Quotes about beauty
page 26

Rudolf Höss photo
Paula Modersohn-Becker photo

“Today I painted my first plain air portrait at the clay pit, a little blond and blue-eyed girl. The way the little thing stood in the yellow sand was simply beautiful – a bright and shimmering thing to see. It made my heart leap. Painting people is indeed more beautiful than painting a landscape. I suppose you can notice that I am dead-tired, after this long day of hard work, cant you? But inside I am so peaceful and happy..”

Paula Modersohn-Becker (1876–1907) German artist

in a letter to her mother, from Worpswede, August 1897; as quoted in Paula Modersohn-Becker, The Letters and Journals by Paula Modersohn-Becker, eds. Günter Busch, Liselotte von Reinken, Arthur S. Wensinger, Carole Clew Hoey - Northwestern University Press, 1998, p. 79
1897

D.H. Lawrence photo
Mickey Spillane photo
Lama Ole Nydahl photo
Charles Babbage photo

“There are in the Exhibition some beautiful examples of such lace amongst the productions of other countries as well as of our own. They are made by the united labour of many women. The cost of a piece of lace will consist of:
# The remuneration to the artist who designs the pattern.
# The cost of the raw material.
# The cost of the labour of a large number of women working on it for many months.
Let us compare this with the cost of a piece of statuary, which is undoubtedly of a much higher class of art; it will consist of:
# The remuneration to the artist who makes the model.
# The cost of the raw material.
# The cost of labour, by assistants in cutting the block to the pattern of the model.
# Finishing the statue by the artist himself.
In lace making the skill of the artist is required only for the production of the first example. Every succeeding copy is made by mere labour: each copy may be considered as an individual, and will cost the same amount of time.
In sculpture the three first processes are quite analogous to those in lace-making. But the fourth process requires the taste and judgment of the artist. It is this which causes it to retain its rank amongst the fine arts, whilst lacemaking must still be classed amongst the industrial.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 49-50

Letitia Elizabeth Landon photo
Herbert Spencer photo

“The saying that beauty is but skin deep is but a skin-deep saying.”

Herbert Spencer (1820–1903) English philosopher, biologist, sociologist, and prominent classical liberal political theorist

Vol. 2, Ch. XIV, Personal Beauty
Essays: Scientific, Political, and Speculative (1891)

Carlo Goldoni photo

“The world is a beautiful book, but of little use to him who cannot read it.”

Carlo Goldoni (1707–1794) Italian playwright and librettist

Il mondo è un bel libro, ma poco serve a chi non lo sa leggere.
I. 14.
Pamela (c. 1750)

Thomas Hardy photo
George Granville, 1st Baron Lansdowne photo

“Tis impious pleasure to delight in harm.
And beauty should be kind, as well as charm.”

George Granville, 1st Baron Lansdowne (1666–1735) 1st Baron Lansdowne

To Myra, line 21; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), "Beauty", p. 57-63.

Max Horkheimer photo
Joseph Silk photo

“The beauty of science and the nature of scientific revelations constitute part of the modern theologian's perspective and toolbox.”

Joseph Silk (1942) British-American astronomer

Page 2.30
The Dark Side of the Universe, 2007

Robert Rauschenberg photo
James Allen photo

“He who cherishes a beautiful vision, a lofty ideal in his heart, will one day realize it.”

James Allen (1864–1912) British philosophical writer

As A Man Thinketh (1902), Visions and Ideals

Kuruvilla Pandikattu photo
Käthe Kollwitz photo
Letitia Elizabeth Landon photo

“Beautiful weakness! oh, if weak,
That woman's heart should tinge her cheek!
'Tis sad to change it for the strength
That heart and cheek must know at length.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - The Queen of Cyprus
The Golden Violet (1827)

Alex Steffen photo
Stephenie Meyer photo
Henry Benjamin Whipple photo

“Man, being essentially active, must find in activity his joy, as well as his beauty and glory; and labor, like every thing else that is good, is its own reward.”

Henry Benjamin Whipple (1822–1901) Bishop of Minnesota

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 3.

Sara Teasdale photo
Eugène Delacroix photo
Henry Timrod photo

“Sleep sweetly in your humble graves,
Sleep, martyrs of a fallen cause;
Though yet no marble column craves
The pilgrim here to pause. Stoop, angels, hither from the skies!
There is no holier spot of ground
Than where defeated valor lies,
By mourning beauty crowned!”

