Quotes about brush

A collection of quotes on the topic of brush, brushing, painting, paint.

Quotes about brush

“She raised an eyebrow. "You got something to say to me, Seaweed Brain?"

You'd probably kick my butt."

YouI'd kick your butt."

I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable… Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."

Annabeth kept her eyes on the horizon. "Yeah?"

Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-"

Oh, you so wanted to."

Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking…" My throat felt really dry.

Anyone in particular?" Annabeth asked, her voice soft.

I looked over and saw that she was trying not to smile.

You're laughing at me," I complained.

I am not!"

You arenot making this easy."

Then she laughed for real, and she put her hands
around my neck. "I am never, going to make things easy for you, Seaweed Brain. Get used to it.”

Rick Riordan book The Last Olympian

Source: The Last Olympian

God, World, Smile, Thinking

“How in the hell could a man enjoy being awakened at 8:30 a.m. by an alarm clock, leap out of bed, dress, force-feed, piss, brush teeth and hair, and fight traffic to get to a place where essentially you made lots of money for somebody else and were asked to be grateful for the opportunity to do so?”

Charles Bukowski book Factotum

Source: Factotum

Hell, Fight, Money

“wash the brush, just beats the devil out of it”

Bob Ross (1942–1995) American painter, art instructor, and television host

Source: The Joy of Painting with Bob Ross, Vol. 29

“Violence is not merely killing another. It is violence when we use a sharp word, when we make a gesture to brush away a person, when we obey because there is fear.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

1960s, Freedom From The Known (1969)
Context: Violence is not merely killing another. It is violence when we use a sharp word, when we make a gesture to brush away a person, when we obey because there is fear. So violence isn't merely organized butchery in the name of God, in the name of society or country. Violence is much more subtle, much deeper, and we are inquiring into the very depths of violence.
When you call yourself an Indian or a Muslim or a Christian or a European, or anything else, you are being violent. Do you see why it is violent? Because you are separating yourself from the rest of mankind. When you separate yourself by belief, by nationality, by tradition, it breeds violence. So a man who is seeking to understand violence does not belong to any country, to any religion, to any political party or partial system; he is concerned with the total understanding of mankind.

Fear, Personality

“Can't even find the perfect brush to paint what is going through my mind.”

Drake (1986) Canadian rapper, singer, songwriter, record producer, and actor

"Brand New," So Far Gone (2009)

Painting, Perfection

“Time is the brush of God, as he paints his masterpiece on the heart of humanity.”

Ravi Zacharias (1946) Indian philosopher

God, Time, Heart, Painting

“God is not remote from us. He is at the point of my pen, my (pick) shovel, my paint brush, my (sewing) needle - and my heart and thoughts.”

Pierre Teilhard De Chardin (1881–1955) French philosopher and Jesuit priest

God, Heart, Painting

“People think God is a man. People think God has got ears, nose, teeth and he rises daily in the morning, brushes his teeth and washes his mouth. And he is an old man and he has a beard. All these things people think. But no, God is energy. God is perfect and pure energy.”

Prem Rawat (1957) controversial spiritual leader

Central Hall, Westminster, London, UK, November 2, 1971
1970s

God, People, Thinking, Perfection

“Humor (is) the process that allows one to brush reality aside when it gets too distressing.”

André Breton book Anthology of Black Humor

Source: Anthology of Black Humor

Reality

“One wanted, she thought, dipping her brush deliberately, to be on a level with ordinary experience, to feel simply that's a chair, that's a table, and yet at the same time, It's a miracle, it's an ecstasy.”

Virginia Woolf book To the Lighthouse

Source: To the Lighthouse

Feeling, Time

“He is outside of everything, and an alien everywhere. He is an aesthetic solitary. His beautiful, light imagination is the wing that on the autumn evening just brushes the dusky window.”

Henry James (1843–1916) American novelist, short story author, and literary critic

"Nathaniel Hawthorne" in Library of the World's Best Literature, vol. XII (1897), ed. Charles Dudley Warner.

Beauty, Imagination, Autumn, Light

“Valkyrie smiled patiently. "I like how you do your make-up. Do you use a brush, or just dip your head in the bucket?”

Derek Landy (1974) Irish children's writer

Smile

“Yes, she thought, laying down her brush in extreme fatigues, I have had my vision.”

Virginia Woolf book To the Lighthouse

Source: To the Lighthouse

“I was thinking of preparing my palette and my brushes to resume work, but relapses and further bouts of pain prevented it. I'm not giving up that hope and am occupying myself with some major alterations in my studios and plans to perfect the garden [in Giverny ]. All this to show you that, with courage, I'm getting the upper hand.”

