Quotes about construction
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Rollo May photo

“The first thing necessary for a constructive dealing with time is to learn to live in the reality of the present moment. For psychologically speaking, this present moment is all we have.”

Rollo May (1909–1994) US psychiatrist

Source: Man’s Search for Himself (1953), p. 227
Context: The first thing necessary for a constructive dealing with time is to learn to live in the reality of the present moment. For psychologically speaking, this present moment is all we have. The past and future have meaning because they are part of the present: a past event has existence now because you are thinking of it at this present moment, or because it influences you so that you, as a living being in the present, are that much different. The future has reality because one can bring it into his mind in the present. Past was the present at one time, and the future will be the present at some coming moment. To try to live in the "when" of the future or the "then" of the past always involves an artificiality, a separating one's self from reality; for in actuality one exists in the present. The past has meaning as it lights up the present, and the future as it makes the present richer and more profound.

H.P. Lovecraft photo

“Our means of receiving impressions are absurdly few, and our notions of surrounding objects infinitely narrow. We see things only as we are constructed to see them, and can gain no idea of their absolute nature. With five feeble senses we pretend to comprehend the boundlessly complex cosmos”

"From Beyond" Written November 16, 1920, published June 1934 in The Fantasy Fan, 1
Fiction
Context: What do we know … of the world and the universe about us? Our means of receiving impressions are absurdly few, and our notions of surrounding objects infinitely narrow. We see things only as we are constructed to see them, and can gain no idea of their absolute nature. With five feeble senses we pretend to comprehend the boundlessly complex cosmos, yet other beings with wider, stronger, or different range of senses might not only see very differently the things we see, but might see and study whole worlds of matter, energy, and life which lie close at hand yet can never be detected with the senses we have.

C. A. R. Hoare photo

“There are two ways of constructing a software design: One way is to make it so simple that there are obviously no deficiencies, and the other way is to make it so complicated that there are no obvious deficiencies. The first method is far more difficult.”

C. A. R. Hoare (1934) British computer scientist

The Emperor's Old Clothes
Context: There are two ways of constructing a software design: One way is to make it so simple that there are obviously no deficiencies, and the other way is to make it so complicated that there are no obvious deficiencies. The first method is far more difficult. It demands the same skill, devotion, insight, and even inspiration as the discovery of the simple physical laws which underlie the complex phenomena of nature.

Julian Huxley photo

“Many people assert that this abandonment of the god hypothesis means the abandonment of all religion and all moral sanctions. This is simply not true. But it does mean, once our relief at jettisoning an outdated piece of ideological furniture is over, that we must construct some thing to take its place.”

Julian Huxley (1887–1975) English biologist, philosopher, author

The New Divinity (1964)
Context: God is a hypothesis constructed by man to help him understand what existence is all about.... To say that God is ultimate reality is just semantic cheating, as well as being so vague as to become effectively meaningless... Today the god hypothesis has ceased to be scientifically tenable, has lost its explanatory value and is becoming an intellectual and moral burden to our thought. It no longer convinces or comforts, and its abandonment often brings a deep sense of relief. Many people assert that this abandonment of the god hypothesis means the abandonment of all religion and all moral sanctions. This is simply not true. But it does mean, once our relief at jettisoning an outdated piece of ideological furniture is over, that we must construct some thing to take its place.

Aurelius Augustinus photo

“You wish to be great, begin from the least. You are thinking to construct some mighty fabric in height; first think of the foundation of humility.”

Aurelius Augustinus (354–430) early Christian theologian and philosopher

Sermon 19:2 on the New Testament http://www.newadvent.org/fathers/160319.htm
Sermons
Context: You wish to be great, begin from the least. You are thinking to construct some mighty fabric in height; first think of the foundation of humility. And how great soever a mass of building one may wish and design to place above it, the greater the building is to be, the deeper does he dig his foundation.

Keanu Reeves photo
Jawaharlal Nehru photo
Nikola Tesla photo
Carl Schmitt photo
Miles Davis photo

“Miles said he looked on his need for constant change as a curse. However, Miles, along with Duke Ellington, in terms of looking for models of how you strategize with a band, have been there constantly in the background for me. Not the Beatles as a construct for a group, not Led Zeppelin, not the Floyd. My guides have always been Miles and Duke.”

