Quotes about creativity
A collection of quotes on the topic of creative, creativity, work, working.
Quotes about creativity

“Another word for creativity is courage.”
Variant: Creativity takes courage.

“Creative minds have always been known to survive any kind of bad training”

“Creativity is intelligence having fun.”

“The chief enemy of creativity is good sense.”

Context: Grace Jones said this to me when I met her. I washed her feet, and I looked up at her and she said, "No matter what you do in your life, don’t you ever let anybody take your creative people away from you." And what my creative friends always remind me of is they say, "Only value the opinion of those that you respect. And anyone that you don’t respect, pay no mind to their opinion about you or anything else." And that’s how I live my life. If I worried about everything that everyone said, I would not be a good artist.

“Ah, good taste! What a dreadful thing! Taste is the enemy of creativeness.”

“Vulnerability is the birthplace of innovation, creativity and change.”

“The creative person should have no other biography than his works.”
Source: Quoted by Red Marriott in " Traven, B. – An Anti-Biography https://libcom.org/library/b-traven-anti-biography" (2007)
Ref: en.wikiquote.org - B. Traven / Quotes

<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose

Source: On Coalition Government (1945)
“Your greatest creation is your creative life. It's all in your hands.”

“Criticism at its best is re-creative, not spirit-killing.”
Source: Break, Blow, Burn

“Clear thinking at the wrong moment can stifle creativity.”

Source: Man's Search for Ultimate Meaning

“Classes will dull your mind, destroy the potential for authentic creativity.”

Quote from The Writings of Marcel Duchamp (Marchand du Sel) e.d. Michel Sanouille and Elmer Peterson, New York 1973, pp. 139-140
posthumous
Context: The spectator experiences the phenomenon of transmutation; through the change from inert matter into a work of art, an actual transubstantiation has taken place... All in all, the creative act is not performed by the artist alone; the spectator brings the work into contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.


Source: Radical Middle (2004), Chapter 3, "Journey to the Radical Middle," p. 22.

Quoted in interview, The Paris Review (Fall 1965), in response to "The visions of drugs and the visions of art don't mix?"

"Poetry is Not a Luxury"
Sister Outsider: Essays and Speeches (1984)

Neville Cardus The Delights of Music (London: Victor Gollancz, 1966) p. 90.
Criticism

Source: Attributed in posthumous publications, Einstein and the Poet (1983), p. 14

"The Reaction in Germany" (1842)
Often paraphrased as, "The urge to destroy is also a creative urge"
Context: We exhort the compromisers to open their hearts to truth, to free themselves of their wretched and blind circumspection, of their intellectual arrogance, and of the servile fear which dries up their souls and paralyzes their movements.
Let us therefore trust the eternal Spirit which destroys and annihilates only because it is the unfathomable and eternal source of all life. The passion for destruction is a creative passion, too!

“Take away freedom of speech, and the creative faculties dry up.”
"As I Please," Tribune (28 April 1944) https://books.google.com/books?id=fCRLPIbLP8IC&pg=PA133&dq=%22it+is+almost+impossible+to+think+without+talking%22&hl=en&sa=X&ved=0ahUKEwjZi9qjndzZAhURrVkKHbDDCxkQ6AEILjAB#v=onepage&q=%22it%20is%20almost%20impossible%20to%20think%20without%20talking%22&f=false
"As I Please" (1943–1947)
Context: The greatest mistake is to imagine that the human being is an autonomous individual. The secret freedom which you can supposedly enjoy under a despotic government is nonsense, because your thoughts are never entirely your own. Philosophers, writers, artists, even scientists, not only need encouragement and an audience, they need constant stimulation from other people. It is almost impossible to think without talking.... Take away freedom of speech, and the creative faculties dry up.

Originally delivered as a lecture (late 1927); Pure Poetry: Notes for a Lecture The Creative Vision (1960)
Context: For the musician, before he has begun his work, all is in readiness so that the operation of his creative spirit may find, right from the start, the appropriate matter and means, without any possibility of error. He will not have to make this matter and means submit to any modification; he need only assemble elements which are clearly defined and ready-made. But in how different a situation is the poet! Before him is ordinary language, this aggregate of means which are not suited to his purpose, not made for him. There have not been physicians to determine the relationships of these means for him; there have not been constructors of scales; no diapason, no metronome, no certitude of this kind. He has nothing but the coarse instrument of the dictionary and the grammar. Moreover, he must address himself not to a special and unique sense like hearing, which the musician bends to his will, and which is, besides, the organ par excellence of expectation and attention; but rather to a general and diffused expectation, and he does so through a language which is a very odd mixture of incoherent stimuli.