Claude Monet (1840–1926) French impressionist painter

three months before Monet died
Quote from Monet's letter to Georges Clemenceau, Sept. 1926; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 79
1920 - 1926

Pain, Hope, Courage, Thinking

“I think it was really interesting to see how Malia and Sasha reacted. They were disappointed. They paid attention to what their mom said during the campaign and believed it because it’s consistent with what we have tried to teach them in our household and what I’ve tried to model as a father with their mom and what we’ve asked them to expect from future boyfriends or spouses. But what we’ve also tried to teach them is resilience and we’ve tried to teach them hope and that the only thing that is the end of the world is the end of the world. And so, you get knocked down, you get up, brush yourself off and you get back to work.”

Barack Obama (1961) 44th President of the United States of America

2017, Final News Conference as President (January 2017)

World, Hope, Disappointment, Moms

“Some paintings become famous because, being durable, they are viewed by successive generations, in each of which are likely to be found a few appreciative eyes. I know a painting so evanescent that it is seldom viewed at all, except by some wandering deer. It is a river who wields the brush, and it is the same river who, before I can bring my friends to view his work, erases it forever.”

Aldo Leopold book A Sand County Almanac

“August: The Green Pasture”, p. 51.
A Sand County Almanac, 1949, "August: The Green Pasture," "September: The Choral Copse," "October: Smoky Gold," and "October: Red Lanterns"

Success, Painting

“The notion that every single human being – regardless of their peculiarities and their strangenesses and sins and crimes and all of that – has something divine in them that needs to be regarded with respect, plays an integral role, at least an analgous role, in the creation of habitable order out of chaos. It's a magnificent, remarkable and crazy idea. Yet we developed it. And I do firmly believe that it sits at the base of our legal system. I think it is the cornerstone of our legal system. That's the notion that everyone is equal before God. That's such a strange idea. It's very difficult to understand how anybody could have ever come up with that idea, because the manifold differences between people are so obvious and so evident that you could say the natural way of viewing someone, or human beings, is in this extremely hierarchical manner where some people are contemptible and easily brushed off as pointless and pathological and without value whatsoever, and all the power accrues to a certain tiny aristocratic minority at the top. But if you look way that the idea of individual sovereignty developed, it is clear that it unfolded over thousands, perhaps tens of thousands of years, where it became something that was fixed in the imagination that each individual had something of transcendent value about them. And, man, I can tell you – we dispense with that idea at our serious peril. And if you're going to take that idea seriously – and you do because you act it out, because otherwise you wouldn't be law-abiding citizens. It's shared by anyone who acts in a civilized manner. The question is, why in the world do you believe it? Assuming that you believe what you act out – which I think is a really good way of fundamentally defining belief.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

God, People, World, Law

“People say of such-and-such a painter that he has great command of his brush. Might it not be more correct to say that he is controlled of his brush? Merely for the satisfaction of his vanity, to paint brilliantly and display skill with the brush, he has sacrificed the nobler considerations of naturalness and truth – and thus achieved sorry fame as a brilliant technician.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from his writings Thoughts on Art, Caspar David Friedrich; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 32
undated

People, Truth, Nature, Painting

“Tom appeared on the sidewalk with a bucket of whitewash and a long-handled brush. He surveyed the fence, and all gladness left him and a deep melancholy settled down upon his spirit. Thirty yards of board fence nine feet high. Life to him seemed hollow, and existence but a burden.”

Mark Twain book The Adventures of Tom Sawyer

Source: The Adventures of Tom Sawyer (1876), Ch. 2

Life, Appearance

“To the guests that must go, bid God's speed and brush away all traces of their steps.”

Rabindranath Tagore (1861–1941) Bengali polymath

45 The Gardener http://www.spiritualbee.com/love-poems-by-tagore/ (1915)

God, Speed

“Does the painter imitate the body correctly if he guides his brush without any method, and if his hand is moved at random and the lines are not drawn with art? In the same way you will not put the sentiment of your mind in front of the others’ eyes unless you use appropriate and distinct words, a fitting arrangement of words and the right order of sentences. For, just as we represent bodies by colours, we represent the sentiment of our mind by speech.”

Philip Melanchthon (1497–1560) German reformer

Source: Praise of Eloquence (1523), p. 63

Art, Way

“Take a piece of glass of the size of a half sheet of royal folio paper, and fix it… between your eye and the object you wish to portray. Then move it away until your eye is two-thirds of a braccio away from the piece of glass, and fasten your head by means of an instrument in such a way as to prevent any movement of it whatsoever. Then close or cover up one eye, and with a brush or a piece of red chalk finely ground mark out on the glass what is visible beyond it; afterwards, copy it by tracing on paper from the glass, then prick it out upon paper of a better quality and paint it if you so desire, paying special attention to the aerial perspective.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter

Way, Painting

“One of the great things about America is that individual citizens and groups of citizens can petition their government, can protest, can speak truth to power. And that is sometimes messy and controversial. But because of that ability to protest and engage in free speech, America, over time, has gotten better. We've all benefited from that.