Miles Davis (1926–1991) American jazz musician

Robert Fripp, on how Miles Davis influenced his leadership in King Crimson.
As quoted in a Rolling Stone interview "The Crimson King Seeks a New Court" by Hank Shteamer (15 April 2019) https://www.rollingstone.com/music/music-features/robert-fripp-interview-king-crimson-tour-david-bowie-kanye-west-820783/.
Quotes by others

Joseph Kosuth photo

“Fundamental to this idea of art (conceptual art) is the understanding of the linguistic nature of all art propositions, be they past or present, and regardless of the elements used in their construction.”

Joseph Kosuth (1945) American conceptual artist

note: Without this understanding a 'conceptual' form of presentation is little more than a manufactured stylehood, and such art we have with increasing abundance.
'Joseph Kosuth: Introductory note by the American editor', in Art-Language Vol.1 Nr.2, Art & Language Press, Chipping Norton (February 1970), p.3.

Leonardo Da Vinci photo
Ingrid Daubechies photo
Eckhart Tolle photo
Flannery O’Connor photo

“Mrs. Hopewell had no bad qualities of her own but she was able to use other people's in such a constructive way that she never felt the lack.”

Flannery O’Connor (1925–1964) American novelist, short story writer

Source: A Good Man is Hard to Find and Other Stories

Rick Riordan photo
Jodi Picoult photo
David Foster Wallace photo

“Learning how to think' really means learning how to exercise some control over how & what you think. It means being conscious & aware enough to choose what you pay attention to & to choose how you construct meaning from experience.”

David Foster Wallace (1962–2008) American fiction writer and essayist

Source: This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

Dave Eggers photo
Daniel H. Wilson photo

“Demolition is a part of construction.”

Source: Robopocalypse

Billy Graham photo

“End of Construction. Thank you 'for your patience. " Inscription on Ruth Bell Graham's grave -- inspired hy a road sign she saw.”

Billy Graham (1918–2018) American Christian evangelist

Source: Nearing Home: Life, Faith, and Finishing Well

Arundhati Roy photo
Sigmund Freud photo

“public self is a conditioned construct of the inner psychological self.”

Sigmund Freud (1856–1939) Austrian neurologist known as the founding father of psychoanalysis
Margaret Atwood photo
Aaron Allston photo
Susan Sontag photo

“The painter constructs, the photographer discloses.”

Source: On Photography

Anne Lamott photo

“Expectations are resentments under construction.”

Anne Lamott (1954) Novelist, essayist, memoirist, activist
Ravi Zacharias photo
Roberto Bolaño photo
Zadie Smith photo
Cassandra Clare photo
Cassandra Clare photo
Holly Black photo
Orson Scott Card photo
Cormac McCarthy photo
Ned Vizzini photo
Wilkie Collins photo
Jeanette Winterson photo
Immanuel Kant photo
Gabrielle Zevin photo
Cormac McCarthy photo

“When you've nothing else construct ceremonies out of the air and breathe upon them.”

Variant: When one has nothing left make ceremonies out of the air and breathe upon them.
Source: The Road

Mary Wollstonecraft Shelley photo
Simone Weil photo

“Art is the symbol of the two noblest human efforts: to construct and to refrain from destruction.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

The Pre-War Notebook (1933-1939), published in First and Last Notebooks (1970) edited by Richard Rees

Bell Hooks photo
William Gibson photo
Karen Marie Moning photo
Eoin Colfer photo
Haruki Murakami photo
Alice Walker photo
Anthony Burgess photo
Tom Stoppard photo
David Levithan photo

“[The information available within a system constitutes what Boulding (1978) calls the noosphere. It is constituted by the collection of plans, of representations, of procedures, of ideas for the construction of objects or of instructions to realize certain interaction patterns, including] the totality of the cognitive content, including values, of all human nervous systems, plus the prostatic devices by which the system is extended and integrated in the form of libraries, computers, telephones, post offices, and so on.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1970s, Ecodynamics: A New Theory Of Societal Evolution, 1978, p. 122, cited in: Jorge Reina Schement, Brent D. Ruben (1993) Information and Behavior - Volume 4. p. 517
Robert A. Solo (1994) " Kenneth Ewart Boulding: 1910-1993. An Appreciation http://www.jstor.org/stable/4226892" commented: "The image appears as crucial in Boulding's treatment of societal evolution. Here the record is in human artifacts, not only in material structures such as buildings and machines, telephones and radios, but also in organizations including the extended family, the tribe, the nation, and the corporation. All such artifacts originate in and are sustained by images in the human mind. Civilization and civilized man, in the language that he knows, the skills he acquires, the whole heritage of tradition and manners he has learned, are human artifacts."

