Quotes about finisher
page 7

Roger Manganelli photo
Tsunetomo Yamamoto photo
MS Dhoni photo

“One inch here and there and a guy like Dhoni could take you apart. He is a great finisher, he is cool and calm and backs himself. He is a strong character.”

MS Dhoni (1981) Indian cricket player

Mahela Jayawardene https://www.scoopwhoop.com/sports/dhoni-quotes/

Ingmar Bergman photo
John Dolmayan photo

“We never expected anything, actually. I think we still don't expect anything. We were proud of the album when we finished it, so whatever success it has we are just like, 'Wow, cool.' It's not going to change the way we work or think. I'm as proud of this record now as I was when we finished it.”

John Dolmayan (1973) Lebanese-born Armenian–American songwriter and drummer

Source: Craine, Charlie Hip Online Article http://www.hiponline.com/artist/music/s/system_of_a_down/interview/100298v.html September 2001

“Rob: "I got 20 bucks that say you can't finish that."”

Darby Conley (1970) American cartoonist

Bucky Katt's Big Book of Fun, page 15
Bucky Katt, Dialogue

Hillary Clinton photo
F. Anstey photo

““And you suppose that, knowing how I have changed, he will believe that!” she cried. “He will fire long before you can finish one of those fine sentences!””

F. Anstey (1856–1934) English novelist and journalist

Source: Tourmalin's Time Cheques (1885), Chapter 8, “Paid in His Own Coin”

Joseph Joubert photo
Nasreddin photo

“"Mulla, Mulla, my son has written from the Abode of Learning to say that he has completely finished his studies!"
"Console yourself, madam, with the thought that God will no doubt send him more."”

Nasreddin (1208–1284) philosopher, Sufi and wise man from Turkey, remembered for his funny stories and anecdotes

Idries Shah, The Subtleties of the Inimitable Mulla Nasrudin (1973), , p. 134

André Maurois photo
Gloria Estefan photo

“The script [for the movie based on the life of singer Connie Francis -- "Who's Sorry Now?"] is finished and is in the hands of several artists to see if somebody wants to film at the start of”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

2006
eluniveral.com.mx (December 9, 2005)
2007, 2008

Eugéne Ionesco photo

“I have no ideas before I write a play. I have them when I have finished it … I believe that aritistic creation is spontaneous. It is for me.”

Eugéne Ionesco (1909–1994) Romanian playwright

Notes and Counter-Notes (1964), as translated by Donald Watson, p. 33

Hugo Chávez photo

“Let's save the human race, let's finish off the U. S. empire”

Hugo Chávez (1954–2013) 48th President of Venezuela

Hugo Chávez on the Islamic Republic Medal ceremony at Tehran University in Iran. July 30th, 2006. http://www.breitbart.com/news/2006/07/30/D8J6NURG0.html
2006

H.L. Mencken photo
Donald J. Trump photo
Joe Biden photo
André Maurois photo
Lyndon B. Johnson photo

“The challenge of the next half century is whether we have the wisdom to use that wealth to enrich and elevate our national life, and to advance the quality of our American civilization….
The Great Society rests on abundance and liberty for all. It demands an end to poverty and racial injustice, to which we are totally committed in our time. But that is just the beginning.
The Great Society is a place where every child can find knowledge to enrich his mind and to enlarge his talents. It is a place where leisure is a welcome chance to build and reflect, not a feared cause of boredom and restlessness. It is a place where the city of man serves not only the needs of the body and the demands of commerce but the desire for beauty and the hunger for community.
It is a place where man can renew contact with nature. It is a place which honors creation for its own sake and for what it adds to the understanding of the race. It is a place where men are more concerned with the quality of their goals than the quantity of their goods.
But most of all, the Great Society is not a safe harbor, a resting place, a final objective, a finished work. It is a challenge constantly renewed, beckoning us toward a destiny where the meaning of our lives matches the marvelous products of our labor.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

Remarks at the University of Michigan, Ann Arbor (May 22, 1964). Public Papers of the Presidents of the United States: Lyndon B. Johnson, 1963–64, book 1, p. 704.
1960s

Johan Jongkind photo

“I have another painting finished, a view near Rotterdam, and then another in process, and very far along. I made them from nature, that is to say I made watercolors [in open air] after which I made my [oil]-paintings.”

