Quotes about excitement

A collection of quotes on the topic of excitement, life, doing, people.

Quotes about excitement

Bob Marley photo

“Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.”

Bob Marley (1945–1981) Jamaican singer, songwriter, musician
Elon Musk photo

“It would be an incredible adventure. And life needs to be more than just solving every day problems. You need to wake up and be excited about the future”

Elon Musk (1971) South African-born American entrepreneur

On "eyeing" for Mars, IAC 2016 meeting, presentation on sustainable Mars colonization.

Nikola Tesla photo
Джефф Фостер photo
Sylvester Stallone photo
Roald Dahl photo
Leonardo DiCaprio photo

“I don't have emotions about a lot of things. I rarely get angry, I rarely cry. I guess I do get excited a lot, but I don't get sad and enormously happy.”

Leonardo DiCaprio (1974) American actor and film producer

http://www.popmonk.com/actors/leonardo-dicaprio/quotes-leonardo-dicaprio.htm

James Hetfield photo
Cate Blanchett photo
Rasmus Lerdorf photo

“For all the folks getting excited about my quotes. Here is another - Yes, I am a terrible coder, but I am probably still better than you :)”

Rasmus Lerdorf (1968) Danish programmer and creator of PHP

@rasmus http://twitter.com/rasmus/status/12481790397

Thich Nhat Hanh photo
Frederick Buechner photo
Gene Roddenberry photo
Leonard Nimoy photo

“Rocket ships
are exciting
but so are roses
on a birthday.”

Leonard Nimoy (1931–2015) American actor, film director, poet, musician and photographer

Source: Come Be With Me: A Collection of Poems

Gabriela Mistral photo
Gloria Steinem photo
Andrea Dworkin photo

“Pornography is used in rape - to plan it, to execute it, to choreograph it, to engender the excitement to commit the act.”

Andrea Dworkin (1946–2005) Feminist writer

Testimony before the New York Attorney General's Commission on Pornography in 1986.

Benjamin W. Lee photo
Elvis Presley photo

“A live concert to me is exciting because of all the electricity that is generated in the crowd and on stage. It's my favorite part of the business — live concerts.”

Elvis Presley (1935–1977) American singer and actor

Press conference (5 September 1972), also quoted in Paranoia & Power : Fear & Fame of Entertainment Icons (2007) by Gene N Landrum, p. 60

Seymour Papert photo
Bernhard Riemann photo
A. P. J. Abdul Kalam photo
Martin Luther photo
George Orwell photo
Zlatan Ibrahimović photo

“I want you to still write a lot of stories so I get excited when I see them, Because I want to see who is making up the best story and when I'm tired of it I will let you know where I will go.”

Zlatan Ibrahimović (1981) Swedish association football player

Talking about rumours where will he go http://www.telegraph.co.uk/football/2016/06/01/zlatan-ibrahimovic-keeps-man-utd-guessing-by-saying-he-is-excite/
Attributed

Claire Holt photo
Chris Hedges photo
Benjamin Disraeli photo
Sophie Kinsella photo
William Ewart Gladstone photo
Oscar Wilde photo

“I really don't see what is so romantic about proposing. One may be accepted - one usually is, I believe - and then the excitement is ended. The very essence of romance is uncertainty.”

Algernon, Act I.
Source: The Importance of Being Earnest (1895)
Context: I really don’t see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty.

Bertrand Russell photo
Richard Dawkins photo
Christopher Paolini photo
Terry Pratchett photo

“I’ve seen excitement, and I’ve seen boredom. And boredom was best.”

Terry Pratchett (1948–2015) English author

Source: The Color of Magic

Virginia Woolf photo
Tennessee Williams photo

“I want to infect you with the tremendous excitement of living, because I believe that you have the strength to bear it.”

