Quotes about beauty
page 26

“Today I painted my first plain air portrait at the clay pit, a little blond and blue-eyed girl. The way the little thing stood in the yellow sand was simply beautiful – a bright and shimmering thing to see. It made my heart leap. Painting people is indeed more beautiful than painting a landscape. I suppose you can notice that I am dead-tired, after this long day of hard work, cant you? But inside I am so peaceful and happy..”

Paula Modersohn-Becker (1876–1907) German artist

in a letter to her mother, from Worpswede, August 1897; as quoted in Paula Modersohn-Becker, The Letters and Journals by Paula Modersohn-Becker, eds. Günter Busch, Liselotte von Reinken, Arthur S. Wensinger, Carole Clew Hoey - Northwestern University Press, 1998, p. 79
1897

People, Peace, Way, Girl

“To be rid of our individuality, which is our will, which is our effort⎯⎯⎯to live effortless, a kind of curious sleep⎯⎯⎯that is very beautiful, I think; that is our after-life⎯⎯⎯our immortality.”

D.H. Lawrence book Sons and Lovers

Source: Sons and Lovers (1913), Ch.11

Life, Thinking, Effort, Sleep

“They had dropped the body behind a pile of cement blocks from a partly shattered wall, pulling a broken section of sheetrock over to hide it from casual view. But there's nothing casual about a little kid who liked to play in junk and found himself stumbling over the mutilated body of what had been a redheaded woman. At one time she would have been beautiful, but death had erased all that.”

Mickey Spillane book The Body Lovers

The Body Lovers (1967)

Death, Time

“But never mind, all the best heroines are beautiful orphans, abandoned to their fate, and the one thing that's certain about my situation is that I'm going to be a heroine when I grow up.'
'Can I be a hero?'
'Well, I suppose you can try. But you'll have to try very hard.”

Susan Howatch book The Wheel of Fortune

The Wheel of Fortune (1984), Part 1: Robert

Fate

“Enlightenment is not only timeless but also more beautiful, truer, and more indestructible than anything separable or conditioned. There is no greater happiness than the full development of mind!”

Lama Ole Nydahl (1941) Danish lama

Fearless Death: Buddhist Wisdom on the Art of Dying (2012)

Happiness

“There are in the Exhibition some beautiful examples of such lace amongst the productions of other countries as well as of our own. They are made by the united labour of many women. The cost of a piece of lace will consist of:
# The remuneration to the artist who designs the pattern.
# The cost of the raw material.
# The cost of the labour of a large number of women working on it for many months.
Let us compare this with the cost of a piece of statuary, which is undoubtedly of a much higher class of art; it will consist of:
# The remuneration to the artist who makes the model.
# The cost of the raw material.
# The cost of labour, by assistants in cutting the block to the pattern of the model.
# Finishing the statue by the artist himself.
In lace making the skill of the artist is required only for the production of the first example. Every succeeding copy is made by mere labour: each copy may be considered as an individual, and will cost the same amount of time.
In sculpture the three first processes are quite analogous to those in lace-making. But the fourth process requires the taste and judgment of the artist. It is this which causes it to retain its rank amongst the fine arts, whilst lacemaking must still be classed amongst the industrial.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 49-50

Women, Art, Time, Country

“But who e'er turned from beauty's ray
For fear of future shade;
Or who e'er flung a rose away
Because that rose might fade.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

Fear, Future

“The saying that beauty is but skin deep is but a skin-deep saying.”

Herbert Spencer (1820–1903) English philosopher, biologist, sociologist, and prominent classical liberal political theorist

Vol. 2, Ch. XIV, Personal Beauty
Essays: Scientific, Political, and Speculative (1891)

“The world is a beautiful book, but of little use to him who cannot read it.”

Carlo Goldoni (1707–1794) Italian playwright and librettist

Il mondo è un bel libro, ma poco serve a chi non lo sa leggere.
I. 14.
Pamela (c. 1750)

Books, World, Reading

“With all, the beautiful things of the earth become more dear as they elude pursuit; but with some natures utter elusion is the one special event which will make a passing love permanent for ever.”

Thomas Hardy (1840–1928) English novelist and poet

Desperate Remedies (1871), ch. 1

Love, Nature

“Tis impious pleasure to delight in harm.
And beauty should be kind, as well as charm.”

George Granville, 1st Baron Lansdowne (1666–1735) 1st Baron Lansdowne

To Myra, line 21; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), "Beauty", p. 57-63.

Pleasure

“We cannot credit our enjoyment of a flower or of the atmosphere of a room to an autonomous esthetic instinct. Man’s esthetic responsiveness relates in its prehistory to various forms of idolatry; his belief in the goodness or sacredness of a thing precedes his enjoyment of its beauty. The applies no less to such concepts as freedom and humanity.”

Max Horkheimer book Eclipse of Reason

Source: Eclipse of Reason (1947), p. 36.

Flowers, Freedom

“The beauty of science and the nature of scientific revelations constitute part of the modern theologian's perspective and toolbox.”

Joseph Silk (1942) British-American astronomer

Page 2.30
The Dark Side of the Universe, 2007

Nature, Science, Parting

“Albers [on Black Mountain College ] was a beautiful teacher and an impossible person. He wasn't easy to talk to, and I found his criticism so excruciating and so devastating that I never asked for it. Years later, though, I'm still learning what he taught me, because what he taught me had to do with the entire visual world. He didn't teach you how to 'do art'. The focus was always on your personal sense of looking… I consider Albers the most important teacher I've ever had, and I'm sure that he considers me one of his poorest students.”

Robert Rauschenberg (1925–2008) American artist

Source: 1960's, The Bride and the Bachelors, (1962), p. 198

World, Art, Mountain, Sense

“He who cherishes a beautiful vision, a lofty ideal in his heart, will one day realize it.”

