Quotes about brush

A collection of quotes on the topic of brush, brushing, painting, paint.

Quotes about brush

Rick Riordan photo
Charles Bukowski photo

“wash the brush, just beats the devil out of it”

Bob Ross (1942–1995) American painter, art instructor, and television host

Source: The Joy of Painting with Bob Ross, Vol. 29

Jiddu Krishnamurti photo

“Violence is not merely killing another. It is violence when we use a sharp word, when we make a gesture to brush away a person, when we obey because there is fear.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

1960s, Freedom From The Known (1969)
Context: Violence is not merely killing another. It is violence when we use a sharp word, when we make a gesture to brush away a person, when we obey because there is fear. So violence isn't merely organized butchery in the name of God, in the name of society or country. Violence is much more subtle, much deeper, and we are inquiring into the very depths of violence.
When you call yourself an Indian or a Muslim or a Christian or a European, or anything else, you are being violent. Do you see why it is violent? Because you are separating yourself from the rest of mankind. When you separate yourself by belief, by nationality, by tradition, it breeds violence. So a man who is seeking to understand violence does not belong to any country, to any religion, to any political party or partial system; he is concerned with the total understanding of mankind.

Drake photo

“Can't even find the perfect brush to paint what is going through my mind.”

Drake (1986) Canadian rapper, singer, songwriter, record producer, and actor

"Brand New," So Far Gone (2009)

Pierre Teilhard De Chardin photo
Prem Rawat photo
André Breton photo
Virginia Woolf photo
Henry James photo

“He is outside of everything, and an alien everywhere. He is an aesthetic solitary. His beautiful, light imagination is the wing that on the autumn evening just brushes the dusky window.”

Henry James (1843–1916) American novelist, short story author, and literary critic

"Nathaniel Hawthorne" in Library of the World's Best Literature, vol. XII (1897), ed. Charles Dudley Warner.

Derek Landy photo
Virginia Woolf photo
Claude Monet photo

“I was thinking of preparing my palette and my brushes to resume work, but relapses and further bouts of pain prevented it. I'm not giving up that hope and am occupying myself with some major alterations in my studios and plans to perfect the garden [in Giverny ]. All this to show you that, with courage, I'm getting the upper hand.”

Claude Monet (1840–1926) French impressionist painter

three months before Monet died
Quote from Monet's letter to Georges Clemenceau, Sept. 1926; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 79
1920 - 1926

Barack Obama photo
Aldo Leopold photo
Jordan Peterson photo

“The notion that every single human being – regardless of their peculiarities and their strangenesses and sins and crimes and all of that – has something divine in them that needs to be regarded with respect, plays an integral role, at least an analgous role, in the creation of habitable order out of chaos. It's a magnificent, remarkable and crazy idea. Yet we developed it. And I do firmly believe that it sits at the base of our legal system. I think it is the cornerstone of our legal system. That's the notion that everyone is equal before God. That's such a strange idea. It's very difficult to understand how anybody could have ever come up with that idea, because the manifold differences between people are so obvious and so evident that you could say the natural way of viewing someone, or human beings, is in this extremely hierarchical manner where some people are contemptible and easily brushed off as pointless and pathological and without value whatsoever, and all the power accrues to a certain tiny aristocratic minority at the top. But if you look way that the idea of individual sovereignty developed, it is clear that it unfolded over thousands, perhaps tens of thousands of years, where it became something that was fixed in the imagination that each individual had something of transcendent value about them. And, man, I can tell you – we dispense with that idea at our serious peril. And if you're going to take that idea seriously – and you do because you act it out, because otherwise you wouldn't be law-abiding citizens. It's shared by anyone who acts in a civilized manner. The question is, why in the world do you believe it? Assuming that you believe what you act out – which I think is a really good way of fundamentally defining belief.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

Caspar David Friedrich photo
Mark Twain photo
Rabindranath Tagore photo

“To the guests that must go, bid God's speed and brush away all traces of their steps.”

Rabindranath Tagore (1861–1941) Bengali polymath

45
The Gardener http://www.spiritualbee.com/love-poems-by-tagore/ (1915)

Philip Melanchthon photo
Leonardo Da Vinci photo
Barack Obama photo

“One of the great things about America is that individual citizens and groups of citizens can petition their government, can protest, can speak truth to power. And that is sometimes messy and controversial. But because of that ability to protest and engage in free speech, America, over time, has gotten better. We've all benefited from that.