The abolition movement was contentious. The effort for women to get the right to vote was contentious and messy. There were times when activists might have engaged in rhetoric that was overheated and occasionally counterproductive. But the point was to raise issues so that we, as a society, could grapple with it. The same was true with the Civil Rights Movement, the union movement, the environmental movement, the anti-war movement during Vietnam. And I think what you're seeing now is part of that longstanding tradition.

What I would say is this -- that whenever those of us who are concerned about fairness in the criminal justice system attack police officers, you are doing a disservice to the cause. First of all, any violence directed at police officers is a reprehensible crime and needs to be prosecuted. But even rhetorically, if we paint police in broad brush, without recognizing that the vast majority of police officers are doing a really good job and are trying to protect people and do so fairly and without racial bias, if our rhetoric does not recognize that, then we're going to lose allies in the reform cause.

Now, in a movement like Black Lives Matter, there's always going to be some folks who say things that are stupid, or imprudent, or overgeneralized, or harsh. And I don't think that you can hold well-meaning activists who are doing the right thing and peacefully protesting responsible for everything that is uttered at a protest site.”

Barack Obama (1961) 44th President of the United States of America

Remarks by President Obama and Prime Minister Rajoy of Spain After Bilateral Meeting https://www.whitehouse.gov/the-press-office/2016/07/10/remarks-president-obama-and-prime-minister-rajoy-spain-after-bilateral (10 July 2016) 2016

Women, War, People, Truth

“I see less and less... I need to avoid lateral light, which darkens my colors. Nevertheless, I always paint at the times of day most propitious for me, as long as my paint tubes and brushes are not mixed up.... I will paint almost blind, as Beethoven composed completely deaf.”

Claude Monet (1840–1926) French impressionist painter

Quote, Jan. 1921, to journalist Marcel Pays. Monet in the 20th Century, by Paul Hayes Tucker.
1920 - 1926

Color, Light, Time, Painting

“Everything that is painted directly and on the spot always has strength, a power, and a vivacity of touch one cannot recover in the studio... Three strokes of the brush in front of nature are worth more than two days of work at the easel”

Eugène Boudin (1824–1898) French painter

in the studio
Quote from Boudin's sketchbook; as quoted in Boudin at Trouville, by Vivien Hamilton, exh. Catalogue, London John Murray Ltd., 1992, p. 16
undated quotes

Nature, Painting

“I have given up my studio & torn up my father's portrait, & have not touched a brush for six weeks nor ever will again until I see some prospect of getting back to Europe. I am very anxious to go out west next fall & get some employment, but I have not yet decided where.”

Mary Cassatt (1844–1926) American painter and printmaker

Quote from her letter of July, 1871; as quoted in her biography online at https://www.marycassatt.org/biography.html

“You're going to tell me that poverty's nothing to be ashamed of. It's not true, though. If you can't hide it, then it is something to be ashamed of. There's nothing you can do, you're ashamed just the same, the way you're ashamed when you leave a spot on somebody's table. No matter if it's deserved or not, honorable or not, poverty stinks. Yes, stinks, stinks like a ground-floor room off an airshaft, or clothes that need changing. You smell it yourself, as though you were made of sewage. It can't be wiped away. It doesn't help to put on a new hat, any more than rinsing your mouth helps when you're belching your guts out. It's around you and on you and everyone who brushes up against you or looks at you knows it. I know the way women look down on you when you're down at heels. I know it's embarrassing for other people, but the hell with that, it's a lot more embarrassing when it's you. You can't get out of it, you can't get past it, the best thing to do is get plastered, and here" (he reached for his glass and drained it in a deliberately uncouth gulp) "here's the great social problem, here's why the 'lower classes' indulge in alcohol so much more - that problem that countesses and matrons in women's groups rack their brains over at tea. For those few minutes, those few hours, you forget you're an affront to other and to yourself. It's no great distinction to be seen in the company of someone dressed lie this, I know, but it's no fun for me either.”

Stefan Zweig book The Post Office Girl

The Post Office Girl (published posthumously in 1982)

Women, People, Alcohol, Lie

“I take up my brush to explain the true spirit of this Ichi school as it is mirrored in the Way of heaven and Kwannon. The time is the night of the tenth day of the tenth month, at the hour of the tiger.”

Miyamoto Musashi (1584–1645) Japanese martial artist, writer, artist

Go Rin No Sho (1645), Introduction
Context: When I reached thirty I looked back on my past. The previous victories were not due to my having mastered strategy. Perhaps it was natural ability, or the order of heaven, or that other schools' strategy was inferior. After that I studied morning and evening searching for the principle, and came to realise the Way of strategy when I was fifty.
Since then I have lived without following any particular Way. Thus with the virtue of strategy I practise many arts and abilities — all things with no teacher. To write this book I did not use the law of Buddha or the teachings of Confucius, neither old war chronicles nor books on martial tactics. I take up my brush to explain the true spirit of this Ichi school as it is mirrored in the Way of heaven and Kwannon. The time is the night of the tenth day of the tenth month, at the hour of the tiger.

