“What I now heard so graphically at first-hand, though it was really no more than a detailed confirmation of what my uncle had written, excited me afresh; for I felt sure that I was on the track of a very real, very secret, and very ancient religion whose discovery would make me an anthropologist of note. My attitude was still one of absolute materialism, as l wish it still were, and I discounted with almost inexplicable perversity the coincidence of the dream notes and odd cuttings collected by Professor Angell.”

Fiction, The Call of Cthulhu (1926)

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H.P. Lovecraft203

American author 1890–1937

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My Childhood Sex!—Doin' What Comes Naturally

“I think there’s something spiritual in a very day-to-day, mundane existence. It’s impossible to articulate, and it’s happening now, almost like a perverse secret.... That’s always sort of fascinating to me.”

Miranda July (1974) American performance artist, musician and writer

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“I felt I had nothing more to learn. It was the same thing wrapped up in different packaging again and again. I am not a brilliant dancer at all. But my packaging is great. You know, I have been a hippie all my life. And the dreams of the sixties that I had of living in a commune, of sharing, of never having more than I can use, of living life joyfully in nature -- that was the spirit that was inside me. And in the isolation of being a dancer I thought where is the giving, where is the sharing, with me sitting so far in a cold place? I knew I had to get back and I had to share what life had given me through dance. I was willing to give up my dance and work and beg to realise this dream. Because it would still be my dream, it would still be dance but how much joy it would give so many bodies.”

Protima Bedi (1948–1998) Indian model and dancer

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“[Regarding Flashdance-related fame] It was very clear to me that it’s not real. It’s not real…I was never the little girl who thought I wanted to be famous. My first real quest that I can recall…other than wanting to be a jockey…was trying to figure out who or what God was. That really drove me for quite some time…I had a notion that there was this mystery that I didn’t really know anything about, and I wanted to try to figure it out…. so fame was not my driving force.”

Jennifer Beals (1963) American actress and a former teen model

Interview with Jian Gomeshi, CBC Radio Q (16 February 2011) http://www.cbc.ca/video/#/Shows/QTV_on_bol...2/ID=1886977325/

“Received your letter and, almost at the same time, the long text at which I was overjoyed. You no doubt know that you are the only person in the world to have put together the gestation of the glass [ The Large Glass, circa 1923] in all its detail, including even the numerous intentions which were never executed [by Duchamp]. Your patient work has enabled me to relive a period of long years during which the notes were written for the 'Green Box' [the second of the three Boxes Duchamp created and this one was full of written notes] at the same time as the Glass [= The Large Glass] was taking shape. And I confess to you that, not having read these notes for a very long time, I had completely lost all recollection of numerous points not illustrated on the glass and which are a delight to me now”

Marcel Duchamp (1887–1968) French painter and sculptor

c. 25 years later
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1921 - 1950

“Believe me, I am still very surprised that I managed to make that film [Close-Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience. Because the film made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.”

Abbas Kiarostami (1940–2016) Iranian film director, screenwriter, photographer and film producer

https://www.theguardian.com/film/2005/apr/28/hayfilmfestival2005.guardianhayfestival

“I have spent now more than a quarter of a century of my life in public affairs, and as I grow older I become more and more pessimistic. I started-if the House will forgive me this personal note - my career in public affairs in a small colliery town in South Wales. When I was quite a young boy my father took me down the street and showed me one or two portly and complacent looking gentlemen standing at the shop doors, and, pointing to one, he said, "Very important man. That's Councillor Jackson. He's a very important man in this town." I said, "What's the Council?" "Oh, that's the place that governs the affairs of this town," said my father. "Very important place indeed, and they are very powerful men." When I got older I said to myself, "The place to get to is the council. That's where the power is." So I worked very hard, and, in association with my fellows, when I was about 20 years of age, I got on to the council. I discovered when I got there that the power had been there, but it had just gone. So I made some inquiries, being an earnest student of social affairs, and I learned that the power had slipped down to the county council. That was as where it was, and where it had gone to. So I worked very hard again, and I got there-and it had gone from there too. Then I found out that it had come up here. So I followed it, and sure enough I found that it had been here, but I just saw its coat tails round the corner.”

Aneurin Bevan (1897–1960) Welsh politician

Hansard, House of Commons 5th series, vol 395, columns 1616-1617.
Speech in the House of Commons, 15 December 1943.
1940s

“I'm not so sure I could have done otherwise, but I wish I... I'm re-going to a French shrink now, and she's helped me a lot. I wish I'd gone sooner, because I think women are inclined more than men to be self-destructive, and I really think I had the masochistic medal there for a while, and I, you know, I want to, that I wish I had stopped. I think it's also very masochistic to sit and cry in my spilt Scotch for areas in my life that have been very creepy and that I should have cut, left sooner. So what's, that's, I feel sorry about that. But I'm getting to [me, be] perhaps more, oh, I don't know, trying to look at that in a more positive way. Maybe I got something out of that too, I don't know... Maybe. I mean... I feel also uncomfortable about staying in France, but then, if I could only make sort of a.., instead of saying negative, 'I'm too lazy to move,' a positive thing, 'I really like this house. I really like this view. I really like Paris better than New York”

Joan Mitchell (1925–1992) American painter

or not better, or equally, or differently, or something, which is quite true - instead of sitting - which I can do, I used to do - and missing the country and missing New York, or missing France.
Tape number two, side A
1975 - 1992, Oral history interview with Joan Mitchell, 1986

“I’m me, and at the same time not me. That’s what it felt like. A very still, quiet feeling.”

Haruki Murakami book What I Talk About When I Talk About Running

Source: What I Talk About When I Talk About Running

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H.P. Lovecraft203

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