Quotes about creativity (1466 quotes, page 2)

“Man of science seeks to resolve the links between art, aesthetics, and the science. The man of science …seeks to resolve [nature’s] infinite complexities in to a few simple principles or elements of action which he calls the laws of nature. In doing this, like the exponents of other forms of art, subjects himself to a rigorous discipline, the rules of which he had laid down for himself and which he calls logic …. Science… Is a fusion of man’s aesthetic and intellectual functions devoted to the representations of nature. It is therefore the highest form of creative art.”

C. V. Raman (1888–1970) Indian physicist

[Parameswaran, Uma, C.V. Raman: A Biography, http://books.google.com/books?id=RbgXRdnHkiAC, 2011, Penguin Books India, 978-0-14-306689-7] page=xiv

Law , Art , Nature , Science

“A creative artist works on his next composition because he is not satisfied with his previous one. When he loses a critical attitude toward his own work, he ceases to be an artist.”

Dmitri Shostakovich (1906–1975) Russian composer and pianist

New York Times, October 25, 1959.

“If people really stopped and realized how much art and creative people move the world versus politics and religion, I mean it’s not even up for debate. An artist at least creates things, puts things into the world. Where as these other people are destroying things, taking things out of the world.”

Marilyn Manson (1969) American rock musician and actor

Interview on The Henry Rollins Show

People , World , Religion , Art

“Eugenio Scalfari: Your Holiness, in our previous meeting you told me that our species will disappear in a certain moment and that God, still out of his creative force, will create new species. You have never spoken to me about the souls who died in sin and will go to hell to suffer it for eternity. You have however spoken to me of good souls, admitted to the contemplation of God. But what about bad souls? Where are they punished?
Pope Francis: They are not punished, those who repent obtain the forgiveness of God and enter the rank of souls who contemplate him, but those who do not repent and cannot therefore be forgiven disappear. There is no hell, there is the disappearance of sinful souls.”

Pope Francis (1936) 266th Pope of the Catholic Church

Interview published in La Repubblica (28 March 2018), as translated in the web log Rorate Caeli http://rorate-caeli.blogspot.com/2018/03/there-is-no-hell-new-francis-revelation.html (29 March 2018)
2010s, 2018

God , Soul , Forgiveness , Hell

“Even If they (children) fall during their play,
the nature, having come
under the spell of their creative sports,
doesn’t know when they again start to play so full of jest.
Believing that they fall unknowingly
the ground, mostly, does not even hurt them.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Children http://www.occupypoetry.net/children_1/</span>
From Poetry

Children , Nature , Sport , Hurt

“Well, I'm a product of the Australian film industry which by its very nature is independent, sometimes for better sometimes for worse. I suppose the collaborative nature of being independent is what feels natural to me, and when people talk about working in Hollywood I don't quite know what that means. Being part of the Indiana Jones franchise and The Lord of the Rings, that felt more like a departure for me. But in the end, I think the whole notion of the independent spirit is not just about the way a film is financed but about the creative thinking behind it, and sometimes that can exist in the mainstream; those sensibilities can cross over and audiences are interested in, not a homogenous way of storytelling but a diverse way of receiving a narrative.”

Cate Blanchett (1969) Australian actress

Backstage press room, after winning the Independent Spirit Award for her performance in I'm Not There, in response to the question: "As an actress, do you prefer Independents over the mainstream?"

People , Way , Feeling , Departure

“The best life is the one in which the creative impulses play the largest part and the possessive impulses the smallest.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

1910s, Political Ideals (1917)

Life , Parting

“I deny that either singers or conductors can "create" or work creatively – this, as I have always said, is a conception that leads to the abyss.”

Giuseppe Verdi (1813–1901) Italian composer

Io non posso ammettere, né nei cantanti, né nei direttori la facoltà di creare, che come dissi prima, è un principio che conduce all'abisso.
Letter to Giulio Ricordi, April 11, 1871, cited from Franco Abbiati Giuseppe Verdi (Milano: Ricordi, 1959) vol. 3, p. 448; translation from Franz Werfel and Paul Stefan (eds.), Edward Downes (trans.) Verdi: The Man in His Letters (New York: L. B. Fischer, 1942) pp. 301-2.

“On a personal level, Freaking Out is a process whereby an individual casts off outmoded and restricting standards of thinking, dress, and social etiquette in order to express creatively his relationship to his immediate environment and the social structure as a whole.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Liner notes for the album Freak Out! (27 June 1966).

Thinking , Personality

“All ordinary expression may be explained causally, but creative expression which is the absolute contrary of ordinary expression, will be forever hidden from human knowledge.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

Psychology and Poetry (June 1930)

Knowledge

“We knew nothing but despotism. That is why the very rich Mughal empire could break up into nothing. Turn to dust at the merest touch of a foreign power. There was no institution, there was no creative nation, no university, no printing press, there was nothing but personal power. …. How do you ignore history? But the nationalist movement, independence movement ignored it. You read the Glimpses of World History by Jawaharlal Nehru, it talks about the mythical past and then it jumps the difficult period of the invasions and conquests. So you have Chinese pilgrims coming to Bihar, Nalanda and places like that. Then somehow they don't tell you what happens, why these places are in ruin. They never tell you why Elephanta island is in ruins or why Bhubaneswar was desecrated. So history has to be studied, it is very painful history. But it is not more painful than most countries have had. …It isn't India alone that has had a rough time, that has to be understood. But the rough time has to be faced and it cannot be glossed over. There are tools for us to understand the rough time. We can read a man like Ibn Battuta who will tell you what it was like to be there in the midst of the fourteenth century, terrible times. An apologist of the invaders would like to gloss that over. But it would be wrong to gloss that over, that has to be understood. …But I would like to see this past recovered and not dodged.”

V.S. Naipaul (1932–2018) Trinidadian-British writer of Indo-Nepalese ancestry

V.S. Naipaul, Interview, with URMI GOSWAMI, JANUARY 14, 2003 0 'How do you ignore history?' https://web.archive.org/web/20070106194746/http://economictimes.indiatimes.com/cms.dll/html/comp/articleshow?artid=34295982

Pain , World , History , Understanding

“What is the use of education if we do not become creative, conscious and truly intelligent? Real education does not mean knowing how to read and write. Any stupid person, any fool can know how to read and write. We need to have intelligence and it only awakens within us when the consciousness awakens.”

Samael Aun Weor (1917–1977) Colombian writer

Fundamental Education

Stupidity , Education , Fools , Intelligence

“You have demonstrated that when young people have the tools to succeed -- good schools, education in math and science, an economy that nurtures creativity and entrepreneurship -- then societies will flourish. […] Where women are full participants in a country’s politics or economy, societies are more likely to succeed. […] If young people live in places where the only option is between the dictates of a state, or the lure of an extremist underground, then no counterterrorism strategy can succeed. But where a genuine civil society is allowed to flourish -- where people can express their views, and organize peacefully for a better life -- then you dramatically expand the alternatives to terror.”

Barack Obama (1961) 44th President of the United States of America

2014, Address to the United Nations (September 2014)

Life , Women , People , Education

“Evolution is so creative. That's how we got giraffes.”

Kurt Vonnegut book A Man Without a Country

A Man Without a Country (2005)

“In all the previous cases of wholes, we have nowhere been able to argue from the parts of the whole. Compared to its parts, the whole constituted by them is something quite different, something creatively new, as we have seen. Creative evolution synthesises from the parts a new entity not only different from them, but quite transcending them. That is the essence of a whole. It is always transcendent to its parts, and its character cannot be inferred from the characters of its parts.”