School, Way, Time, Night

“Man and his deed are two distinct things. It is quite proper to resist and attack a system, but to resist and attack its author is tantamount to resisting and attacking one-self. For we are all tarred with the same brush and are children of one and the same Creator, and as such the divine powers within us are infinite. To slight a single human being is to slight those divine powers, and thus to harm not only that being, but with him, the whole world.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

In reference to the Christian precept that God "hates sin but loves the sinner". Part IV, Chapter 9, A Tussle with Power. pp. 230-231. Also quoted in The Essential Gandhi: An Anthology of His Writings on His Life, Work, and Ideas (2012), p. 83
1920s, An Autobiography (1927)
Context: "Hate the sin and not the sinner" is a precept which, though easy enough to understand, is rarely practiced, and that is why the poison of hatred spreads in the world... Man and his deed are two distinct things. It is quite proper to resist and attack a system, but to resist and attack its author is tantamount to resisting and attacking one-self. For we are all tarred with the same brush and are children of one and the same Creator, and as such the divine powers within us are infinite. To slight a single human being is to slight those divine powers, and thus to harm not only that being, but with him, the whole world.

Children, World

“I find the audiences very excited. But then they come and say to me, "Your optimism has brushed off on me. I didn't know we had an option. I feel so much better." They say, "Your optimism." And I am not optimistic or pessimistic. I feel that optimism and pessimism are very unbalanced. I am a very hard engineer.”

Buckminster Fuller (1895–1983) American architect, systems theorist, author, designer, inventor and futurist

From 1980s onwards, Only Integrity is Going to Count (1983)
Context: I find the audiences very excited. But then they come and say to me, "Your optimism has brushed off on me. I didn't know we had an option. I feel so much better." They say, "Your optimism." And I am not optimistic or pessimistic. I feel that optimism and pessimism are very unbalanced. I am a very hard engineer. I am a mechanic. I am a sailor. I am an air pilot. I don't tell people I can get you across the ocean with my ship unless I know what I'm talking about.

Feeling, Optimism

“To brush aside America’s responsibility as a leader and — more profoundly — our responsibilities to our fellow human beings under such circumstances would have been a betrayal of who we are.”

Barack Obama (1961) 44th President of the United States of America

2011, Address on interventions in Libya (March 2011)
Context: Much of the debate in Washington has put forward a false choice when it comes to Libya. On the one hand, some question why America should intervene at all — even in limited ways — in this distant land. They argue that there are many places in the world where innocent civilians face brutal violence at the hands of their government, and America should not be expected to police the world, particularly when we have so many pressing needs here at home.
It’s true that America cannot use our military wherever repression occurs. And given the costs and risks of intervention, we must always measure our interests against the need for action. But that cannot be an argument for never acting on behalf of what’s right. In this particular country — Libya — at this particular moment, we were faced with the prospect of violence on a horrific scale. We had a unique ability to stop that violence: an international mandate for action, a broad coalition prepared to join us, the support of Arab countries, and a plea for help from the Libyan people themselves. We also had the ability to stop Qaddafi’s forces in their tracks without putting American troops on the ground.
To brush aside America’s responsibility as a leader and — more profoundly — our responsibilities to our fellow human beings under such circumstances would have been a betrayal of who we are. Some nations may be able to turn a blind eye to atrocities in other countries. The United States of America is different. And as President, I refused to wait for the images of slaughter and mass graves before taking action.

Betrayal

“I spoke it soft, but close enough to brush against her lips. I spoke it quiet, but near enough so that the sound of it went twining through her hair. I spoke it hard and firm and dark and sweet.”

Patrick Rothfuss book The Wise Man's Fear

Source: The Wise Man's Fear

“we reach with our hands
and brush away the clouds and pierce the sky
to reach the moon and Mars
but we still can't reach the truth”

Tite Kubo (1977) Japanese manga artist

Source: Bleach, Volume 10

Truth

“Oak, granite,
Lilies by the road,
Remember me?
I remember you.
Clouds brushing
Clover hills,
Remember me?
Sister, child,
Grown tall,
Remember me?
I remember you.”

Gail Carson Levine Ella Enchanted

Source: Ella Enchanted

Sister

“A writer needs a pen, an artist needs a brush, but a filmmaker needs an army.”

Orson Welles (1915–1985) American actor, director, writer and producer

“If you were coming in the fall,
I'd brush the summer by,
With half a smile and half a spurn,
As housewives do a fly.

If I could see you in a year,
I'd wind the months in balls,
And put them each in separate drawers,
Until their time befalls.”

Emily Dickinson book The Complete Poems of Emily Dickinson

Source: The Complete Poems of Emily Dickinson

Smile, Time, Summer, Flying

“Sleep is no longer a healing bath, a recuperation of vital forces, but an oblivion, a nightly brush with annihilation.”