Johan Jongkind (1819–1891) Dutch painter and printmaker regarded as a forerunner of Impressionism

In a letter to his Dutch friend Eugène Smits, 22 Nov. 1856; as quoted in Master Drawings from the Yale University Art Gallery, by Suzanne Boorsch, John Marciari; Yale University. Art Gallery, p. 246 - note 7

Theo van Doesburg photo
Jerome K. Jerome photo
Bernard Montgomery, 1st Viscount Montgomery of Alamein photo

“I want to impose on everyone that the bad times are over, they are finished! Our mandate from the Prime Minister is to destroy the Axis forces in North Africa…It can be done, and it will be done!”

Bernard Montgomery, 1st Viscount Montgomery of Alamein (1887–1976) British Army officer, Commander of Allied forces at the Battle of El Alamein

Said to his troops in North Africa, promising the swift defeat of Rommel[citation needed]

Rex Stout photo
Keiji Inafune photo

“Personally when I looked around [at] all the different games at the TGS floor, I said "Man, Japan is over. We're done. Our game industry is finished."”

Keiji Inafune (1965) Japanese video game designer

Source: "TGS 09: Keiji Inafune dumps on Tokyo Game Show 2009". https://www.destructoid.com/tgs-09-keiji-inafune-dumps-on-tokyo-game-show-2009-149909.phtmlDestructoid. Retrieved 2017-08-11.

James Russell Lowell photo
Norman G. Finkelstein photo
Edmund Burke photo

“In doing good, we are generally cold, and languid, and sluggish; and of all things afraid of being too much in the right. But the works of malice and injustice are quite in another style. They are finished with a bold, masterly hand; touched as they are with the spirit of those vehement passions that call forth all our energies, whenever we oppress and persecute.”

Edmund Burke (1729–1797) Anglo-Irish statesman

Speech at Bristol Previous to the Election http://books.google.com/books?id=DAAUAAAAYAAJ&pg=PA435&dq=%22we+are+generally+cold,+and+languid,+and+sluggish%22&hl=en&sa=X&ei=D4TSUuXqDYrekQe6uoH4Cw&ved=0CFAQ6AEwBQ#v=onepage&q=%22we%20are%20generally%20cold%2C%20and%20languid%2C%20and%20sluggish%22&f=false (6 September 1780)
1780s

George Hendrik Breitner photo

“My drawings for the art exhibition don't get finished and time is running out. 15 or 16 Dec. I believe. Of course they show soldiers once again and of course the people say that it looks like Neuville, although that man doesn't see any color.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Mijn teekeningen voor de kunstbeschouwing willen maar niet klaar komen en de tijd dringt. De 15 of 16 Dec. geloof ik. 't Zijn natuurlijk weer soldaten en natuurlijk zeggen de lui weer dat 't op Neuville lijkt. hoewel die man geen spat kleur ziet.
quote of Breitner in a letter to his Maecenas A.P. van Stolk, 8 Dec. 1881; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/594
before 1890

Edgar Rice Burroughs photo
Peter Greenaway photo
George Hendrik Breitner photo

“If you want to help me, and I know you do, believe in me. And do not help to criticize or break me, as some people do gladly, who are indifferent or hostile [towards me].... You must have faith in me. Believe me. And if you want to believe someone about me, believe an artist, someone like Mesdag or Blommers or Maris [one of Breitner's teachers, c. 1880], but not Kuyper and the likes of him.... and hear what they say and put more value on the talk 'finish better' and 'he is stubborn”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

from people who, let's be honest, actually know nothing about art. (The Hague, 1881)
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Indien U mij wilt helpen en dat weet ik, geloof dan in mij. en helpt niet mee om mij af te breken, dat lieden die of onverschillig zijn of vijandig zoo gaarne doen... ...Gij moet vertrouwen in mij hebben. mij geloven. En als Ge iemand gelooven wilt over mij. geloof dan een schilder iemand als Mesdag of Blommers of Maris, maar geen de Kuyper en consorten... ...en hoor wat ze zeggen en hecht dan nog eenige waarde aan de praatjes van: 'meer af' en: 'hij is koppig' - van lui die goed beschouwd er toch eigentlijk niets van weten. (Den Haag, 1881)
Quote from Breitner's letter to A.P. van Stolk nr. 24, 11 October 1881, (location: The RKD in The Hague); as quoted by Helewise Berger in Van Gogh and Breitner in The Hague, her Master essay in Dutch - Modern Art Faculty of Philosophy University Utrecht, February 2008]], (translation from the original Dutch, Anne Porcelijn) p. 36.
this quote dates from Breitner's period in The Hague, after his Maecenas A.P. van Stolk withdrew his financial support. In his defense, Breitner cites a number of painters from the Hague School he is in contact with and who have already built up a certain reputation.
before 1890

Chaim Soutine photo

“You have no right to interfere with my art. Your wife is not your property. I need her, in order to finish my picture, I must have her! I will sue you! [the woman returned by persuasion of the Castaings who supported Soutine].”