James Allen (1864–1912) British philosophical writer

As A Man Thinketh (1902), Visions and Ideals

Heart

“Life Is Beautiful: Enjoy It/ Life Is Fragile: Foster It/ Life Is Relational: Share It/ Life Is Paradoxical: Encounter It/ Life Is Fascinating: Contemplate It/ Life Is: Be”

Kuruvilla Pandikattu (1957) Indian philosopher

Life: Relish It!
Life: Relish It! (2012)

Life

“For me the Koenigsberg longshoremen had beauty; the Polish jimkes on their grain ships had beauty; the broad freedom of movement in the gestures of the common people had beauty. Middle-class people held no appeal for me at all. Bourgeois life on the whole seemed to me pedantic.”

Käthe Kollwitz (1867–1945) German artist

"In Retrospect" (1941).
The Diary and Letters of Käthe Kollwitz (1955)

Life, People, Freedom

“Beautiful weakness! oh, if weak,
That woman's heart should tinge her cheek!
'Tis sad to change it for the strength
That heart and cheek must know at length.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - The Queen of Cyprus
The Golden Violet (1827)

Sadness, Change, Heart

“No future can be beautiful which involves an economy that violates the rights of future generations, that degrades fundamental planetary systems in any way, or that fails to offer every human being a basic share of safety, dignity and happiness.”

Alex Steffen (1968) American writer and futurist

Way, Future, Happiness

“It was beautiful, of course; I couldn't deny that. Everything was green: the trees, their trunks covered with moss, their branches hanging with a canopy of it, the ground covered with ferns. Even the air filtered down greenly through the leaves. It was too green — an alien planet.”

Stephenie Meyer (1973) American author

Bella Swan about Forks, Washington, p. 8
Twilight series, Twilight (2005)

Tree

“Man, being essentially active, must find in activity his joy, as well as his beauty and glory; and labor, like every thing else that is good, is its own reward.”

Henry Benjamin Whipple (1822–1901) Bishop of Minnesota

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 3.

Joy

“My dreams are over, I have ceased to cry
Against the fate that made men love my mouth
And left their spirits all too deaf to hear
The little songs that echoed through my soul.
I have no anger now. The dreams are done;
Yet since the Greeks and Trojans would not see
Aught but my body's fairness, till the end,
In all the islands set in all the seas,
And all the lands that lie beneath the sun,
Till light turn darkness, and till time shall sleep,
Men's lives shall waste with longing after me,
For I shall be the sum of their desire,
The whole of beauty, never seen again.”

Sara Teasdale (1884–1933) American writer and poet

"Helen of Troy"
Helen of Troy and Other Poems (1911)

Love, Men, Fate, Lie

“I see in painters prose writers and poets. Rhyme, measure, and the turning of verses, which is indispensable and which gives them so much vigor, are analogous to the hidden symmetry, to the equilibrium at once wise and inspired, which governs the meeting or separation of lines and spaces, the echoes of color, etc….. but the beauty of verse does not consist of exactitude in obeying rules... It resides in a thousand secret harmonies and conventions which make up the power of poetry and which go straight to the imagination; in just the same way the happy choice of forms and the right understanding of their relationship act on the imagination in the art of painting.”

Eugène Delacroix (1798–1863) French painter

Quote in Delacroix's Journal of 19 September 1847; as cited in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 229
1831 - 1863

Secret, Art, Color, Way

“Sleep sweetly in your humble graves,
Sleep, martyrs of a fallen cause;
Though yet no marble column craves
The pilgrim here to pause. Stoop, angels, hither from the skies!
There is no holier spot of ground
Than where defeated valor lies,
By mourning beauty crowned!”

Henry Timrod (1828–1867) Poet from the American South

"Ode: Sung on the Occasion of Decorating the Graves of the Confederate Dead at Magnolia Cemetery, Charleston, S.C., 1867", st. 1 & 5

Angels, Sleep

“People say, “Artist, study nature!” But it is no small matter to develop what is noble out of what is common, beauty out of what lacks form.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Man sagt: „Studire, Künstler, die Natur!”
Es ist aber keine Kleinigkeit, aus dem Gemeinen das Edle, aus der Unform das Schöne zu entwickeln.
Maxim 191, trans. Stopp
Maxims and Reflections (1833)

People, Nature, Study

“But it is not an exaggeration to say that mystical experience is everywhere unitary in the same sense that everywhere aesthetic experience is unitary. British, American, German, Indian, Chinese, Japanese art are of course very different from one another. Yet they have one root in their basic experience of beauty.”

Walter Terence Stace (1886–1967) British civil servant, educator and philosopher.

p. 16

Art, Sense

“Donald Trump: 15,000 people showed up to hear me speak. Bigger than anybody and everybody knows it. A beautiful day with incredible people that were wonderful, great Americans, I will tell you. John McCain goes, "Oh, boy, Trump makes my job difficult. He had 15,000 crazies show up." Crazies. He called them all crazy. I said, they weren't crazy. They were great Americans. These people— if you would have seen these people— you— I know what a crazy is. I know all about crazies. These weren't crazy. So he insulted me and he insulted everybody in that room…
Frank Luntz: He's a war hero.
Donald Trump: He's not a war hero.
Luntz: He's a war hero.
Trump: He is a war hero—
Luntz: Five and a half years in a POW camp.
Trump: He's a war hero 'cause he was captured. I like people that weren't captured, OK? I hate to tell you.
Luntz: Do you agree with that?
Trump: He's a war hero. He's a war hero because he was captured, OK? You can have— and I believe— perhaps he's a war hero, but— but right now he said some very bad things about a lot of people.”

Donald J. Trump (1946) 45th President of the United States of America

Family Leadership Summit 2015, quoted in
2010s, 2015

Hate, War, People, Boy

“Therefore the earth is dark to me, the sunlight blackness,
Therefore I go in tears and alone, by night and day;
Therefore I find no love in heaven, no light, no beauty,
A heaven taken by storm, where none are left but the slain!”

Wilfrid Scawen Blunt (1840–1922) English poet and writer

The Desolate City, from Collected Poems (1914)

Love, Tear, Light, Night

“And now impatiently despairest, see
How nought is changed: Joy's wisdom is attired
Splended for others' eyes if not for thee:
Not love or beauty or youth from earth is fled:
If they delite thee not, 'tis thou art dead.”