J.M. Coetzee book Waiting for the Barbarians

Source: Waiting for the Barbarians

Sleep

“Something brushed his leg, and he gazed down into the face of Pippi Tucker. The theme from Jaws raced through his head.”

Susan Elizabeth Phillips (1948) American writer

Source: Match Me If You Can

“That's ridiculous. The only point in having enemies is so you can defeat them, kill them, brush them aside."

"Or give them a chance to redeem themselves.”

Derek Landy (1974) Irish children's writer

Source: Death Bringer

Chance

“I would remain nearer you for what time there is."

"Gone in one faerie sigh," she quoted.

Leather-clad fingers brushed over her short hair, rested on her cheek. "I can hold my breath.”

Holly Black (1971) American children's fiction writer

Source: Valiant

Quotes, Time

“A new friend is always a miracle, but at thirty-three years old, such a bird of paradise rising in the sage-brush was an avatar. One friend in a lifetime is much; two are many; three are hardly possible.”

Henry Adams book The Education of Henry Adams

Source: The Education of Henry Adams

Bird

“The Chinese use two brush strokes to write the word 'crisis.' One brush stroke stands for danger; the other for opportunity. In a crisis, be aware of the danger--but recognize the opportunity.”

John F. Kennedy (1917–1963) 35th president of the United States of America

“Camille brushed by Jem, hardly looking at him, and Will followed, pausing only long enough to mutter "She doesn't smell like anything" to Jem under his breath.
Jem looked alarmed. "You've beenher?”

Cassandra Clare book Clockwork Angel

Source: Clockwork Angel

“When she saw him face to face their eyes met and brushed like birds’ wings. After that everything was all right, everything was wonderful, she knew that he was beginning to fall in love with her.”

F. Scott Fitzgerald book Tender Is the Night

Source: Tender Is the Night

Love, Bird

“I came on the old and best ways of writing through ignorance and experiment and was startled when truths leaped out of brushes like quail before gunshot.”

Ray Bradbury book Zen in the Art of Writing

Source: Zen in the Art of Writing

Truth, Way

“I didn't wash today. I wasn't dirty. If I'm not dirty, I don't wash. Some weeks I don't have to shower at all. I just groom my three basic areas: teeth, hair, and asshole. And to save time, I use the same brush.”

George Carlin book Brain Droppings

Source: Brain Droppings

Time

“Carter leaned toward me and brushed the hair away from the side of my face. "Don't look down then," he whispered.”

Richelle Mead (1976) American writer

Source: Succubus on Top

“It was titillating to brush up against the enigma of mortality, to steal a glimpse across its forbidden frontier. Climbing was a magnificient activity, I firmly believed, not in spite of the inherent perils, but precisely because of them.”

Jon Krakauer (1954) American outdoors writer and journalist

Source: Into Thin Air: A Personal Account of the Mount Everest Disaster

“She grew more and more silent about what really mattered. She curled inside herself like one of those black chimney brushes, the little shellfish you see on the beach, and you touch them, and then go inside and don’t come out.”

Janet Frame (1924–2004) New Zealand author

Source: Owls Do Cry

“Yes, I'm too mad to punish you right now. We'll talk about it when we get home. Go brush your teeth, comb your hair, put on dry clothes, and get the guns. We're going to Wal-Mart.”

Ilona Andrews American husband-and-wife novelist duo

Source: On the Edge

Home, Madness, Clothes

“V?" Butch said. "Don't leave, okay?"
"Never." V brushed Butch's hair back with a gesture so tender it was out of place coming from a male.”

Jessica Bird book Lover Revealed

Source: Lover Revealed

“Blay said roughly,"I'm still in love with him"
Saxton dropped his eyes and brushed at the top of his thigh, as if there might have been a tiny piece of lint there. " I know. You thought you weren't?”

Jessica Bird (1969) U.S. novelist

Source: Lover Reborn

Love

“My heart skipped a beat and then flat-out tripped over itself and fell on its face. Then my heart stood up, brushed itself off, took a deep breath and announced: "I want a spiritual teacher.”

Elizabeth Gilbert book Eat, Pray, Love

Source: Eat, Pray, Love

Teachers, Heart

“What are you doing here?”
All right, he was standing in front of an easel, holding a paint palette and brush. “Taxidermy?” he responded with just a touch of his own sarcasm.”

Robyn Carr American writer

Source: Wild Man Creek

Painting

“I stood my ground. "You evil scientist are all the same--evil. Count me out."

Fang and I brushed past Mr. God and walked quickly but smoothly to the exit. It was barely noon, and I'd already made a huge enemy.

Dang, I'm good.”

James Patterson (1947) American author

Source: Fang

God, Evil, Past

“Sometimes I imagined stitching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love? Why does anyone ever make love?”

