Quotes about beauty
page 25

Martha Raye photo
Alphonse de Lamartine photo
William Beebe photo
Mai Văn Phấn photo

“Whether be written with any trend, poetry is always carrying the beauty of primordial, to the resurrection, recreate the world, forever opposed to the bad and evil.”

Mai Văn Phấn (1955) Vietnamese poet

Vẻ đẹp và quyền năng của thơ ca (tiểu luận) - Mai Văn Phấn http://maivanphan.vn/MaiVanPhan/32/398/785/1135/Tieu-luan-tho/Ve-dep-va-quyen-nang-cua-tho-ca--tieu-luan----Mai-Van-Phan.aspx

Letitia Elizabeth Landon photo
Joachim von Ribbentrop photo

“Death, death. Now I won't be able to write my beautiful memoirs.”

Joachim von Ribbentrop (1893–1946) German general

To Dr. G. M. Gilbert, after receiving the death sentence. Quoted in "Nuremberg Diary" - by G. M. Gilbert - History - 1995

Kate Bush photo

“Joanni, Joanni wears a golden cross
And she looks so beautiful in her armour
Joanni, Joanni blows a kiss to God
And she never wears a ring on her finger…”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Aerial (2005), A Sea of Honey (Disc 1)

Rukmini Devi Arundale photo

“That she learned ballet not with the idea of becoming a full-fledged dancer. It was just to train my body and more for the sheer joy of learning something beautiful.”

Rukmini Devi Arundale (1904–1986) Indian Bharatnatyam dancer

[Meduri, Avanthi, Rukmini Devi Arundale, 1904-1986: A Visionary Architect of Indian Culture and the Performing Arts, http://books.google.com/books?id=uNYZ1vp-xFIC, 1 January 2005, Motilal Banarsidass Publishe, 978-81-208-2740, 8, 10]

Agatha Christie photo
Orson Scott Card photo
George Herbert photo

“477. A poore beauty finds more lovers than husbands.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Jacula Prudentum (1651)

“Live authentically. Why would you continue to compromise something that's beautiful to create something that is fake?”

Source: Life, the Truth, and Being Free (2010), p. 38

Giorgio Vasari photo
Poul Anderson photo
Alain de Botton photo
Marie-Louise von Franz photo
Pauline Hanson photo
John Tyndall photo
John Cheever photo

“For me, a page of good prose is where one hears the rain [and] the noise of battle. [It] has the power to give grief or universality that lends it a youthful beauty.”

John Cheever (1912–1982) American novelist and short story writer

Accepting National Medal for Literature (April 27, 1982).

Baba Amte photo
Hilaire Belloc photo

“And what is there else but pleasure, and to what else does beauty move on?”

Hilaire Belloc (1870–1953) writer

Source: The Path to Rome (1902), p. 421

“Beauty sat bathing by a spring”

Anthony Munday (1560–1633) English playwright and miscellaneous writer

Poem Colin http://rpo.library.utoronto.ca/poem/1527.html

Filippo Tommaso Marinetti photo
George William Russell photo
Charles Dibdin photo

“His form was of the manliest beauty,
His heart was kind and soft;
Faithful below he did his duty,
But now he ’s gone aloft.”

Charles Dibdin (1745–1814) British musician, songwriter, dramatist, novelist and actor

Tom Bowling (c. 1788).

Fernand Léger photo
Qu Yuan photo

“The muddy, impure world, so undiscriminating,
Seeks always to hide beauty, out of jealousy.”

Qu Yuan (-343–-278 BC) ancient Chinese poet

Source: "Encountering Sorrow" (trans. David Hawkes), Line 107

Bill Evans photo
Garrison Keillor photo

“Cherish the Minnesota State Fair. Wherever you find beauty and simplicity and truth, know that there is a committee somewhere planning to improve it --- don't let them do it.”

Garrison Keillor (1942) American radio host and writer

University of Minnesota Alumni Association (UMAA) Annual Meeting Keynote Speech (29 April 1992) UMAA 199204 to 199306 Meeting Minutes http://conservancy.umn.edu/bitstream/48842/1/199204-199306.pdf

Letitia Elizabeth Landon photo
Richard Henry Dana Jr. photo
Sarah Kofman photo
Hans Christian Andersen photo
Christopher Golden photo

“It was a beautiful day to grow up.”

Christopher Golden (1967) American writer

Body of Evidence

Ursula K. Le Guin photo
Ruan Ji photo
Dylan Moran photo
Guillermo del Toro photo

“There is beautiful in the grotesque.”