Robert Seymour Bridges (1844–1930) British writer

Melancholia http://www.sonnets.org/bridges.htm, st. 2. Poetry

Love, Wisdom, Youth, Art

“People are always saying, “Can you use your skills to get extraordinarily beautiful women into bed?” Well… yes, yes I can.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Mind Control (1999–2000) or Inside Your Mind on DVD

Women, People

“We did it by playing football. Pure, beautiful, inventive football.”

Jock Stein (1922–1985) Scottish footballer and manager

Lisbon, 1967 (after winning the European Cup) http://www.weekender.co.jp/new/030516/sports_news-030516.html

Football

“What is the secret behind the emotional effect of great works of painting? What laws govern their beauty? Delacroix said that being a feast for the eyes is the prime merit of a good painting. I seek the timeless, the quintessential in painting.”

Stefan Szczesny (1951) German painter and sculptor

Mustique (2002)

Secret, Law, Painting

“I want to say something to the National Union of Students. When you choose to ally yourselves with an organisation like CAGE, which called Jihadi John a “beautiful young man” and told people to “support the jihad” in Iraq and Afghanistan, it really does, in my opinion, shame your organisation and your noble history of campaigning for justice.”

David Cameron (1966) Former Prime Minister of the United Kingdom

2010s, 2015, Speech on extremism (20 July 2015)

People, Justice, History, Support

“It is known that the mathematics prescribed for the high school [Gymnasien] is essentially Euclidean, while it is modern mathematics, the theory of functions and the infinitesimal calculus, which has secured for us an insight into the mechanism and laws of nature. Euclidean mathematics is indeed, a prerequisite for the theory of functions, but just as one, though he has learned the inflections of Latin nouns and verbs, will not thereby be enabled to read a Latin author much less to appreciate the beauties of a Horace, so Euclidean mathematics, that is the mathematics of the high school, is unable to unlock nature and her laws. Euclidean mathematics assumes the completeness and invariability of mathematical forms; these forms it describes with appropriate accuracy and enumerates their inherent and related properties with perfect clearness, order, and completeness, that is, Euclidean mathematics operates on forms after the manner that anatomy operates on the dead body and its members.
On the other hand, the mathematics of variable magnitudes—function theory or analysis—considers mathematical forms in their genesis. By writing the equation of the parabola, we express its law of generation, the law according to which the variable point moves. The path, produced before the eyes of the 113 student by a point moving in accordance to this law, is the parabola.
If, then, Euclidean mathematics treats space and number forms after the manner in which anatomy treats the dead body, modern mathematics deals, as it were, with the living body, with growing and changing forms, and thus furnishes an insight, not only into nature as she is and appears, but also into nature as she generates and creates,—reveals her transition steps and in so doing creates a mind for and understanding of the laws of becoming. Thus modern mathematics bears the same relation to Euclidean mathematics that physiology or biology … bears to anatomy. But it is exactly in this respect that our view of nature is so far above that of the ancients; that we no longer look on nature as a quiescent complete whole, which compels admiration by its sublimity and wealth of forms, but that we conceive of her as a vigorous growing organism, unfolding according to definite, as delicate as far-reaching, laws; that we are able to lay hold of the permanent amidst the transitory, of law amidst fleeting phenomena, and to be able to give these their simplest and truest expression through the mathematical formulas”

Christian Heinrich von Dillmann (1829–1899) German educationist

Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 37.

School, Law, Mathematics, Understanding

“If I a fancy take
To black and blue,
That fancy doth it beauty make.”

John Suckling (1609–1642) English poet

Of thee (kind boy) I ask no red and white.
Other poems

“The eulogy of the non-lover in the speech of Lysias … stresses the fact that the non-lover … does not commit extreme acts under the influence of passions. Since he acts from calculation, he never has occasion for remorse. … The non-lover demonstrates his superiority through prudence and objectivity. … We must now observe how these points of superiority correspond to those of “semantically purified” speech, … the kind of speech approaching pure notation in the respect that it communicates abstract intelligence without impulsion. It is a simple instrumentality, showing no affection for the object of its symbolizing and incapable of inducing bias in the hearer. In its ideal conception, it would have less power to move than 2 + 2 = 4, since it is generally admitted that mathematical equations may have the beauty of elegance, and hence are not above suspicion where beauty is suspect. But this neuter language will be an unqualified medium of transmission of meanings from mind to mind, and by virtue of it minds can remain in an unprejudiced relationship to the world and also to other minds. … Instead of passion, it offers the serviceability of objectivity … It distrusts any departure from the literal and prosaic.”

Richard M. Weaver (1910–1963) American scholar

“The Phaedrus and the Nature of Rhetoric,” pp. 6-7.
The Ethics of Rhetoric (1953)

World, Intelligence, Communication, Mathematics

“The Greeks were the classicists of antiquity, and they are still today the preeminent classicists. What marked all they did, the classic stamp, is a direct simplicity in expressing the significance of actual life. It was there the Greek artists and poets found what they wanted. The unfamiliar and the extraordinary were on the whole repellent to them, and they detested every form of exaggeration. Their desire was to express truthfully what lay at hand, which they saw as beautiful and full of meaning. But that was not the Roman way. When not directly under Greek guidance, the Roman did not perceive beauty in every-day matters, or indeed care to do so. Beauty was unimportant to him. Life in his eyes was a very serious and a very arduous business, and he had no time for what he would have thought of as a mere decoration of it.”

Edith Hamilton (1867–1963) American teacher and writer

Source: The Roman Way (1932), Ch. 10

Life, Way, Business, Time

“Whatever is in any way beautiful hath its source of beauty in itself, and is complete in itself; praise forms no part of it. So it is none the worse nor the better for being praised.”

Marcus Aurelius book Meditations

Variant: That which is really beautiful has no need of anything. (trans. George Long)
Source: Meditations (c. 121–180 AD), Book IV, 20

Way, Parting

“Mentally speaking, it sucks, man. Who wants to prepare their whole life and have it all taken away by some guy who just made a bad pass? But that's the beauty of the sport as well. Anything can happen.”