Henry Timrod (1828–1867) Poet from the American South

"Ode: Sung on the Occasion of Decorating the Graves of the Confederate Dead at Magnolia Cemetery, Charleston, S.C., 1867", st. 1 & 5

Johann Wolfgang von Goethe photo

“People say, “Artist, study nature!” But it is no small matter to develop what is noble out of what is common, beauty out of what lacks form.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Man sagt: „Studire, Künstler, die Natur!”
Es ist aber keine Kleinigkeit, aus dem Gemeinen das Edle, aus der Unform das Schöne zu entwickeln.
Maxim 191, trans. Stopp
Maxims and Reflections (1833)

Donald J. Trump photo
Wilfrid Scawen Blunt photo
Robert Seymour Bridges photo
Derren Brown photo

“People are always saying, “Can you use your skills to get extraordinarily beautiful women into bed?” Well… yes, yes I can.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Mind Control (1999–2000) or Inside Your Mind on DVD

Jock Stein photo

“We did it by playing football. Pure, beautiful, inventive football.”

Jock Stein (1922–1985) Scottish footballer and manager

Lisbon, 1967 (after winning the European Cup) http://www.weekender.co.jp/new/030516/sports_news-030516.html

Stefan Szczesny photo
David Cameron photo

“It is known that the mathematics prescribed for the high school [Gymnasien] is essentially Euclidean, while it is modern mathematics, the theory of functions and the infinitesimal calculus, which has secured for us an insight into the mechanism and laws of nature. Euclidean mathematics is indeed, a prerequisite for the theory of functions, but just as one, though he has learned the inflections of Latin nouns and verbs, will not thereby be enabled to read a Latin author much less to appreciate the beauties of a Horace, so Euclidean mathematics, that is the mathematics of the high school, is unable to unlock nature and her laws. Euclidean mathematics assumes the completeness and invariability of mathematical forms; these forms it describes with appropriate accuracy and enumerates their inherent and related properties with perfect clearness, order, and completeness, that is, Euclidean mathematics operates on forms after the manner that anatomy operates on the dead body and its members.
On the other hand, the mathematics of variable magnitudes—function theory or analysis—considers mathematical forms in their genesis. By writing the equation of the parabola, we express its law of generation, the law according to which the variable point moves. The path, produced before the eyes of the 113 student by a point moving in accordance to this law, is the parabola.
If, then, Euclidean mathematics treats space and number forms after the manner in which anatomy treats the dead body, modern mathematics deals, as it were, with the living body, with growing and changing forms, and thus furnishes an insight, not only into nature as she is and appears, but also into nature as she generates and creates,—reveals her transition steps and in so doing creates a mind for and understanding of the laws of becoming. Thus modern mathematics bears the same relation to Euclidean mathematics that physiology or biology … bears to anatomy. But it is exactly in this respect that our view of nature is so far above that of the ancients; that we no longer look on nature as a quiescent complete whole, which compels admiration by its sublimity and wealth of forms, but that we conceive of her as a vigorous growing organism, unfolding according to definite, as delicate as far-reaching, laws; that we are able to lay hold of the permanent amidst the transitory, of law amidst fleeting phenomena, and to be able to give these their simplest and truest expression through the mathematical formulas”

Christian Heinrich von Dillmann (1829–1899) German educationist

Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 37.

John Suckling photo

“If I a fancy take
To black and blue,
That fancy doth it beauty make.”

John Suckling (1609–1642) English poet

Of thee (kind boy) I ask no red and white.
Other poems

Edith Hamilton photo
Marcus Aurelius photo

“Whatever is in any way beautiful hath its source of beauty in itself, and is complete in itself; praise forms no part of it. So it is none the worse nor the better for being praised.”

Variant: That which is really beautiful has no need of anything. (trans. George Long)
Source: Meditations (c. 121–180 AD), Book IV, 20

Apolo Anton Ohno photo

“Mentally speaking, it sucks, man. Who wants to prepare their whole life and have it all taken away by some guy who just made a bad pass? But that's the beauty of the sport as well. Anything can happen.”

Apolo Anton Ohno (1982) American short track speed skating competitor

On speedskating
Gordon, Devin (2006-01-23), "APOLO ANTON OHNO: SPEED SKATING". Newsweek. 147 (4):48

Langston Hughes photo

“They'll see how beautiful I am
And be ashamed —
I, too, am America.”