Tennessee Williams (1911–1983) American playwright

Source: The Selected Letters, Vol. 1: 1920-1945

Sylvia Plath photo
Virginia Woolf photo
Tamora Pierce photo
Jimmy Carter photo
Stephen Hawking photo
Françoise Sagan photo
Abraham Lincoln photo
John Locke photo
Lotfi A. Zadeh photo
Leonardo DiCaprio photo
Friedrich Nietzsche photo
Julie Christie photo
John Chrysostom photo

“Just as maniacs, who never enjoy tranquility, so also he who is resentful and retains an enemy will never have the enjoyment of any peace; incessantly raging and daily increasing the tempest of his thoughts calling to mind his words and acts, and detesting the very name of him who has aggrieved him. Do you but mention his enemy, he becomes furious at once, and sustains much inward anguish; and should he chance to get only a bare sight of him, he fears and trembles, as if encountering the worst evils, Indeed, if he perceives any of his relations, if but his garment, or his dwelling, or street, he is tormented by the sight of them. For as in the case of those who are beloved, their faces, their garments, their sandals, their houses, or streets, excite us, the instant we behold them; so also should we observe a servant, or friend, or house, or street, or any thing else belonging to those We hate and hold our enemies, we are stung by all these things; and the strokes we endure from the sight of each one of them are frequent and continual. What is the need then of sustaining such a siege, such torment and such punishment? For if hell did not threaten the resentful, yet for the very torment resulting from the thing itself we ought to forgive the offences of those who have aggrieved us. But when deathless punishments remain behind, what can be more senseless than the man, who both here and there brings punishment upon himself, while he thinks to be revenged upon his enemy!”

John Chrysostom (349–407) important Early Church Father

Homilies on the Statues http://www.ccel.org/ccel/schaff/npnf109/Page_474.html, Homily XX

Lea DeLaria photo
Carl Barron photo
Abraham Lincoln photo
Thomas Mann photo

“We are most likely to get angry and excited in our opposition to some idea when we ourselves are not quite certain of our own position, and are inwardly tempted to take the other side.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Buddenbrooks [Buddenbrooks: Verfall einer Familie, Roman] (1901). Pt 8, Ch. 2

Thomas Jefferson photo
Lewis Hamilton photo
George Gilfillan photo
Paulo Coelho photo
Vytautas Juozapaitis photo
William Moulton Marston photo
H.P. Lovecraft photo

“I am distinctly opposed to visibly arrogant and arbitrary extremes of government—but this is simply because I wish the safety of an artistic and intellectual civilisation to be secure, not because I have any sympathy with the coarse-grained herd who would menace the civilisation if not placated by sops. Surely you can see the profound and abysmal difference between this emotional attitude and the attitude of the democratic reformer who becomes wildly excited over the "wrongs of the masses". This reformer has uppermost in his mind the welfare of those masses themselves—he feels with them, takes up a mental-emotional point of view as one of them, regards their advancement as his prime objective independently of anything else, and would willingly sacrifice the finest fruits of the civilisation for the sake of stuffing their bellies and giving them two cinema shows instead of one per day. I, on the other hand, don't give a hang about the masses except so far as I think deliberate cruelty is coarse and unaesthetic—be it towards horses, oxen, undeveloped men, dogs, negroes, or poultry. All that I care about is the civilisation—the state of development and organisation which is capable of gratifying the complex mental-emotional-aesthetic needs of highly evolved and acutely sensitive men. Any indignation I may feel in the whole matter is not for the woes of the downtrodden, but for the threat of social unrest to the traditional institutions of the civilisation. The reformer cares only for the masses, but may make concessions to the civilisation. I care only for the civilisation, but may make concessions to the masses. Do you not see the antipodal difference between the two positions? Both the reformer and I may unite in opposing an unworkably arrogant piece of legislation, but the motivating reasons will be absolutely antithetical. He wants to give the crowd as much as can be given them without wrecking all semblance of civilisation, whereas I want to give them only as much as can be given them without even slightly impairing the level of national culture. … He works for as democratic a government as possible; I for as aristocratic a one as possible.”

