Quotes about blank

A collection of quotes on the topic of blank, likeness, time, doing.

Quotes about blank

John Amos Comenius photo

“Aristotle compared the mind of man to a blank tablet on which nothing was written, but on which all things could be engraved. … There is, however, this difference, that on the tablet the writing is limited by space, while in the case of the mind, you may continually go on writing and engraving without finding any boundary, because, as has already been shown, the mind is without limit.”
Aristoteles hominis animum comparavit tabulae rasae, cui nihil inscriptum sit, inscribi tamen omnia possint. … Hoc interest, quod in tabula lineas ducere non licet, nisi quousque margo permittat: in mente usque et usque scribendo, et sculpendo, terminum nusquam invenies quia (ut ante monitum) interminabilis est.

John Amos Comenius (1592–1670) Czech teacher, educator, philosopher and writer

The Great Didactic (Didactica Magna) (Amsterdam, 1657) [written 1627–38], as translated by M. W. Keatinge (1896).
Cf. Aristotle, De anima, III, 4, 430a: "δυνάμει δ' οὕτως ὥσπερ ἐν γραμματείῳ ᾧ μηθὲν ἐνυπάρχει ἐντελεχείᾳ γεγραμμένον· ὅπερ συμβαίνει ἐπὶ τοῦ νοῦ."

George Orwell photo
Vladimir Nabokov photo
H.P. Lovecraft photo

“It is good to be a cynic—it is better to be a contented cat — and it is best not to exist at all. Universal suicide is the most logical thing in the world—we reject it only because of our primitive cowardice and childish fear of the dark. If we were sensible we would seek death—the same blissful blank which we enjoyed before we existed.”

H.P. Lovecraft (1890–1937) American author

"Nietzscheism and Realism" from The Rainbow, Vol. I, No. 1 (October 1921); reprinted in "To Quebec and the Stars", and also in Collected Essays, Volume 5: Philosophy edited by S. T. Joshi, p. 71
Non-Fiction
Source: Collected Essays 5: Philosophy, Autobiography and Miscellany

George Orwell photo
Nora Roberts photo

“I can fix a bad page. I can't fix a blank page.”

Nora Roberts (1950) American romance writer

Variant: You can fix anything but a blank page.

Terry Pratchett photo
Jack Kerouac photo
Nicanor Parra photo

“A poem should improve on the blank page.”

Nicanor Parra (1914–2018) writer, poet, matematician, fisic
Virginia Woolf photo

“My mind turned by anxiety, or other cause, from its scrutiny of blank paper, is like a lost child–wandering the house, sitting on the bottom step to cry.”

Virginia Woolf (1882–1941) English writer

5 December 1919
A Moment's Liberty (1990)
Source: A Writer's Diary
Context: This last week L. has been having a little temperature in the evening, due to malaria, and that due to a visit to Oxford; a place of death and decay. I'm almost alarmed to see how entirely my weight rests on his prop. And almost alarmed to see how intensely I'm specialised. My mind turned by anxiety, or other cause, from its scrutiny of blank paper, is like a lost child – wandering the house, sitting on the bottom step to cry.

Virginia Woolf photo
Sylvia Plath photo
Aldo Leopold photo

“To those devoid of imagination a blank place on the map is a useless waste; to others, the most valuable part.”

Source: A Sand County Almanac, 1949, "Conservation Esthetic", p. 176.
Source: A Sand County Almanac and Sketches Here and There
Context: The trophy-recreationist has peculiarities that contribute in subtle ways to his own undoing. To enjoy he must possess, invade, appropriate. Hence the wilderness that he cannot personally see has no value to him. Hence the universal assumption that an unused hinterland is rendering no service to society. To those devoid of imagination a blank place on the map is a useless waste; to others, the most valuable part.

George Whitefield photo

“I have just put my soul as a blank into the hand of Jesus, my Redeemer, and desired Him to write on it what He pleases; I know it will be His image.”

George Whitefield (1714–1770) English minister and preacher

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 543.