Jonathan Safran Foer book Extremely Loud and Incredibly Close

Extremely Loud and Incredibly Close (2005)
Context: I put my hand on him. Touching him has always been important to me, it was something I lived for. I never could explain why. Little, nothing touches, my fingers against his shoulder, the outsides of our thighs touching as we squeeled together on the bus. I couldnt explain it, but I needed it. Sometimes I imagined stiching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love?

Love, Making love, Imagination

“You have your brush, you have your colors, you paint the paradise, then in you go.”

Nikos Kazantzakis (1883–1957) Greek writer

Source: https://www.jstor.org/stable/3831088 Journal of Modern Literature Vol. 2, No. 2, Nikos Kazantzakis (1971 - 1972)

Color, Painting

“The craft is finding a decent drainpipe to get access to the site as much as it is in the art… Van Gogh used short, stumpy brush strokes to convey his insanity - I use short, thin ledges above mainline train tracks.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Evening Post, 2004 (taken from "Home Sweet Home - Banksy's Bristol" by Steve Wright)
Other sources
Source: Wall and Piece

Art, Training

“Ani felt a stirring, a hope, a winged thing waking up in her chest and brushing her heart with it's feathers.”

Shannon Hale The Goose Girl

Source: The Goose Girl

Hope, Heart

“Night was a very different matter. It was dense, thicker than the very walls, and it was empty, so black, so immense that within it you could brush against appalling things and feel roaming and prowling around a strange, mysterious horror.”

Guy De Maupassant (1850–1893) French writer

Source: The Complete Short Stories of Guy de Maupassant, Part One

Feeling, Night

“Our eyelashes brushed like they would weave together by themselves, turning us into one wild thing. I say, “I think I missed you before I met you even.”

Francesca Lia Block (1962) American children's writer

Thinking

“The camera will never compete with the brush and palette until such time as photography can be taken to Heaven or Hell.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Hell, Time

“Intimacy doesn't have all that much to do with backseats of cars. Real intimacy is brushing your teeth together.”

Gabrielle Zevin book Elsewhere

Source: Elsewhere

Cars

“I merely feel emptyness. A hollow of dead brush where flowers use to bloom.”

Suzanne Collins book Mockingjay

Source: Mockingjay

Feeling, Flowers, Dead

“Little Fly,
Thy summer’s play
My thoughtless hand
Has brushed away.

Am not I
A fly like thee?
Or art not thou
A man like me?

For I dance,
And drink, and sing,
Till some blind hand
Shall brush my wing.”

William Blake (1757–1827) English Romantic poet and artist

The Fly, st. 1–3
1790s, Songs of Experience (1794)

Art, Drink, Singing, Dance

“Shave that jaw, brush that hair, tone down the crazy in the eyes, and he would have to fight women off with that crossbow.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Burns

Women, Fight

“The first thing I do in the morning is brush my teeth and sharpen my tongue.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

“When you brush your teeth, I'll squeeze the toothpaste.”

Julie Garwood (1946) American writer

“Some say that we shall never know, and that to the gods we are like the flies that the boys kill on a summer's day, and some say, to the contrary, that the very sparrows do not lose a feather that has not been brushed away by the finger of God.”

Thornton Wilder book The Bridge of San Luis Rey

Source: The Bridge of San Luis Rey

God, Boy, Summer

“They had never been closer in their month of love, nor communicated more profoundly one with another, than when she brushed silent lips against his coat's shoulder or when he touched the end of her fingers, gently, as though she were asleep.”

F. Scott Fitzgerald The Great Gatsby

Source: The Great Gatsby

Love, Communication

“Gavriel closed his eyes, sooty lashes brushing his cheek. "I'll stay with you."

"What? No," she said automatically. "No! That's crazy."

"I'm crazy," he reminded her.”

Holly Black book The Coldest Girl in Coldtown

Source: The Coldest Girl in Coldtown

“To by held above the earth and be brushed by the wind," she said,"it's like your heart has been kissed by beauty.”

Wendelin Van Draanen Flipped

Source: Flipped

Beauty, Kiss, Heart

“It does not require a majority to prevail, but rather an irate, tireless minority keen to set brush fires in the minds of men.”

Samuel Adams (1722–1803) American statesman, Massachusetts governor, and political philosopher

Misattributed to Samuel Adams as early as 1990. Also misattributed to John Adams. Actually originates with Diane Ackerman, who, in an article on Samuel Adams, "The Man Who Made a Revolution", published in the September 6, 1987 issue of the widely circulated Sunday newspaper supplement Parade, wrote: "Early on, he realized that revolutions don't require a majority to prevail, but rather an irate, tireless minority keen to set brushfires in people's minds." (page numbers vary, article on pp. 20–23 in most editions with the preceding quote on p. 22 https://news.google.com/newspapers?id=qfQaAAAAIBAJ&pg=4292%2C1111900) Source: Mansour Khalid, The Government They Deserve: The Role of the Elite in Sudan's Political Evolution, London and New York: Kegan Paul International, 1990, p. 17 https://books.google.com/books?id=jZ9yAAAAMAAJ&q=brushfires. Source: Will Bunch, The Backlash: Right-Wing Radicals, Hi-Def Hucksters, and Paranoid Politics in the Age of Obama, New York: Harper, 2010, p. 49. Source: https://www.barrypopik.com/index.php/new_york_city/entry/it_does_not_require_a_majority_to_prevail_but_rather_an_irate_tireless_mino, https://lists.h-net.org/cgi-bin/logbrowse.pl?trx=lx&sort=3&list=H-OIEAHC&month=1310, http://listserv.linguistlist.org/pipermail/ads-l/2013-October/ Misattributed

Men

“Grow the lawn and mow the lawn
always keep the TV on,
brush your teeth and kill the germs,
poison apples, poison worms.”