Apolo Anton Ohno (1982) American short track speed skating competitor

On speedskating
Gordon, Devin (2006-01-23), "APOLO ANTON OHNO: SPEED SKATING". Newsweek. 147 (4):48

Life, Guy, Sport

“They'll see how beautiful I am
And be ashamed —
I, too, am America.”

Langston Hughes (1902–1967) American writer and social activist

"I, Too, Sing America," in the magazine Survey Graphic (March 1925); reprinted in Selected Poems (1959)

“The beautiful and favored region of the Northwest Coast is about to assume a commercial importance which is sure to stimulate inquiry concerning the matters herein treated of. I trust enough is contained between the covers of this book to induce the very curious to come and see.”

Frances Fuller Victor (1826–1902) American writer

Obituary in the Oregon Historical Quarterly, 1902.

Books

“The pure, the beautiful, the bright,
That stirred our hearts in youth,
The impulse to a wordless prayer,
The dreams of love and truth,
The longings after something lost,
The spirit’s yearning cry,
The strivings after better hopes,—
These things can never die.”

Sarah Doudney (1841–1926) English novelist and poet

Poem: Things that never die, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Love, Truth, Youth, Dreams

“I have heard that Glinda is a beautiful woman, who knows how to keep young in spite of the many years she has lived.”

L. Frank Baum book The Wonderful Wizard of Oz

The Wonderful Wizard of Oz (1900)

“We have exiled beauty; the Greeks took up arms for her.”

Albert Camus (1913–1960) French author and journalist

"Helen's Exile" (1948)

“Milo Venus was a beautiful lass,
She had the world in the palm of her hand.
But she lost both her arms in a wrestling match,
To get a brown eyed handsome man.”

Chuck Berry (1926–2017) American rock-and-roll musician

"Brown Eyed Handsome Man" (1958), Pop Chronicles Show 5 - Hail, Hail, Rock 'n' Roll: The rock revolution gets underway. Part 1 http://digital.library.unt.edu/ark:/67531/metadc19751/m1/. Song lyrics

World

“The journalist is beautiful in the manner of people who spend an immense amount of money on personal maintenance. She has professionally refined pores and a four-hundred-dollar haircut, impeccable makeup and tastefully polished nails. When she smiles, Arthur is distracted by the unnatural whiteness of her teeth, although he’s been in Hollywood for years and should be used to it by now.”

Emily St. John Mandel book Station Eleven

Source: Station Eleven (2014), Chapter 13 (p. 72)

Money, People, Smile, Personality

“A dreamer he was, and ever would be. Yet dreaming need not injure us, if it do but take its turn with waking; and even dreams themselves may be turned to beauty, by favoured men to whom nature has given the powers of casting them into form.”

James Anthony Froude book The Nemesis of Faith

Arthur's commentary
The Nemesis of Faith (1849)

Men, Dreams, Nature

“Of course, fairies are all imported in North America. We have no native fairies. The Little People do not long survive importation — unless they go to California and grow large and beautiful, but haven't much flavour, like the fruit and the film stars.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Scottish Folklore and Opera (1992).

People, Star

“When you see a woman who can go nowhere without a staff of admirers, it is not so much because they think she is beautiful, it is because she has told them they are handsome.”

Jean Giraudoux (1882–1944) French novelist, essayist, diplomat and playwright

The Man in The Apollo of Bellac: A Play in One Act, p. 12 (1954, as adapted by Maurice Valency).

Thinking

“It is a false idea that drawing in itself can be beautiful. It is only beautiful through the truths and the feelings that it translates. The crowd admires artists, who, strong in subject, elegantly pen contours destitute of significance, and who plant their figures in pretentious poses. It goes into ecstasies over poses which are never seen in nature, and which are considered artistic because they recall the posturings of the Italian models who offer themselves at the studio door. That is what is generally called beautiful drawing. It is really only sleight-of-hand, fit to astonish boobies.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. V. Drawing and Color, p. 95-96

Truth, Feeling, Idea, Nature

“To suffer woes which Hope thinks infinite;
To forgive wrongs darker than Death or Night;
To defy Power, which seems Omnipotent;
To love, and bear; to hope, till Hope creates
From its own wreck the thing it contemplates;
Neither to change nor falter nor repent;
This, like thy glory, Titan! is to be
Good, great and joyous, beautiful and free;
This is alone Life; Joy, Empire, and Victory!”

Percy Bysshe Shelley Prometheus Unbound

Demogorgon, Act IV, closing lines
Prometheus Unbound (1818–1819; publ. 1820)

Love, Life, Death, Hope

“Nigeria, it's a beautiful country with a great potential and I believe that in that part of the continent, Nigeria, once it sorts out its own problems, have a crucial role to play, like South Africa has in the more southern part of our continent.”

F. W. de Klerk (1936) South African politician

On The Washington Journal of C-SPAN https://www.c-span.org/video/?124979-1/the-trek-beginning (11 June 1999) 1990s, 1999

Problem, Parting, Country

“I think that the figure of the nerd provides a beautiful template for analyzing the transformation of the disciplinary society into the control society. The nerd, in his cliche form, first stepped out upon the world stage in the mid-1970s, when we were beginning to hear the first rumblings of what would become the Cambrian explosion of the information society. The nerd must serve as comic relief for the future-anxieties of Western society. And the transformation I'm talking about is already in full swing: the police gaze of 19th- and 20th-century disciplinary society made visible the individual, which is illuminated by power. In our burgeoning technological control society, the individual is x-rayed and algorithmized. Even worse: the individuals x-ray themselves, willingly putting themselves on display.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

via Boing Boing http://boingboing.net/2016/04/14/the-story-of-traceroute-about.html

World, Thinking, Future

“People might gain insight the longer they live, but things never get easy. There will always be challenges and miscommunications and the temptation to eat greasy, bowel clogging fried food, and take others for granted. The secret is to keep moving and try to see people yo love for what they are: flawed, beautiful and as confused as you.”

