbt be wasted or abused.
But I must conclude with this summary of all which I would wish to impress on your minds—* that the more we know His works the nearer we are to Him. Such knowledge pleases Him; it is bright and holy, it is our purest happiness here, and will assuredly follow us into another life if rightly sought in this. May He guide us in its pursuit; and in particular, may this meeting which I have attempted to open in His name, be successful and prosperous, so that in future years they who follow me in this high office may refer to it as one to be remembered with unmixed satisfaction.”

Thomas Romney Robinson

Robinson in his 1849 adress, as quoted in the Report of the Nineteenth Meeting of the British Association for the Advancement of Science https://archive.org/stream/report36sciegoog#page/n50/mode/2up, London, 1850.

Love, Life, Wisdom, Men

“I don't like that word 'finish'. When something is finished, that means it's dead, doesn't it? I believe in everlastingness. I never finish a painting – I just stop working on it for a while. I like painting because it's something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I'm working on fifteen or twenty pictures at the same time. I do that because I want to – because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting.”

Arshile Gorky (1904–1948) Armenian-American painter

quote of 1948
1942 - 1948
Source: Movements in art since 1945, Edward Lucie-Smith, Thames and Hudson 1975, p 32

Quotes, Change, Time, Painting

“Once … I was offered a lift by some carters … It was the Thursday before Easter. I was seated in the first cart, with a strong, red, coarse carman, who evidently drank. On entering a village we saw a well-fed, naked, pink pig being dragged out of the first yard to be slaughtered. It squealed in a dreadful voice, resembling the shriek of a man. Just as we were passing they began to kill it. A man gashed its throat with a knife. The pig squealed still more loudly and piercingly, broke away from the men, and ran off covered with blood. Being near-sighted I did not see all the details. I saw only the human-looking pink body of the pig and heard its desperate squeal; but the carter saw all the details and watched closely. They caught the pig, knocked it down, and finished cutting: its throat. When its squeals ceased the carter sighed heavily. 'Do men really not have to answer for such things?”

Leo Tolstoy (1828–1910) Russian writer

he said.
Source: The First Step (1892), Ch. IX

Men, Strong

““From the shape of a cloud I know that a man in a distant city will quarrel with his wife three seasons hence and a murderer will be hanged before I finish speaking. From the falling of a stone I know the number of maidens being seduced and the movements of icebergs on the other side of the world. From the texture of the wind I know where next the lightning will fall. So long have I watched and so much am I part of all things, that nothing is hidden from me.”
“You know where I go?”
“Yes.”
“And what I would do there?”
“I know that, too.”
“Then tell me if you know, will I succeed in that which I desire?”
“You will succeed in that which you are about, but by then it may not be what you desire.”
“I do not understand you, Morningstar.”
“I know that, too. But that is the way it is with all oracles, Jack. When that which is foreseen comes to pass, the inquirer is no longer the same person he was when he posed the question. It is impossible to make a man understand what he will become with the passage of time; and it is only a future self to whom a prophecy is truly relevant.””

Roger Zelazny book Jack of Shadows

Source: Jack of Shadows (1971), Chapter 6 (p. 62)

World, Way, Understanding, Question

“At this point, I wouldn't want to jinx it by meeting him. His arrangements are incredible. I just send him a tape, we talk on the phone, and he sends me the finished orchestra tracks. Hear that? I'm gonna get that chord on the radio!”

Prince (1958–2016) American pop, songwriter, musician and actor

Discussing his then nearly decade-and-a-half-long working relationship with arranger Clare Fischer (whom he'd never met, nor ever would meet, face to face), as quoted in the January 2000 issue of Keyboard Magazine, reprinted in Keyboard Presents Synth Gods https://books.google.com/books?id=BMucfBTXvMgC&pg=PA97&dq=%22I+wouldn't+want+to+jinx+it%22+%22that+chord+on+the+radio%22&hl=en&sa=X&ei=w2acVdevKIKYyASn3oCoBg&ved=0CBQQ6AEwAA#v=onepage&q&f=false (2011), edited by Ernie Rideout, p. 97

“A moment more, and all was over. The cloud had passed as suddenly as it rose. Far and wide, over the vanquished throngs of His enemies, with a loud voice, as if uttering His shout of eternal victory before entering into His glory, He cried, " IT is FINISHED! " Then, more gently, came the words, "Father, into Thy hands I commend my spirit." A moment more, and there arose a great cry, as of mortal agony; the head fell. He was dead.”

John Cunningham Geikie (1824–1906) Scottish Presbyterian minister and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 74.

Victory, Cry, Dead