The abolition movement was contentious. The effort for women to get the right to vote was contentious and messy. There were times when activists might have engaged in rhetoric that was overheated and occasionally counterproductive. But the point was to raise issues so that we, as a society, could grapple with it. The same was true with the Civil Rights Movement, the union movement, the environmental movement, the anti-war movement during Vietnam. And I think what you're seeing now is part of that longstanding tradition.

What I would say is this -- that whenever those of us who are concerned about fairness in the criminal justice system attack police officers, you are doing a disservice to the cause. First of all, any violence directed at police officers is a reprehensible crime and needs to be prosecuted. But even rhetorically, if we paint police in broad brush, without recognizing that the vast majority of police officers are doing a really good job and are trying to protect people and do so fairly and without racial bias, if our rhetoric does not recognize that, then we're going to lose allies in the reform cause.

Now, in a movement like Black Lives Matter, there's always going to be some folks who say things that are stupid, or imprudent, or overgeneralized, or harsh. And I don't think that you can hold well-meaning activists who are doing the right thing and peacefully protesting responsible for everything that is uttered at a protest site.”

Barack Obama (1961) 44th President of the United States of America

Remarks by President Obama and Prime Minister Rajoy of Spain After Bilateral Meeting https://www.whitehouse.gov/the-press-office/2016/07/10/remarks-president-obama-and-prime-minister-rajoy-spain-after-bilateral (10 July 2016)
2016

Claude Monet photo
Eugène Boudin photo

“Everything that is painted directly and on the spot always has strength, a power, and a vivacity of touch one cannot recover in the studio... Three strokes of the brush in front of nature are worth more than two days of work at the easel”

Eugène Boudin (1824–1898) French painter

in the studio
Quote from Boudin's sketchbook; as quoted in Boudin at Trouville, by Vivien Hamilton, exh. Catalogue, London John Murray Ltd., 1992, p. 16
undated quotes

Mary Cassatt photo

“I have given up my studio & torn up my father's portrait, & have not touched a brush for six weeks nor ever will again until I see some prospect of getting back to Europe. I am very anxious to go out west next fall & get some employment, but I have not yet decided where.”

Mary Cassatt (1844–1926) American painter and printmaker

Quote from her letter of July, 1871; as quoted in her biography online at https://www.marycassatt.org/biography.html

Stefan Zweig photo

“You're going to tell me that poverty's nothing to be ashamed of. It's not true, though. If you can't hide it, then it is something to be ashamed of. There's nothing you can do, you're ashamed just the same, the way you're ashamed when you leave a spot on somebody's table. No matter if it's deserved or not, honorable or not, poverty stinks. Yes, stinks, stinks like a ground-floor room off an airshaft, or clothes that need changing. You smell it yourself, as though you were made of sewage. It can't be wiped away. It doesn't help to put on a new hat, any more than rinsing your mouth helps when you're belching your guts out. It's around you and on you and everyone who brushes up against you or looks at you knows it. I know the way women look down on you when you're down at heels. I know it's embarrassing for other people, but the hell with that, it's a lot more embarrassing when it's you. You can't get out of it, you can't get past it, the best thing to do is get plastered, and here" (he reached for his glass and drained it in a deliberately uncouth gulp) "here's the great social problem, here's why the 'lower classes' indulge in alcohol so much more - that problem that countesses and matrons in women's groups rack their brains over at tea. For those few minutes, those few hours, you forget you're an affront to other and to yourself. It's no great distinction to be seen in the company of someone dressed lie this, I know, but it's no fun for me either.”

The Post Office Girl (published posthumously in 1982)

Miyamoto Musashi photo

“I take up my brush to explain the true spirit of this Ichi school as it is mirrored in the Way of heaven and Kwannon. The time is the night of the tenth day of the tenth month, at the hour of the tiger.”