H.P. Lovecraft (1890–1937) American author

But both recognise the limitations of possibility.
Letter to Woodburn Harris (25 February-1 March 1929), in Selected Letters II, 1925-1929 edited by August Derleth and Donald Wandrei, pp. 289-290
Non-Fiction, Letters

H.P. Lovecraft photo

“It is just as ridiculous to get excited & hysterical over a coming cultural change as to get excited & hysterical over one's physical aging... There is legitimate pathos about both processes; but blame & rebellion are essentially cheap, because inappropriate, emotions... It is wholly appropriate to feel a deep sadness at the coming of unknown things & the departure of those around which all our symbolic associations are entwined. All life is fundamentally & inextricably sad, with the perpetual snatching away of all the chance combinations of image & vista & mood that we become attached to, & the perpetual encroachment of the shadow of decay upon illusions of expansion & liberation which buoyed us up & spurred us on in youth. That is why I consider all jauntiness, & many forms of carelessly generalised humour, as essentially cheap & mocking, & occasionally ghastly & corpselike. Jauntiness & non-ironic humour in this world of basic & inescapable sadness are like the hysterical dances that a madman might execute on the grave of all his hopes. But if, at one extreme, intellectual poses of spurious happiness be cheap & disgusting; so at the other extreme are all gestures & fist-clenchings of rebellion equally silly & inappropriate—if not quite so overtly repulsive. All these things are ridiculous & contemptible because they are not legitimately applicable... The sole sensible way to face the cosmos & its essential sadness (an adumbration of true tragedy which no destruction of values can touch) is with manly resignation—eyes open to the real facts of perpetual frustration, & mind & sense alert to catch what little pleasure there is to be caught during one's brief instant of existence. Once we know, as a matter of course, how nature inescapably sets our freedom-adventure-expansion desires, & our symbol-&-experience-affections, definitely beyond all zones of possible fulfilment, we are in a sense fortified in advance, & able to endure the ordeal of consciousness with considerable equanimity... Life, if well filled with distracting images & activities favourable to the ego's sense of expansion, freedom, & adventurous expectancy, can be very far from gloomy—& the best way to achieve this condition is to get rid of the unnatural conceptions which make conscious evils out of impersonal and inevitable limitations... get rid of these, & of those false & unattainable standards which breed misery & mockery through their beckoning emptiness.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 291
Non-Fiction, Letters, to Frank Belknap Long

Friedrich Schiller photo
Thomas Paine photo
Abraham Lincoln photo

“In the beginning of the year 1854 a new policy was inaugurated with the avowed object and confident promise that it would entirely and forever put an end to the Slavery agitation. It was again and again declared that under this policy, when once successfully established, the country would be forever rid of this whole question. Yet under the operation of that policy this agitation has not only not ceased, but it has been constantly augmented. And this too, although, from the day of its introduction, its friends, who promised that it would wholly end all agitation, constantly insisted, down to the time that the Lecompton bill was introduced, that it was working admirably, and that its inevitable tendency was to remove the question forever from the politics of the country. Can you call to mind any Democratic speech, made after the repeal of the Missouri Compromise, down to the time of the Lecompton bill, in which it was not predicted that the Slavery agitation was just at an end; that "the abolition excitement was played out," "the Kansas question was dead," "they have made the most they can out of this question and it is now forever settled."”

Abraham Lincoln (1809–1865) 16th President of the United States

But since the Lecompton bill no Democrat, within my experience, has ever pretended that he could see the end. That cry has been dropped. They themselves do not pretend, now, that the agitation of this subject has come to an end yet.
1860s, Allow the humblest man an equal chance (1860)

Claude Monet photo
Benjamin Disraeli photo
Abraham Lincoln photo
Virginia Woolf photo
Jeremy Clarkson photo
Louis Armstrong photo

“Making money ain't nothing exciting to me. … You might be able to buy a little better booze than some wino on the corner. But you get sick just like the next cat, and when you die you're just as graveyard dead as he is.”