Rob Payne (1973) Canadian writer

Source: Working Class Zero (2003), Chapter 34, p. 263

Love, People, Secret, Food

“Modern physics has thus revealed that every subatomic particle not only performs an energy dance, but also is an energy dance; a pulsating process of creation and destruction. The dance of Shiva is the dancing universe, the ceaseless flow of energy going through an infinite variety of patterns that melt into one another’’. For the modern physicists, then Shiva’s dance is the dance of subatomic matter. As in Hindu mythology, it is a continual dance of creation and destruction involving the whole cosmos; the basis of all existence and of all natural phenomenon. Hundreds of years ago, Indian artists created visual images of dancing Shivas in a beautiful series of bronzes. In our times, physicists have used the most advanced technology to portray the patterns of the cosmic dance.”

Fritjof Capra book The Tao of Physics

Source: The Tao of Physics (1975), p. 244.

Nature, Universe, Time, Dance

“To tell you the truth, I am rather perplexed about the concept of "art]. What one person considers to be "art" is often not "art" to another. "Beautiful" and "ugly" are old-fashioned concepts that are seldom applied these days; perhaps justifiably, who knows? Something repulsive, which gives you a moral hangover, and hurts your ears or eyes, may well be art. Only "kitsch" is not art — we're all agreed about that. Indeed, but what is "kitsch?"”

M. C. Escher (1898–1972) Dutch graphic artist

If only I knew!
1950's, On Being a Graphic Artist', 1953

Truth, Art, Fashion, Hurt

“Asking for efficiency and adaptability in the same program is like asking for a beautiful and modest wife. Although beauty and modesty have been known to occur in the same woman, we'll probably have to settle for one or the other. At least that's better than neither.”

Gerald M. Weinberg (1933–2018) American computer scientist

Source: The Psychology of Computer Programming, 1971, Chapter 2, page 22

“Truth, like light, blinds. Falsehood, on the contrary, is a beautiful twilight that enhances every object.”

Albert Camus book The Fall

The Fall (1956)

Truth, Light

“To attempt to hold fast an instant id doubtful.
To bind an emotion is unthinkable.
To petrify love is impossible.
It is beautiful to be transitory.
How lovely it is not to have to live forever.
Luckily there is nothing good and nothing evil.”

Jean Tinguely (1925–1991) Swiss painter and sculptor

reprinted in 'Zero', ed. Otto Piene and Heinz Mack, Cambridge, Mass; MIT Press 1973, p. 120
Quotes, 1960's, untitled statements in 'Zero 3', (1961)

Love, Evil

“.. the thing was to choose one [a ready-made object] that you were not attracted by.... and that was difficult because anything becomes beautiful if you look at it long enough... [My intention was to] completely eliminate the existence of taste, bad or good or indifferent.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote from The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, p. 164
posthumous

Indifference

“The work of art … is an instrument for tilling the human psyche, that it may continue to yield a harvest of vital beauty.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Source: Collected Poems (1966), p. 20

Art

“In the spirit of enthusiasm or vanity, the prophet [Muhammad] rests the truth of his mission on the merit of his book; audaciously challenges both men and angels to imitate the beauties of a single page; and presumes to assert that God alone could dictate this incomparable performance. This argument is most powerfully addressed to a devout Arabian, whose mind is attuned to faith and rapture; whose ear is delighted by the music of sounds; and whose ignorance is incapable of comparing the productions of human genius… If the composition of the Koran exceed the faculties of a man to what superior intelligence should we ascribe the Iliad of Homer, or the Philippics of Demosthenes?”

Edward Gibbon (1737–1794) English historian and Member of Parliament

EGPaIV" Edward Gibbon, [1788], Decline and Fall of the Roman Empire http://www.sacred-texts.com/cla/gibbon/05/daf05010.htm, Vol. 5, Chapter L: Description Of Arabia And Its Inhabitants. Part IV. The Decline And Fall Of The Roman Empire: Volume 1 (1776)

Men, God, Truth, Books

“The glory of the day was in her face,
The beauty of the night was in her eyes.”

James Weldon Johnson (1871–1938) writer and activist

The Glory of the Day Was in Her Face, st. 1 (1917).

Night

“I am content. While my shrewd fellows rode about the world to seek and to attain power and wisdom, I have elected, as and unpractical realist, to follow after beauty.”

James Branch Cabell (1879–1958) American author

Gonfal, in Book Two : The Mathematics of Gonfal, Ch. X : Relative to Gonfal's Head
The Silver Stallion (1926)

Wisdom, World

“Remember that every drop that falls, bears into the bosom of the earth a quality of beautiful fertility.”

George Henry Lewes (1817–1878) British philosopher

G. P. R. James Henry Masterton (1832; repr. London: Richard Bentley, 1837) p. 297
Misattributed

“The world is filled with folly and sin,
And Love must cling, where it can, I say:
For Beauty is easy enough to win;
But one is n't loved every day.”

Robert Bulwer-Lytton, 1st Earl of Lytton (1831–1891) English statesman and poet

Changes, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Love, World

“What am I? I am a comet
in Creator’s night infernal,
dusty grain of far-flung matter
of his labour’s task eternal.Glow upon my moment’s fleeting –
that is all I want to furnish,
song of praise for my heart’s beating –
My desire to sing I’ll burnish.Yes, I want to sing and shining
even end as I once started
in a blinking eyelid’s moment
when a flash across sky darted!Flaming heart that once pulsated,
sun apart that once was burning,
boundless love was what I wanted –
beauty’s gift, my ardent yearning.Space deserted, now surrender
to the light of my star’s beating!
my desire to sing I’ll burnish –
song of praise for life repeating.”

L. Onerva (1882–1972) Finnish poet

Translation by Rupert Moreton

Love, Life, Star, Light

“I had eventually come to understand that friendship was a delicate, gradual process that mustn't be rushed or seized upon but allowed and encouraged to take its course over time. I pictured it as a butterfly, simultaneously beautiful and fragile, that once afloat belonged to the air and any attempt to grab at it would only destroy it.”

Daniel Tammet book Born on a Blue Day

Source: Born on a Blue Day (2006), Chapter 8: Falling in Love.