Guillermo del Toro (1964) Mexican film director

Interview with Guillermo del Toro. http://podcast.radionz.co.nz/ntn/ntn-20090526-1006-Feature_guest_-_Guillermo_del_Toro-048.mp3

Andrew Marvell photo
Warren Farrell photo

“deprivation of the beautiful woman and sex with her until the man guarantees economic security in return; (…)”

Source: The Myth of Male Power (1993), Part IV: Where do we go from here, p. 358.

David Hume photo
Ravi Zacharias photo

“Love is a command, not just a feeling. Somehow, in the romantic world of music and theater we have made love to be what it is not. We have so mixed it with beauty and charm and sensuality and contact that we have robbed it of its higher call of cherishing and nurturing.”

Ravi Zacharias (1946) Indian philosopher

[I, Isaac, Take Thee, Rebekah: Moving from Romance to Lasting Love, 2005, 9781418515812, http://books.google.com/books?id=lhWCB2v3UlQC&pg=PA30&dq=%22Love+is+a+command%22, 39]
2000s

“So quiet and subtle is the beauty of December that escapes the notice of many people their whole lives through.. Colour gives way to form. every branch distinct, in a delicate tracery against the sky.. new vistas obscured all Summer by leafage, now open up.”

Flora Thompson (1876–1947) English author and poet

December Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers

Bernice King photo
Arthur James Balfour photo

“Nietzsche … criticizes Schopenhauerian aesthetics for not freeing itself from Kant’s moralistic: ‘that is beautiful which gives us pleasure without interest’.”

John Carroll (1944) Australian professor and author

Source: Break-Out from the Crystal Palace (1974), p. 95

“Foo, a beautiful gal wastes her time gracin' up this swamp.”

Walt Kelly (1913–1973) American cartoonist

Miz Beaver
Pogo comic strip (1948 - 1975), Others

John James Audubon photo

“Hunting, fishing, drawing, and music occupied my every moment; cares I knew not, and cared naught about them. I purchased excellent and beautiful horses, visited all such neighbors as I found congenial spirits, and was as happy as happy could be.”

John James Audubon (1785–1851) American ornithologist, naturalist, and painter

On his life at Mill Grove, in Pennsylvania http://pa.audubon.org/centers_mill_grove.html in "Audubon's Story of His Youth" edited by Maria R. Audubon, in Scribner's Magazine Vol. XIII, No. 3, (March 1893), p. 278

Pierre Louis Maupertuis photo
Ilana Mercer photo
Robert Olmstead photo
Sophia Loren photo
Nicholas Sparks photo
Gloria Estefan photo
Cassiodorus photo

“For, among the world's incertitudes, this thing called arithmetic is established by a sure reasoning that we comprehend as we do the heavenly bodies. It is an intelligible pattern, a beautiful system, that both binds the heavens and preserves the earth. For is there anything that lacks measure, or transcends weight? It includes all, it rules all, and all things have their beauty because they are perceived under its standard.”
Haec enim quae appellatur arithmetica inter ambigua mundi certissima ratione consistit, quam cum caelestibus aequaliter novimus: evidens ordo, pulchra dispositio, cognitio simplex, immobilis scientia, quae et superna continet et terrena custodit. quid est enim quod aut mensuram non habeat aut pondus excedat? omnia complectitur, cuncta moderatur et universa hinc pulchritudinem capiunt, quia sub modo ipsius esse noscuntur.

Bk. 1, no. 10; p. 12.
Variae

Manuel Castells photo

“Let me start a different/ analysis by recalling an idea from Max Weber. He characterized cultural modernity as the separation of the substantive reason expressed in religion and metaphysics into three autonomous spheres. They are science, morality and art. These came to be differentiated because the unified world-views of religion and metaphysics fell apart. Since the 18th century, the problems inherited from these older world-views could be arranged so as to fall under specific aspects of validity: truth, normative rightness, authenticity and beauty. They could then be handled as questions of knowledge, or of justice and morality, or of taste. Scientific discourse, theories of morality, Jurisprudence, and the production and criticism of art could in turn be institutionalized. Each domain of culture could be made to correspond to cultural professions in which problems could be dealt with as the concern of special experts. This professionalized treatment of the cultural tradition brings to the fore the intrinsic structures of each of the three dimensions of culture. There appear the structures of cognitive-instrumental, of moral-practical and of aesthetic-expressive rationality, each of these under the control of specialists who seem more adept at being logical in these particular ways than other people are. As a result, the distance grows between the culture of the experts and that of the larger public. What accrues to culture through specialized treatment and reflection does not immediately and necessarily become the property of everyday praxis. With cultural rationalization of this sort, the threat increases that the life-world, whose traditional substance has already been devalued, will become more and more impoverished.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: Modernity — An Incomplete Project, 1983, p. 8-9

Percy Bysshe Shelley photo
Leo Tolstoy photo
Waheeda Rehman photo
Nisargadatta Maharaj photo
Tom Stoppard photo

“My work always tried to unite the true with the beautiful; but when I had to choose one or the other, I usually chose the beautiful.”