Louis Armstrong (1901–1971) American jazz trumpeter, composer and singer

Ebony magazine, November 1964 http://books.google.com/books?id=G98DAAAAMBAJ&q=%22making+money+ain't+nothing+exciting+to+me%22+%22You+might+be+able+to+buy+a+little+better+booze+than+some+wino+on+the+corner+But+you+get+sick+just+like+the+next+cat+and+when+you+die+you're+just+as+graveyard+dead+as+he+is%22&pg=PA138#v=onepage

Edgar Allan Poe photo

“I need scarcely observe that a poem deserves its title only inasmuch as it excites, by elevating the soul. The value of the poem is in the ratio of this elevating excitement. But all excitements are, through a psychal necessity, transient.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

The Poetic Principle (1850)
Context: I hold that a long poem does not exist. I maintain that the phrase, "a long poem," is simply a flat contradiction in terms.
I need scarcely observe that a poem deserves its title only inasmuch as it excites, by elevating the soul. The value of the poem is in the ratio of this elevating excitement. But all excitements are, through a psychal necessity, transient. That degree of excitement which would entitle a poem to be so called at all, cannot be sustained throughout a composition of any great length.

Ozzy Osbourne photo
John Locke photo
Klaus Meine photo
Mike Shinoda photo
Theodore Roosevelt photo
Nikola Tesla photo
Benjamin Disraeli photo
Saul Bellow photo
Isaac Newton photo
Virginia Woolf photo

“As for the soul: why did I say I would leave it out? I forget. And the truth is, one can't write directly about the soul. Looked at, it vanishes; but look at the ceiling, at Grizzle, at the cheaper beasts in the Zoo which are exposed to walkers in Regent's Pak, and the soul slips in. Mrs Webb's book has made me think a little what I could say of my own life. But then there were causes in her life: prayer; principle. None in mine. Great excitability and search after something. Great content – almost always enjoying what I'm at, but with constant change of mood. I don't think I'm ever bored. Yet I have some restless searcher in me. Why is there not a discovery in life? Something one can lay hands on and say 'This is it'? What is it? And shall I die before I can find it? Then (as I was walking through Russell Square last night) I see mountains in the sky: the great clouds, and the moon which is risen over Persia; I have a great and astonishing sense of something there, which is 'it' – A sense of my own strangeness, walking on the earth is there too. Who am I, what am I, and so on; these questions are always floating about in me. Is that what I meant to say? Not in the least. I was thinking about my own character; not about the universe. Oh and about society again; dining with Lord Berners at Clive's made me think that. How, at a certain moment, I see through what I'm saying; detest myself; and wish for the other side of the moon; reading alone, that is.”

Virginia Woolf (1882–1941) English writer

Saturday 27 February 1926
A Moment's Liberty (1990)

Aamir Khan photo

“I would love to work with Salman. We have a great tuning so if we work together, it will be great fun. But till the time we don't get a good script, a script that excites both of us, we can't work together.”

Aamir Khan (1965) Indian film actor, director, and producer of Hindi Cinema

On Salman Khan, 10 September, 2011. http://www.hindustantimes.com/Entertainment/Bollywood/Salman-is-number-one-Aamir-Khan/Article1-743829.aspx.

Theodore Roosevelt photo
Isaac Newton photo
Saul Bellow photo
Jean Jacques Rousseau photo