Kurt Vonnegut photo
Barack Obama photo
Norbert Wiener photo

“Since Leibniz there has perhaps been no man who has had a full command of all the intellectual activity of his day. Since that time, science has been increasingly the task of specialists, in fields which show a tendency to grow progressively narrower… Today there are few scholars who can call themselves mathematicians or physicists or biologists without restriction. A man may be a topologist or a coleopterist. He will be filled with the jargon of his field, and will know all its literature and all its ramifications, but, more frequently than not, he will regard the next subject as something belonging to his colleague three doors down the corridor, and will consider any interest in it on his own part as an unwarrantable breach of privacy… There are fields of scientific work, as we shall see in the body of this book, which have been explored from the different sides of pure mathematics, statistics, electrical engineering, and neurophysiology; in which every single notion receives a separate name from each group, and in which important work has been triplicated or quadruplicated, while still other important work is delayed by the unavailability in one field of results that may have already become classical in the next field.
It is these boundary regions which offer the richest opportunities to the qualified investigator. They are at the same time the most refractory to the accepted techniques of mass attack and the division of labor. If the difficulty of a physiological problem is mathematical in essence, then physiologists ignorant of mathematics will get precisely as far as one physiologists ignorant of mathematics, and no further. If a physiologist who knows no mathematics works together with a mathematician who knows no physiology, the one will be unable to state his problem in terms that the other can manipulate, and the second will be unable to put the answers in any form that the first can understand… A proper exploration of these blank spaces on the map of science could only be made by a team of scientists, each a specialist in his own field but each possessing a thoroughly sound and trained acquaintance with the fields of his neighbors; all in the habit of working together, of knowing one another's intellectual customs, and of recognizing the significance of a colleague's new suggestion before it has taken on a full formal expression. The mathematician need not have the skill to conduct a physiological experiment, but he must have the skill to understand one, to criticize one, and to suggest one. The physiologist need not be able to prove a certain mathematical theorem, but he must be able to grasp its physiological significance and to tell the mathematician for what he should look. We had dreamed for years of an institution of independent scientists, working together in one of these backwoods of science, not as subordinates of some great executive officer, but joined by the desire, indeed by the spiritual necessity, to understand the region as a whole, and to lend one another the strength of that understanding.”

Source: Cybernetics: Or Control and Communication in the Animal and the Machine (1948), p. 2-4; As cited in: George Klir (2001) Facets of Systems Science, p. 47-48

Gene Simmons photo

“My mother was 14 when she was in the concentration camps of Nazi Germany. My mother’s alive and well, but only because of America. Without America’s military, the world would be in deep… fill-in-the-blank. I’m forever grateful for that.”

Gene Simmons (1949) Israeli-born American rock bass guitarist, singer-songwriter, record producer, entrepreneur, and actor

Interview with Radio.com (July 6, 2016)

Pablo Picasso photo

“Writing is easy. All you do is stare at a blank sheet of paper until drops of blood form on your forehead.”

Gene Fowler (1890–1960) American journalist

Attributed without citation in Janice R. Matthews et al. (2000) Successful Scientific Writing. p. 53
Sometimes attributed to Douglas Adams.

Aldo Leopold photo
Malcolm X photo

“They call me "a teacher, a fomenter of violence." I would say point blank, "That is a lie. I'm not for wanton violence, I'm for justice."”

Malcolm X (1925–1965) American human rights activist

The Autobiography of Malcolm X (1965)
Context: They call me "a teacher, a fomenter of violence." I would say point blank, "That is a lie. I'm not for wanton violence, I'm for justice." I feel that if white people were attacked by Negroes — if the forces of law prove unable, or inadequate, or reluctant to protect those whites from those Negroes — then those white people should protect and defend themselves from those Negroes, using arms if necessary. And I feel that when the law fails to protect Negroes from whites' attacks, then those Negroes should use arms if necessary to defend themselves. "Malcolm X advocates armed Negroes!" What was wrong with that? I'll tell you what's wrong. I was a black man talking about physical defense against the white man. The white man can lynch and burn and bomb and beat Negroes — that's all right: "Have patience"..."The customs are entrenched"..."Things will get better."

Vincent Van Gogh photo

“Life itself, too, is forever turning an infinitely vacant, dispiriting blank side towards man on which nothing appears, any more than it does on a blank canvas. But no matter how vacant and vain, how dead life may appear to be, the man of faith, of energy, of warmth, who knows something, will not be put off so easily.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

1880s, 1884, Letter to Theo (Nuenen, Oct. 1884)
Context: I tell you, if one wants to be active, one must not be afraid of going wrong, one must not be afraid of making mistakes now and then. Many people think that they will become good just by doing no harm - but that's a lie, and you yourself used to call it that. That way lies stagnation, mediocrity.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, You can't do a thing. The canvas has an idiotic stare and mesmerises some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of 'you can't' once and for all.
Life itself, too, is forever turning an infinitely vacant, dispiriting blank side towards man on which nothing appears, any more than it does on a blank canvas. But no matter how vacant and vain, how dead life may appear to be, the man of faith, of energy, of warmth, who knows something, will not be put off so easily. He wades in and does something and stays with it, in short, he violates, "defiles" - they say. Let them talk, those cold theologians.

Benjamin Disraeli photo

“I am the blank page between the Old Testament and the New.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Cited in Herbert Henry Asquith, Letters of the Earl of Oxford and Asquith to a Friend, Vol. 2 (1933), p. 94.
Sourced but undated
Context: Miss Sands told me that Queen Victoria, who was latterly éprise with Disraeli, one day asked him what was his real religion. "Madam," he replied, "I am the blank page between the Old Testament and the New."