Miyamoto Musashi (1584–1645) Japanese martial artist, writer, artist

Go Rin No Sho (1645), Introduction
Context: When I reached thirty I looked back on my past. The previous victories were not due to my having mastered strategy. Perhaps it was natural ability, or the order of heaven, or that other schools' strategy was inferior. After that I studied morning and evening searching for the principle, and came to realise the Way of strategy when I was fifty.
Since then I have lived without following any particular Way. Thus with the virtue of strategy I practise many arts and abilities — all things with no teacher. To write this book I did not use the law of Buddha or the teachings of Confucius, neither old war chronicles nor books on martial tactics. I take up my brush to explain the true spirit of this Ichi school as it is mirrored in the Way of heaven and Kwannon. The time is the night of the tenth day of the tenth month, at the hour of the tiger.

Mahatma Gandhi photo

“Man and his deed are two distinct things. It is quite proper to resist and attack a system, but to resist and attack its author is tantamount to resisting and attacking one-self. For we are all tarred with the same brush and are children of one and the same Creator, and as such the divine powers within us are infinite. To slight a single human being is to slight those divine powers, and thus to harm not only that being, but with him, the whole world.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

In reference to the Christian precept that God "hates sin but loves the sinner". Part IV, Chapter 9, A Tussle with Power. pp. 230-231. Also quoted in The Essential Gandhi: An Anthology of His Writings on His Life, Work, and Ideas (2012), p. 83
1920s, An Autobiography (1927)
Context: "Hate the sin and not the sinner" is a precept which, though easy enough to understand, is rarely practiced, and that is why the poison of hatred spreads in the world... Man and his deed are two distinct things. It is quite proper to resist and attack a system, but to resist and attack its author is tantamount to resisting and attacking one-self. For we are all tarred with the same brush and are children of one and the same Creator, and as such the divine powers within us are infinite. To slight a single human being is to slight those divine powers, and thus to harm not only that being, but with him, the whole world.

Buckminster Fuller photo

“I find the audiences very excited. But then they come and say to me, "Your optimism has brushed off on me. I didn't know we had an option. I feel so much better." They say, "Your optimism." And I am not optimistic or pessimistic. I feel that optimism and pessimism are very unbalanced. I am a very hard engineer.”

Buckminster Fuller (1895–1983) American architect, systems theorist, author, designer, inventor and futurist

From 1980s onwards, Only Integrity is Going to Count (1983)
Context: I find the audiences very excited. But then they come and say to me, "Your optimism has brushed off on me. I didn't know we had an option. I feel so much better." They say, "Your optimism." And I am not optimistic or pessimistic. I feel that optimism and pessimism are very unbalanced. I am a very hard engineer. I am a mechanic. I am a sailor. I am an air pilot. I don't tell people I can get you across the ocean with my ship unless I know what I'm talking about.

Barack Obama photo

“To brush aside America’s responsibility as a leader and — more profoundly — our responsibilities to our fellow human beings under such circumstances would have been a betrayal of who we are.”

Barack Obama (1961) 44th President of the United States of America

2011, Address on interventions in Libya (March 2011)
Context: Much of the debate in Washington has put forward a false choice when it comes to Libya. On the one hand, some question why America should intervene at all — even in limited ways — in this distant land. They argue that there are many places in the world where innocent civilians face brutal violence at the hands of their government, and America should not be expected to police the world, particularly when we have so many pressing needs here at home.
It’s true that America cannot use our military wherever repression occurs. And given the costs and risks of intervention, we must always measure our interests against the need for action. But that cannot be an argument for never acting on behalf of what’s right. In this particular country — Libya — at this particular moment, we were faced with the prospect of violence on a horrific scale. We had a unique ability to stop that violence: an international mandate for action, a broad coalition prepared to join us, the support of Arab countries, and a plea for help from the Libyan people themselves. We also had the ability to stop Qaddafi’s forces in their tracks without putting American troops on the ground.
To brush aside America’s responsibility as a leader and — more profoundly — our responsibilities to our fellow human beings under such circumstances would have been a betrayal of who we are. Some nations may be able to turn a blind eye to atrocities in other countries. The United States of America is different. And as President, I refused to wait for the images of slaughter and mass graves before taking action.