“A kind of music far superior, in my opinion, to that of operas, and which in all Italy has not its equal, nor perhaps in the whole world, is that of the 'scuole'. The 'scuole' are houses of charity, established for the education of young girls without fortune, to whom the republic afterwards gives a portion either in marriage or for the cloister. Amongst talents cultivated in these young girls, music is in the first rank. Every Sunday at the church of each of the four 'scuole', during vespers, motettos or anthems with full choruses, accompanied by a great orchestra, and composed and directed by the best masters in Italy, are sung in the galleries by girls only; not one of whom is more than twenty years of age. I have not an idea of anything so voluptuous and affecting as this music; the richness of the art, the exquisite taste of the vocal part, the excellence of the voices, the justness of the execution, everything in these delightful concerts concurs to produce an impression which certainly is not the mode, but from which I am of opinion no heart is secure. Carrio and I never failed being present at these vespers of the 'Mendicanti', and we were not alone. The church was always full of the lovers of the art, and even the actors of the opera came there to form their tastes after these excellent models. What vexed me was the iron grate, which suffered nothing to escape but sounds, and concealed from me the angels of which they were worthy. I talked of nothing else. One day I spoke of it at Le Blond's; "If you are so desirous," said he, "to see those little girls, it will be an easy matter to satisfy your wishes. I am one of the administrators of the house, I will give you a collation [light meal] with them." I did not let him rest until he had fulfilled his promise. In entering the saloon, which contained these beauties I so much sighed to see, I felt a trembling of love which I had never before experienced. M. le Blond presented to me one after the other, these celebrated female singers, of whom the names and voices were all with which I was acquainted. Come, Sophia, — she was horrid. Come, Cattina, — she had but one eye. Come, Bettina, — the small-pox had entirely disfigured her. Scarcely one of them was without some striking defect.
Le Blond laughed at my surprise; however, two or three of them appeared tolerable; these never sung but in the choruses; I was almost in despair. During the collation we endeavored to excite them, and they soon became enlivened; ugliness does not exclude the graces, and I found they possessed them. I said to myself, they cannot sing in this manner without intelligence and sensibility, they must have both; in fine, my manner of seeing them changed to such a degree that I left the house almost in love with each of these ugly faces. I had scarcely courage enough to return to vespers. But after having seen the girls, the danger was lessened. I still found their singing delightful; and their voices so much embellished their persons that, in spite of my eyes, I obstinately continued to think them beautiful.”

Jean Jacques Rousseau (1712–1778) Genevan philosopher

Confessions of Jean-Jacques Rousseau (1765-1770; published 1782), On the musicians of the Ospedale della Pieta (book VII)

Bertrand Russell photo

“A great deal of work is sedentary, and most manual work exercises only a few specialized muscles. When crowds assemble in Trafalgar Square to cheer to the echo an announcement that the government has decided to have them killed, they would not do so if they had all walked twenty-five miles that day. This cure for bellicosity is, however, impracticable, and if the human race is to survive – a thing which is, perhaps, undesirable – other means must be found for securing an innocent outlet for the unused physical energy that produces love of excitement. This is a matter which has been too little considered, both by moralists and by social reformers. The social reformers are of the opinion that they have more serious things to consider. The moralists, on the other hand, are immensely impressed with the seriousness of all the permitted outlets of the love of excitement; the seriousness, however, in their minds, is that of Sin. Dance halls, cinemas, this age of jazz, are all, if we may believe our ears, gateways to Hell, and we should be better employed sitting at home contemplating our sins. I find myself unable to be in entire agreement with the grave men who utter these warnings. The devil has many forms, some designed to deceive the young, some designed to deceive the old and serious. If it is the devil that tempts the young to enjoy themselves, is it not, perhaps, the same personage that persuades the old to condemn their enjoyment? And is not condemnation perhaps merely a form of excitement appropriate to old age? And is it not, perhaps, a drug which – like opium – has to be taken in continually stronger doses to produce the desired effect? Is it not to be feared that, beginning with the wickedness of the cinema, we should be led step by step to condemn the opposite political party, dagoes, wops, Asiatics, and, in short, everybody except the fellow members of our club? And it is from just such condemnations, when widespread, that wars proceed. I have never heard of a war that proceeded from dance halls.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

1950s, What Desires Are Politically Important? (1950)

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H.P. Lovecraft photo
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Hidetaka Miyazaki photo