Trenton Lee Stewart The Mysterious Benedict Society

Source: The Mysterious Benedict Society

“She still felt his gaze on her like the brush of a finger across the back of her neck, making her shiver.”

Cassandra Clare book Clockwork Prince

Source: Clockwork Prince

“All those Nupboards in the Cupboards they're good fun to have about. But that Nooth gush on my tooth brush….. Him I could do without.”

Dr. Seuss (1904–1991) American children's writer and illustrator, co-founder of Beginner Books

Source: There's a Wocket in My Pocket!

“He specializes in virgins! The brush of his fingertips turns virgins into slobbering mush."
Mary Lou Molnar”

Janet Evanovich book One for the Money

Source: One for the Money

“I love you dammit,"she brushed her lips teasingly against his.

"How much?" He made a slight sound, as if the soft kiss had affected him intensely.

"Without limit. Beyond forever.”

Lisa Kleypas (1964) American writer

Source: Secrets of a Summer Night

Love, Kiss

“There's something about what we're doing, [which] is that we're meant to lose… every time! We make these foires, write these books and perform this music, but the big juggernaut of civilization continues and we've been kind of brushed to the side, but I think all through history there's been these kind of divine losers that just take a deep breath and go ahead—knowing that society's not going to understand it—and not even caring, because they're having a good time.”

Ken Kesey (1935–2001) novelist

Magic Trip, (2011)

Books, Music, History, Understanding

“Between the fine point of the brush and the steely gaze, the scene is about to yield up its volume.”

Michel Foucault (1926–1984) French philosopher

Las Meninas
The Order of Things: An Archaeology of the Human Sciences (1970)

“[W]hen the coyote falls, he gets up and brushes himself off; it's preservation of dignity. He's humiliated, and it worries him when he ends up looking like an accordion. A coyote isn't much, but it's better than being an accordion.”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

Adamson, "Witty Birds and Well-Drawn Cats", 53.

“[My own goal is] to be completely empty of ideas at the moment of setting brush to canvas, the head being just as empty as the canvas.”

Asger Jorn (1914–1973) Danish artist

In a conversation with Pierre Loeb, circa 1946; as quoted on the website of the Jorn Museum 'Articles' by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255, 1940 - 1948, Various sources

Idea

“Painted using my penis instead of a brush. A short video of that performance will be sold with the painting.”

Pricasso (1949) Australian painter

Description of his portrait of Australia Prime Minister Julia Gillard, his submission to the Bald Archy Prize — cited in: [Artists brush up on wit for poke at awards, Canberra Times, 12 February 2011, Federal Capital Press of Australia Ltd., Australia]

Painting

“Born to a race of heroes, you, my love,
discard your brush and ink for tools of war.
You vow to capture citadels for the throne—
your sword will spare no foe of Heaven's sway.”

Đặng Trần Côn (1710–1745) writer

Source: Chinh phụ ngâm, Lines 17–20

Love, War

“Things which seem in poor taste: too many personal effects cluttering up the place where one is sitting; too many brushes in an ink-box; too many Buddhas in a family temple; too many stones and plants in a garden; too many children in a house; too many words on meeting someone; too many meritorious deeds recorded in a petition. Things which are not offensive, no matter how numerous: books in a book cart, rubbish in a rubbish heap.”

Yoshida Kenkō (1283–1350) japanese writer

72
Essays in Idleness (1967 Columbia University Press, Trns: Donald Keene)

Children, Books, Family, Housing

“Every artist dips his brush in his own soul and paints his own nature into his picture.”

Henry Ward Beecher (1813–1887) American clergyman and activist

Proverbs from Plymouth Pulpit (1887)

Soul, Nature, Painting

“What a queer thing touch is, the stroke of the brush. In the open air, exposed to wind, to sun, to the curiosity of the people, you work as you can, you feel your canvas anyhow... But when after a time you take up again this study and arrange your brush strokes in the direction of the objects - certainly it is more harmonious and pleasant to look at, and you add whatever you have of serenity and cheerfulness.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, 10 Sept. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 605), pp. 33-34 1880s, 1889

People, Feeling, Study, Time

“So turn your ears, you musicians, to silence
Because they only come out when it's quiet,
Their tails brushing over your eyelids…
Oh, wake up, sleepers, and rise from the dead!”