Damodar Dharmananda Kosambi photo

“Archaeologically, this period is still blank… There is no special Aryan pottery… no particular Aryan or Indo-Aryan technique is to be identified by the archaeologists even at the close of the second millennium.”

Damodar Dharmananda Kosambi (1907–1966) Indian mathematician

About the Aryan invasions. The Culture and Civilization of Ancient India in Historical Outline by D.D. Kosambi, Vikas Publishing House Pvt. Ltd, Delhi-Bombay-Bangalore-Kanpur, 1975 (first printed 1970). Quoted in Talageri, S. (2000). The Rigveda: A historical analysis. New Delhi: Aditya Prakashan.

Jodi Picoult photo

“You can always edit a bad page. You can’t edit a blank page.”

Jodi Picoult (1966) Author

Source: https://www.npr.org/2006/11/22/6524058/jodi-picoult-you-cant-edit-a-blank-page

Jonathan Safran Foer photo

“… an infinitely blank book and the rest of time.”

Variant: I want an infinitely blank book and the rest of time.
Source: Extremely Loud and Incredibly Close

Rick Riordan photo

“Percy hated tests. Since he'd lost his memory, his whole life was one big fill-in-the-blank. He was _____, from _____. He felt like _____, and if the monsters caught him, he'd be _____.”

Variant: Since Percy’d lost his memory, his whole life was one big fillin-the-blank. He was____________________, from____________________. He felt like
____________________, and if the monsters
caught him, he’d be____________________.
Source: The Son of Neptune

Jane Austen photo

“Without music, life would be a blank to me.”

Source: Emma

Paulo Coelho photo

“Her silence was the blank space between the words.”

Paulo Coelho (1947) Brazilian lyricist and novelist

Source: The Witch Of Portobello

Haruki Murakami photo
Stephen King photo
David Levithan photo
Anna Quindlen photo
Diana Gabaldon photo
Patricia Highsmith photo
Cormac McCarthy photo
Maya Angelou photo
Patrick Rothfuss photo
Milorad Pavić photo
James Frey photo
Steve Martin photo
Janet Fitch photo
Nick Hornby photo
Jonathan Safran Foer photo
Margaret Atwood photo
Jon Krakauer photo
Flannery O’Connor photo
Stephen King photo

“Let me say it again: You must not come lightly to the blank page.”

Stephen King (1947) American author

Variant: you must not come lightly to the blank page.
Source: On Writing: A Memoir of the Craft

Jodi Picoult photo

“You can't edit a blank page”

Jodi Picoult (1966) Author

Variant: You can always edit a bad page. You can't edit a blank page.

Woody Allen photo

“I took a test in Existentialism. I left all the answers blank and got 100.”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician
Karen Marie Moning photo
Lev Grossman photo
Nora Roberts photo

“You can't edit a blank page”

Nora Roberts (1950) American romance writer
Gaston Bachelard photo

“A word is a bud attempting to become a twig. How can one not dream while writing? It is the pen which dreams. The blank page gives the right to dream.”

Gaston Bachelard (1884–1962) French writer and philosopher

Introduction, sect. 6
La poétique de la rêverie (The Poetics of Reverie) (1960)

Elizabeth Hoyt photo
Lois Lowry photo
Jack Kerouac photo
Sherrilyn Kenyon photo
Rick Riordan photo
Sylvia Plath photo
John Ralston Saul photo
John Banville photo
Adam Smith photo
Maddox photo

“Most of the screen on a blog is blank for an imaginary populace of readers still using 640x480 resolution. I didn't buy a 19" monitor to have 50% of its screen realestate pissed away on firing white pixels, you assholes.”

Maddox (1978) American internet writer

If these words were people, I would embrace their genocide http://www.thebestpageintheuniverse.net/c.cgi?u=banish.
The Best Page in the Universe

Donald E. Westlake photo

“Eyes wide and blank as the buttons on a first Communion coat.”

Donald E. Westlake (1933–2008) American novelist

Ask the Parrot (2006), using the pseudonym Richard Stark

Mike Malloy photo
Cat Stevens photo

“I’ve, I’ve had it enough
All those lonely rooms
And blank faces
Had it enough
And I want you, I want you no more”

Cat Stevens (1948) British singer-songwriter

A Bad Penny
Song lyrics, Buddha and the Chocolate Box (1974)