Jan Smuts (1870–1950) military leader, politician and statesman from South Africa

Source: Holism and Evolution (1926), p. 342

Parting

“Reason is a harmonising, controlling force rather than a creative one.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1910s, Mysticism and Logic and Other Essays http://archive.org/stream/mysticism00russuoft/mysticism00russuoft_djvu.txt (1918), Ch. 1: Mysticism and Logic

“Our ideas emerged out of the ground of our action over thousands and thousands of years. And when philosophers were putting forth those ideas, what they were doing wasn't generating creative ideas – they were just telling the story of humanity. It's already there. It's already in us. It's already in our patterns of behavior.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Source: https://www.youtube.com/watch?v=R_GPAl_q2QQ "Biblical Series III: God and the Hierarchy of Authority"

Behavior , Idea

“Let us therefore join hands, Britons, Burmans and all nations alike, to build up an abiding fruitful peace over the foundations of the hard-won victory that all of us desiring progressive direction in our own affairs and in the world at large, have at long last snatched firmly and completely from the grabbing hands of Fascist barbarians, a peace, as I have said, not of the graveyard, but creative of freedom, progress and prosperity in the world.”

Aung San (1915–1947) Burmese revolutionary leader

Address delivered at the meeting of East and West Association held on August 29, 1945, at the City Hall of Rangoon

World , Peace , Freedom , Victory

“Creative work is serious play.”

Robert Fripp (1946) English guitarist, composer and record producer

Guitar Craft Monograph III: Aphorisms, Oct. 27 1988

“The structure known, but not yet accessible by synthesis, is to the chemist what the unclimbed mountain, the uncharted sea, the untilled field, the unreached planet, are to other men. The achievement of the objective in itself cannot but thrill all chemists, who even before they know the details of the journey can apprehend from their own experience the joys and elations, the disappointments and false hopes, the obstacles overcome, the frustrations subdued, which they experienced who traversed a road to the goal. The unique challenge which chemical synthesis provides for the creative imagination and the skilled hand ensures that it will endure as long as men write books, paint pictures, and fashion things which are beautiful, or practical, or both.”

Robert Burns Woodward (1917–1979) American chemist

Robert Burns Woodward, "Art and Science in the Synthesis of Organic Compounds: Retrospect and Prospect," in Pointers and Pathways in Research (Bombay:CIBA of India, 1963).

Men , Books , Beauty , Hope

“While every noble morality develops from a triumphant affirmation of itself, slave morality from the outset says No to what is "outside," what is "different," what is "not itself"; and this No is its creative deed.”

Friedrich Nietzsche book On the Genealogy of Morality

Essay 1, Section 10
On the Genealogy of Morality (1887)

“Is this even possible today?-But some day, in a stronger age than this decaying, self-doubting present, he must yet come to us, the redeeming man of great love and contempt, the creative spirit whose compeHing strength will not let him rest in any aloofness or any beyond, whose isolation is misunderstood by the people as if it were flight from reality-while it is only his' absorption, immersion, penetration into reality, so that, when he one day emerges again into the light, he may bring home the redemption of this reality: its redemption from the curse that the hitherto reigning ideal has laid upon it. This man of the future, who will redeem us not only from the hitherto reigning ideal but also from that which was bound to grow out of it, the great nausea, the will to nothingness, nihilism; this bell-stroke of noon and of the great decision that liberates the will again and restores its goal to the earth and his hope to man; this Antichrist and antinihilist; this victor over God and nothingness- he must come one day.”

Friedrich Nietzsche book On the Genealogy of Morality

Essay 2, Aphorism 24
On the Genealogy of Morality (1887)

Love , God , People , Age

“My father was a schoolmaster in a little North German town, and for the very reason that at home culture was a means of livelihood, I detested learning and literature from childhood onwards. That is nature's way. In pursuance of her mysterious design to safeguard the creative faculty, she is apt to make children scorn their father's bent. She does not want to encourage an easy, effortless acceptance of a heritage, a mere handing down of acquisitions from one generation to the next. She sows the seeds of discord, and will only allow children to follow in their parent's footsteps after they have made laborious but fruitful detours.”

Stefan Zweig (1881–1942) Austrian writer

Confusion of Feelings or Confusion: The Private Papers of Privy Councillor R. Von D (1927)

Children , Way , Home , Literature

“The process of creative discovery is endless. That’s why “holiness” tends to limit mental vitality and progress by freezing a given work (a life guide) in time, no matter how interpretations differ and even change over the years.”

Tarik Gunersel (1953) Turkish actor

"A Conversation with Tarık Günersel -by Dawn Kotapish “ in World Literature Today (Jan-Feb 2011).
Other

Life , Change , Time

“Common elements of creativity are originality and imagination. Creativity is intertwined with the freedom to design, to invent and to dream. In engineering and science a creative idea is useful only if it meets three conditions: the constraint of the natural laws, the constraint of cost, and the constraint of technical feasibility.”

Martin Lewis Perl (1927–2014) American scientist

Essay on Creativity in Science and Engineering

Law , Dreams , Imagination , Idea

“Creativity is not the domain of one single person. Through free-association of thoughts and brainstorming, an accidental suggestion can be the best solution.”

Joshua Fernandez (1974) Malaysian film director

It takes two bright sparks to BOO, Aug 23, 1998, New Straits Times, 30, 6 June 2011 http://news.google.com/newspapers?id=u8BhAAAAIBAJ&sjid=yxQEAAAAIBAJ&pg=6806,6354243&dq=joshua-fernandez+film&hl=en,

Personality

“While the average well adjusted man can make the reality that is generally accepted as truth into his own truth, the creative searcher after truth seeks and finds his own truth which he then wants to make general.”

Otto Rank (1884–1939) Austrian psychologist

Source: Truth and Reality (1936), p. 43

Truth , Reality

“All human activity takes place within a culture and interacts with culture. For an adequate formation of a culture, the involvement of the whole man is required, whereby he exercises his creativity, intelligence, and knowledge of the world and of people. Furthermore, he displays his capacity for self-control, personal sacrifice, solidarity and readiness to promote the common good.”

Pope John Paul II (1920–2005) 264th Pope of the Catholic Church, saint

Encyclical Centesimus Annus, 1 May 1991
Source: Libreria Editrice Vaticana http://www.vatican.va/holy_father/john_paul_ii/encyclicals/documents/hf_jp-ii_enc_01051991_centesimus-annus_en.html

People , World , Exercises , Intelligence

“I have found out that the real essentials of greatness in men are not written in books, nor can they be found in the schools, They are written into the inner consciousness of everyone who intensely searches for perfection in creative achievement and are understandable to such men only.”

Walter Russell (1871–1963) American philosopher

The Man who Tapped the Secrets of the Universe

Men , Books , School , Search

“There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the roses that were ever painted.”

Henri Matisse (1869–1954) French artist

As quoted in obituaries (5 November 1954)
1950s

Painting , Forgetting

“Our best corporate citizens are also our most creative… Sixty years ago, when the Russians beat us into space, we didn’t deny Sputnik was up there. We didn't argue about the science, or shrink our research and development budget. We built a space program almost overnight, and twelve years later, we were walking on the moon. That spirit of discovery is in our DNA. We're Thomas Edison and the Wright Brothers and George Washington Carver. We're Grace Hopper and Katherine Johnson and Sally Ride. We're every immigrant and entrepreneur from Boston to Austin to Silicon Valley racing to shape a better world. And over the past seven years, we've nurtured that spirit.”