Aaron Weiss

The Soviet.
Catch For Us The Foxes (2004)

Silence, Dead

“With so many mind-bytes to be downloaded, so many mental codons to be replicated, it is no wonder that child brains are gullible, open to almost any suggestion, vulnerable to subversion, easy prey to Moonies, Scientologists and nuns. Like immune-deficient patients, children are wide open to mental infections that adults might brush off without effort.”

Richard Dawkins book Viruses of the Mind

Viruses of the Mind (1993)

Children, Effort

“Now, if you [his sister, Suzanne Duchamp ] have been up to my place, you will have seen, in the studio, [his former studio in France, probably in Paris] a 'Bicycle Wheel' and a 'Bottle Rack'. [both art-works became later famous ready-mades of Duchamp] – I bought this as a ready-made sculpture [sculpture tout faite]. And I h have a plan concerning this so-called bottle rack. Listen to this. Here in N. Y., I have bought various objects in the same taste and I treat them as 'ready-mades'. You know enough English to understand the meaning of 'ready-made' [tour fait] that I give these objects. – I sign them and think of an inscription for them in English. I'll give you a few examples. I have, for example, a large snow shovel on which I have inscribed at the bottom: In advance of the broken arm, French translation: 'En avance dus bras cassé' – (Don't tear your hair out) trying to understand this in the Romantic or impressionist or Cubist sense – it has nothing to do with all that. Another 'readymade' is called: Emergency in favour of twice possible French translation: Danger \Crise \en favour de 2 fois. This long preamble just to say: Take this bottle rack for yourself. I'm making it a 'readymade' remotely. You are to inscribe it at the bottom and on the inside of the bottom circle, in small letters painted with a brush in oil, silver white colour, with an inscription which I will give you herewith, and then sign it, in the same handwriting, as follows: [after] Marcel Duchamp.”

Marcel Duchamp (1887–1968) French painter and sculptor

long quote from Duchamp's letter to his sister Suzanne Duchamp, New York, c. 15 Jan. 1916; as quoted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 pp. 157-158
1915 - 1925

Art, Understanding, Thinking, Sense

“Philosophy is antipoetic. Philosophize about mankind and you brush aside individual uniqueness, which a poet cannot do without self-damage. Unless, for a start, he has a strong personal rhythm to vary his metrics, he is nothing. Poets mistrust philosophy. They know that once the heads are counted, each owner of a head loses his personal identity and becomes a number in some government scheme: if not as a slave or serf, at least as a party to the device of majority voting, which smothers personal views.”

Robert Graves (1895–1985) English poet and novelist

"The Case for Xanthippe" in The Crane Bag (1969).
General sources

Strong, Personality

“The artist's studio will be like a glass-bell or a hollow crystal. The painter himself must be white, which is to say, without tragedy or sorrow. The pallet must be of glass; the brush must be square and hard, dust-free and as immaculate as a surgical instrument. Doubtless there is much to learn from a medical laboratory... The studio of the modern painter must reflect the ambiance of mountains which are nine thousand feet high and topped with a eternal cap of snow. There the cold kills the microbes.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote in Van Doesburg's article 'Elementarism', as cited in De Stijl – Van Doesburg Issue, January 1932, pp. 17–19
1926 – 1931

Mountain, Learning

“She quarreled with the nanny and accused her of brushing Misha's teeth sideways rather than up and down.”

Woody Allen book Mere Anarchy

Mere Anarchy (2007)

“You held me down, but I got up
Already brushing off the dust.
You hear my voice, you hear that sound,
Like thunder, gonna shake the ground.
You held me down, but I got up,
Get ready cause I’ve had enough.
I see it all, I see it now.I got the eye of the tiger, a fighter, dancing through the fire.
Cause I am a champion and you’re gonna hear me ROAR.
Louder, louder than a lion,
Cause I am a champion and you’re gonna hear me ROAR.
Oh oh oh oh oh oh,
You’re gonna hear me roar.”

Katy Perry (1984) American singer, songwriter and actress

Roar, written by Katy Perry, Lukasz Gottwald, Max Martin, Bonnie McKee, and Henry Walter
Song lyrics, Prism (2013)

Dance

“Illustrating Tolkien means treading warily, dipping one's brush in shadow and rinsing them in light. Battle and balance, down the impossible path between the clear and the obscure.”

John Howe (illustrator) (1957) Canadian illustrator

As quoted in Tolkien's World: Paintings of Middle-Earth (1992) published by MJF Books

Light

“Now I as a painter shall never stand for anything of importance. I feel it utterly... I sometimes regret I did not simply keep to the Dutch palette [of Dutch impressionism ] with its grey tones, and have brushed away at landscapes of Montmartre [in 1886-87] with no ado.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, France, 3 May 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 590), p. 33 1880s, 1889

Feeling