Quotes about creativity

A collection of quotes on the topic of creative, creativity, work, working.

Quotes about creativity

Adolf Hitler photo
Henri Matisse photo

“Another word for creativity is courage.”

Henri Matisse (1869–1954) French artist

Variant: Creativity takes courage.

Nikola Tesla photo
AnnaSophia Robb photo

“I love Leslie. She's super imaginative and creative and just full of life. And really has fun in everything she does.”

AnnaSophia Robb (1993) American actress, singer, and model

О повести «Мост в Терабитию»

Pablo Picasso photo

“The chief enemy of creativity is good sense.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Lady Gaga photo

“No matter what you do in your life, don’t you ever let anybody take your creative people away from you.”

Lady Gaga (1986) American singer, songwriter, and actress

Context: Grace Jones said this to me when I met her. I washed her feet, and I looked up at her and she said, "No matter what you do in your life, don’t you ever let anybody take your creative people away from you." And what my creative friends always remind me of is they say, "Only value the opinion of those that you respect. And anyone that you don’t respect, pay no mind to their opinion about you or anything else." And that’s how I live my life. If I worried about everything that everyone said, I would not be a good artist.

Pablo Picasso photo

“Ah, good taste! What a dreadful thing! Taste is the enemy of creativeness.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
B. Traven photo

“The creative person should have no other biography than his works.”

B. Traven (1890–1969) German novelist

Source: Quoted by Red Marriott in " Traven, B. – An Anti-Biography https://libcom.org/library/b-traven-anti-biography" (2007)

Ref: en.wikiquote.org - B. Traven / Quotes

Suman Pokhrel photo

“Strength of creative writing lies in the skill of handling words and articulating artistic expression of feelings.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose

Mao Zedong photo
Tupac Shakur photo

“Prison kills your spirit, straight up. It kills your spirit. There is no creativity, there's none of that.”

Tupac Shakur (1971–1996) rapper and actor

1990s, Prison interviews and interrogations (1995)

Alexis Karpouzos photo
Mario Vargas Llosa photo
Karl Lagerfeld photo
Camille Paglia photo

“Criticism at its best is re-creative, not spirit-killing.”

Camille Paglia (1947) American writer

Source: Break, Blow, Burn

Viktor E. Frankl photo

“In his creative work the artist is dependent on sources and resources deriving from the spiritual unconscious.”

Viktor E. Frankl (1905–1997) Austrian neurologist and psychiatrist, and Holocaust survivor

Source: Man's Search for Ultimate Meaning

John Nash photo

“Classes will dull your mind, destroy the potential for authentic creativity.”

John Nash (1928–2015) American mathematician and Nobel Prize laureate
Marcel Duchamp photo

“The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote from The Writings of Marcel Duchamp (Marchand du Sel) e.d. Michel Sanouille and Elmer Peterson, New York 1973, pp. 139-140
posthumous
Context: The spectator experiences the phenomenon of transmutation; through the change from inert matter into a work of art, an actual transubstantiation has taken place... All in all, the creative act is not performed by the artist alone; the spectator brings the work into contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.

C.G. Jung photo
Paramahansa Yogananda photo
Miles Davis photo
Mark Satin photo
Thomas Mann photo

“Politics has been called the “art of the possible,” and it actually is a realm akin to art insofar as, like art, it occupies a creatively mediating position between spirit and life, the idea and reality.”

Speech at the US Library of Congress (29 May 1945); published as "Germany and the Germans" ["Deutschland und die Deutschen"] in Die Neue Rundschau [Stockholm] (October 1945), p. 58, as translated by Helen T. Lowe-Porter