Barack Obama (1961) 44th President of the United States of America

2016, State of the Union address (January 2016)

World , Science , Past

“In India, the measure of a singer's freedom is in his own creative personality. He can sing the composer's song as his own, if he has the power creatively to assert himself in his interpretation of the general law of the melody which he is given to interpret.”

Rabindranath Tagore (1861–1941) Bengali polymath

Interview with Einstein (1930)

Law , Freedom , Singing , Personality

“An art whose medium is language will always show a high degree of critical creativeness, for speech is itself a critique of life: it names, it characterizes, it passes judgment, in that it creates.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Speech at the Prussian Academy of Art in Berlin (22 January 1929); also in Essays of Three Decades (1942)

Life , Art

“As you will never be sure which are the right problems to work on, most of the time that you spend in the laboratory or at your desk will be wasted. If you want to be creative, then you will have to get used to spending most of your time not being creative, to being becalmed on the ocean of scientific knowledge.”

Steven Weinberg Scientist: Four golden lessons

Scientist: Four golden lessons (2003)

Knowledge , Problem , Time

“Our current obsession with creativity is the result of our continued striving for immortality in an era when most people no longer believe in an afterlife.”

Arianna Huffington (1950) Greek-American author and syndicated columnist

[The Female Woman, 1973, Davis-Poynter, London, ISBN 0706700988, unspecified page, unspecified chapter]

People

“It has become obvious to the new architect that by virtue of his work he is taking an active part in the building of a new world. For us the work of an artist has no value 'as such'; it does not represent an end in itself; it has no intrinsic beauty. The value of a work of art is determined by its relationship to the community... The artist, or the creative worker, invents nothing; there is no such thing as divine inspiration. Thus we understand by the term 'reconstruction' the conquest of the unresolved, of the 'mysterious,' and the chaotic. In our [Russian] architecture, as in our entire life, we are striving to create a social order, i. e., to raise the instinctive to a conscious level.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

Quote from: 'Ideological Superstructure'
1926 - 1941, Rußland: Die Rekonstruktion der Architektur in der Sowjetunion' (1929)

Life , World , Beauty , Art

“Just as the creative artist is not allowed to choose, neither is he permitted to turn his back on anything: a single refusal, and he is cast out of the state of grace and becomes sinful all the way through.”

Rainer Maria Rilke (1875–1926) Austrian poet and writer

Letter to his wife, reprinted in Rilke’s Letters on Cézanne (1952, trans. 1985). (October 23, 1907)
Rilke's Letters

Way

“We should treat computers as fancy telephones, whose purpose is to connect people. Information is alienated experience. Information is not something that exists. Indeed, computers don't really exist, exactly; they're only subject to human interpretation. This is a strong primary humanism I am promoting. As long as we remember that we ourselves are the source of our value, our creativity, our sense of reality, then all of our work with computers will be worthwhile and beautiful.”

Jaron Lanier (1960) American computer scientist, musician, and author

Digerati: Encounters With the Cyber Elite, (1996), ed. by John Brockman

People , Beauty , Reality , Sense

“Nothing, it is true, is more common than for both Science and Art to pay homage to the spirit of the age, and for creative taste to accept the law of critical taste.”

Friedrich Schiller book On the Aesthetic Education of Man

Letter 8
On the Aesthetic Education of Man (1794)

Age , Law , Art , Science

“No two beings, and no two situations, are really commensurable with each other. To become aware of this fact is to undergo a sort of crisis. But it is with this crisis in our moral awareness as a starting-point, that there becomes possible that cry from us towards the creative principle, and that demand by it on us, which each must answer in his own way.”

Gabriel Marcel (1889–1973) French philosopher, playwright, music critic and leading Christian existentialist

Source: Man Against Mass Society (1952), p. 25

Way , Cry

“What has the future in store for this strange being, born of a breath, of perishable tissue, yet Immortal, with his powers fearful and Divine? What magic will be wrought by him in the end? What is to be his greatest deed, his crowning achievement?
Long ago he recognized that all perceptible matter comes from a primary substance, or a tenuity beyond conception, filling all space, the Akasha or luminiferous ether, which is acted upon by the life-giving Prana or Creative Force, calling into existence, in never ending cycles, all things and phenomena. The primary substance, thrown into infinitesimal whirls of prodigious velocity, becomes gross matter; the force subsiding, the motion ceases and matter disappears, reverting to the primary substance.
Can man control this grandest, most awe-inspiring of all processes in nature? Can he harness her inexhaustible energies to perform all their functions at his bidding? more still cause them to operate simply by the force of his will?
If he could do this, he would have powers almost unlimited and supernatural. At his command, with but a slight effort on his part, old worlds would disappear and new ones of his planning would spring into being. He could fix, solidify and preserve the ethereal shapes of his imagining, the fleeting visions of his dreams. He could express all the creations of his mind on any scale, in forms concrete and imperishable. He could alter the size of this planet, control its seasons, guide it along any path he might choose through the depths of the Universe. He could cause planets to collide and produce his suns and stars, his heat and light. He could originate and develop life in all its infinite forms.”

Nikola Tesla (1856–1943) Serbian American inventor

Man's Greatest Achievement (1908; 1930)

Life , World , Fear , Dreams

“One of the main reasons for my interest early on in the art and technology relationship was that during my studies of movement and light in art I was struck by the technical components in this art. Contrary to most, if not all, specialists in the field who put the stress on purely plastic issues and in the first place on the constructivist tradition, I was convinced that the technical and technological elements played a decisive part in this art. One almost paradoxical experience was my encounter with the kinetic artist and author of the book Constructivism, George Rickey, and my discovery of the most subtle technical movements in his mobile sculptures. But what seemed to me still more decisive for my option towards the art and technology problematic was the encounter in the early 1950s with artists like Nicholas Schöffer and Frank Malina whose works were based on some first hand or second hand scientific knowledge and who effectively or symbolically employed contemporary technological elements that gave their works a prospective cultural meaning. The same sentiment prevailed in me when I encountered similar artistic endeavors from the 1950s onwards in the works of Piotr Kowalski, Roy Ascott and many others which confirmed me in the aesthetic option I had taken, particularly when I discovered that this option was not antinomic (contradictory) to another aspect of the creative works of the time, i. e. spectator participation.”

Frank Popper (1918) French art historian

Source: Joseph Nechvatal. in: " Origins of Virtualism: An Interview with Frank Popper http://www.mediaarthistory.org/refresh/Programmatic%20key%20texts/pdfs/Popper.pdf," in: Media Art History, 2004.

Books , Art , Knowledge , Decision

“There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul agains the sufferings of another; and the other, the only one at counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.”

Stefan Zweig book Beware of Pity

Beware of Pity (1939)

Pain , Soul , Suffering , Heart

“Creativity is the basis of all innovation, and although it is doubtful that it can be taught, creativity should be nurtured in those who have it.”

Jerome Isaac Friedman (1930) American physicist

"Will Innovation Flourish in the Future?," 2002

“The right creative act makes its own laws, and always will do.”

John Piper (artist) (1903–1992) English painter and printmaker (1903-1992)

Foreword to Enid Verity's 'Colour' Frewin 1967 ISBN 009079110X

Law

“Art itself cannot be taught, but craftsmanship can. Architects, painters, sculptors are all craftsmen in the original sense of the word. Thus it is a fundamental requirement of all artistic creativity that every student undergo a thorough training in the workshops of all branches of the crafts.”