Fernand Léger photo
Albert Camus photo
Evelyn Waugh photo

“Art is the symbol of the two noblest human efforts: to construct and to refrain from destruction.”

Evelyn Waugh (1903–1966) British writer

Simone Weil, The Pre-War Notebook (1933-1939), published in First and Last Notebooks (1970) edited by Richard Rees
Misattributed

John Hirst photo
George Steiner photo

“Like proselytization, desecrating and demolishing the temples of non-Muslims is also central to Islam…. India too suffered terribly as thousands of Hindu temples and sacred edifices disappeared in northern India by the time of Sikandar Lodi and Babur. Will Durant rightly laments in the Story of Civilization that "We can never know from looking at India today, what grandeur and beauty it once possessed". In Delhi, after the demolition of twenty-seven Hindu and Jain temples, the materials of which were utilized to construct the Quwwat-ul-Islam masjid, it was after 700 years that the Birla Mandir could be constructed in 1930s. Sita Ram Goel has brought out two excellent volumes on Hindu Temples: What happened to them. These informative volumes give a list of Hindu shrines and their history of destruction in the medieval period on the basis of Muslim evidence itself. This of course does not cover all the shrines razed. Muslims broke temples recklessly. Those held in special veneration by Hindus like the ones at Somnath, Ayodhya, Kashi and Mathura, were special targets of Muslims, and whenever the Hindus could manage to rebuild their shrines at these places, they were again destroyed by Muslim rulers. From the time of Mahmud of Ghazni who destroyed the temples at Somnath and Mathura to Babur who struck at Ayodhya to Aurangzeb who razed the temples at Kashi Mathura and Somnath, the story is repeated again and again.”

Theory and Practice of Muslim State in India (1999)

Donald J. Trump photo
Joseph Louis Lagrange photo
Thurgood Marshall photo
Terry Winograd photo
Penny Rimbaud photo
Francis Escudero photo
Jean Metzinger photo

“So, music does not attempt to imitate Nature's sounds, but it does interpet and embody emotions awakened by Nature through a convention of its own, in a way to be aesthetically pleasing. In some such way, we, taking our hint from Nature, construct decoratively pleasing harmonies and symphonies of color expression of our sentiments.”

Jean Metzinger (1883–1956) French painter

Quote of Metzinger in 'The Wild Men of Paris', by Gelett Burgess https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf, in 'The Architectural Record, Vol XXVII, May 1910, p. 414

Vitruvius photo
Konstantin Chernenko photo
Ellen G. White photo
E. W. Hobson photo

“The first period embraces the time between the first records of empirical determinations of the ratio of the circumference to the diameter of a circle until the invention of the Differential and Integral Calculus, in the middle of the seventeenth century. This period, in which the ideal of an exact construction was never entirely lost sight of, and was occasionally supposed to have been attained, was the geometrical period, in which the main activity consisted in the approximate determination of π by the calculation of the sides or the areas of regular polygons in- and circum-scribed to the circle. The theoretical groundwork of the method was the Greek method of Exhaustions. In the earlier part of the period the work of approximation was much hampered by the backward condition of arithmetic due to the fact that our present system of numerical notation had not yet been invented; but the closeness of the approximations obtained in spite of this great obstacle are truly surprising. In the later part of this first period methods were devised by which the approximations to the value of π were obtained which required only a fraction of the labour involved in the earlier calculations. At the end of the period the method was developed to so high a degree of perfection that no further advance could be hoped for on the lines laid down by the Greek Mathematicians; for further progress more powerful methods were required.”

E. W. Hobson (1856–1933) British mathematician

Source: Squaring the Circle (1913), pp. 10-11

Francis Escudero photo
El Lissitsky photo
George Lakoff photo

“We know that someone who has channeled his anger into something constructive has not had a cow. How do we know these things?”

George Lakoff (1941) American linguist

Women, Fire, and Dangerous Things (1987)

Nassim Nicholas Taleb photo

“It is remarkable how fast and how effectively you can construct a nationality with a flag, a few speeches, and a national anthem; to this day I avoid the label "Lebanese," preferring the less restrictive "Levantine" designation.”