Langston Hughes (1902–1967) American writer and social activist

"I, Too, Sing America," in the magazine Survey Graphic (March 1925); reprinted in Selected Poems (1959)

Frances Fuller Victor photo
Sarah Doudney photo
L. Frank Baum photo
Albert Camus photo

“We have exiled beauty; the Greeks took up arms for her.”

Albert Camus (1913–1960) French author and journalist

"Helen's Exile" (1948)

Chuck Berry photo

“Milo Venus was a beautiful lass,
She had the world in the palm of her hand.
But she lost both her arms in a wrestling match,
To get a brown eyed handsome man.”

Chuck Berry (1926–2017) American rock-and-roll musician

"Brown Eyed Handsome Man" (1958), Pop Chronicles Show 5 - Hail, Hail, Rock 'n' Roll: The rock revolution gets underway. Part 1 http://digital.library.unt.edu/ark:/67531/metadc19751/m1/.
Song lyrics

Emily St. John Mandel photo
James Anthony Froude photo
Jean Giraudoux photo

“When you see a woman who can go nowhere without a staff of admirers, it is not so much because they think she is beautiful, it is because she has told them they are handsome.”

Jean Giraudoux (1882–1944) French novelist, essayist, diplomat and playwright

The Man in The Apollo of Bellac: A Play in One Act, p. 12 (1954, as adapted by Maurice Valency).

Auguste Rodin photo
Percy Bysshe Shelley photo
F. W. de Klerk photo
Johannes Grenzfurthner photo
Fritjof Capra photo
M. C. Escher photo
Albert Camus photo
Jean Tinguely photo

“To attempt to hold fast an instant id doubtful.
To bind an emotion is unthinkable.
To petrify love is impossible.
It is beautiful to be transitory.
How lovely it is not to have to live forever.
Luckily there is nothing good and nothing evil.”

Jean Tinguely (1925–1991) Swiss painter and sculptor

reprinted in 'Zero', ed. Otto Piene and Heinz Mack, Cambridge, Mass; MIT Press 1973, p. 120
Quotes, 1960's, untitled statements in 'Zero 3', (1961)

Marcel Duchamp photo

“.. the thing was to choose one [a ready-made object] that you were not attracted by.... and that was difficult because anything becomes beautiful if you look at it long enough... [My intention was to] completely eliminate the existence of taste, bad or good or indifferent.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote from The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, p. 164
posthumous

Herbert Read photo

“The work of art … is an instrument for tilling the human psyche, that it may continue to yield a harvest of vital beauty.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Source: Collected Poems (1966), p. 20

Edward Gibbon photo
James Weldon Johnson photo

“The glory of the day was in her face,
The beauty of the night was in her eyes.”

James Weldon Johnson (1871–1938) writer and activist

The Glory of the Day Was in Her Face, st. 1 (1917).

James Branch Cabell photo

“I am content. While my shrewd fellows rode about the world to seek and to attain power and wisdom, I have elected, as and unpractical realist, to follow after beauty.”

James Branch Cabell (1879–1958) American author

Gonfal, in Book Two : The Mathematics of Gonfal, Ch. X : Relative to Gonfal's Head
The Silver Stallion (1926)

George Henry Lewes photo

“Remember that every drop that falls, bears into the bosom of the earth a quality of beautiful fertility.”

George Henry Lewes (1817–1878) British philosopher

G. P. R. James Henry Masterton (1832; repr. London: Richard Bentley, 1837) p. 297
Misattributed

Robert Bulwer-Lytton, 1st Earl of Lytton photo

“The world is filled with folly and sin,
And Love must cling, where it can, I say:
For Beauty is easy enough to win;
But one is n't loved every day.”

Robert Bulwer-Lytton, 1st Earl of Lytton (1831–1891) English statesman and poet

Changes, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

L. Onerva photo
Daniel Tammet photo
Charlotte Brontë photo
William Morris photo
John Derbyshire photo
James Allen photo
Kenneth Grahame photo
Ray Bradbury photo

““And what happened next?”
“Silence happened next. God, it was beautiful.””

The Murderer (1953)
The Golden Apples of the Sun (1953)

Prem Rawat photo
Yoko Ono photo

“Don't ever give up on life. Life can be so beautiful, especially after you've spent a lot of time with it.”

