
“Violent delights tend to have violent ends.”
http://www.crimeslab.com/richard-ramirez-the-night-stalker/ Richard Ramirez the Night Stalker - Crimes Lab
A collection of quotes on the topic of delight, love, use, thing.
“Violent delights tend to have violent ends.”
http://www.crimeslab.com/richard-ramirez-the-night-stalker/ Richard Ramirez the Night Stalker - Crimes Lab
“Some are born to sweet delight, Some are born to endless night.”
Address at the Belgrade train station (1 June 1892)
in a letter to Frédéric Bazille: as cited by K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 22
1850 - 1870
“The most delightful of all music, that of your own praises.”
Hiero, ch. 3, as translated by Richard Graves in The Whole Works of Xenophon (1832) p. 626).
The Vision: Reflections on the Way of the Soul (1994)
“Love consists in desiring to give what is our own to another and feeling his delight as our own”
“Whosoever is delighted in solitude, is either a wild beast or a god.”
Babur writing about the battle against the Rajput Confederacy led by Maharana Sangram Singh of Mewar. In Babur-Nama, translated into English by A.S. Beveridge, New Delhi reprint, 1979, pp. 547-572.
Libri iii, Caput XIII, (XV.) emendati Johann Heinrich F. Karl Witte (1874) p. 25. https://www.google.com/books/edition/De_monarchia_libri_iii_emendati_per_C_Wi/_RhcAAAAQAAJ?hl=en&gbpv=1&pg=PA25&printsec=frontcover Translation as quoted by Hannah Arendt, The Human Condition (1958) p. 175. https://archive.org/details/humancondition0000aren/page/175/mode/1up
De Monarchia (1312-1313)
Original: (la) Nam in omni actione principaliter intenditur ab agente, sive necessitate naturae, sive voluntarie agat, propriam similitudinem explicare, unde fit, quod omne agens, in quantum huiusmodi, delectatur; quia, quum omne quod est appetat suum esse, ac in agendo agentis esse quodammodo amplietur, sequiturde necessitate delectatio... Nihil igitur agit, nisi tale existens, quale patiens fieri debet...
“The moon like a flower
In heaven's high bower,
With silent delight,
Sits and smiles on the night.”
Night, st. 1
1780s, Songs of Innocence (1789–1790)
Source: J.M.W. Turner
Amor che ne la mente mi ragiona
de la mia donna disiosamente...
che lo 'ntelletto sovr'esse disvia.
Trattato Terzo, line 1.
Il Convivio (1304–1307)
Corot's description of the beginning of a day in Switzerland, Château de Gruyères, 1857; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963
1850s
Letter to Capito, January 1, 1526 (Staehelin, Briefe ausder Reformationseit, p. 20), ibid, p. 249-250
T 2760 (January 1892); as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 119
1880 - 1895
Sādhanā : The Realisation of Life http://www.spiritualbee.com/spiritual-book-by-tagore/ (1916)
Context: Man is not entirely an animal. He aspires to a spiritual vision, which is the vision of the whole truth. This gives him the highest delight, because it reveals to him the deepest harmony that exists between him and his surroundings. It is our desires that limit the scope of our self-realisation, hinder our extension of consciousness, and give rise to sin, which is the innermost barrier that keeps us apart from our God, setting up disunion and the arrogance of exclusiveness. For sin is not one mere action, but it is an attitude of life which takes for granted that our goal is finite, that our self is the ultimate truth, and that we are not all essentially one but exist each for his own separate individual existence.
"Mindful"
Why I Wake Early (2004)
Source: The Hundred Verses of Advice: Tibetan Buddhist Teachings on What Matters Most
“It is a beautiful and delightful sight to behold the body of the Moon.”
Source: The Starry Messenger, Venice 1610: "From Doubt to Astonishment"
“Digressions, objections, delight in mockery, carefree mistrust are signs of health…”
Variant: Digressions, objections, delight in mockery, carefree mistrust are signs of health; everything unconditional belongs in pathology.
Source: 1920s, Sceptical Essays (1928), Ch. 1: The Value of Scepticism
The Time of Your Life (1939)
Context: Remember that every man is a variation of yourself. No man's guilt is not yours, nor is any man's innocence a thing apart. Despise evil and ungodliness, but not men of ungodliness or evil. These, understand. Have no shame in being kindly and gentle, but if the time comes in the time of your life to kill, kill and have no regret. In the time of your life, live — so that in the wondrous time you shall not add to the misery and sorrow of the world, but shall smile to the infinite delight and mystery of it.
Context: In the time of your life, live — so that in that good time there shall be no ugliness or death for yourself or for any life your life touches. Seek goodness everywhere, and when it is found, bring it out of its hiding-place and let it be free and unashamed. Place in matter and in flesh the least of the values, for these are things that hold death and must pass away. Discover in all things that which shines and is beyond corruption. Encourage virtue in whatever heart it may have been driven into secrecy and sorrow by the shame and terror of the world. Ignore the obvious, for it is unworthy of the clear eye and the kindly heart. Be the inferior of no man, nor of any man be the superior. Remember that every man is a variation of yourself. No man's guilt is not yours, nor is any man's innocence a thing apart. Despise evil and ungodliness, but not men of ungodliness or evil. These, understand. Have no shame in being kindly and gentle, but if the time comes in the time of your life to kill, kill and have no regret. In the time of your life, live — so that in the wondrous time you shall not add to the misery and sorrow of the world, but shall smile to the infinite delight and mystery of it.
