Quotes from bookSylvie and Bruno

Sylvie and Bruno, first published in 1889, and its second volume Sylvie and Bruno Concluded published in 1893, form the last novel by Lewis Carroll published during his lifetime. Both volumes were illustrated by Harry Furniss.
Lewis Carroll book Sylvie and Bruno
and some "Taxes!", but no one seemed to know what it was they really wanted.
Opening lines
Sylvie and Bruno (1889)
“Tis a secret: none knows how it comes, how it goes:
But the name of the secret is Love!”
Lewis Carroll book Sylvie and Bruno
Source: Sylvie and Bruno Concluded (1893), Chapter 19: A Fairy Duet
Lewis Carroll book Sylvie and Bruno
Source: Sylvie and Bruno Concluded (1893), Chapter 19: A Fairy Duet
Lewis Carroll book Sylvie and Bruno
Source: Sylvie and Bruno (1889), Chapter 4 : A Cunning Conspiracy
Lewis Carroll book Sylvie and Bruno
Source: Sylvie and Bruno Concluded (1893), Chapter 1: Bruno's Lessons
Lewis Carroll book Sylvie and Bruno
Source: Sylvie and Bruno Concluded (1893), Chapter 19: A Fairy Duet
Lewis Carroll book Sylvie and Bruno
Variant: He thought he saw a Banker's Clerk
Descending from the bus:
He looked again, and found it was
A Hippopotamus:
'If this should stay to dine,' he said,
'There won't be much for us!
Source: Sylvie and Bruno (1889), Chapter 5 : A Beggar's Palace
Lewis Carroll book Sylvie and Bruno
the Professor exclaimed with enthusiasm. "Black Light, and Nothing, look so extremely alike, at first sight, that I don't wonder he failed to distinguish them! We will now proceed to the Third Experiment."</p>
Source: Sylvie and Bruno Concluded (1893), Chapter 21: The Professor's Lecture
“Be sure the safest rule is that we should not dare to live in any scene in which we dare not die.”
Lewis Carroll book Sylvie and Bruno
Preface
Sylvie and Bruno (1889)
Context: I believe this thought, of the possibility of death — if calmly realised, and steadily faced would be one of the best possible tests as to our going to any scene of amusement being right or wrong. If the thought of sudden death acquires, for you, a special horror when imagined as happening in a theatre, then be very sure the theatre is harmful for you, however harmless it may be for others; and that you are incurring a deadly peril in going. Be sure the safest rule is that we should not dare to live in any scene in which we dare not die.
But, once realise what the true object is in life — that it is not pleasure, not knowledge, not even fame itself, 'that last infirmity of noble minds' — but that it is the development of character, the rising to a higher, nobler, purer standard, the building-up of the perfect Man — and then, so long as we feel that this is going on, and will (we trust) go on for evermore, death has for us no terror; it is not a shadow, but a light; not an end, but a beginning!
Lewis Carroll book Sylvie and Bruno
Preface
Sylvie and Bruno (1889)
Context: I believe this thought, of the possibility of death — if calmly realised, and steadily faced would be one of the best possible tests as to our going to any scene of amusement being right or wrong. If the thought of sudden death acquires, for you, a special horror when imagined as happening in a theatre, then be very sure the theatre is harmful for you, however harmless it may be for others; and that you are incurring a deadly peril in going. Be sure the safest rule is that we should not dare to live in any scene in which we dare not die.
But, once realise what the true object is in life — that it is not pleasure, not knowledge, not even fame itself, 'that last infirmity of noble minds' — but that it is the development of character, the rising to a higher, nobler, purer standard, the building-up of the perfect Man — and then, so long as we feel that this is going on, and will (we trust) go on for evermore, death has for us no terror; it is not a shadow, but a light; not an end, but a beginning!
Lewis Carroll book Sylvie and Bruno
Preface
Sylvie and Bruno (1889)
Context: I do not know if 'Alice in Wonderland' was an original story — I was, at least, no conscious imitator in writing it — but I do know that, since it came out, something like a dozen story-books have appeared, on identically the same pattern. The path I timidly explored believing myself to be 'the first that ever burst into that silent sea' — is now a beaten high-road: all the way-side flowers have long ago been trampled into the dust: and it would be courting disaster for me to attempt that style again.
Lewis Carroll book Sylvie and Bruno
Sylvie and Bruno (1889)
Context: p>Is all our Life, then, but a dream
Seen faintly in the golden gleam
Athwart Time's dark resistless stream?Bowed to the earth with bitter woe
Or laughing at some raree-show
We flutter idly to and fro.Man's little Day in haste we spend,
And, from its merry noontide, send
No glance to meet the silent end.</p