Chaim Soutine (1893–1943) painter

Source: Life with the painters of La Ruche, Vorobëv Marevna, Macmillan, New York, 1972, p. 156.
reacting to the husband of his model a railway gate-keeper; his wife had to pose a second session for Soutine's painting 'The siesta', in 1934

The Edge photo
Jozef Israëls photo

“.. it [his watercolor 'New Flower' ['Het Bloempje', 1880] is one of those pictures, I did my best to finish it highly, as the story is nice and pleasant [where] other pictures may be more necessarily rough or strong being paint in an other mood. But this new flower needed a tender hand and conspicuous attention for details.”

Jozef Israëls (1824–1911) Dutch painter

Quote from his letter, 23 Nov 1906, to E.D. Libbey in Toledo (TMA); as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 306
E.D. Libbey was one of the initiators of the Toledo-museum; the watercolor was in his private collection till 1925
Quotes of Jozef Israels, after 1900

Hyman George Rickover photo
Thomas Hardy photo

“The value of old age depends upon the person who reaches it. To some men of early performance it is useless. To others, who are late to develop, it just enables them to finish the job.”

Thomas Hardy (1840–1928) English novelist and poet

Quoted in The Later Years of Thomas Hardy (1930), by Florence Emily Hardy, ch. 17, p. 212

Vitruvius photo
Auguste Rodin photo

“Gsell: What astonishes me, is that your way is so different from that of other sculptors. They prose the model. Instead of that, you wait till a model has instinctively or accidentally taken an Interesting pose, and thon you reproduce It. Instead of your giving orders to the model, the model gives orders to you.
Rodin: I am not at the model's orders; I am at Nature's. Doubtless my confreres have their reasons for proceeding as they do. But when one constrains Nature in that way and treats human beings as mannikins, one runs a risk of getting nothing but dead, artificial results. A hunter of truth and a trapper of life. I am careful not to follow their example. I seize upon the movements I observe, but I don't dictate them. when a subject requires a predetermined pose, I merely Indicate It. For I want only what reality will afford without being forced. In everything I obey Nature. I never assume to command her. My sole ambition Is a servile fidelity.
Gsell : And yet, you take liberties with nature. You make changes.
Rodin : Not at all. I should be false to myself if I did.
Gsell : But you finished work is never like the plaster sketch
Rodin : That is so, but the sketch is far less true than the finished work. It would Impossible for a model to keep a living attitude during all the time it takes to shape the clay. Still, I retain a general idea of the pose and require the model to conform to it. But this is not all. The sketch reproduces only the exterior. I must next reproduce the spirit, which is every whit as essential a part of Nature. I see the whole truth — not merely the fraction of it that lies upon the surface. I accentuate tho lines that best express the spiritual state I am Interpreting.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Edgar Degas photo
Richard Feynman photo
Georgia O'Keeffe photo
Nastassja Kinski photo

“I always fall in love with someone while I'm working in a film. It's a joy to get up in the morning. Sometimes when I'm not infatuated, I just make things up in my mind. Making a film is such an intense thing. You're eliminating everything in your life and you're absorbed into the world of the movie. It's exciting. It's like somebody saying you have an illness and you only have this short time to live. Then you live it that life is over with. Good-bye. You never see any of the people again. But meanwhile you have this short life in which you can do and feel and fantasize about all kinds of things because you know it will soon be over. So I always fall in love. Then you slip out of it, like a skin you take off, and you're naked and you're cold but it's exciting because there is going to be something new. My relationships are as intense and as giving and as short as my parts are. I would pump everything into a person. I would give my left arm that it was for life, but it dies so shortly. And when it dies, it doesn't even leave traces. The relationship vanishes into space. When I finish a part, it's the same feeling. I leave people and people leave me, I leave parts and parts leave me. I say it is 'the flow of life,' but it affects me terribly. Every once in a while I have such a breakdown, question every move.”

Nastassja Kinski (1961) German actress

As quoted in Denise Worrell (1989), Icons: Intimate Portraits.