Friendship, Understanding, Time

“I have lately been reading Modern Painters, and I have derived from the work much genuine pleasure and, I hope, some edification; at any rate it made me feel how ignorant I had previously been on the subject which it treats. Hitherto I have only had instinct to guide me in judging of art; I feel now as if I had been walking blindfold — this book seems to give me eyes. I do wish I had pictures within reach by which to test the new sense. Who can read these glowing descriptions of (J. M. W.) Turner’s works without longing to see them? However eloquent and convincing the language in which another’s opinion is placed before you, you still wish to judge for yourself. I like this author’s style much; there is both energy and beauty in it: I like himself too, because he is such a hearty admirer. He does not give Turner half-measure of praise or veneration; he eulogizes, he reverences him (or rather his genius) with his whole soul. One can sympathize with that sort of devout, serious admiration (for he is no rhapsodist) one can respect it; and yet possibly many people would laugh at it. I am truly obliged to Mr. Smith for giving me this book, not having often met with one that has pleased me more.”

Charlotte Brontë (1816–1855) English novelist and poet

Charlotte Brontë, on Modern Painters, Vol. 1 (1843), by John Ruskin. Letter to W. S. Williams (31 July 1848) The Letters of Charlotte Brontë

People, Pleasure, Books, Hope

“With the arrogance of youth, I determined to do no less than to transform the world with Beauty. If I have succeeded in some small way, if only in one small corner of the world, amongst the men and women I love, then I shall count myself blessed, and blessed, and blessed, and the work goes on.”

William Morris (1834–1896) author, designer, and craftsman

As quoted in William Morris & Red House (2005) by Jan Marsh, p. 65.

Love, Women, Men, Youth

“Nonmathematical people sometimes ask me, “You know math, huh? Tell me something I’ve always wondered, What is infinity divided by infinity?” I can only reply, “The words you just uttered do not make sense. That was not a mathematical sentence. You spoke of ‘infinity’ as if it were a number. It’s not. You may as well ask, 'What is truth divided by beauty?’ I have no clue. I only know how to divide numbers. ‘Infinity,’ ‘truth,’ ‘beauty’—those are not numbers.””

John Derbyshire book Prime Obsession

Prime Obsession: Bernhard Riemann and the Greatest Unsolved Problem in Mathematics (2003)

People, Truth, Mathematics, Sense

“Cherish your visions; cherish your ideals; cherish the music that stirs in your heart, the beauty that forms in your mind, the loveliness that drapes your purest thoughts, for out of them will grow all delightful conditions, all, heavenly environment; of these, if you but remain true to them, your world will at last be built.”

James Allen (1864–1912) British philosophical writer

As A Man Thinketh (1902), Visions and Ideals

World, Music, Heart

“"But this would be a beautiful place for a fight," he began again persuasively. "These great bare rolling Downs for the arena, — and me in my golden armour showing up against your big blue scaly coils! Think what a picture it would make!"
"Now you're trying to get at me through my artistic sensibilities," said the dragon. "But it won't work. Not but what it would make a very pretty picture, as you say," he added, wavering a little.”

Kenneth Grahame book The Reluctant Dragon

Dream Days (1898), The Reluctant Dragon

Thinking, Fight

““And what happened next?”
“Silence happened next. God, it was beautiful.””

Ray Bradbury book The Golden Apples of the Sun

The Murderer (1953)
The Golden Apples of the Sun (1953)

God, Silence

“But there is a nature which dwells inside also. Just enjoy that also. There are beautiful hills, beautiful sceneries, and beautiful things created for you by God, but there is a scenery, beautiful mountains, beautiful air, beautiful sound, beautiful light inside also created for you.”

Prem Rawat (1957) controversial spiritual leader

Boulder, Colorado August 28, 1971 I Am a Road
1970s

God, Mountain, Nature, Light

“Don't ever give up on life. Life can be so beautiful, especially after you've spent a lot of time with it.”

Yoko Ono (1933) Japanese artist, author, and peace activist

9 June 2009.
Twitter messages

Life, Time

“In circumstances where the uninstructed and incurious eye can perceive neither novelty nor beauty, he who is imbued with a taste for natural science will everywhere discover an inexhaustible mine of pleasure and instruction, and new and stupendous proofs of the power and goodness of the Eternal! For every rock in the desert, every boulder on the plain, every pebble by the brook-side, every grain of sand on the sea-shore, is fraught with lessons of wisdom to the mind which is fitted to receive and comprehend their sublime import.
"From millions take thy choice,
In all that lives a guide to God is given;
Ever thou hear'st some guardian angel's voice,
When nature speaks of heaven!"”

Gideon Mantell (1790–1852) British scientist and obstetrician

Thoughts on a Pebble, or, A First Lesson in Geology (1849)

Wisdom, God, Pleasure, Angels

“One of my heroes, almost necessarily from what I'm saying, of course, is Borges, who is a supreme master of doing thing -- being a data bank -- and the beauty of this economy is that he could have written War and Peace in three or four pages; who knows, it might have been a better book.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

War, Books, Peace

“Ugliness you have to know, beauty you can't teach ~ Disappear”

Steve Kilbey (1954) British artist

Lyrics

“It is part of our identity as Hindus and the Festival of Lights is today a celebration of the beauty of our culture, our Hindu values which, let me assure you, are second to none in the world.”

Mahendra Chaudhry (1942) Fijian politician

"Diwali is an integral part of Hindu culture" http://www.flp.org.fj/n021102.htm - speech at Diwali celebrations in Ba, 2 November 2002

World, Light, Parting

“We always thought the living earth was a thing of beauty. It isn’t. Life has had to learn to defend itself against the planet’s random geological savagery.”