Subh-i-Azal photo

“Glorified art Thou, O God my God! I indeed testify to Thee and all-things at the moment when I am in Thy presence in pure servitude, upon this, that verily Thou art God, no other God is there besides Thee! Thou art unchanged, O my God, within the elevation of Grandeur and Majesty, and shall be unalterable, O my desirous boon, within the pinnacle of power and perfection inasmuch as nothing shall frustrate Thee and nothing shall extinguish Thee! Thou art unchanged as Thou art the Capable above Thy creation and Thou art unalterable as Thou indeed shall be as from before inasmuch as nothing is with Thee of anything and nothing is in Thy rank of anything! Thou accomplisheth and willeth and doeth and desireth! Glorified art Thou, O God my God, with Thy praise, salutations be upon the Primal Point, the Chemise of Thy Visage and the Light of Thy direction and the Luminosity of Thy Beinghood and the Clarity of Thy Selfhood and the Ocean of Thy Power by all that which Thou hath bestowed upon Him of Thy Stations and Thy Culminations and Thy Foundations, for nothing shall frustrate Thee of anything and nothing shall extinguish Thee of anything! No other God is There besides Thee, for verily Thou art the Lord of all the worlds! And blessings, O God my God, be upon the one who was the first to believe in Thee, the Visage of Thy Selfhood and the Decree of Thy direction; and upon the one who was the last to believe in Thee, the Essence of Thy direction and the Visage of Thy Holiness; and upon those whom Ye have made martyrs/witnesses (shuhadá’) unknown except by Thy Command nor restrained except by Thy Wisdom; then upon those to whom Ye have promised that Ye shall make Him manifest on the Day of Resurrection and He whom Ye will upraise on the Day of the Return by all which Thou will bestow upon Him of Thy Power and Thy Strength, for nothing shall extinguish Thee and nothing shall frustrate Thee! Ye determine all-things, for verily Thou art powerful over whatsoever Thou willeth! And I indeed testify, O my God, between Thy hands that verily there is no other god besides Thee and that He whom Ye shall make manifest on the Day of Resurrection is the Chemise of Thy Creativity and the Visage of Thy Manifestation and the direction of Thy Victory and the substance of Thy Pardoning and the branch of Thy Singularity and the clarity of Thy Unicitarianism and the Pen [of the Letter] Nún (al-qalam al-nún) within Thy Beinghood and the setting of the Cause-Command within Thy Essentiality inasmuch as there is no difference between Him and Thee except that He is Thy servant in Thy grasp, such that whatsoever is in the Heavens and the earth and what is between them will then be filled by His Name and by His Light until it be made apparent that no other god is there besides Thee and no Beloved is there like unto Thee and no Desired One is there other than Thee and no Dread is there of Thy like and no Justice of Thy equal! No other god is there besides Thee! Glorified art Thou, O God, and by Thy praise, blessings, O my God, be upon the Guide to the Throne of the Hidden Cloud and the Path to Thy Presence in the Sina'i of Authorization and the Caller by Thy Logos-Self and the Crier of Thy Permission between Thy Hands and the Ariser of Thy Attendance by Thy Command; then the Triumph, O my God, by all that which Thou will bestow upon Him of Thy Power, then that which will be made manifestly apparent of the Word upon the earth and what is upon it by Thy grandeur, and also in this that nothing shall ever put out His Light! Verily nothing shall frustrate Thee of anything and nothing shall extinguish Thee of anything! Thy mercy encompasseth all-things and verily Thou art powerful over what Ye have willed; and to the one who prays to Thee, Hearing, Answering, for verily Thou art Observant over us, and verily Thou art High, Praised beyond that which the inner hearts can comprehend!”

Subh-i-Azal (1831–1912) Persian religious leader

Ethics of the Spirituals

William S. Burroughs photo
Friedrich Nietzsche photo
Nikos Kazantzakis photo
Marilyn Manson photo
Audre Lorde photo
Sergei Rachmaninoff photo
Albert Einstein photo
Mikhail Bakunin photo

“Let us therefore trust the eternal Spirit which destroys and annihilates only because it is the unfathomable and eternal source of all life. The passion for destruction is a creative passion, too!”

Mikhail Bakunin (1814–1876) Russian revolutionary, philosopher, and theorist of collectivist anarchism

"The Reaction in Germany" (1842)
Often paraphrased as, "The urge to destroy is also a creative urge"
Context: We exhort the compromisers to open their hearts to truth, to free themselves of their wretched and blind circumspection, of their intellectual arrogance, and of the servile fear which dries up their souls and paralyzes their movements.
Let us therefore trust the eternal Spirit which destroys and annihilates only because it is the unfathomable and eternal source of all life. The passion for destruction is a creative passion, too!

George Orwell photo

“Take away freedom of speech, and the creative faculties dry up.”