Walter Gropius (1883–1969) German architect (1883-1969) and founder of the Bauhaus School

As quoted in Paul Klee, 1879-1940 (2000) by w:Susanna Partsch, p. 47

Art , Sense , Training

“I'm very proud to be Jewish and a big part of me being a creative person comes from being Jewish. The eccentricity in Jewish musicians really connects with me.”

Thomas Cohen (1990) British singer

As quoted in the Jewish Chronicle, 11 April 2014, p. 5

Parting , Personality

“The artist begins with a vision — a creative operation requiring effort. Creativity takes courage.”

Henri Matisse (1869–1954) French artist

As quoted in Artist to Artist : Inspiration and Advice from Visual Artists Past & Present (1998), p. 62
Posthumous quotes

Courage , Effort

“Our country is not flourishing. The enormous creative and spiritual potential of our nations is not being used sensibly. Entire branches of industry are producing goods that are of no interest to anyone, while we are lacking the things we need. A state which calls itself a workers' state humiliates and exploits workers. Our obsolete economy is wasting the little energy we have available.”

Václav Havel (1936–2011) playwright, essayist, poet, dissident and 1st President of the Czech Republic

New Year's Address to the Nation (1990)

Country

“It logically follows that, in today's multicultural world, the truly reliable path to coexistence, to peaceful coexistence and creative cooperation, must start from what is at the root of all cultures and what lies infinitely deeper in human hearts and minds than political opinion, convictions, antipathies, or sympathies — it must be rooted in self-transcendence:
Transcendence as a hand reached out to those close to us, to foreigners, to the human community, to all living creatures, to nature, to the universe.
Transcendence as a deeply and joyously experienced need to be in harmony even with what we ourselves are not, what we do not understand, what seems distant from us in time and space, but with which we are nevertheless mysteriously linked because, together with us, all this constitutes a single world.
Transcendence as the only real alternative to extinction.”

Václav Havel (1936–2011) playwright, essayist, poet, dissident and 1st President of the Czech Republic

The Need for Transcendence in the Postmodern World (1994)

World , Peace , Communication , Understanding

“It is the limitation of means that determine style, gives rise to new forms and makes creativity possible.”

Georges Braque (1882–1963) French painter and sculptor

1921 - 1945

“… the republic of creative minds: each giant calling to his brother through the desolate intervals of time. And undisturbed by the wanton noises of the dwarfs that creep past beneath them, their high spirit-converse continues.”

Friedrich Nietzsche book Philosophy in the Tragic Age of the Greeks

Source: Philosophy in the Tragic Age of the Greeks (posthumous), p. 32

Time , Past

“[Freedom] is the greatest of political goods. I do not say freedom is the greatest of all goods: the best things come from within—they are such things as creative art, and love, and thought. Such things can be helped or hindered by political conditions, but not actually produced by them; and freedom is, both in itself and in its relation to these other goods the best thing that political and economic conditions can secure.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1910s, Proposed Roads To Freedom (1918), Ch. V: Government and Law, p. 75

Love , Art , Freedom , Help

“I've spoken of the shining city all my political life, but I don't know if I ever quite communicated what I saw when I said it. But in my mind it was a tall proud city built on rocks stronger than oceans, wind-swept, God-blessed, and teeming with people of all kinds living in harmony and peace, a city with free ports that hummed with commerce and creativity, and if there had to be city walls, the walls had doors and the doors were open to anyone with the will and the heart to get here. That's how I saw it and see it still.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

1980s, Second term of office (1985–1989), Farewell Address (1989)

Life , God , People , Peace

“Well, first of all, let me say that I have never used Twitter. I noticed that young people — they're very busy with all these electronics. My thumbs are too clumsy to type in things on the phone. But I am a big believer in technology and I'm a big believer in openness when it comes to the flow of information. I think that the more freely information flows, the stronger the society becomes, because then citizens of countries around the world can hold their own governments accountable. They can begin to think for themselves. That generates new ideas. It encourages creativity. And so I've always been a strong supporter of open Internet use. I'm a big supporter of non-censorship.”

Barack Obama (1961) 44th President of the United States of America

Interview in Shanghai, as quoted in [http://learning.sohu.com/20091118/n268291186.shtml China Daily (17 November 2009)
2009, Town Hall meeting in Shanghai (November 2009)

People , World , Idea , Business

“I define speech as any communicative activity. [Can it be nonverbal? ] Yes. [Can it be nonverbal and also not written? ] Yes. [Can it encompass physical actions? ] Yes. Watt [Community for Creative Non-Violence v. Watt, 703 F.2d 586 (1983)] was a case in which what was at issue was sleeping as communicative activity. What I said was that for purposes of the heightened protections that are accorded, sleeping could not be speech. That is to say, I did not say that one could prohibit sleeping merely for the purpose of eliminating the communicative aspect of sleeping, if there is any... [and] I did not say that the Government could seek to prohibit that communication without running afoul of the heightened standards of the first amendment. If they passed a law that allows all other sleeping but only prohibits sleeping where it is intended to communicate, then it would be invalidated. But what I did say was, where you have a general law that just applies to an activity which in itself is normally not communicative, such as sleeping, spitting, whatever you like; clenching your fist, for example; such a law would not be subject to the heightened standards of the first amendment. That is to say, if there is ordinary justification for it, it is fine. It does not have to meet the high need, the no other available alternative requirements of the first amendment. Whereas, when you are dealing with communicative activity, naturally communicative activity—writing, speech, and so forth— any law, even if it is general, across the board, has to meet those higher standards.”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

Supreme Court Confirmation Hearings, (8/5/1986), transcript https://web.archive.org/web/20060213232846/http://a255.g.akamaitech.net/7/255/2422/22sep20051120/www.gpoaccess.gov/congress/senate/judiciary/sh99-1064/31-110.pdf at pp. 51-52).
1980s

Law , Communication , Nature , Sleep

“Well then, I will tell you. Alexander, Caesar, Charlemagne and I myself have founded great empires; but upon what did these creations of our genius depend? Upon force. Jesus alone founded His empire upon love, and to this very day millions will die for Him. I think I understand something of human nature; and I tell you, all these were men, and I am a man: none else is like Him; Jesus Christ was more than a man. I have inspired multitudes with such an enthusiastic devotion that they would have died for me but to do this it was necessary that I should be visibly present with the electric influence of my looks, my words, of my voice. When I saw men and spoke to them, I lighted up the flame of self-devotion in their hearts. Christ alone has succeeded in so raising the mind of man toward the unseen, that it becomes insensible to the barriers of time and space. Across a chasm of eighteen hundred years, Jesus Christ makes a demand which is beyond all others difficult to satisfy; He asks for that which a philosopher may often seek in vain at the hands of his friends, or a father of his children, or a bride of her spouse, or a man of his brother. He asks for the human heart; He will have it entirely to Himself. He demands it unconditionally; and forthwith His demand is granted. Wonderful! In defiance of time and space, the soul of man, with all its powers and faculties, becomes an annexation to the empire of Christ. All who sincerely believe in Him, experience that remarkable, supernatural love toward Him. This phenomenon is unaccountable; it is altogether beyond the scope of man's creative powers. Time, the great destroyer, is powerless to extinguish this sacred flame; time can neither exhaust its strength nor put a limit to its range. This is it, which strikes me most; I have often thought of it. This it is which proves to me quite convincingly the Divinity of Jesus Christ.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