Arthur C. Clarke book The Light of Other Days

Source: The Light of Other Days (2000), Chapter 28

Life, Learning

“Let me stop there, but my God, how beautiful Shakespeare is, who else is as mysterious as he is; his language and method are like a brush trembling with excitement and ecstasy. But one must learn to read, just as one must learn to see and learn to live.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

God, Learning, Reading

“Now, to the great artist, everything in nature has character; for the unswerving directness of his observation searches out the hidden meaning of all things. And that which is considered ugly in nature often presents more character than that which is termed beautiful, because in the contractions of a sickly countenance, in the lines of a vicious face, in all deformity, in all decay, the inner truth shines forth more clearly than in features that are regular and healthy.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. II. To the artist, all in nature is beautiful, p. 46

Truth, Search, Nature

“But even this apparently unfounded hatred is not yet the most characteristic achievement of ressentiment. Even here, it is still directed against particular persons or (as in class hatred) particular groups. Its effect is much more profound when it goes beyond such determinate hostilities—when it does not lead to a falsification of the world view, but perverts the sense of values itself. What Nietzsche calls “falsification of the tablets of value” is built on this foundation. In this new phase, the man of ressentiment no longer turns away from the positive values, nor does he wish to destroy the men and things endowed with them. Now the values themselves are inverted: those values which are positive to any normal feeling become negative. The man of ressentiment cannot justify or even understand his own existence and sense of life in terms of positive values such as power, health, beauty, freedom, and independence. Weakness, fear, anxiety, and a slavish disposition prevent him from obtaining them. Therefore he comes to feel that “all this is vain anyway” and that salvation lies in the opposite phenomena: poverty, suffering, illness, and death.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Life, Death, Men, Hostility

“The worth-imparting ideals, then, are, by virtue of the active and indivisible unity of our person, in an elemental and inseparable union with the root-principles of our perceptive life. Proof of our indestructible sourcefulness for such percipient life is therefore ipso facto proof that these ideals will reign everlastingly in and over that life. Once let us settle that we are inherently capable of everlasting existence, we are then assured of the highest worth of our existence as measured by the ideals of Truth, of Beauty, and of Good, since these and their effectually directive operation in us are insured by their essential and constitutive place in our being.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), Human Immortality: its Positive Argument, p.309-10

Life, Truth, Personality

“Kandinsky wants to organize a new society of artists. I came to feel a deep trust in him [ Kandinsky ]. He is somebody, and has an exceptionally beautiful and lucid mind.”

Paul Klee (1879–1940) German Swiss painter

Quote from Diaries III, 1911; as quoted by Enric Jardi, Paul Klee, Rizzoli Intl Pubns, 1991 - ISBN 0-8478-1343-6, p 12
In Autumn 1911 Klee made an acquaintance with August Macke and Kandinsky, and in winter he joined the editorial team of the almanac Der Blaue Reiter. After meeting Kandinsky in Munch, Klee recorded this.
1911 - 1914

Feeling

“One wishes to go on. On this great river one could glide forever — and here we discover the definition of bliss, salvation, Heaven, all the old Mediterranean dreams: a journey from wonder to wonder, drifting through eternity into ever-deeper, always changing grandeur, through beauty continually surpassing itself: the ultimate Homeric voyage.”

Edward Abbey (1927–1989) American author and essayist

On the Colorado River, in “Down the River with Major Powell”, p. 201
The Journey Home (1977)

Dreams, Change

“Almost all men, and those that seem to be very miserable, love life, because they cannot bear to lose sight of such a beautiful and lovely world. The ideas, that every moment whilst we live have a beauty that we take not distinct notice of, brings a pleasure that, when we come to the trial, we had rather live in much pain and misery than lose.”

Jonathan Edwards (1703–1758) Christian preacher, philosopher, and theologian

"The Beauty of the World" (c.1725), from the notebook The Images of Divine Things, The Shadows of Divine Things, The Language and Lessons of Nature (published 1948).

Love, Life, Men, Pain

“Beauty is a simple passion,
but, oh my friends, in the end
you will dance the fire dance in iron shoes.”

Anne Sexton (1928–1974) poet from the United States

"Snow White and the Seven Dwarfs"
Transformations (1971)

Shoe, Passion, Dance

“You embody all that I was ever able to conceive of beauty and fearlessness and strange purity. Therefore it is evident I do not see in you merely Count Emmerick's third sister, but, instead, that ageless lovable and loving woman long worshipped and sought everywhere in vain by all poets.”

James Branch Cabell book The Cream of the Jest

Horvendile, to Ettarre in Ch. 2 : Introduces the Ageless Woman
The Cream of the Jest (1917)

Love, Sister

“In the beauty of the lilies Christ was born across the sea,
With a glory in his bosom that transfigures you and me:
As he died to make men holy, let us die to make men free,
While God is marching on.”

Julia Ward Howe (1819–1910) American abolitionist, social activist, and poet

Published version, in the Atlantic Monthly (February 1862)
In the whiteness of the lilies he was born across the sea,
With a glory in his bosom that shines out on you and me,
As he died to make men holy, let us die to make men free,
Our God is marching on.
First manuscript version (19 November 1861).
The Battle Hymn of the Republic (1861)

Men, God, Christ, Sea

“When the Shah departed towards the close of the day, a false rumour was spread through the town that he had been severely wounded by a shot from a matchlock, and thus were sown the seeds from which murder and rapine were to spring. The bad characters within the town collected in great bodies, and, without distinction, commenced the work of plunder and destruction…. On the morning of the 11th an order went forth from the Persian Emperor for the slaughter of the inhabitants. The result may be imagined; one moment seemed to have sufficed for universal destruction. The Chandni chauk, the fruit market, the Daribah bazaar, and the buildings around the Masjid-i Jama’ were set fire to and reduced to ashes. The inhabitants, one and all, were slaughtered. Here and there some opposition was offered, but in most places people were butchered unresistingly. The Persians laid violent hands on everything and everybody; cloth, jewels, dishes of gold and silver, were acceptable spoil…. But to return to the miserable inhabitants. The massacre lasted half the day, when the Persian Emperor ordered Haji Fulad Khan, the kotwal, to proceed through the streets accompanied by a body of Persian nasakchis, and proclaim an order for the soldiers to resist from carnage. By degrees the violence of the flames subsided, but the bloodshed, the devastation, and the ruin of families were irreparable. For a long time the streets remained strewn with corpses, as the walks of a garden with dead flowers and leaves. The town was reduced to ashes, and had the appearance of a plain consumed with fire. All the regal jewels and property and the contents of the treasury were seized by the Persian conqueror in the citadel. He thus became possessed of treasure to the amount of sixty lacs of rupees and several thousand ashrafis… plate of gold to the value of one kror of rupees, and the jewels, many of which were unrivalled in beauty by any in the world, were valued at about fifty krors. The peacock throne alone, constructed at great pains in the reign of Shah Jahan, had cost one kror of rupees. Elephants, horses, and precious stuffs, whatever pleased. the conqueror’s eye, more indeed than can be enumerated, became his spoil. In short, the accumulated wealth of 348 years changed masters in a moment.”