John Banville photo
P.G. Wodehouse photo
Vladimir Lenin photo

“We shall not achieve socialism without a struggle. But we are ready to fight, we have started it and we shall finish it with the aid of the apparatus called the Soviets.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Report on the Activities of the Council of People’s Commissars (24 January 1918); Collected Works, Vol. 26, pp. 459-61.
1910s

Annie Besant photo

“There is no suffering for him who has finished his journey, and abandoned grief, who has freed him self on all sides, and thrown off all fetters.”

Annie Besant (1847–1933) British socialist, theosophist, women's rights activist, writer and orator

p. 162

George W. Bush photo

“We are not this story's author, who fills time and eternity with His purpose. Yet His purpose is achieved in our duty, and our duty is fulfilled in service to one another. Never tiring, never yielding, never finishing, we renew that purpose today; to make our country more just and generous; to affirm the dignity of our lives and every life. This work continues. This story goes on. And an Angel still rides in the whirlwind and directs this storm.”

George W. Bush (1946) 43rd President of the United States

Bush concluded his address with these lines, paraphrasing a quotation by John Page he had used earlier within it: We know the race is not to the swift nor the battle to the strong. Do you not think an angel rides in the whirlwind and directs this storm?. Page himself, in a letter to Thomas Jefferson (20 July 1776), was quoting a phrase from Ecclesiastes 9:11: I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to the intelligent, nor yet favour to men of knowledge; but time and chance happeneth to them all.
2000s, 2001, First inaugural address (January 2001)

Stephen King photo
MS Dhoni photo

“When Dhoni is at the other end, you don't need to worry as his partner. He takes the entire responsibility of finishing the game on his shoulders.”

MS Dhoni (1981) Indian cricket player

Mike Hussey https://www.scoopwhoop.com/sports/dhoni-quotes/

Neil Gaiman photo
Augustus De Morgan photo

“A finished or even a competent reasoner is not the work of nature alone… education develops faculties which would otherwise never have manifested their existence. It is, therefore, as necessary to learn to reason before we can expect to be able to reason, as it is to learn to swim or fence, in order to attain either of those arts. Now, something must be reasoned upon, it matters not much what it is, provided that it can be reasoned upon with certainty. The properties of mind or matter, or the study of languages, mathematics, or natural history may be chosen for this purpose. Now, of all these, it is desirable to choose the one… in which we can find out by other means, such as measurement and ocular demonstration of all sorts, whether the results are true or not.
.. Now the mathematics are peculiarly well adapted for this purpose, on the following grounds:—
1. Every term is distinctly explained, and has but one meaning, and it is rarely that two words are employed to mean the same thing.
2. The first principles are self-evident, and, though derived from observation, do not require more of it than has been made by children in general.
3. The demonstration is strictly logical, taking nothing for granted except the self-evident first principles, resting nothing upon probability, and entirely independent of authority and opinion.
4. When the conclusion is attained by reasoning, its truth or falsehood can be ascertained, in geometry by actual measurement, in algebra by common arithmetical calculation. This gives confidence, and is absolutely necessary, if… reason is not to be the instructor, but the pupil.
5. There are no words whose meanings are so much alike that the ideas which they stand for may be confounded.
…These are the principal grounds on which… the utility of mathematical studies may be shewn to rest, as a discipline for the reasoning powers. But the habits of mind which these studies have a tendency to form are valuable in the highest degree. The most important of all is the power of concentrating the ideas which a successful study of them increases where it did exist, and creates where it did not. A difficult position or a new method of passing from one proposition to another, arrests all the attention, and forces the united faculties to use their utmost exertions. The habit of mind thus formed soon extends itself to other pursuits, and is beneficially felt in all the business of life.”

Augustus De Morgan (1806–1871) British mathematician, philosopher and university teacher (1806-1871)

Source: On the Study and Difficulties of Mathematics (1831), Ch. I.

Richard Stallman photo
Rembrandt van Rijn photo

“[.. that he] would not touch the painting, nor finish it unless the claimant pays him the balance due or guarantees it by giving a security.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

from a notary document, 1654 (location: RD, 1654/5, 310); as quoted in Rembrandt's Eyes, Simon Schama, Alfred A. Knopf, Borzoi Books, New York 1999, p. 569 - note 7
Rembrandt is rejecting the demand of the Portuguese Jewish merchant Diego d'Andrade, who rejected in 1654 the portray of his daughter which Rembrandt was painting, as "showing no resemblance at all to the head of the young daughter". D'Andrade demanded that Rembrandt immediately take up his brushes and finish the work to his satisfaction
1640 - 1670

Elia M. Ramollah photo

“Start from where the others have finished, those whom where successful and their results were acceptable. Useless repeating of a task is not suggested.”