Yoko Ono (1933) Japanese artist, author, and peace activist

9 June 2009.
Twitter messages

Gideon Mantell photo
Peter Greenaway photo
Steve Kilbey photo

“Ugliness you have to know, beauty you can't teach ~ Disappear”

Steve Kilbey (1954) British artist

Lyrics

Mahendra Chaudhry photo

“It is part of our identity as Hindus and the Festival of Lights is today a celebration of the beauty of our culture, our Hindu values which, let me assure you, are second to none in the world.”

Mahendra Chaudhry (1942) Fijian politician

"Diwali is an integral part of Hindu culture" http://www.flp.org.fj/n021102.htm - speech at Diwali celebrations in Ba, 2 November 2002

Arthur C. Clarke photo
Vincent Van Gogh photo
Auguste Rodin photo
Max Scheler photo
George Holmes Howison photo
Paul Klee photo

“Kandinsky wants to organize a new society of artists. I came to feel a deep trust in him [ Kandinsky ]. He is somebody, and has an exceptionally beautiful and lucid mind.”

Paul Klee (1879–1940) German Swiss painter

Quote from Diaries III, 1911; as quoted by Enric Jardi, Paul Klee, Rizzoli Intl Pubns, 1991 - ISBN 0-8478-1343-6, p 12
In Autumn 1911 Klee made an acquaintance with August Macke and Kandinsky, and in winter he joined the editorial team of the almanac Der Blaue Reiter. After meeting Kandinsky in Munch, Klee recorded this.
1911 - 1914

Jonathan Edwards photo

“Almost all men, and those that seem to be very miserable, love life, because they cannot bear to lose sight of such a beautiful and lovely world. The ideas, that every moment whilst we live have a beauty that we take not distinct notice of, brings a pleasure that, when we come to the trial, we had rather live in much pain and misery than lose.”

Jonathan Edwards (1703–1758) Christian preacher, philosopher, and theologian

"The Beauty of the World" (c.1725), from the notebook The Images of Divine Things, The Shadows of Divine Things, The Language and Lessons of Nature (published 1948).

Anne Sexton photo

“Beauty is a simple passion,
but, oh my friends, in the end
you will dance the fire dance in iron shoes.”

Anne Sexton (1928–1974) poet from the United States

"Snow White and the Seven Dwarfs"
Transformations (1971)

James Branch Cabell photo
Julia Ward Howe photo

“In the beauty of the lilies Christ was born across the sea,
With a glory in his bosom that transfigures you and me:
As he died to make men holy, let us die to make men free,
While God is marching on.”

Julia Ward Howe (1819–1910) American abolitionist, social activist, and poet

Published version, in the Atlantic Monthly (February 1862)
In the whiteness of the lilies he was born across the sea,
With a glory in his bosom that shines out on you and me,
As he died to make men holy, let us die to make men free,
Our God is marching on.
First manuscript version (19 November 1861).
The Battle Hymn of the Republic (1861)

Nader Shah photo

“When the Shah departed towards the close of the day, a false rumour was spread through the town that he had been severely wounded by a shot from a matchlock, and thus were sown the seeds from which murder and rapine were to spring. The bad characters within the town collected in great bodies, and, without distinction, commenced the work of plunder and destruction…. On the morning of the 11th an order went forth from the Persian Emperor for the slaughter of the inhabitants. The result may be imagined; one moment seemed to have sufficed for universal destruction. The Chandni chauk, the fruit market, the Daribah bazaar, and the buildings around the Masjid-i Jama’ were set fire to and reduced to ashes. The inhabitants, one and all, were slaughtered. Here and there some opposition was offered, but in most places people were butchered unresistingly. The Persians laid violent hands on everything and everybody; cloth, jewels, dishes of gold and silver, were acceptable spoil…. But to return to the miserable inhabitants. The massacre lasted half the day, when the Persian Emperor ordered Haji Fulad Khan, the kotwal, to proceed through the streets accompanied by a body of Persian nasakchis, and proclaim an order for the soldiers to resist from carnage. By degrees the violence of the flames subsided, but the bloodshed, the devastation, and the ruin of families were irreparable. For a long time the streets remained strewn with corpses, as the walks of a garden with dead flowers and leaves. The town was reduced to ashes, and had the appearance of a plain consumed with fire. All the regal jewels and property and the contents of the treasury were seized by the Persian conqueror in the citadel. He thus became possessed of treasure to the amount of sixty lacs of rupees and several thousand ashrafis… plate of gold to the value of one kror of rupees, and the jewels, many of which were unrivalled in beauty by any in the world, were valued at about fifty krors. The peacock throne alone, constructed at great pains in the reign of Shah Jahan, had cost one kror of rupees. Elephants, horses, and precious stuffs, whatever pleased. the conqueror’s eye, more indeed than can be enumerated, became his spoil. In short, the accumulated wealth of 348 years changed masters in a moment.”