George Orwell (1903–1950) English author and journalist

"As I Please," Tribune (28 April 1944) https://books.google.com/books?id=fCRLPIbLP8IC&pg=PA133&dq=%22it+is+almost+impossible+to+think+without+talking%22&hl=en&sa=X&ved=0ahUKEwjZi9qjndzZAhURrVkKHbDDCxkQ6AEILjAB#v=onepage&q=%22it%20is%20almost%20impossible%20to%20think%20without%20talking%22&f=false
"As I Please" (1943–1947)
Context: The greatest mistake is to imagine that the human being is an autonomous individual. The secret freedom which you can supposedly enjoy under a despotic government is nonsense, because your thoughts are never entirely your own. Philosophers, writers, artists, even scientists, not only need encouragement and an audience, they need constant stimulation from other people. It is almost impossible to think without talking.... Take away freedom of speech, and the creative faculties dry up.

Paul Valéry photo

“For the musician, before he has begun his work, all is in readiness so that the operation of his creative spirit may find, right from the start, the appropriate matter and means, without any possibility of error.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Originally delivered as a lecture (late 1927); Pure Poetry: Notes for a Lecture The Creative Vision (1960)
Context: For the musician, before he has begun his work, all is in readiness so that the operation of his creative spirit may find, right from the start, the appropriate matter and means, without any possibility of error. He will not have to make this matter and means submit to any modification; he need only assemble elements which are clearly defined and ready-made. But in how different a situation is the poet! Before him is ordinary language, this aggregate of means which are not suited to his purpose, not made for him. There have not been physicians to determine the relationships of these means for him; there have not been constructors of scales; no diapason, no metronome, no certitude of this kind. He has nothing but the coarse instrument of the dictionary and the grammar. Moreover, he must address himself not to a special and unique sense like hearing, which the musician bends to his will, and which is, besides, the organ par excellence of expectation and attention; but rather to a general and diffused expectation, and he does so through a language which is a very odd mixture of incoherent stimuli.

Manly P. Hall photo

“The yoni and phallus were worshiped by nearly all ancient people as appropriate symbols of God's creative power.”

Manly P. Hall (1901–1990) Canadian writer and mystic

The Secret Teachings of All Ages (1928)

Alfred Freddy Krupa photo
Joaquin Phoenix photo

“I think, whether we’re talking about gender inequality or racism or queer rights or indigenous rights or animal rights, we’re talking about the fight against injustice. We’re talking about the fight against the belief that one nation, one people, one race, one gender, one species, has the right to dominate, use and control another with impunity. I think we’ve become very disconnected from the natural world. Many of us are guilty of an egocentric world view, and we believe that we’re the centre of the universe. We go into the natural world and we plunder it for its resources. We feel entitled to artificially inseminate a cow and steal her baby, even though her cries of anguish are unmistakeable. Then we take her milk that’s intended for her calf and we put it in our coffee and our cereal. We fear the idea of personal change, because we think we need to sacrifice something; to give something up. But human beings at our best are so creative and inventive, and we can create, develop and implement systems of change that are beneficial to all sentient beings and the environment.”

Joaquin Phoenix (1974) American actor, music video director, producer, musician, and social activist

"Joaquin Phoenix's Oscars speech in full: 'We feel entitled to artificially inseminate a cow and steal her baby'" https://www.theguardian.com/film/2020/feb/10/joaquin-phoenixs-oscars-speech-in-full, The Guardian (February 10, 2020).

Zafar Mirzo photo
Mwanandeke Kindembo photo
E.M. Forster photo
Eckhart Tolle photo

“All the things that truly matter - beauty, love, creativity, joy, inner peace - arise from beyond the mind.”

A New Earth (2005)
Variant: All the things that truly matter - beauty, love, creativity, joy, inner peace - arise from beyond the mind.

“To live a creative life, we must lose our fear of being wrong.”

Joseph Chilton Pearce (1926–2016) American writer

Variant: To live a creative life we must first lose the fear of being wrong.

Richard Branson photo
C.G. Jung photo
Eckhart Tolle photo
Sylvia Plath photo

“The worst enemy to creativity is self-doubt.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Source: The Unabridged Journals of Sylvia Plath

C.G. Jung photo

“Creative power is mightier than its possessor.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology
Max Ernst photo
Michael Crichton photo
Ayn Rand photo
Henry Miller photo

“Whoever uses the spirit that is
in him creatively is an artist. To
make living itself an art, that is
the goal.”

Henry Miller (1891–1980) American novelist

Source: Big Sur and the Oranges of Hieronymus Bosch (1957), p. 400

Eleanor Roosevelt photo

“If man is to be liberated to enjoy more leisure, he must also be prepared to enjoy this leisure fully and creatively.”