Elia M. Ramollah (1973) founder and leader of the El Yasin Community

The Great Master of Thought (Amen- Vol.3), Observing management

Alberto Giacometti photo

“That's the terrible thing: the more one works on a picture, the more impossible it becomes to finish it.”

Alberto Giacometti (1901–1966) Swiss sculptor and painter (1901-1966)

Alberto Giacometti in: James Lord (1965), Giacometti Portrait, p. 11-12; as cited in: James Olney (1998), Memory and Narrative: The Weave of Life-Writing. p. 331

Joseph Beuys photo
Miho Mosulishvili photo

“And for two years, we had this sign up saying we will finish this movie and we changed it to 'did' finish the movie.”

Phil Vischer (1966) American puppeter

From Disc Two; Behind the Scenes: Big Idea Tour (00:10:59-00:11:37)
Jonah: A VeggieTales Movie DVD (2002)

Jean-Baptiste-Camille Corot photo

“One-day cricket has debased the currency, both of great finishes and of adjectives to describe them.”

Matthew Engel (1951) English writer and editor

The Guardian Book of Cricket (1986)

Jesse Ventura photo
George Raymond Richard Martin photo

“Back at the Philadelphia Worldcon (which seems a million years ago), I announced the famous five-year gap: I was going to skip five years forward in the story, to allow some of the younger characters to grow older and the dragons to grow larger, and for various other reasons. I started out writing on that basis in 2001, and it worked very well for some of my myriad characters but not at all for others, because you can't just have nothing happen for five years. If things do happen you have to write flashbacks, a lot of internal retrospection, and that's not a good way to present it. I struggled with that essentially wrong direction for about a year before finally throwing it out, realizing there had to be another interim book. That became A Feast for Crows, where the action is pretty much continuous from the preceding book. Even so, that only accounts for one year. Why the four after that? I don't know, except that this was a very tough book to write -- and it remains so, because I've only finished half. Going in, I thought I could do something about the length of the second book in the series, A Clash of Kings, roughly 1,200 pages in manuscript. But I passed that and there was a lot more to write. Then I passed the length of the third book, A Storm of Swords, which was something like 1,500 pages in manuscript and gave my publishers all around the world lots of production problems. I didn't really want to make any cuts because I had this huge story to tell. We started thinking about dividing it in two and doing it as A Feast for Crows, Parts One and Two, but the more I thought about that the more I really did not like it. Part One would have had no resolution whatsoever for 18 viewpoint characters and their 18 stories. Of course this is all part of a huge megaseries so there is not a complete resolution yet in any of the volumes, but I try to give a certain sense of completion at the end of each volume -- that a movement of the symphony has wrapped up, so to speak.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

Interview with Locus magazine (November 2005)

Nikolai Krylenko photo

“We must finish once and for all with the neutrality of chess. We must condemn once and for all the formula "chess for the sake of chess", like the formula "art for art's sake". We must organize shockbrigades of chess-players, and begin immediate realization of a Five-Year Plan for chess.”

Nikolai Krylenko (1885–1938) Russian revolutionary, politician and chess organiser

Krylenko on promoting chess in the Soviet Union. Quoted in Robert Conquest, The Great Terror: A Reassessment

William Cowper photo

“I am out of humanity's reach.
I must finish my journey alone,
Never hear the sweet music of speech;
I start at the sound of my own.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: Verses supposed to be written by Alexander Selkirk (1782), Line 9.

William Herschel photo
Nathanael Greene photo

“But whatever grounds I supposed there were for authorizing such expectations, I now find they were vain and nugatory. The cloud thickens, and the prospects are daily growing darker. There is now no hope of cash. The agents are loaded with heavy debts, and perplexed with half-finished contracts, and the people clamorous for their pay, refusing to proceed in the public business unless their present demands are discharged. The constant run of expenses, incident to the department, presses hard for further credit., or immediate supplies of money. To extend one, is impossible; to obtain the other, we have not the least prospect. I see nothing, therefore, but a general check, if not an absolute stop, to the progress of every branch of business in the whole department, I have little reason to hope that, with the most favorable disposition in the agents, it will be in our power to provide for the occasional demands of the army in their present cantonments; much less, to have in readiness the necessary apparatus, and supplies of different kinds, for putting the army in motion at the opening of the campaign. My apprehensions of a failure in these respects are so strong, and my anxiety for the consequences so great, that I feel it my duty once more to represent to your Excellency our circumstances and prospects. From such a view of our situation, you may be led not to expect more from us than we are able to perform, and may have time to take your measures consequent upon such information.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (January 1780)

Taliesin photo

“To have just finished repaying all one's debts. Ah, is this not happiness?”

