Quotes about brush
A collection of quotes on the topic of brush, brushing, painting, paint.
Quotes about brush
“wash the brush, just beats the devil out of it”
Source: The Joy of Painting with Bob Ross, Vol. 29

1960s, Freedom From The Known (1969)
Context: Violence is not merely killing another. It is violence when we use a sharp word, when we make a gesture to brush away a person, when we obey because there is fear. So violence isn't merely organized butchery in the name of God, in the name of society or country. Violence is much more subtle, much deeper, and we are inquiring into the very depths of violence.
When you call yourself an Indian or a Muslim or a Christian or a European, or anything else, you are being violent. Do you see why it is violent? Because you are separating yourself from the rest of mankind. When you separate yourself by belief, by nationality, by tradition, it breeds violence. So a man who is seeking to understand violence does not belong to any country, to any religion, to any political party or partial system; he is concerned with the total understanding of mankind.

“Can't even find the perfect brush to paint what is going through my mind.”
"Brand New," So Far Gone (2009)

“Time is the brush of God, as he paints his masterpiece on the heart of humanity.”

Central Hall, Westminster, London, UK, November 2, 1971
1970s

“Humor (is) the process that allows one to brush reality aside when it gets too distressing.”
Source: Anthology of Black Humor

"Nathaniel Hawthorne" in Library of the World's Best Literature, vol. XII (1897), ed. Charles Dudley Warner.

“Yes, she thought, laying down her brush in extreme fatigues, I have had my vision.”
Source: To the Lighthouse

three months before Monet died
Quote from Monet's letter to Georges Clemenceau, Sept. 1926; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 79
1920 - 1926

2017, Final News Conference as President (January 2017)

Other

Quote from his writings Thoughts on Art, Caspar David Friedrich; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 32
undated

“To the guests that must go, bid God's speed and brush away all traces of their steps.”
45
The Gardener http://www.spiritualbee.com/love-poems-by-tagore/ (1915)

The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter

Remarks by President Obama and Prime Minister Rajoy of Spain After Bilateral Meeting https://www.whitehouse.gov/the-press-office/2016/07/10/remarks-president-obama-and-prime-minister-rajoy-spain-after-bilateral (10 July 2016)
2016

Quote, Jan. 1921, to journalist Marcel Pays. Monet in the 20th Century, by Paul Hayes Tucker.
1920 - 1926

in the studio
Quote from Boudin's sketchbook; as quoted in Boudin at Trouville, by Vivien Hamilton, exh. Catalogue, London John Murray Ltd., 1992, p. 16
undated quotes

Quote from her letter of July, 1871; as quoted in her biography online at https://www.marycassatt.org/biography.html

Go Rin No Sho (1645), Introduction
Context: When I reached thirty I looked back on my past. The previous victories were not due to my having mastered strategy. Perhaps it was natural ability, or the order of heaven, or that other schools' strategy was inferior. After that I studied morning and evening searching for the principle, and came to realise the Way of strategy when I was fifty.
Since then I have lived without following any particular Way. Thus with the virtue of strategy I practise many arts and abilities — all things with no teacher. To write this book I did not use the law of Buddha or the teachings of Confucius, neither old war chronicles nor books on martial tactics. I take up my brush to explain the true spirit of this Ichi school as it is mirrored in the Way of heaven and Kwannon. The time is the night of the tenth day of the tenth month, at the hour of the tiger.

In reference to the Christian precept that God "hates sin but loves the sinner". Part IV, Chapter 9, A Tussle with Power. pp. 230-231. Also quoted in The Essential Gandhi: An Anthology of His Writings on His Life, Work, and Ideas (2012), p. 83
1920s, An Autobiography (1927)
Context: "Hate the sin and not the sinner" is a precept which, though easy enough to understand, is rarely practiced, and that is why the poison of hatred spreads in the world... Man and his deed are two distinct things. It is quite proper to resist and attack a system, but to resist and attack its author is tantamount to resisting and attacking one-self. For we are all tarred with the same brush and are children of one and the same Creator, and as such the divine powers within us are infinite. To slight a single human being is to slight those divine powers, and thus to harm not only that being, but with him, the whole world.

From 1980s onwards, Only Integrity is Going to Count (1983)
Context: I find the audiences very excited. But then they come and say to me, "Your optimism has brushed off on me. I didn't know we had an option. I feel so much better." They say, "Your optimism." And I am not optimistic or pessimistic. I feel that optimism and pessimism are very unbalanced. I am a very hard engineer. I am a mechanic. I am a sailor. I am an air pilot. I don't tell people I can get you across the ocean with my ship unless I know what I'm talking about.

2011, Address on interventions in Libya (March 2011)
Context: Much of the debate in Washington has put forward a false choice when it comes to Libya. On the one hand, some question why America should intervene at all — even in limited ways — in this distant land. They argue that there are many places in the world where innocent civilians face brutal violence at the hands of their government, and America should not be expected to police the world, particularly when we have so many pressing needs here at home.
It’s true that America cannot use our military wherever repression occurs. And given the costs and risks of intervention, we must always measure our interests against the need for action. But that cannot be an argument for never acting on behalf of what’s right. In this particular country — Libya — at this particular moment, we were faced with the prospect of violence on a horrific scale. We had a unique ability to stop that violence: an international mandate for action, a broad coalition prepared to join us, the support of Arab countries, and a plea for help from the Libyan people themselves. We also had the ability to stop Qaddafi’s forces in their tracks without putting American troops on the ground.
To brush aside America’s responsibility as a leader and — more profoundly — our responsibilities to our fellow human beings under such circumstances would have been a betrayal of who we are. Some nations may be able to turn a blind eye to atrocities in other countries. The United States of America is different. And as President, I refused to wait for the images of slaughter and mass graves before taking action.
Source: Bleach, Volume 10

“A writer needs a pen, an artist needs a brush, but a filmmaker needs an army.”