Eleanor Roosevelt (1884–1962) American politician, diplomat, and activist, and First Lady of the United States

My Day (1935–1962)
Source: This is My Story
Context: If man is to be liberated to enjoy more leisure, he must also be prepared to enjoy this leisure fully and creatively. For people to have more time to read, to take part in their civic obligations, to know more about how their government functions and who their officials are might mean in a democracy a great improvement in the democratic processes. Let's begin, then, to think how we can prepare old and young for these new opportunities. Let's not wait until they come upon us suddenly and we have a crisis that we will be ill prepared to meet. (5 November 1958)

Neil Young photo

“One of my favorite album covers is On the Beach. Of course that was the name of a movie and I stole it for my record, but that doesn't matter. The idea for that cover came like a bolt from the blue. Gary and I traveled around getting all the pieces to put it together. We went to a junkyard in Santa Ana to get the tail fin and fender from a 1959 Cadillac, complete with taillights, and watched them cut it off a Cadillac for us, then we went to a patio supply place to get the umbrella and table. We picke up the bad polyester yellow jacket and white pants at a sleazy men's shop, where we watched a shoplifter getting caught red-handed and busted. Gary and I were stoned on some dynamite weed and stood there dumbfounded watching the bust unfold. This girl was screaming and kicking! Finally we grabbed a local LA paper to use as a prop. It had this amazing headline: Sen. Buckley Calls For Nixon to Resign. Next we took the palm tree I had taken around the world on the Tonight's the Night tour. We then placed all of these pieces carefully in the sand at Santa Monica beach. Then we shot it. Bob Seidemann was the photographer, the same one who took the famous Blind Faith cover shot of the naked young girl holding the airplane. We used the crazy pattern from the umbrella insides for the inside of the sleeve that held the vinyl recording. That was the creative process at work. We lived for that, Gary and I, and we still do.”

Source: Waging Heavy Peace: A Hippie Dream

C.G. Jung photo

“The creative mind plays with the object it loves.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology
C.G. Jung photo

“Without this playing with fantasy, no creative work has ever yet come to birth. The debt we owe to the play of the imagination is incalculable.”

Source: Psychological Types, or, The Psychology of Individuation (1921), Ch. 1, p. 82
Context: The dynamic principle of fantasy is play, a characteristic also of the child, and as such it appears inconsistent with the principle of serious work. But without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable. It is therefore short-sighted to treat fantasy, on account of its risky or unacceptable nature, as a thing of little worth.

Friedrich Nietzsche photo
John Lennon photo
Ken Robinson photo
Betty Friedan photo

“The only way for a woman, as for a man, to find herself, to know herself as a person, is by creative work of her own. There is no other way.”

Interviews with Betty Friedan, Janann Sherman, ed. Univ. Press of Mississippi, 2002, ISBN 1578064805, p. x.
Source: The Feminine Mystique

Robert McKee photo
Erica Jong photo
Vladimir Nabokov photo
Eckhart Tolle photo
Stephen King photo
Vladimir Nabokov photo
Ansel Adams photo
Eckhart Tolle photo
Arthur Rimbaud photo
Ben Carson photo
Christopher Paolini photo
Patch Adams photo

“I have often found that mental patients who are given love, creativity, and community find the peace that they are reaching out for.”

Patch Adams (1945) Physician, activist, diplomat, author

Source: House Calls: How we can all heal the world one visit at a time (1998), p. 121

Lady Gaga photo

“Creativity for me is religious.”

Lady Gaga (1986) American singer, songwriter, and actress
Friedrich Nietzsche photo

“Meaning and morality of one's life come from within oneself. Healthy, strong individuals seek self-expansion by experimenting and by living dangerously. Life consists of an infinite number of possibilities, and the healthy person explores as many of them as possible. Religions that teach pity, self-contempt, humility, self-restraint and guilt are incorrect. The good life is ever-changing, challenging, devoid of regret, intense, creative, and risky.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Attributed to Nietzsche on quotes sites and on social media, the original quotation is from An Introduction to the History of Psychology by B. R. Hergenhahn (2008, page 226) and is the author's summary of Nietzsche's ideas: "The meaning and morality of one's life come from within oneself. Healthy, strong individuals seek self-expansion by experimenting, by living dangerously. Life consists of an almost infinite number of possibilities, and the healthy person (the superman) explores as many of them as possible. Religions or philosophies that teach pity, humility, submissiveness, self-contempt, self-restraint, guilt, or a sense of community are simply incorrect. [...] For Nietzsche, the good life is ever-changing, challenging, devoid of regret, intense, creative, and risky."
Misattributed

G. H. Hardy photo

“I am interested in mathematics only as a creative art.”