Jin Shengtan (1610–1661) Chinese writer

"Thirty-three Happy Moments"

P.G. Wodehouse photo
Jack London photo
Vincent Van Gogh photo
Arthur Schopenhauer photo
Henry Temple, 3rd Viscount Palmerston photo

“It is quite clear that if by sudden attack by an Enemy landed in strength our Dock-yards were to be destroyed our Maritime Power would for more than half a century be paralysed, and our Colonies, our commerce, and the Subsistence of a large Part of our Population would be at the Mercy of our Enemy, who would be sure to shew us no Mercy—we should be reduced to the Rank of a third Rate Power if no worse happened to us. That such a Landing is in the present State of Things possible must be manifest. No Naval Force of ours can effectually prevent it. … One night is enough for the Passage to our Coast, and Twenty Thousand men might be landed at any Point before our Fleet knew that the Enemy was out of Harbour. There could be no security against the simultaneous Landing of 20,000 for Portsmouth 20,000 for Plymouth and 20,000 for Ireland our Troops would necessarily be scattered about the United Kingdom, and with Portsmouth and Plymouth as they now are those Two dock yards and all they contain would be entered and burnt before Twenty Thousand Men could be brought together to defend either of them. … if these defensive works are necessary, it is manifest that they ought to be made with the least possible delay; to spread their Completion over 20 or 30 years would be Folly unless we could come to an agreement with a chivalrous Antagonist, not to molest us till we could inform him we were quite ready to repel his attack—we are told that these works might, if money were forthcoming be finished possibly in three at latest in four years. Long enough this to be kept in a State of imperfect Defence.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Letter to Gladstone (15 December 1859), quoted in Philip Guedalla (ed.), Gladstone and Palmerston, being the Correspondence of Lord Palmerston with Mr. Gladstone 1851-1865 (London: Victor Gollancz, 1928), pp. 115-117.
1850s

Gerhard Richter photo
Haile Selassie photo

“We have finished the job. What shall we do with the tools?”

Haile Selassie (1892–1975) Emperor of Ethiopia

Telegram to Winston Churchill after reclaiming Ethiopia from Italian forces (1941), as quoted in Ambrosia and Small Beer (1964) by Edward Marsh. This makes a play on Churchill's 1941 statement to the U.S. "Give us the tools, and we will finish the job".

Rembrandt van Rijn photo

“A painting is finished when the artist says it is finished.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Statement attributed to Rembrandt in early biographies, as quoted in The Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France (2003), by Alison MacQueen
One of the popular aphorisms about Rembrandt's paintings, drawn from his early biographies in early 19th century and repeatedly attributed to the artist by the French writers and artist, Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France, 2003,p. 287 https://books.google.nl/books?id=N0dVqAsR5k0C&pg=PA292&lpg=PA292&dq=The+Rise+of+the+Cult+of+Rembrandt:+Reinventing+an+Old+Master+in+Nineteenth-century+France&source=bl&ots=SgL2TN2Xct&sig=ZJuOkH35vmifBkzcu5ASLdLyhTI&hl=en&sa=X&ved=0ahUKEwjx17OkrpfVAhWKnBoKHQlxA0oQ6AEIVzAJ#v=onepage&q=The%20Rise%20of%20the%20Cult%20of%20Rembrandt%3A%20Reinventing%20an%20Old%20Master%20in%20Nineteenth-century%20France&f=false/The
undated quotes

Karel Appel photo
Jane Austen photo
Titian photo
Calvin Coolidge photo
Joan Miró photo
Georges Bernanos photo
Gaurav Sharma (author) photo
Winston S. Churchill photo
Max Frisch photo

“Finished things cease to be a shelter for the spirit; but work in progress is a delight”

Max Frisch (1911–1991) Swiss playwright and novelist

Sketchbook 1946-1949

“[man leans into doorway of WTC bathroom]
"Hey, you gotta finish up in there. 9/11 is happening."
"Alright. Just a sec."”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/457675646970634240]
Tweets by year, 2014