Charlotte Brontë photo

“Have you yet read Miss Martineau’s and Mr. Atkinson’s new work, Letters on the Nature and Development of Man? If you have not, it would be worth your while to do so. Of the impression this book has made on me, I will not now say much. It is the first exposition of avowed atheism and materialism I have ever read; the first unequivocal declaration of disbelief in the existence of a God or a future life I have ever seen. In judging of such exposition and declaration, one would wish entirely to put aside the sort of instinctive horror they awaken, and to consider them in an impartial spirit and collected mood. This I find difficult to do. The strangest thing is, that we are called on to rejoice over this hopeless blank — to receive this bitter bereavement as great gain — to welcome this unutterable desolation as a state of pleasant freedom. Who could do this if he would? Who would do this if he could? Sincerely, for my own part, do I wish to know and find the Truth; but if this be Truth, well may she guard herself with mysteries, and cover herself with a veil. If this be Truth, man or woman who beholds her can but curse the day he or she was born. I said however, I would not dwell on what I thought; rather, I wish to hear what some other person thinks,--someone whose feelings are unapt to bias his judgment. Read the book, then, in an unprejudiced spirit, and candidly say what you think of it. I mean, of course, if you have time — not otherwise.”

Charlotte Brontë (1816–1855) English novelist and poet

Charlotte Brontë, on Letters on the Nature and Development of Man (1851), by Harriet Martineau. Letter to James Taylor (11 February 1851) The life of Charlotte Brontë

David H. Levy photo
Philip José Farmer photo
Thomas Robert Malthus photo

“It has appeared that from the inevitable laws of our nature, some human beings must suffer from want. These are the unhappy persons who, in the great lottery of life, have drawn a blank.”

Thomas Robert Malthus (1766–1834) British political economist

Source: An Essay on The Principle of Population (First Edition 1798, unrevised), Chapter X, paragraph 29, lines 12-15

Lee Child photo

“The dynamics of the city. His mother had been scared of cities. It had been part of his education. She had told him cities are dangerous places. They're full of tough, scary guys. He was a tough boy himself but he had walked around as a teenager ready and willing to believe her. And he had seen that she was right. People on city streets were fearful and furtive and defensive. They kept their distance and crossed to the opposite sidewalk to avoid coming near him. They made it so obvious he became convinced the scary guys were always right behind him, at his shoulder. Then he suddenly realized no, I'm the scary guy. They're scared of me. It was a revelation. He saw himself reflected in store windows and understood how it could happen. He had stopped growing at fifteen when he was already six feet five and two hundred and twenty pounds. A giant. Like most teenagers in those days he was dressed like a bum. The caution his mother had drummed into him was showing up in his face as a blank-eyed, impassive stare. They're scared of me. It amused him and he smiled and then people stayed even farther away. From that point onward he knew cities were just the same as every other place, and for every city person he needed to be scared of there were nine hundred and ninety-nine others a lot more scared of him. He used the knowledge like a tactic, and the calm confidence it put in his walk and his gaze redoubled the effect he had on people. The dynamics of the city.”

Source: Running Blind (2000), Ch. 1.

Robert Greene (dramatist) photo

“There is an upstart crow, beautified with our feathers, that with his tiger's heart wrapped in a player's hide supposes he is as well able to bombast out a blank verse as the best of you: and being an absolute Johannes Factotum, is in his own conceit the only Shake-scene in a country.”

Robert Greene (dramatist) (1558–1592) English author

Groatsworth of Wit; cited from William Shakespeare (ed. Stephen Orgel and A. R. Braunmuller) The Complete Works (Harmondsworth: Penguin, 2002) p. xlvii.
Probably the earliest reference to Shakespeare as a figure in the theatrical world.

Tanith Lee photo
Douglas Coupland photo
Ron White photo
Alan Turing photo
Tanith Lee photo
James K. Morrow photo
Lawrence Durrell photo
Sören Kierkegaard photo

“In vain do individual great men seek to mint new concepts and to set them in circulation — it is pointless. They are used for only a moment, and not by many, either, and they merely contribute to making the confusion even worse, for one idea seems to have become the fixed idea of the age: to get the better of one's superior. If the past may be charged with a certain indolent self-satisfaction in rejoicing over what it had, it would indeed be a shame to make the same charge against the present age (the minuet of the past and the gallop of the present). Under a curious delusion, the one cries out incessantly that he has surpassed the other, just as the Copenhageners, with philosophic visage, go out to Dyrehausen "in order to see and observe," without remembering that they themselves become objects for the others, who have also gone out simply to see and observe. Thus there is the continuous leap-frogging of one over the other — "on the basis of the immanent negativity of the concept", as I heard a Hegelian say recently, when he pressed my hand and made a run preliminary to jumping. — When I see someone energetically walking along the street, I am certain that his joyous shout, "I am coming over," is to me — but unfortunately I did not hear who was called (this actually happened); I will leave a blank for the name, so everyone can fill in an appropriate name.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Journals IA 328, 1835
1830s, The Journals of Søren Kierkegaard, 1830s

Andy Warhol photo
Marianne von Werefkin photo
Ryū Murakami photo
Tom McCarthy (writer) photo
Jorge Luis Borges photo