“For everything that's lovely is
but a brief, dreamy, kind of delight.”
Never Give All The Heart http://poetry.poetryx.com/poems/1545/
In The Seven Woods (1904)
Source: Poems
Context: Never give all the heart, for love
Will hardly seem worth thinking of
To passionate women if it seem
Certain, and they never dream
That it fades out from kiss to kiss;
For everything that's lovely is
but a brief, dreamy, kind of delight.
O never give the heart outright,
For they, for all smooth lips can say,
Have given their hearts up to the play.
And who could play it well enough
If deaf and dumb and blind with love?
He that made this knows all the cost,
For he gave all his heart and lost.
Source: Bright Star: Love Letters and Poems of John Keats to Fanny Brawne
“The psychotic drowns in the same waters in which the mystic swims with delight.”
Source: Psychology of the Future: Lessons from Modern Consciousness Research
Source: The Limits of State Action (1792), Ch. 16
in a letter from Bordighera to friends in Paris, Jan. 1884; as cited in: Joslyn Art Museum, Holliday T. Day, Hollister Sturges (1987), Joslyn Art Museum: Paintings and Sculpture from the European and American Collections, p. 100
1870 - 1890
Ibid., p. 182
The Book of Disquiet
Original: Penso as vezes, com um deleite triste, que se um dia, num futuro a que eu já não pertença, estas frases, que escrevo, durarem com louvor, eu terei enfim a gente que me "compreenda", os meus, a família verdadeiro para nela nascer e ser amado. [...] Serei compreendido só em efígie, quando a afeição já não compense a quem morreu a só desafeição que houve, quando vivo.
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Happy life! happy state! and happy the soul which has attained to it!
Explanation of Stanza 28 part 8
Spiritual Canticle of The Soul and The Bridegroom, Notes to the Stanzas
Joanna Denny (2006) Anne Boleyn: A New Life of England's Tragic Queen, Da Capo Press, ISBN 0306814749, p. 140.
Blurb on The Complete Strangers In Paradise (2004), Vol. 1
“What a delight it is to make friends with someone you have despised!”
“Sido and I”, Earthly Paradise (1966) ed. Robert Phelps
Query 30 : Are not gross bodies and light convertible into one another, and may not bodies receive much of their activity from the particles of light which enter into their composition?
Opticks (1704)
The term chinoiserie indicates "unnecessary complication" and some translations point out that this passage invokes ideas in the concluding poem of Beyond Good and Evil: "nur wer sich wandelt bleibt mit mir verwandt" : Only those who keep changing remain akin to me.
The Gay Science (1882)
Letter to Mrs. F. G. Whitmore (February 7, 1907)
L'esprit humain se plaît à ces conceptions grandioses d'êtres surnaturels. Or la mer est précisément leur meilleur véhicule, le seul milieu où ces géants près desquels les animaux terrestres, éléphants ou rhinocéros, ne sont que des nains — puissent se produire et se développer.
Part I, ch. II: Pro and Con
Twenty Thousand Leagues Under the Sea (1870)
Herschel Browning Chip (1968, p. 267).
(another and longer version:) What a sad fate for a painter who loves blondes, but who refrains from putting them in his picture because they don’t go with the basket of fruit! What misery for a painter who hates apples to be obliged to use them all the time because they go with the cloth! I put everything I love in my paintings. So much the worse for the things, they have only to arrange themselves with one another
Richard Friendenthal (1963, p. 256).
1930s, "Conversations avec Picasso," 1934–35
"The West Lake, the Beauty" (《饮湖上初晴后雨》) (1073), in Song of the Immortals: An Anthology of Classical Chinese Poetry, trans. Yuanchong Xu (Beijing: New World Press, 1994), p. 200
Part III: Man and Himself, Ch. 20: The Happy Man, p. 201
1950s, New Hopes for a Changing World (1951)
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 241
To my Cigar, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
A commentary upon the holy Bible: Job to Salomon's song (1835), p. 418.
Song, reported in Bartlett's Familiar Quotations, 10th ed. (1919). This song was written and composed by Linley for Mr. Augustus Braham, and sung by him. It is not known when it was written,—probably about 1830. Another song, entitled "Though lost to Sight, to Memory dear," was published in London in 1880, purporting to have been written by Ruthven Jenkyns in 1703 and published in the "Magazine for Mariners". That magazine, however, never existed, and the composer of the music acknowledged, in a private letter, that he copied the words from an American newspaper. The reputed author, Ruthven Jenkyns, was living, under another name, in California in 1882.
Biographical note; Quotes in: Horst Woldemar Janson, Anthony F. Janson, History of Art: The Western Tradition http://books.google.com/books?id=MMYHuvhWBH4C&pg=PT831&lpg=PT831, Prentice Hall Professional, 2004. p. 831
in a letter from Zaandam, The Netherlands, to Camille Pissarro (still in England), 17 June 1871; Cited in: Marianne Alphant (1994), Claude Monet en Holland, p. 87
1870 - 1890
“A world without delight and without affection is a world destitute of value.”
The Scientific Outlook (1931)
1930s