In a statement about Jesus Christ. While exiled on the rock of St. Helena, Napoleon called Count Montholon to his side and asked him, "Can you tell me who Jesus Christ was?" Upon the Count declining to respond Napoleon countered. Ravi Zacharias, Jesus Among Other Gods http://books.google.com/books?id=jSI9HnMHdPsC&pg=PA149&lpg=PA149&dq=napoleon+jesus+among+gods&source=bl&ots=CdsDSjamnm&sig=K3l7Ek972r7pyEFT681lbf3PVSQ&hl=en&sa=X&ei=nBqhUf3RL4au9AS37ICwCQ&ved=0CBYQ6AEwAA, p. 149, in Henry Parry Liddon (1868) The Divinity of Our Lord and Saviour Jesus Christ; Eight Lectures. New edition. https://books.google.com/books?id=IcINAAAAYAAJ&pg=PA148&dq#v=onepage&q&f=false pp. 147-148, and in Henry Parry Liddon (1869) The Divinity of Our Lord and Saviour Jesus Christ; Eight Lectures. Fourth edition. https://ia800203.us.archive.org/15/items/divinityofourlord00libbrich/divinityofourlord00libbrich.pdf pp. 147-148.
Attributed

Love , Men , Children , Soul

“Dr. King understood that peace without justice was no peace at all; that aligning our reality with our ideals often requires the speaking of uncomfortable truths and the creative tension of non-violent protest. But he also understood that to bring about true and lasting change, there must be the possibility of reconciliation; that any social movement has to channel this tension through the spirit of love and mutuality. If he were alive today, I believe he would remind us that the unemployed worker can rightly challenge the excesses of Wall Street without demonizing all who work there; that the businessman can enter tough negotiations with his company’s union without vilifying the right to collectively bargain. He would want us to know we can argue fiercely about the proper size and role of government without questioning each other’s love for this country -- (applause) -- with the knowledge that in this democracy, government is no distant object but is rather an expression of our common commitments to one another. He would call on us to assume the best in each other rather than the worst, and challenge one another in ways that ultimately heal rather than wound.”

Barack Obama (1961) 44th President of the United States of America

2011, Remarks at a Dedication Ceremony for the Martin Luther King, Jr., National Memorial (October 2011)

Love , Truth , Peace , Justice

“Just as we teach children to avoid being destroyed by motor cars if they can, so we should teach them to avoid being destroyed by cruel fanatics, and to this end we should seek to produce independence of mind, somewhat sceptical and wholly scientific, and to preserve, as far as possible, the instinctive joy of life that is natural to healthy children. This is the task of a liberal education: to give a sense of the value of things other than domination, to help create wise citizens of a free community, and through the combination of citizenship with liberty in individual creativeness to enable men to give to human life that splendour which some few have shown that it can achieve.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1930s, Power: A New Social Analysis (1938), Ch. 18: The Taming of Power

Life , Men , Children , Education

“There is rarely a creative man who does not have to pay a high price for the divine spark of his greatest gifts…the human element is frequently bled for the benefit of the creative element and to such an extent that it even brings out the bad qualities, as for instance, ruthless, naive egoism (so-called "auto-eroticism"), vanity, all kinds of vices-and all this in order to bring to the human I at least some life-strength, since otherwise it would perish of sheer inanition.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

Psychology and Poetry (June 1930)

Life

“For his [the artist's] life is, of necessity, full of conflicts, since two forces fight in him: the ordinary man with his justified claim for happiness, contentment, and guarantees for living on the one hand, and the ruthless creative passion on the other, which under certain conditions crushes all personal desires into the dust.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

Psychology and Poetry (June 1930)

Life , Passion , Fight , Personality

“There are two fundamentally different ways for the strong to bend down to the weak, for the rich to help the poor, for the more perfect life to help the “less perfect.” This action can be motivated by a powerful feeling of security, strength, and inner salvation, of the invincible fullness of one’s own life and existence. All this unites into the clear awareness that one is rich enough to share one’s being and possessions. Love, sacrifice, help, the descent to the small and the weak, here spring from a spontaneous overflow of force, accompanied by bliss and deep inner calm. Compared to this natural readiness for love and sacrifice, all specific “egoism,” the concern for oneself and one’s interest, and even the instinct of “self-preservation” are signs of a blocked and weakened life. Life is essentially expansion, development, growth in plenitude, and not “self-preservation,” as a false doctrine has it. Development, expansion, and growth are not epiphenomena of mere preservative forces and cannot be reduced to the preservation of the “better adapted.” … There is a form of sacrifice which is a free renunciation of one’s own vital abundance, a beautiful and natural overflow of one’s forces. Every living being has a natural instinct of sympathy for other living beings, which increases with their proximity and similarity to himself. Thus we sacrifice ourselves for beings with whom we feel united and solidary, in contrast to everything “dead.” This sacrificial impulse is by no means a later acquisition of life, derived from originally egoistic urges. It is an original component of life and precedes all those particular “aims” and “goals” which calculation, intelligence, and reflection impose upon it later. We have an urge to sacrifice before we ever know why, for what, and for whom! Jesus’ view of nature and life, which sometimes shines through his speeches and parables in fragments and hidden allusions, shows quite clearly that he understood this fact. When he tells us not to worry about eating and drinking, it is not because he is indifferent to life and its preservation, but because he sees also a vital weakness in all “worrying” about the next day, in all concentration on one’s own physical well-being. … all voluntary concentration on one’s own bodily wellbeing, all worry and anxiety, hampers rather than furthers the creative force which instinctively and beneficently governs all life. … This kind of indifference to the external means of life (food, clothing, etc.) is not a sign of indifference to life and its value, but rather of a profound and secret confidence in life’s own vigor and of an inner security from the mechanical accidents which may befall it. A gay, light, bold, knightly indifference to external circumstances, drawn from the depth of life itself—that is the feeling which inspires these words! Egoism and fear of death are signs of a declining, sick, and broken life. …
This attitude is completely different from that of recent modern realism in art and literature, the exposure of social misery, the description of little people, the wallowing in the morbid—a typical ressentiment phenomenon. Those people saw something bug-like in everything that lives, whereas Francis sees the holiness of “life” even in a bug.”

Max Scheler (1874–1928) German philosopher

Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1961), pp. 88-92

Love , Life , Death , People

“We cannot understand what happens in the universe. What is glorious in it is united with what is full of horror. What is full of meaning is united to what is senseless. The spirit of the universe is at once creative and destructive — it creates while it destroys and destroys while it creates, and therefore it remains to us a riddle. And we must inevitably resign ourselves to this.”

Albert Schweitzer (1875–1965) French-German physician, theologian, musician and philosopher

Source: The Spiritual Life (1947), p. 5

Understanding , Universe

“Usually, if you see the environment destroyed, it’s not because that's necessary for development. It's usually because we're being lazy, and we're not being as creative as we could be about how to do it in a smarter, sustainable way.”

Barack Obama (1961) 44th President of the United States of America

Remarks by President Obama at YSEALI Town Hall https://www.whitehouse.gov/the-press-office/2016/09/07/remarks-president-obama-yseali-town-hall (7 September 2016)
2016

Way

“Regarding social order, Fukuyama writes, "The systematic study of how order, and thus social capital, can emerge in spontaneous and decentralized fashion is one of the most important intellectual developments of the late twentieth century." He correctly attributes the modern origins of this argument to F. A. Hayek, whose pioneering contributions to cognitive science, the study of cultural evolution, and the dynamics of social change put him in the forefront of the most creative scholars of the 20th century. But Hayek's views about the "spontaneity" of social order remain controversial. In their extreme form, they imply that all deliberate efforts to manipulate social order — social engineering — are doomed to failure because the complex nature of our cultural heritage makes a complete understanding of the human condition impossible.
Hayek was certainly correct that we have, at best, a very imperfect understanding of the human landscape, but "spontaneous" it is not. What distinguishes human evolution from the Darwinian model is the intentionality of the players. The mechanism of variation in evolutionary theory (mutation) is not informed by beliefs about eventual consequences. In contrast, human evolution is guided by the perceptions of the players; their choices (decisions) are made in the light of the theories the actors have, which provide expectations about outcomes.”