Tom Stoppard (1937) British playwright

Misattributed
Source: Hermann Weyl as quoted by Freeman Dyson: "Characteristic of Weyl was an aesthetic sense which dominated his thinking on all subjects. He once said to me, half-joking, 'My work always tried to unite the true with the beautiful; but when I had to choose one or the other, I usually chose the beautiful.'" - Freeman Dyson, "Obituary of Hermann Weyl," Nature (1956-03-10), pp. 457-458.

Miguel de Unamuno photo
Ernest Hemingway photo

“You're beautiful, like a May fly.”

Ernest Hemingway (1899–1961) American author and journalist

Statement to his future wife Mary Welsh, recalled in her obituaries (26 November 1986)

Bernard Cornwell photo
Donald J. Trump photo
Gerhard Richter photo
Letitia Elizabeth Landon photo

“Beauty should be around the beautiful.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette, 1823

Ellen Sturgis Hooper photo

“I slept, and dreamed that life was Beauty;
I woke, and found that life was Duty.
Was thy dream then a shadowy lie?
Toil on, poor heart, unceasingly;
And thou shalt find thy dream to be
A truth and noonday light to thee.”

Ellen Sturgis Hooper (1812–1848) American writer

Life a Duty, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Straight is the line of Duty, / Curved is the line of Beauty, / Follow the straight line, thou hall see / The curved line ever follow thee", William Maccall (c. 1830).

Jean-Baptiste-Camille Corot photo
Ebenezer Howard photo

“All, then, are agreed on the pressing nature of this problem, all are bent on its solution, and though it would doubtless be quite Utopian to expect a similar agreement as to the value of any remedy that may be proposed, it is at least of immense importance that, on a subject thus universally regarded as of supreme importance, we have such a consensus of opinion at the outset. This will be the more remarkable and the more hopeful sign when it is shown, as I believe will be conclusively shown in this work, that the answer to this, one of the most pressing questions of the day, makes of comparatively easy solution many other problems which have hitherto taxed the ingenuity of the greatest thinkers and reformers of our time. Yes, the key to the problem how to restore the people to the land — that beautiful land of ours, with its canopy of sky, the air that blows upon it, the sun that warms it, the rain and dew that moisten it — the very embodiment of Divine love for man — is indeed a Master-Key, for it is the key to a portal through which, even when scarce ajar, will be seen to pour a flood of light on the problems of intemperance, of excessive toil, of restless anxiety, of grinding poverty — the true limits of Governmental interference, ay, and even the relations of man to the Supreme Power.”

Ebenezer Howard (1850–1928) British writer, founder of the garden city movement

Introduction.
Garden Cities of To-morrow (1898)

“BEAUTIFUL BLUEBERRIES.”

Christopher McCandless (1968–1992) American hiker and explorer

Final jounal entry, August 8, 1992. http://www.christophermccandless.info/bio.html

Charles Rollin photo
Christian Dior photo

“Zest is the secret of all beauty. There is no beauty that is attractive without zest.”

Christian Dior (1905–1957) French fashion designer

Quoted in Ladies' Home Journal, April 1956 http://books.google.com/books?id=4c8fAQAAMAAJ&q=%22Zest+is+the+secret+of+all+beauty+There+is+no+beauty+that+is+attractive+without+zest%22&pg=PA90#v=onepage

Swami Vivekananda photo
Don Marquis photo
William Wordsworth photo
Thomas Edison photo

“It is very beautiful over there!”

Thomas Edison (1847–1931) American inventor and businessman

These have sometimes been reported as his last words, but were actually spoken several days before his death, as he awoke from a nap, gazing upwards, as reported by his physician Dr. Hubert S. Howe, in Thomas A. Edison, Benefactor of Mankind : The Romantic Life Story of the World's Greatest Inventor (1931) by Francis Trevelyan Miller, Ch. 25 : Edison's Views on Life — His Philosophy and Religion, p. 295.
1930s

Richard Feynman photo

“In general, we look for a new law by the following process: First we guess it. Then we – now don't laugh, that's really true. Then we compute the consequences of the guess to see what, if this is right, if this law that we guessed is right, to see what it would imply. And then we compare the computation results to nature, or we say compare to experiment or experience, compare it directly with observations to see if it works. If it disagrees with experiment, it's wrong. In that simple statement is the key to science. It doesn't make any difference how beautiful your guess is, it doesn't make any difference how smart you are, who made the guess, or what his name is. If it disagrees with experiment, it's wrong. That's all there is to it.”