Nassim Nicholas Taleb (1960) Lebanese-American essayist, scholar, statistician, former trader and risk analyst

Source: The Black Swan: The Impact of the Highly Improbable (2007), p. 5

Willem Roelofs photo

“Ships, houses, mills… in one word everything that is made by people must stand upright and be painted with care. This is actually a good presentation compared to other, less symmetrical things, like the trees, skies, etc. It doesn't create the painting, but it certainly strengthen the illusion. It's just like somebody who is neatly dressed, but whose tie is coming off. The windows of a house must be straight, a mill in a pure construction, the blades well-positioned in perspective.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Schepen, huizen, molens eb in één woord alles, wat door menschen gemaakt is, moet recht staan en met zorg geschilderd worden. Dit staat juist zeer goed tegenover andere, minder symmetrische dingen, als boomen, luchten enz. Het maakt het schilderij wel niet, maar draagt toch bij tot de illusie. 't Is er net mee, als met iemand, die keurig gekleed is, maar wiens das los zit. De ramen van een huis moeten recht, een molen zuiver van constructie zijn, de wieken in het perspectief staan.
Quote of Roelofs; as cited by H.F.W. Jeltes, in Willem Roelofs : bizonderheden betreffende zijn leven en zijn werk, met brieven en andere bijlagen, Van Kampen, Amsterdam, 1911, pp. 86-87
undated quotes

“[I]t pretends to examine how self-absorbed we are as a culture, only to be consumed by its own self-absorption. It's also badly constructed, humorless and emotionally sadistic.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2008/01/18/cloverfield/ of Cloverfield (2008)

Perry Anderson photo
Jacques Bertin photo

“If, in order to obtain a correct and complete answer to a given question, all other things being equal, one construction requires a shorter observation time than another construction, we can say that it is more efficient for this question.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Semiology of graphics (1967/83), p. 139: Bertin’s definition of efficiency as cited in: Naomi B. Robbins (2009) Creating More Effective Graphs http://www.ssc.ca/ottawa/documents/SSO2009FallRobbins.pdf

Mengistu Haile Mariam photo
Stuart A. Umpleby photo

“The "second order cyberneticians" claimed that knowledge is a biological phenomenon (Maturana, 1970), that each individual constructs his or her own "reality" (Foerster, 1973) and that knowledge "fits" but does not "match" the world of experience”

Stuart A. Umpleby (1944) American scientist

von Glasersfeld, 1987
Stuart A. Umpleby (1994) The Cybernetics of Conceptual Systems http://www.itk.ntnu.no/ansatte/Gulbrandsoey_Kenneth/documents/papers/THE%20CYBERNETICS%20OF%20CONCEPTUAL%20SYSTEMS.pdf. p. 3

Le Corbusier photo
Tim Parks photo
Teresa Kok photo

“Previously, we only made products such as baskets or satay skewers using bamboo. Now, we need to produce higher value products such as furniture, laminated boards, construction materials and innovative novelty products.”

Teresa Kok (1964) Malaysian politician

Teresa Kok (2018) cited in " Bamboo industry must transform, modernise to grow: Kok http://www.thesundaily.my/news/2018/09/18/bamboo-industry-must-transform-modernise-grow-kok" on The Sun Daily, 18 September 2018

James Joseph Sylvester photo

“Most, if not all, of the great ideas of modern mathematics have had their origin in observation. Take, for instance, the arithmetical theory of forms, of which the foundation was laid in the diophantine theorems of Fermat, left without proof by their author, which resisted all efforts of the myriad-minded Euler to reduce to demonstration, and only yielded up their cause of being when turned over in the blow-pipe flame of Gauss’s transcendent genius; or the doctrine of double periodicity, which resulted from the observation of Jacobi of a purely analytical fact of transformation; or Legendre’s law of reciprocity; or Sturm’s theorem about the roots of equations, which, as he informed me with his own lips, stared him in the face in the midst of some mechanical investigations connected (if my memory serves me right) with the motion of compound pendulums; or Huyghen’s method of continued fractions, characterized by Lagrange as one of the principal discoveries of that great mathematician, and to which he appears to have been led by the construction of his Planetary Automaton; or the new algebra, speaking of which one of my predecessors (Mr. Spottiswoode) has said, not without just reason and authority, from this chair, “that it reaches out and indissolubly connects itself each year with fresh branches of mathematics, that the theory of equations has become almost new through it, algebraic 31 geometry transfigured in its light, that the calculus of variations, molecular physics, and mechanics” (he might, if speaking at the present moment, go on to add the theory of elasticity and the development of the integral calculus) “have all felt its influence.”

James Joseph Sylvester (1814–1897) English mathematician

James Joseph Sylvester. "A Plea for the Mathematician, Nature," Vol. 1, p. 238; Collected Mathematical Papers, Vol. 2 (1908), pp. 655, 656.