Quotes from work
The Alexandria Quartet

The Alexandria Quartet

Lawrence Durrell

The Alexandria Quartet is a tetralogy of novels by British writer Lawrence Durrell, published between 1957 and 1960. A critical and commercial success, the first three books present three perspectives on a single set of events and characters in Alexandria , before and during the Second World War. The fourth book is set six years later.

“Music was invented to confirm human loneliness.”

Lawrence Durrell The Alexandria Quartet

The Alexandria Quartet (1957–1960), Clea (1960)

“A woman's best love letters are always written to the man she is betraying.”

Lawrence Durrell The Alexandria Quartet

The Alexandria Quartet (1957–1960), Justine (1957)

“Art like life is an open secret.”

Lawrence Durrell The Alexandria Quartet

Source: The Alexandria Quartet

“Science is the poetry of the intellect and poetry the science of the heart's affections.”

Lawrence Durrell The Alexandria Quartet

Source: The Alexandria Quartet

“Gamblers and lovers really play to lose.”

Lawrence Durrell The Alexandria Quartet

Source: The Alexandria Quartet

“In French the truth of passion stood up coldly and cruelly to the scrutiny of human experience. In his own curious phrase he [Pursewarden] had always qualified it as 'an unsniggerable language.”

Lawrence Durrell The Alexandria Quartet

Source: The Alexandria Quartet (1957–1960), Mountolive (1958), VIII

“Our common actions in reality are simply the sackcloth covering which hides the cloth-of-gold - the meaning of the pattern. For us artists there waits the joyous compromise through art with all that wounded or defeated us in daily life; in this way, not to evade destiny, as the ordinary people try to do, but to fulfil it in its true potential—the imagination.”

Lawrence Durrell The Alexandria Quartet

The Alexandria Quartet (1957–1960), Justine (1957)

“Lovers can find nothing to say to each other that has not been said and unsaid a thousand times over. Kisses were invented to translate such nothings into wounds”

Lawrence Durrell The Alexandria Quartet

Source: The Alexandria Quartet (1957–1960), Mountolive (1958), I

“here was Kenilworth now heading the new department concerned with Personnel [-] one of those blank administrative constructs which offered no openings into the world of policy. A dead end. [-] he would soon develop the negative powers of obstruction which always derive from a sense of failure.”

Lawrence Durrell The Alexandria Quartet

Source: The Alexandria Quartet (1957–1960), Mountolive (1958), IV

“I remember Nessim once saying [-] that Alexandria was the great winepress of love; those who emerged from it were the sick men, the solitaries, the prophets-I mean all who have been deeply wounded in their sex.”

Lawrence Durrell The Alexandria Quartet

The Alexandria Quartet (1957–1960), Justine (1957)

“Subconsciously he knew too, that the oriental woman is not a sensualist in the European sense; there is nothing mawkish in her constitution. Her true obsessions are power, politics and possessions - however much she might deny it. The sex ticks on in the mind, but its motions are warmed by the kinetic brutalities of money.”

Lawrence Durrell The Alexandria Quartet

Source: The Alexandria Quartet (1957–1960), Mountolive (1958), X

“I think often, and never without a certain fear of Nessim's love for Justine. [-] It coloured his unhappiness with a kind of ecstasy [-] Yet one touch of humour would have saved him from such dreadful comprehensive suffering.”

Lawrence Durrell The Alexandria Quartet

The Alexandria Quartet (1957–1960), Justine (1957)

“No one can go on being a rebel too long without turning into an autocrat.”

Lawrence Durrell The Alexandria Quartet

The Alexandria Quartet (1957–1960), Balthazar (1958)

“the confluent smallpox - invented perhaps as the cruellest remedy for human vanity”

Lawrence Durrell The Alexandria Quartet

Source: The Alexandria Quartet (1957–1960), Mountolive (1958), II

“Then he saw that she was blind, her face slightly upcast to her companion's in the manner of those whose expressions never fully attain their target - the eyes of another.”

Lawrence Durrell The Alexandria Quartet

Source: The Alexandria Quartet (1957–1960), Mountolive (1958), II

“Guilt always hurries towards its complement, punishment; only there does its satisfaction lie.”

Lawrence Durrell The Alexandria Quartet

The Alexandria Quartet (1957–1960), Justine (1957)

“Perhaps our only sickness is to desire a truth which we cannot bear rather than to rest content with the fictions we manufacture out of each other.”

Lawrence Durrell The Alexandria Quartet

The Alexandria Quartet (1957–1960), Clea (1960)

“I return link by link along the iron chains of memory to the city which we inhabited so briefly together:the city which used us as its flora-precipitated in us conflicts which were hers and which we mistook for our own:beloved Alexandria!”

Lawrence Durrell The Alexandria Quartet

The Alexandria Quartet (1957–1960), Justine (1957)

“His profession [ diplomacy ] — offered him something like a long Jesuitical training in self-deception which enabled him to present an ever more highly polished surface to the world without deepening his human experience [-] for he lived surrounded by his ambitious and sycophantic fellows who taught him only how to excel in forms of address, and the elaborate kindnesses which, in pleasing, pave the way to advancement.”

Lawrence Durrell The Alexandria Quartet

Source: The Alexandria Quartet (1957–1960), Mountolive (1958), II

“Like all young men I set out to be a genius, but mercifully laughter intervened.”

Lawrence Durrell The Alexandria Quartet

The Alexandria Quartet (1957–1960), Clea (1960)

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