Patrick Rothfuss photo
Gail Carson Levine photo
Emily Dickinson photo
J.M. Coetzee photo
Susan Elizabeth Phillips photo
Derek Landy photo
Holly Black photo
Henry Adams photo
John F. Kennedy photo
Cassandra Clare photo
F. Scott Fitzgerald photo
Ray Bradbury photo
George Carlin photo
Richelle Mead photo
Jon Krakauer photo
Elizabeth Gilbert photo
James Patterson photo
Jonathan Safran Foer photo

“Sometimes I imagined stitching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love? Why does anyone ever make love?”

Extremely Loud and Incredibly Close (2005)
Context: I put my hand on him. Touching him has always been important to me, it was something I lived for. I never could explain why. Little, nothing touches, my fingers against his shoulder, the outsides of our thighs touching as we squeeled together on the bus. I couldnt explain it, but I needed it. Sometimes I imagined stiching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love?

Nikos Kazantzakis photo

“You have your brush, you have your colors, you paint the paradise, then in you go.”

Nikos Kazantzakis (1883–1957) Greek writer

Source: https://www.jstor.org/stable/3831088 Journal of Modern Literature Vol. 2, No. 2, Nikos Kazantzakis (1971 - 1972)

“The craft is finding a decent drainpipe to get access to the site as much as it is in the art… Van Gogh used short, stumpy brush strokes to convey his insanity - I use short, thin ledges above mainline train tracks.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Evening Post, 2004 (taken from "Home Sweet Home - Banksy's Bristol" by Steve Wright)
Other sources
Source: Wall and Piece

Shannon Hale photo
Guy De Maupassant photo
Francesca Lia Block photo
Edvard Munch photo
Gabrielle Zevin photo
Suzanne Collins photo
William Blake photo
Dorothy Parker photo

“The first thing I do in the morning is brush my teeth and sharpen my tongue.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist
Thornton Wilder photo
F. Scott Fitzgerald photo
Holly Black photo
Samuel Adams photo

“It does not require a majority to prevail, but rather an irate, tireless minority keen to set brush fires in the minds of men.”

Samuel Adams (1722–1803) American statesman, Massachusetts governor, and political philosopher

Misattributed to Samuel Adams as early as 1990. Also misattributed to John Adams. Actually originates with Diane Ackerman, who, in an article on Samuel Adams, "The Man Who Made a Revolution", published in the September 6, 1987 issue of the widely circulated Sunday newspaper supplement Parade, wrote: "Early on, he realized that revolutions don't require a majority to prevail, but rather an irate, tireless minority keen to set brushfires in people's minds." (page numbers vary, article on pp. 20–23 in most editions with the preceding quote on p. 22 https://news.google.com/newspapers?id=qfQaAAAAIBAJ&pg=4292%2C1111900) Source: Mansour Khalid, The Government They Deserve: The Role of the Elite in Sudan's Political Evolution, London and New York: Kegan Paul International, 1990, p. 17 https://books.google.com/books?id=jZ9yAAAAMAAJ&q=brushfires. Source: Will Bunch, The Backlash: Right-Wing Radicals, Hi-Def Hucksters, and Paranoid Politics in the Age of Obama, New York: Harper, 2010, p. 49. Source: https://www.barrypopik.com/index.php/new_york_city/entry/it_does_not_require_a_majority_to_prevail_but_rather_an_irate_tireless_mino, https://lists.h-net.org/cgi-bin/logbrowse.pl?trx=lx&sort=3&list=H-OIEAHC&month=1310, http://listserv.linguistlist.org/pipermail/ads-l/2013-October/
Misattributed

Cassandra Clare photo
Dr. Seuss photo

“All those Nupboards in the Cupboards they're good fun to have about. But that Nooth gush on my tooth brush….. Him I could do without.”

Dr. Seuss (1904–1991) American children's writer and illustrator, co-founder of Beginner Books

Source: There's a Wocket in My Pocket!

Janet Evanovich photo
Michel Foucault photo

“Between the fine point of the brush and the steely gaze, the scene is about to yield up its volume.”

Michel Foucault (1926–1984) French philosopher

Las Meninas
The Order of Things: An Archaeology of the Human Sciences (1970)

Chuck Jones photo

“[W]hen the coyote falls, he gets up and brushes himself off; it's preservation of dignity. He's humiliated, and it worries him when he ends up looking like an accordion. A coyote isn't much, but it's better than being an accordion.”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

Adamson, "Witty Birds and Well-Drawn Cats", 53.