Douglass C. North (1920–2015) American Economist

Douglass North in "Orders of the Day" in Reason (November 1999) http://reason.com/archives/1999/11/01/orders-of-the-day, a review of The Great Disruption : Human Nature and the Reconstruction of Social Order (1999) by Francis Fukuyama

Fashion , Failure , Understanding , Nature

“We are far from understanding how to achieve adaptively efficient economies because allocative efficiency and adaptive efficiency may not always be consistent. Allocatively efficient rules would make today's firms and decisions secure - but frequently at the expense of the creative destruction process that Schumpeter had in mind.”

Douglass C. North (1920–2015) American Economist

Source: Institutions (1990), p. 81; Ch. 9 : Organizations, learning, and institutional change

Understanding , Decision

“The daimonic can be either creative or destructive and is normally both.”

Rollo May book Love and Will

Source: Love and Will (1969), p. 123
Context: The daimonic is any natural function which has the power to take over the whole person. Sex and eros, anger and rage, and the craving for power are examples. The daimonic can be either creative or destructive and is normally both.

“Translated into simpler terms, each portion of energy is endowed with an inbuilt reach of creativity that seeks to fulfill its own potentials in all possible variations - and in such a way that such a development also furthers the creative potentials of each other portion of reality.”

Jane Roberts (1929–1984) American Writer

Session 884, Page 138
Dreams, Evolution and Value Fulfillment, Volume One (1986)
Context: Value fulfillment itself is most difficult to describe, for it combines the nature of a loving presence - a presence with the innate knowledge of its own divine complexity - with a creative ability of infinite proportions that seeks to bring to fulfillment even the slightest, most distant portion of its own inverted complexity. Translated into simpler terms, each portion of energy is endowed with an inbuilt reach of creativity that seeks to fulfill its own potentials in all possible variations - and in such a way that such a development also furthers the creative potentials of each other portion of reality.

Way , Reality

“Rightness of limitation is essential for growth of reality. Unlimited possibility and abstract creativity can procure nothing. The limitation, and the basis arising from what is already actual, are both of them necessary and interconnected.”

Alfred North Whitehead book Religion in the Making

Religion in the Making (February 1926), Lecture IV: "Truth and Criticism" http://www.mountainman.com.au/whiteh_4.htm.
1920s

Reality

“On music record industry: "I moved into the record industry. I was under the impression that in order to be alive and to be able to create what I had in mind I had to become successful. I realised that success and pure creativity are not very compatible. The more successful you become, the more you become a product of something that generates money. Instead of being able to move forward freely and do what you really wish, you find yourself stuck and obliged to repeat yourself and your previous success."”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

2012

Money , Success

“When we don't accept or follow, but question, investigate, penetrate, there is an insight out of which comes creativity, joy.”

Anthony de Mello (1931–1987) Indian writer

The Way to Love (1995)
Context: It is the desire for "the more" that prevents clear thinking, whereas if we are discontent, not because we want something, but without knowing what we want; if we are dissatisfied with our jobs, with making money, with seeking position and power, with tradition, with what we have and with what we might have; if we are dissatisfied, not with anything in particular but with everything, then I think we shall find that our discontent brings clarity. When we don't accept or follow, but question, investigate, penetrate, there is an insight out of which comes creativity, joy.

Question , Joy

“India of the ages is not dead nor has she spoken her last creative word; she lives and has still something to do for herself and the human peoples.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

January, 1921
India's Rebirth
Context: India of the ages is not dead nor has she spoken her last creative word; she lives and has still something to do for herself and the human peoples. And that which must seek now to awake is not an anglicised oriental people, docile pupil of the West and doomed to repeat the cycle of the occident's success and failure, but still the ancient immemorable Shakti recovering her deepest self, lifting her head higher towards the supreme source of light and strength and turning to discover the complete meaning and a vaster form of her Dharma.

People , Age , Dead

“Whether we believe in God or not, it is impossible not to believe in something, whether we call it a creative life-giving force, or vital energy inherent in matter which gives it its capacity for self-movement and change and growth, or by some other name, something that is as real, though elusive, as life is real when contrasted with death.”

Jawaharlal Nehru (1889–1964) Indian lawyer, statesman, and writer, first Prime Minister of India

Autobiography (1936; 1949; 1958)
Context: Organised religion allying itself to theology and often more concerned with its vested interests than with the things of the spirit encourages a temper which is the very opposite of science. It produces narrowness and intolerance, credulity and superstition, emotionalism and irrationalism. It tends to close and limit the mind of man and to produce a temper of a dependent, unfree person.
Even if God did not exist, it would be necessary to invent Him, so Voltaire, said … perhaps that is true, and indeed the mind of man has always been trying to fashion some such mental image or conception which grew with the mind's growth. But there is something also in the reverse proposition: even if God exist, it may be desirable not to look up to Him or to rely upon Him. Too much dependence on supernatural forces may lead, and has often led, to loss of self-reliance in man, and to a blunting of his capacity and creative ability. And yet some faith seems necessary in things of the spirit which are beyond the scope of our physical world, some reliance on moral, spiritual, and idealistic conceptions, or else we have no anchorage, no objectives or purpose in life. Whether we believe in God or not, it is impossible not to believe in something, whether we call it a creative life-giving force, or vital energy inherent in matter which gives it its capacity for self-movement and change and growth, or by some other name, something that is as real, though elusive, as life is real when contrasted with death. <!-- p. 524 (1946)

Life , Death , God , Change

“Most creativity is a transition from one context into another where things are more surprising.”

Alan Kay (1940) computer scientist

ACM Queue A Conversation with Alan Kay Vol. 2, No. 9 - Dec/Jan 2004-2005 http://queue.acm.org/detail.cfm?id=1039523
2000s, A Conversation with Alan Kay, 2004–05
Context: Most creativity is a transition from one context into another where things are more surprising. There’s an element of surprise, and especially in science, there is often laughter that goes along with the “Aha.” Art also has this element. Our job is to remind us that there are more contexts than the one that we’re in — the one that we think is reality.

“Creativity is just connecting things.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Interviewed with Wired: Gary Wolf. Steve Jobs: The Next Insanely Great Thing http://archive.wired.com/wired/archive/4.02/jobs_pr.html (February 1996)
1990s
Context: Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn't really do it, they just saw something. It seemed obvious to them after a while. That's because they were able to connect experiences they've had and synthesize new things. And the reason they were able to do that was that they've had more experiences or they have thought more about their experiences than other people... Unfortunately, that's too rare a commodity. A lot of people in our industry haven't had very diverse experiences. So they don't have enough dots to connect, and they end up with very linear solutions without a broad perspective on the problem. The broader one's understanding of the human experience, the better design we will have.

“Creativity arises out of the tension between spontaneity and limitations”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 6 : On the Limits of Creativity, p. 115
Context: Creativity arises out of the tension between spontaneity and limitations, the latter (like the river banks) forcing the spontaneity into the various forms which are essential to the work of art or poem.