Nader Shah (1688–1747) ruled as Shah of Iran

About Shah’s sack of Delhi, Tazrikha by Anand Ram Mukhlis. A history of Nâdir Shah’s invasion of India. In The History of India as Told by its own Historians. The Posthumous Papers of the Late Sir H. M. Elliot. John Dowson, ed. 1st ed. 1867. 2nd ed., Calcutta: Susil Gupta, 1956, vol. 22, pp. 74-98. https://www.infinityfoundation.com/mandala/h_es/h_es_tazrikha_frameset.htm

Robert Ley photo
Damian Pettigrew photo

“We lunched in Fregene: grilled sardines sprinkled with parsley and lemon. Federico ate daintily, like someone with no appetite. The beach was deserted, the wind brisk. In the distance stood the abandoned lighthouse he filmed for 8 1/2. Like someone about to propose a toast, he stood up and "recited" from King Lear :
Hark! Have you heard the news? The king fell off a cliff.
O horrible! Were you very close to him?
Indeed, sir. Close enough to push.
We laughed until he brusquely sat down again, scraping the fish scales off his fingers, staring at the age spots that covered his hands. The beautiful adolescent waitress asked for his autograph. He drew himself as a man-lion in a hat and scarf with huge paws chasing her, and signed it "Féfé." We spent the afternoon visiting Ostia and returned to Rome in a sweltering twilight. He asked to be driven home for a change of clothes. We invited Giulietta, who wore a green velvet turban, to join us for dinner. (Had she already lost her hair from chemotherapy?) Graciously, she declined while smoking cigarette after cigarette. At Cesarina's, Federico drew hilarious, pornographic sketches on the table napkin saying, "If you have not made love today then you have lost a day!"”

Damian Pettigrew Canadian filmmaker

The entire restaurant was at his feet. He was twenty years old now and as thin as Kafka. He was Rome. He had adopted us the way Rome adopts everyone, and we loved him.
On Fellini's final years
Federico Fellini: Sou um Grande Mentiroso (2008)

Russell Brand photo
Jacoba van Heemskerck photo

“The country [ Brittany ] is very beautiful and painterly one see stimulating color tones; but the more abstract one works, the more one transforms the sketch into combinations.”

Jacoba van Heemskerck (1876–1923) Dutch painter

(translation from German, Fons Heijnsbroek, 2018, original version, written by Jacoba in German:) Das land [Bretagne]] is sehr schön und farbig gibt es reizige Töne; je mehr abstract man aber arbeitet, je mehr man die Skizze zu Combinationen umarbeitet.
note on a postcard to Herwarth Walden [initiator of Der 'Sturm' in Germany], 14 May 1914; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 18
1910's

Yasunari Kawabata photo
Charles Baudelaire photo

“I can scarcely conceive (would my brain be a spellbound mirror?) a type of beauty without unhappiness. Supported by — others would say, obsessed by — these notions, one may conceive it would be difficult for me not to conclude that the most perfect type of masculine beauty is Satan, — as rendered by Milton.”

Charles Baudelaire (1821–1867) French poet

Je ne conçois guère (mon cerveau serait-il un miroir ensorcelé?) un type de Beauté où il n'y ait du Malheur. Appuyé sur — d'autres diraient: obsédé par — ces idées, on conçoit qu'il me serait difficile de en pas conclure que le plus parfait type de Beauté virile est Satan, — à la manière de Milton.
XVI http://fr.wikisource.org/wiki/Fus%C3%A9es#XVI
Journaux intimes (1864–1867; published 1887), Fusées (1867)

John Constable photo

“There is nothing ugly; I never saw an ugly thing in my life: for let the form of an object be what it may, — light, shade, and perspective will always make it beautiful.”

John Constable (1776–1837) English Romantic painter

Quoted in C.R. Leslie, Memoirs of the Life of John Constable, Composed Chiefly of His Letters (1843), (Phaidon, London, 1951), p. 280
Reply "to a lady who, looking at an engraving of a house, called it an ugly thing"
posthumous, undated