Asger Jorn photo

“[My own goal is] to be completely empty of ideas at the moment of setting brush to canvas, the head being just as empty as the canvas.”

Asger Jorn (1914–1973) Danish artist

In a conversation with Pierre Loeb, circa 1946; as quoted on the website of the Jorn Museum 'Articles' by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255,
1940 - 1948, Various sources

Pricasso photo

“Painted using my penis instead of a brush. A short video of that performance will be sold with the painting.”

Pricasso (1949) Australian painter

Description of his portrait of Australia Prime Minister Julia Gillard, his submission to the Bald Archy Prize — cited in: [Artists brush up on wit for poke at awards, Canberra Times, 12 February 2011, Federal Capital Press of Australia Ltd., Australia]

Yoshida Kenkō photo
Henry Ward Beecher photo

“Every artist dips his brush in his own soul and paints his own nature into his picture.”

Henry Ward Beecher (1813–1887) American clergyman and activist

Proverbs from Plymouth Pulpit (1887)

Vincent Van Gogh photo

“What a queer thing touch is, the stroke of the brush. In the open air, exposed to wind, to sun, to the curiosity of the people, you work as you can, you feel your canvas anyhow... But when after a time you take up again this study and arrange your brush strokes in the direction of the objects - certainly it is more harmonious and pleasant to look at, and you add whatever you have of serenity and cheerfulness.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, 10 Sept. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 605), pp. 33-34
1880s, 1889

Richard Dawkins photo
Marcel Duchamp photo

“Now, if you [his sister, Suzanne Duchamp ] have been up to my place, you will have seen, in the studio, [his former studio in France, probably in Paris] a 'Bicycle Wheel' and a 'Bottle Rack'. [both art-works became later famous ready-mades of Duchamp] – I bought this as a ready-made sculpture [sculpture tout faite]. And I h have a plan concerning this so-called bottle rack. Listen to this. Here in N. Y., I have bought various objects in the same taste and I treat them as 'ready-mades'. You know enough English to understand the meaning of 'ready-made' [tour fait] that I give these objects. – I sign them and think of an inscription for them in English. I'll give you a few examples. I have, for example, a large snow shovel on which I have inscribed at the bottom: In advance of the broken arm, French translation: 'En avance dus bras cassé' – (Don't tear your hair out) trying to understand this in the Romantic or impressionist or Cubist sense – it has nothing to do with all that. Another 'readymade' is called: Emergency in favour of twice possible French translation: Danger \Crise \en favour de 2 fois. This long preamble just to say: Take this bottle rack for yourself. I'm making it a 'readymade' remotely. You are to inscribe it at the bottom and on the inside of the bottom circle, in small letters painted with a brush in oil, silver white colour, with an inscription which I will give you herewith, and then sign it, in the same handwriting, as follows: [after] Marcel Duchamp.”

Marcel Duchamp (1887–1968) French painter and sculptor

long quote from Duchamp's letter to his sister Suzanne Duchamp, New York, c. 15 Jan. 1916; as quoted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 pp. 157-158
1915 - 1925

Robert Graves photo
Theo van Doesburg photo
Woody Allen photo
Katy Perry photo
John Howe (illustrator) photo

“Illustrating Tolkien means treading warily, dipping one's brush in shadow and rinsing them in light. Battle and balance, down the impossible path between the clear and the obscure.”

John Howe (illustrator) (1957) Canadian illustrator

As quoted in Tolkien's World: Paintings of Middle-Earth (1992) published by MJF Books

Vincent Van Gogh photo

“Now I as a painter shall never stand for anything of importance. I feel it utterly... I sometimes regret I did not simply keep to the Dutch palette [of Dutch impressionism ] with its grey tones, and have brushed away at landscapes of Montmartre [in 1886-87] with no ado.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, France, 3 May 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 590), p. 33
1880s, 1889

Tanith Lee photo
Rodney Dangerfield photo

“I tell ya, my wife's a lousy cook. After dinner, I don't brush my teeth. I count them.”

Rodney Dangerfield (1921–2004) American actor and comedian

Source: It's Not Easy Bein' Me: A Lifetime of No Respect But Plenty of Sex and Drugs (2004), p. 18

Georges Seurat photo
Lee Child photo