“But there is something also in the reverse proposition: even if God exist, it may be desirable not to look up to Him or to rely upon Him. Too much dependence on supernatural forces may lead, and has often led, to loss of self-reliance in man, and to a blunting of his capacity and creative ability.”

Jawaharlal Nehru (1889–1964) Indian lawyer, statesman, and writer, first Prime Minister of India

Autobiography (1936; 1949; 1958)
Context: Organised religion allying itself to theology and often more concerned with its vested interests than with the things of the spirit encourages a temper which is the very opposite of science. It produces narrowness and intolerance, credulity and superstition, emotionalism and irrationalism. It tends to close and limit the mind of man and to produce a temper of a dependent, unfree person.
Even if God did not exist, it would be necessary to invent Him, so Voltaire, said … perhaps that is true, and indeed the mind of man has always been trying to fashion some such mental image or conception which grew with the mind's growth. But there is something also in the reverse proposition: even if God exist, it may be desirable not to look up to Him or to rely upon Him. Too much dependence on supernatural forces may lead, and has often led, to loss of self-reliance in man, and to a blunting of his capacity and creative ability. And yet some faith seems necessary in things of the spirit which are beyond the scope of our physical world, some reliance on moral, spiritual, and idealistic conceptions, or else we have no anchorage, no objectives or purpose in life. Whether we believe in God or not, it is impossible not to believe in something, whether we call it a creative life-giving force, or vital energy inherent in matter which gives it its capacity for self-movement and change and growth, or by some other name, something that is as real, though elusive, as life is real when contrasted with death. <!-- p. 524 (1946)

God , Loss , Dependency

“I realize that all society rests upon force. But all the great creative actions, all the decent human relations, occur during the intervals when force has not managed to come to the front. These intervals are what matter. I want them to be as frequent and as lengthy as possible, and I call them "civilization".”

E.M. Forster (1879–1970) English novelist

What I Believe (1938)
Context: I realize that all society rests upon force. But all the great creative actions, all the decent human relations, occur during the intervals when force has not managed to come to the front. These intervals are what matter. I want them to be as frequent and as lengthy as possible, and I call them "civilization". Some people idealize force and pull it into the foreground and worship it, instead of keeping it in the background as long as possible. I think they make a mistake, and I think that their opposites, the mystics, err even more when they declare that force does not exist. I believe that it exists, and that one of our jobs is to prevent it from getting out of its box. It gets out sooner or later, and then it destroys us and all the lovely things which we have made. But it is not out all the time, for the fortunate reason that the strong are so stupid.

“The supreme principle, both in politics and in private life, should be to promote all that is creative, and so to diminish the impulses and desires that center round possession.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Principles of Social Reconstruction [Originally titled Why Men Fight : A Method Of Abolishing The International Duel], Ch. VIII : What We Can Do, p. 257
1910s
Context: It is preoccupation with possessions, more than anything else, that prevents men from living freely and nobly. The State and Property are the great embodiments of possessiveness; it is for this reason that they are against life, and that they issue in war. Possession means taking or keeping some good thing which another is prevented from enjoying; creation means putting into the world a good thing which otherwise no one would be able to enjoy. Since the material goods of the world must be divided among the population, and since some men are by nature brigands, there must be defensive possession, which will be regulated, in a good community, by some principle of impersonal justice. But all this is only the preface to a good life or good political institutions, in which creation will altogether outweigh possession, and distributive justice will exist as an uninteresting matter of course.
The supreme principle, both in politics and in private life, should be to promote all that is creative, and so to diminish the impulses and desires that center round possession.

Life

“Real life is, to most men, a long second-best, a perpetual compromise between the ideal and the possible; but the world of pure reason knows no compromise, no practical limitations, no barrier to the creative activity embodying in splendid edifices the passionate aspiration after the perfect from which all great work springs.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

1900s, "The Study of Mathematics" (November 1907)
Context: Real life is, to most men, a long second-best, a perpetual compromise between the ideal and the possible; but the world of pure reason knows no compromise, no practical limitations, no barrier to the creative activity embodying in splendid edifices the passionate aspiration after the perfect from which all great work springs. Remote from human passions, remote even from the pitiful facts of nature, the generations have gradually created an ordered cosmos, where pure thought can dwell as in its natural home, and where one, at least, of our nobler impulses can escape from the dreary exile of the actual world.

Life , Men , World , Spring

“Sometimes I myself have been sublime, I myself have been a masterpiece. Sometimes my visions have been mingled with a thrill of evidence so strong and so creative that the whole room has quivered with it like a forest, and there have been moments, in truth, when the silence cried out.”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XVII
Context: Who shall compose the Bible of human desire, the terrible and simple Bible of that which drives us from life to life, the Bible of our doings, our goings, our original fall? Who will dare to tell everything, who will have the genius to see everything?
I believe in a lofty form of poetry, in the work in which beauty will be mingled with beliefs. The more incapable of it I feel myself, the more I believe it to be possible. The sad splendour with which certain memories of mine overwhelm me, shows me that it is possible. Sometimes I myself have been sublime, I myself have been a masterpiece. Sometimes my visions have been mingled with a thrill of evidence so strong and so creative that the whole room has quivered with it like a forest, and there have been moments, in truth, when the silence cried out.
But I have stolen all this, and I have profited by it, thanks to the shamelessness of the truth revealed. At the point in space in which, by accident, I found myself, I had only to open my eyes and to stretch out my mendicant hands to accomplish more than a dream, to accomplish almost a work.

Truth , Strong , Silence

“This is a tale of the agony of the creative individual, whose nightly rest only resuscitates him so that he can endure his agonies the next day.”

Rollo May (1909–1994) US psychiatrist

Source: Power and Innocence (1972), Ch. 11 : The Humanity of the Rebel
Context: Civilization begins with a rebellion. Prometheus, one of the Titans, steals fire from the gods on Mount Olympus and brings it as a gift to man, marking the birth of human culture. For this rebellion Zeus sentences him to be chained to Mount Caucasus where vultures consume his liver during the day and at night it grows back only to be again eaten away the next day. This is a tale of the agony of the creative individual, whose nightly rest only resuscitates him so that he can endure his agonies the next day.

“Freedom is necessary for two reasons. It's necessary for the individual, because the individual, no matter how good the society is, every individual has hopes, fears, ambitions, creative urges, that transcend the purposes of his society.”

Reinhold Niebuhr (1892–1971) American protestant theologian

The Mike Wallace Interview (1958)
Context: Freedom is necessary for two reasons. It's necessary for the individual, because the individual, no matter how good the society is, every individual has hopes, fears, ambitions, creative urges, that transcend the purposes of his society. Therefore we have a long history of freedom, where people try to extricate themselves from tyranny for the sake of art, for the sake of science, for the sake of religion, for the sake of the conscience of the individual — this freedom is necessary for the individual.

Fear , Hope , Freedom

“The uncreative mind can spot the wrong answers, but it takes a very creative mind to spot the wrong questions" The question has never been: Do we have the money? The question has always been: Do we have the resources?”

Jacque Fresco (1916–2017) American futurist and self-described social engineer

Money , Question

“At some point in our lives, each of us realizes how really finite we are. For me this realization has been a driving force in my creativity and in my life in general. I paint with a new abandonment almost trying to deny the fact that I too will someday pass on and the only thing remaining will be the images that I leave behind.”