Nader Shah (1688–1747) ruled as Shah of Iran

About Shah’s sack of Delhi, Tazrikha by Anand Ram Mukhlis. A history of Nâdir Shah’s invasion of India. In The History of India as Told by its own Historians. The Posthumous Papers of the Late Sir H. M. Elliot. John Dowson, ed. 1st ed. 1867. 2nd ed., Calcutta: Susil Gupta, 1956, vol. 22, pp. 74-98. https://www.infinityfoundation.com/mandala/h_es/h_es_tazrikha_frameset.htm

Pain, People, World, Family

“Our god is the wonderful law of creation, whose amazing unity of all things shows itself if wonderful flowers, in growing trees, in new born children, in the secrets of a mother, in the growth of our people, in work and accomplishment and creation, in life itself. It is the joy we have in everything. How beautiful everything is. Do you feel the same way? I am so happy to be alive.”

Robert Ley (1890–1945) Nazi politician

Speech given on March 31, 1939. Quoted in Die Hoheitsträger and titled "Wir oder die Juden" - By Robert Ley - (May 1939), pages 4-6.

Life, God, Children, People

“We lunched in Fregene: grilled sardines sprinkled with parsley and lemon. Federico ate daintily, like someone with no appetite. The beach was deserted, the wind brisk. In the distance stood the abandoned lighthouse he filmed for 8 1/2. Like someone about to propose a toast, he stood up and "recited" from King Lear :
Hark! Have you heard the news? The king fell off a cliff.
O horrible! Were you very close to him?
Indeed, sir. Close enough to push.
We laughed until he brusquely sat down again, scraping the fish scales off his fingers, staring at the age spots that covered his hands. The beautiful adolescent waitress asked for his autograph. He drew himself as a man-lion in a hat and scarf with huge paws chasing her, and signed it "Féfé." We spent the afternoon visiting Ostia and returned to Rome in a sweltering twilight. He asked to be driven home for a change of clothes. We invited Giulietta, who wore a green velvet turban, to join us for dinner. (Had she already lost her hair from chemotherapy?) Graciously, she declined while smoking cigarette after cigarette. At Cesarina's, Federico drew hilarious, pornographic sketches on the table napkin saying, "If you have not made love today then you have lost a day!"”

Damian Pettigrew Canadian filmmaker

The entire restaurant was at his feet. He was twenty years old now and as thin as Kafka. He was Rome. He had adopted us the way Rome adopts everyone, and we loved him.
On Fellini's final years
Federico Fellini: Sou um Grande Mentiroso (2008)

Love, Age, Way, Home

“This business of seeing divine interconnected beauty in people has been happening more and more lately, and I put it down to meditating too much.”

Russell Brand book Revolution

Revolution (2014)

People, Business

“The country [ Brittany ] is very beautiful and painterly one see stimulating color tones; but the more abstract one works, the more one transforms the sketch into combinations.”

Jacoba van Heemskerck (1876–1923) Dutch painter

(translation from German, Fons Heijnsbroek, 2018, original version, written by Jacoba in German:) Das land [Bretagne]] is sehr schön und farbig gibt es reizige Töne; je mehr abstract man aber arbeitet, je mehr man die Skizze zu Combinationen umarbeitet.
note on a postcard to Herwarth Walden [initiator of Der 'Sturm' in Germany], 14 May 1914; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 18
1910's

Color, Country

“In the depths of the mirror the evening landscape moved by, the mirror and the reflected figures like motion pictures superimposed one on the other. The figures and the background were unrelated, and yet the figures, transparent and intangible, and the background, dim in the gathering darkness, melted into a sort of symbolic world not of this world. Particularly when a light out in the mountains shone in the center of the girl's face, Shimamura felt his chest rise at the inexpressible beauty of it.”

Yasunari Kawabata book Snow Country

Snow Country (1948)

World, Girl, Mountain, Light

“I can scarcely conceive (would my brain be a spellbound mirror?) a type of beauty without unhappiness. Supported by — others would say, obsessed by — these notions, one may conceive it would be difficult for me not to conclude that the most perfect type of masculine beauty is Satan, — as rendered by Milton.”

Charles Baudelaire (1821–1867) French poet

Je ne conçois guère (mon cerveau serait-il un miroir ensorcelé?) un type de Beauté où il n'y ait du Malheur. Appuyé sur — d'autres diraient: obsédé par — ces idées, on conçoit qu'il me serait difficile de en pas conclure que le plus parfait type de Beauté virile est Satan, — à la manière de Milton. XVI http://fr.wikisource.org/wiki/Fus%C3%A9es#XVI Journaux intimes (1864–1867; published 1887), Fusées (1867)

Support, Perfection

“There is nothing ugly; I never saw an ugly thing in my life: for let the form of an object be what it may, — light, shade, and perspective will always make it beautiful.”

John Constable (1776–1837) English Romantic painter

Quoted in C.R. Leslie, Memoirs of the Life of John Constable, Composed Chiefly of His Letters (1843), (Phaidon, London, 1951), p. 280
Reply "to a lady who, looking at an engraving of a house, called it an ugly thing"
posthumous, undated

Life, Light

“Fresh beauty opens one's eyes wherever it is really seen, but the very abundance and completeness of the common beauty that besets our steps prevents its being absorbed and appreciated. It is a good thing, therefore, to make short excursions now and then to the bottom of the sea among dulse and coral, or up among the clouds on mountain-tops, or in balloons, or even to creep like worms into dark holes and caverns underground, not only to learn something of what is going on in those out-of-the-way places, but to see better what the sun sees on our return to common every-day beauty.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: 1890s, The Mountains of California (1894), chapter 15: In the Sierra Foot-Hills

Way, Mountain, Learning, Sun

Quotes about beauty page 26

Quotes about beauty
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