Overcoming a Personal Holocaust, Alfred Freddy Krupa (in the article by Ante Vranković), Life As A Human (Canada), 2019
2010s

"Joaquin Phoenix's Oscars speech in full: 'We feel entitled to artificially inseminate a cow and steal her baby'" https://www.theguardian.com/film/2020/feb/10/joaquin-phoenixs-oscars-speech-in-full, The Guardian (February 10, 2020).

“Creativity needs the support of knowledge to be able to perform at its best.”

"Anonymity: An Enquiry"
Source: Two Cheers for Democracy (1951)

A New Earth (2005)
Variant: All the things that truly matter - beauty, love, creativity, joy, inner peace - arise from beyond the mind.
“To live a creative life, we must lose our fear of being wrong.”
Variant: To live a creative life we must first lose the fear of being wrong.

“A business has to be involving, it has to be fun, and it has to exercise your creative instincts.”

“The secret of the creative life is to feel at ease with your own embarrassment.”

“The worst enemy to creativity is self-doubt.”
Source: The Unabridged Journals of Sylvia Plath

“Creative power is mightier than its possessor.”

“A creative man is motivated by the desire to achieve, not by the desire to beat others.”

Source: Big Sur and the Oranges of Hieronymus Bosch (1957), p. 400

My Day (1935–1962)
Source: This is My Story
Context: If man is to be liberated to enjoy more leisure, he must also be prepared to enjoy this leisure fully and creatively. For people to have more time to read, to take part in their civic obligations, to know more about how their government functions and who their officials are might mean in a democracy a great improvement in the democratic processes. Let's begin, then, to think how we can prepare old and young for these new opportunities. Let's not wait until they come upon us suddenly and we have a crisis that we will be ill prepared to meet. (5 November 1958)

“The creative mind plays with the object it loves.”

Source: Psychological Types, or, The Psychology of Individuation (1921), Ch. 1, p. 82
Context: The dynamic principle of fantasy is play, a characteristic also of the child, and as such it appears inconsistent with the principle of serious work. But without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable. It is therefore short-sighted to treat fantasy, on account of its risky or unacceptable nature, as a thing of little worth.


“Creativity is a gift. It doesn't come through if the air is cluttered.”
"Of Power and Time"
Blue Pastures (1995)

“Creative minds are uneven, and the best of fabrics have their dull spots.”

Source: Think Big: Unleashing Your Potential for Excellence
Source: If You Want to Write: A Book about Art, Independence and Spirit

“Odd how the creative power at once brings the whole universe to order”

Source: House Calls: How we can all heal the world one visit at a time (1998), p. 121

Attributed to Nietzsche on quotes sites and on social media, the original quotation is from An Introduction to the History of Psychology by B. R. Hergenhahn (2008, page 226) and is the author's summary of Nietzsche's ideas: "The meaning and morality of one's life come from within oneself. Healthy, strong individuals seek self-expansion by experimenting, by living dangerously. Life consists of an almost infinite number of possibilities, and the healthy person (the superman) explores as many of them as possible. Religions or philosophies that teach pity, humility, submissiveness, self-contempt, self-restraint, guilt, or a sense of community are simply incorrect. [...] For Nietzsche, the good life is ever-changing, challenging, devoid of regret, intense, creative, and risky."
Misattributed
The Man who Tapped the Secrets of the Universe
8. Psychotherapy and Social Welfare
Love and Power: The Psychology of Interpersonal Creativity (1966)

Source: Education in the New Age (1954), p.46

2013, Brandenburg Gate Speech (June 2013)

Source: Violence and Social Orders (2009), Ch. 1 : The Conceptual Framework

From an op-Ed in the Guardian newspaper by Jay Leiderman 22 January 2013 http://www.theguardian.com/commentisfree/2013/jan/22/paypal-wikileaks-protesters-ddos-free-speech
Variant: Our best and brightest should be encouraged to find new methods of expression; direct action in protest must not stifled. The dawning of the digital age should be seen as an opportunity to expand our knowledge, and to collectively enhance our communication. Government should have the greatest interest in promoting speech – especially unpopular speech. The government should never be used to suppress new and creative – not to mention, effective – methods of speech and expression

in SXSW 2007 <!-- 18:24 http://2007.sxsw.com/blogs/podcasts.php/2007/03/14/bruce_sterling_s_sxsw_rant --> Bruce Sterling Rant (2007).

Source: Violence and Social Orders (2009), Ch. 4 : Open Access Orders

Confessions of a Twentieth-Century Pilgrim (1988)