Source: A Mathematician's Apology (1941)

Alice A. Bailey photo
Kurt Vonnegut photo

“Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.”

A close paraphrase of this (beginning "Do not use...") is repeated in a commencement address at Cloves Hall, 27 April 2007, as reprinted in Armageddon in Retrospect
A Man Without a Country (2005)

Barack Obama photo
Douglass C. North photo

“Schumpeter’s approach has an important implication for political behavior. If the constellation of economic interests regularly changes because of innovation and entry, politicians face a fundamentally different world than those in a natural state: open access orders cannot manipulate interests in the same way as natural states do. Too much behavior and formation of interests take place beyond the state’s control. Politicians in both natural states and open access orders want to create rents. Rent-creation at once rewards their supporters and binds their constituents to support them. Because, however, open access orders enable any citizen to form an organization for a wide variety of purposes, rents created by either the political process or economic innovation attract competitors in the form of new organizations. In Schumpeterian terms, political entrepreneurs put together new organizations to compete for the rents and, in so doing, reduce existing rents and struggle to create new ones. As a result, creative destruction reigns in open access politics just as it does in open access economies. Much of the creation of new interests is beyond the control of the state. The creation of new interests and the generation of new sources of rents occur continuously in open access orders.”

Douglass C. North (1920–2015) American Economist

Source: Violence and Social Orders (2009), Ch. 1 : The Conceptual Framework

Jay Leiderman photo

“Our best and brightest should be encouraged to find new methods of expression; direct action in protest must not stifled. The dawning of the digital age should be seen as an opportunity to expand our knowledge, and to collectively enhance our communication. Government should have the greatest interest in promoting speech – especially unpopular speech. The government should never be used to suppress new and creative – not to mention, effective – methods of speech and expression”

Jay Leiderman (1971) lawyer

From an op-Ed in the Guardian newspaper by Jay Leiderman 22 January 2013 http://www.theguardian.com/commentisfree/2013/jan/22/paypal-wikileaks-protesters-ddos-free-speech
Variant: Our best and brightest should be encouraged to find new methods of expression; direct action in protest must not stifled. The dawning of the digital age should be seen as an opportunity to expand our knowledge, and to collectively enhance our communication. Government should have the greatest interest in promoting speech – especially unpopular speech. The government should never be used to suppress new and creative – not to mention, effective – methods of speech and expression

Slash (musician) photo
Naomi Klein photo
Bruce Sterling photo
Douglass C. North photo
Stefan Zweig photo
Malcolm Muggeridge photo

“I can say with truth that I have never, even in times of greatest preoccupation with carnal, worldly and egotistic pursuits, seriously doubted that our existence here is related in some mysterious way to a more comprehensive and lasting existence elsewhere; that somehow or other we belong to a larger scene than our earthly life provides, and to a wider reach of time than our earthly allotment of three score years and ten…It has never been possible for me to persuade myself that the universe could have been created, and we, homo sapiens, so-called, have, generation after generation, somehow made our appearance to sojourn briefly on our tiny earth, solely in order to mount the interminable soap opera, with the same characters and situations endlessly recurring, that we call history. It would be like building a great stadium for a display of tiddly-winks, or a vast opera house for a mouth-organ recital. There must, in other words, be another reason for our existence and that of the universe than just getting through the days of our life as best we may; some other destiny than merely using up such physical, intellectual and spiritual creativity as has been vouchsafed us. This, anyway, has been the strongly held conviction of the greatest artists, saints, philosophers and, until quite recent times, scientists, through the Christian centuries, who have all assumed that the New Testament promise of eternal life is valid, and that the great drama of the Incarnation which embodies it, is indeed the master drama of our existence. To suppose that these distinguished believers were all credulous fools whose folly and credulity in holding such beliefs has now been finally exposed, would seem to me to be untenable; and anyway I'd rather be wrong with Dante and Shakespeare and Milton, with Augustine of Hippo and Francis of Assisi, with Dr. Johnson, Blake and Dostoevsky, than right with Voltaire, Rousseau, Darwin, the Huxleys, Herbert Spencer, H. G. Wells and Bernard Shaw.”

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

Confessions of a Twentieth-Century Pilgrim (1988)

Wassily Kandinsky photo