Carlos Almaraz (1941–1989) Chicano artist

On mortality driving his creative energies (as quoted in [https://www.lacma.org/carlos-almaraz-other-voices “Other Voices: Reflections on Almaraz's Legacy”)

Life , Painting

“The esoteric doctrines for which the Eastern lotus stands have been perpetuated in modern Europe under the form of the rose. The rose and the lotus are yonic emblems, signifying primarily the maternal creative mystery, while the Easter lily is considered to be phallic. The Brahmin and Egyptian initiates, who undoubtedly understood the secret systems of spiritual culture whereby the latent centers of cosmic energy in man may be stimulated, employed the lotus blossoms to represent the spinning vortices of spiritual energy located at various points along the spinal column and called chakras, or whirling wheels, by the Hindus. Seven of these chakras are of prime importance and have their individual correspondences in the nerve ganglia and plexuses.”

Manly P. Hall (1901–1990) Canadian writer and mystic

The Secret Teachings of All Ages p.306 https://ia800809.us.archive.org/15/items/Thesecretteachingsofallages2/The%20Secret%20Teachings%20Of%20All%20Ages%20-%20Manly%20P.%20Hall.pdf
The Secret Teachings of All Ages (1928)

Maternity , Secret

“In fact the opposition of instinct and reason is mainly illusory. Instinct, intuition, or insight is what first leads to the beliefs which subsequent reason confirms or confutes; but the confirmation, where it is possible, consists, in the last analysis, of agreement with other beliefs no less instinctive. Reason is a harmonising, controlling force rather than a creative one. Even in the most purely logical realms, it is insight that first arrives at what is new.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1910s, Our Knowledge of the External World (1914), p. 21

“The dynamic principle of fantasy is play, a characteristic also of the child, and as such it appears inconsistent with the principle of serious work. But without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable. It is therefore short-sighted to treat fantasy, on account of its risky or unacceptable nature, as a thing of little worth.”

C.G. Jung book Psychological Types

Source: Psychological Types, or, The Psychology of Individuation (1921), Ch. 1, p. 82

Imagination , Appearance , Birth , Nature

“Time is the most precious gift in our possession, for it is the most irrevocable. This is what makes it so disturbing to look back upon the time which we have lost. Time lost is time when we have not lived a full human life, time unenriched by experience, creative endeavor, enjoyment, and suffering. Time lost is time not filled, time left empty.”

Dietrich Bonhoeffer (1906–1945) German Lutheran pastor, theologian, dissident anti-Nazi

As quoted in LIFE magazine (22 April 1957), p. 152; also in Letters and Papers from Prison (1967), p. 47

Life , Time , Suffering , Making love

“The difference between science and the arts is not that they are different sides of the same coin, even, or even different parts of the same continuum, but rather, they're manifestations of the same thing...They spring from the same source. The arts and sciences are avatars of human creativity. It's our attempt as humans to build an understanding of the universe, the world around us. It's our attempt to influence things, the universe internal to ourselves and external to us.”

Mae Jemison (1956) American doctor and NASA astronaut

2002 TED talk by Mae Jemison https://www.ted.com/talks/mae_jemison_on_teaching_arts_and_sciences_together/transcript?language=en, TED talk "Teach arts and sciences together," February, 2002

Understanding , Spring , Art , Universe

“Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn't really do it, they just saw something. It seemed obvious to them after a while. That's because they were able to connect experiences they've had and synthesize new things. And the reason they were able to do that was that they've had more experiences or they have thought more about their experiences than other people... Unfortunately, that's too rare a commodity. A lot of people in our industry haven't had very diverse experiences. So they don't have enough dots to connect, and they end up with very linear solutions without a broad perspective on the problem. The broader one's understanding of the human experience, the better design we will have.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Interviewed with Wired: Gary Wolf. Steve Jobs: The Next Insanely Great Thing http://archive.wired.com/wired/archive/4.02/jobs_pr.html (February 1996)
1990s

Problem , People , Feeling , Understanding

“The urge to destroy is also a creative urge.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Attributed by Banksy on Instagram (October 6, 2018): "The urge to destroy is also a creative urge" - Picasso https://www.instagram.com/p/BomXijJhArX/?hl=en&taken-by=banksy. This was actually written by anarchist philosopher Mikhail Bakunin in his essay "Reaction in Germany," in 1842.

Source: Moore, John (2004). I Am Not a Man, I Am Dynamite!: Friedrich Nietzsche and the Anarchist Tradition. Brooklyn NY: Autonomedia. p. 87.

Source: Lehning, Arthur, ed. (1973). Mikhail Bakunin: Selected Writings. London: Cape. p. 58.
Misattributed

“Stalin was an example of creativity, humanism and an edifying example of peace and heroism! [...] Everything that he did, he did at the service of the people. Our father Stalin is dead, but when remembering his example, our affection towards him will make our arms grow strong for the building of a great tomorrow, to assure a future in memory of his magnificent example.”

Salvador Allende (1908–1973) Chilean physician and politician

Speech at the Baquedano Theater, Santiago, Chile (1953) https://web.archive.org/web/20101222183523/https://www.northstarcompass.org/nsc1011/nsc1011.pdf

Peace , Dead , Strong , Future

“when I listen to Iranian songs, it's like all of these daily releases are made by 1 guy, it is funny when all singers and artists wanna copy another one, it will kill the creativity forever.”

Big Mori (1996) Iranian rapper and athlete

Source: Skeletaa website https://www.skeletaa.com/post/big-mori-iranian-music-industry-needs-to-be-more-creative interview had done by Jack Sancho, 19 March 2021
Source: Rokna News https://www.rokna.net/%D8%A8%D8%AE%D8%B4-%D9%88%D8%B1%D8%B2%D8%B4%DB%8C-8/673017-%D9%85%D8%B1%D8%AA%D8%B6%DB%8C-%D9%85%D8%B1%D8%A7%D8%AF%DB%8C-%D9%85%D8%B1%D8%AF-%D9%87%D8%B2%D8%A7%D8%B1-%DA%86%D9%87%D8%B1%D9%87-%D9%BE%D8%B1%D9%88%D8%B1%D8%B4-%D8%A7%D9%86%D8%AF%D8%A7%D9%85-%D8%A7%DB%8C%D8%B1%D8%A7%D9%86-%D8%AA%D9%84%D9%81%DB%8C%D9%82-%D9%87%D9%86%D8%B1-%D9%88%D8%B1%D8%B2%D8%B4-%D8%A8%D8%A7-%DA%86%D8%A7%D8%B4%D9%86%DB%8C-%D9%86%D9%88%DB%8C%D8%B3%D9%86%D8%AF%DA%AF%DB%8C-%D9%81%DB%8C%D9%84%D9%85

Guy

“What has made this whole process so special is that above all - especially in terms of the pace of change – it has been determined by the creative and spontaneous activity of the broad mass of the people, with the communists in the vanguard. In this spirit and in accord with the plenary session of the Central Committee of the Communist Party of Czechoslovakia, people have acted without the slightest manipulation and without being given commands from above. The role of the party is to recognize people’s understanding, to raise it to a higher plane, to support progressive thinking and acts.”

Alexander Dubček (1921–1992) first Secretary of the Czechoslovak Communist Party

Speech to a meeting of the Communist Party of Czechoslovakia's Central Committee outlining the reforms known as Socialism with a human face, April 1, 1968. Quoted in Alexander Dubček: hope and despair in 1968 https://english.radio.cz/alexander-dubcek-hope-and-despair-1968-8588161 (January 22, 2009) by David Vaughan, Radio Prague

Thinking , Understanding , Support , People