same passage in transcript: video http://www.youtube.com/watch?v=-2NnquxdWFk&t=16m46s
The Character of Physical Law (1965)
Variant: In general we look for a new law by the following process. First we guess it. Then we compute the consequences of the guess to see what would be implied if this law that we guessed is right. Then we compare the result of the computation to nature, with experiment or experience, compare it directly with observation, to see if it works. If it disagrees with experiment it is wrong. In that simple statement is the key to science. It does not make any difference how beautiful your guess is. It does not make any difference how smart you are, who made the guess, or what his name is – if it disagrees with experiment it is wrong. That is all there is to it.

Burkard Schliessmann photo

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Carlo Rovelli photo
George Gordon Byron photo
Mahatma Gandhi photo

“For me the different religions are beautiful flowers from the same garden, or they are branches of the same majestic tree. Therefore they are equally true, though being received and interpreted through human instruments equally imperfect.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Harijan, 30-1-1937, p. 407; In: My God (1962), Chapter 13. Pathways of God http://www.mkgandhi.org/god/mygod/pathwaystogod.html, Printed and Published by: Jitendra T. Desai, Navajivan Mudranalaya, Ahemadabad-380014 India
Posthumous publications (1950s and later)

Vincent Van Gogh photo
Joseph Goebbels photo

“How beautiful life is! Music and dancing! The violins are sobbing. The first stopper of a bottle of champagne bangs. And now there's a mad singing and shouting. Everybody joins in and sings and shouts! Embracing, friendship, eternal friendship! How beautiful the women are! Dressed in black and red. But you are the prettiest, Hertha! … Hey, you grumblers, go to hell! Music and dancing. The violins are sobbing. Women dressed in black and red. But you are the prettiest, Hertha!”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Wie schön ist das Leben! Musik und Tanz! Die Geigen schluchzen. Der erste Sektpfropfen knallt. Und nun ein tolles Singen und Schreien. Man singt und schreit mit. Umarmung, Freundschaft, ewige Freundschaft! Welch' schöne Frauen! In schwarz und rot! Und doch bist Du die Schönste, Hertha Holk! … Heda, ihr Miesmacher, der Teufel soll euch holen! Musik und Tanz. Die Geigen schluchzen. Frauen in schwarz und rot. Und doch bist Du die Schönste, Hertha Holk!
Michael: a German fate in diary notes (1926)

Anne Louise Germaine de Staël photo
Francesco Petrarca photo

“Hidden beauty is sweetest.”

Una chiusa bellezza è piú soave.
Canzone 105, st. 4
Il Canzoniere (c. 1351–1353), To Laura in Life

Kenneth Grahame photo
Anton Mauve photo

“Heavenly wonderfully beautiful that Wolfhezerland with its stream and pines.. (translation from original Dutch, Fons Heijnsbroek, 2018)”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

(version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Goddelijk heerlijk schoon dat met zijne beekje en dennen..
In a letter to Willem Maris, 1863; as cited in: 'Zó Hollands - Het Hollandse landschap in de Nederlandse kunst sinds 1850', Antoon Erftemeijer https://www.franshalsmuseum.nl/wp-content/uploads/2017/12/zohollands_eindversie_def_1.pdf; Frans Hals museum | De Hallen, Haarlem 2011, p. 31
1860's
Variant: All my canvases I paint after sketches. (translation from original Dutch, Fons Heijnsbroek, 2018)

Pierre-Auguste Renoir photo

“The pain passes but the beauty remains.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

As quoted in: Instituto Nacional de Previsión (Spain) (1974). 6.o Congreso Internacional de Medicina Fisica: 2-6 julio 1974. p. 424
Renoir replied to Matisse, who had asked him why he persisted in painting at the expense of such torture.
undated quotes

Paula Modersohn-Becker photo

“In my first year of marriage I have often wept and the tears fall often as they did in my childhood - in large drops. They occur when I hear music and when I see beautiful things which move me. In the last analysis, I live alone just as much as I did in my childhood. This aloneness makes me sometimes sad and sometimes happy. I believe it deepens one's life. One lives less according to outward appearances... One lives inwardly.”

Paula Modersohn-Becker (1876–1907) German artist

note from her Journal, March 1902; as quoted by Susan P. Bachrach, in 'Paula Modersohn-Becker (1876-1907) Woman and Artist as Revealed Through Her Depiction of Children', (text on: Fembio - Notable Woman International: Biographies http://www.fembio.org/english/biography.php/woman/biography_extra/paula-modersohn-becker/)
1900 - 1905

Arthur Stanley Eddington photo