Source: Into Thin Air: A Personal Account of the Mount Everest Disaster
Source: On the Edge

Extremely Loud and Incredibly Close (2005)
Context: I put my hand on him. Touching him has always been important to me, it was something I lived for. I never could explain why. Little, nothing touches, my fingers against his shoulder, the outsides of our thighs touching as we squeeled together on the bus. I couldnt explain it, but I needed it. Sometimes I imagined stiching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love?

“You have your brush, you have your colors, you paint the paradise, then in you go.”
Source: https://www.jstor.org/stable/3831088 Journal of Modern Literature Vol. 2, No. 2, Nikos Kazantzakis (1971 - 1972)
Evening Post, 2004 (taken from "Home Sweet Home - Banksy's Bristol" by Steve Wright)
Other sources
Source: Wall and Piece

Source: The Complete Short Stories of Guy de Maupassant, Part One

The Fly, st. 1–3
1790s, Songs of Experience (1794)
Source: Magic Burns

“The first thing I do in the morning is brush my teeth and sharpen my tongue.”

Misattributed to Samuel Adams as early as 1990. Also misattributed to John Adams. Actually originates with Diane Ackerman, who, in an article on Samuel Adams, "The Man Who Made a Revolution", published in the September 6, 1987 issue of the widely circulated Sunday newspaper supplement Parade, wrote: "Early on, he realized that revolutions don't require a majority to prevail, but rather an irate, tireless minority keen to set brushfires in people's minds." (page numbers vary, article on pp. 20–23 in most editions with the preceding quote on p. 22 https://news.google.com/newspapers?id=qfQaAAAAIBAJ&pg=4292%2C1111900) Source: Mansour Khalid, The Government They Deserve: The Role of the Elite in Sudan's Political Evolution, London and New York: Kegan Paul International, 1990, p. 17 https://books.google.com/books?id=jZ9yAAAAMAAJ&q=brushfires. Source: Will Bunch, The Backlash: Right-Wing Radicals, Hi-Def Hucksters, and Paranoid Politics in the Age of Obama, New York: Harper, 2010, p. 49. Source: https://www.barrypopik.com/index.php/new_york_city/entry/it_does_not_require_a_majority_to_prevail_but_rather_an_irate_tireless_mino, https://lists.h-net.org/cgi-bin/logbrowse.pl?trx=lx&sort=3&list=H-OIEAHC&month=1310, http://listserv.linguistlist.org/pipermail/ads-l/2013-October/
Misattributed
Source: The Mysterious Benedict Society

Source: There's a Wocket in My Pocket!
Source: Secrets of a Summer Night
Magic Trip, (2011)

Las Meninas
The Order of Things: An Archaeology of the Human Sciences (1970)

Adamson, "Witty Birds and Well-Drawn Cats", 53.

In a conversation with Pierre Loeb, circa 1946; as quoted on the website of the Jorn Museum 'Articles' by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255,
1940 - 1948, Various sources

Description of his portrait of Australia Prime Minister Julia Gillard, his submission to the Bald Archy Prize — cited in: [Artists brush up on wit for poke at awards, Canberra Times, 12 February 2011, Federal Capital Press of Australia Ltd., Australia]
Source: Chinh phụ ngâm, Lines 17–20

72
Essays in Idleness (1967 Columbia University Press, Trns: Donald Keene)

“Every artist dips his brush in his own soul and paints his own nature into his picture.”
Proverbs from Plymouth Pulpit (1887)

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, 10 Sept. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 605), pp. 33-34
1880s, 1889

long quote from Duchamp's letter to his sister Suzanne Duchamp, New York, c. 15 Jan. 1916; as quoted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 pp. 157-158
1915 - 1925

"The Case for Xanthippe" in The Crane Bag (1969).
General sources

Quote in Van Doesburg's article 'Elementarism', as cited in De Stijl – Van Doesburg Issue, January 1932, pp. 17–19
1926 – 1931

Roar, written by Katy Perry, Lukasz Gottwald, Max Martin, Bonnie McKee, and Henry Walter
Song lyrics, Prism (2013)

As quoted in Tolkien's World: Paintings of Middle-Earth (1992) published by MJF Books

Quote in his letter to brother Theo, from Arles, France, 3 May 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 590), p. 33
1880s, 1889

“I tell ya, my wife's a lousy cook. After dinner, I don't brush my teeth. I count them.”
Source: It's Not Easy Bein' Me: A Lifetime of No Respect But Plenty of Sex and Drugs (2004), p. 18

= Delacroix
Quote in 'Gazette des Beaux-Arts', Vol. xvi, (if I remember correctly)
Quotes, 1881 - 1890, Letter to Félix Fénéon', June 1890