Quotes about yellow

A collection of quotes on the topic of yellow, likeness, black, blackness.

Quotes about yellow

Vincent Van Gogh photo
Jack Kerouac photo

“The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn, like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes "Awww!"”

Part One, Ch. 1
On the Road (1957)
Context: They danced down the streets like dingledodies, and I shambled after as I've been doing all my life after people who interest me, because the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes "Awww!"

Lin Yutang photo
Bob Dylan photo

“The sun's not yellow, it's chicken.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Highway 61 Revisited (1965), Tombstone Blues
Variant: The sun's not yellow, its chicken!
Source: da Tombstone Blues, 1965

Pablo Picasso photo

“There are painters who transform the sun into a yellow spot but there are others who with the help of their art and their intelligence transform a yellow spot into a sun.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

1950s
Source: Sergei Eisenstein (1957), Film form [and]: The film sense, p. 127.

Ben Carson photo

“Knowledge is the key that unlocks all the doors. You can be green-skinned with yellow polka dots and come from Mars, but if you have knowledge that people need, instead of beating you, they'll beat a path to your door.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Think Big (1996), p. 216
Source: Think Big: Unleashing Your Potential for Excellence

Theo van Doesburg photo
George Orwell photo
Sara Teasdale photo
John Lennon photo
Frank Zappa photo

“Don't eat the yellow snow.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer
Pablo Picasso photo

“Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Neil Young photo

“One of my favorite album covers is On the Beach. Of course that was the name of a movie and I stole it for my record, but that doesn't matter. The idea for that cover came like a bolt from the blue. Gary and I traveled around getting all the pieces to put it together. We went to a junkyard in Santa Ana to get the tail fin and fender from a 1959 Cadillac, complete with taillights, and watched them cut it off a Cadillac for us, then we went to a patio supply place to get the umbrella and table. We picke up the bad polyester yellow jacket and white pants at a sleazy men's shop, where we watched a shoplifter getting caught red-handed and busted. Gary and I were stoned on some dynamite weed and stood there dumbfounded watching the bust unfold. This girl was screaming and kicking! Finally we grabbed a local LA paper to use as a prop. It had this amazing headline: Sen. Buckley Calls For Nixon to Resign. Next we took the palm tree I had taken around the world on the Tonight's the Night tour. We then placed all of these pieces carefully in the sand at Santa Monica beach. Then we shot it. Bob Seidemann was the photographer, the same one who took the famous Blind Faith cover shot of the naked young girl holding the airplane. We used the crazy pattern from the umbrella insides for the inside of the sleeve that held the vinyl recording. That was the creative process at work. We lived for that, Gary and I, and we still do.”

Source: Waging Heavy Peace: A Hippie Dream

Terry Pratchett photo
Rabindranath Tagore photo
William Shakespeare photo
H.P. Lovecraft photo
Abraham Lincoln photo
Malcolm X photo
Volodymyr Melnykov photo
Lewis Carroll photo

“"Our Second Experiment", the Professor announced, as Bruno returned to his place, still thoughtfully rubbing his elbows, "is the production of that seldom-seen-but-greatly-to-be-admired phenomenon, Black Light! You have seen White Light, Red Light, Green Light, and so on: but never, till this wonderful day, have any eyes but mine seen Black Light! This box", carefully lifting it upon the table, and covering it with a heap of blankets, "is quite full of it. The way I made it was this - I took a lighted candle into a dark cupboard and shut the door. Of course the cupboard was then full of Yellow Light. Then I took a bottle of Black ink, and poured it over the candle: and, to my delight, every atom of the Yellow Light turned Black! That was indeed the proudest moment of my life! Then I filled a box with it. And now - would anyone like to get under the blankets and see it?"Dead silence followed this appeal: but at last Bruno said "I'll get under, if it won't jingle my elbows."Satisfied on this point, Bruno crawled under the blankets, and, after a minute or two, crawled out again, very hot and dusty, and with his hair in the wildest confusion."What did you see in the box?" Sylvie eagerly enquired."I saw nuffin!" Bruno sadly replied. "It were too dark!""He has described the appearance of the thing exactly!"”

the Professor exclaimed with enthusiasm. "Black Light, and Nothing, look so extremely alike, at first sight, that I don't wonder he failed to distinguish them! We will now proceed to the Third Experiment."</p>
Source: Sylvie and Bruno Concluded (1893), Chapter 21: The Professor's Lecture

Li Bai photo

“See how the Yellow River's waters move out of heaven,
Entering the ocean, never to return.”

Li Bai (701–762) Chinese poet of the Tang dynasty poetry period

"Bringing In The Wine" http://www.sanjeev.net/poetry/po-li/bringing-in-the-wine-109723.html (將進酒)

Claude Monet photo
James Thomson (poet) photo
Peter Greenaway photo
H.P. Lovecraft photo

“In infancy I was afraid of the dark, which I peopled with all sorts of things; but my grandfather cured me of that by daring me to walk through certain dark parts of the house when I was 3 or 4 years old. After that, dark places held a certain fascination for me. But it is in dreams that I have known the real clutch of stark, hideous, maddening, paralysing fear. My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now—but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived. At the ages of 3, 4, 5, 6, 7, & 8 I have been whirled through formless abysses of infinite night and adumbrated horrors as black & as seethingly sinister as any of our friend Fafhrd's [a nickname Lovecraft used for Fritz Leiber] "splatter-stencil" triumphs. That's why I appreciate such triumphs so keenly, I have seen these things! Many a time I have awaked in shrieks of panic, & have fought desperately to keep from sinking back into sleep & its unutterable horrors. At the age of six my dreams became peopled with a race of lean, faceless, rubbery, winged things to which I applied the home-made name of night-gaunts. Night after night they would appear in exactly the same form—& the terror they brought was beyond any verbal description. Long decades later I embodied them in one of my Fungi from Yuggoth pseudo-sonnets, which you may have read. Well—after I was 8 all these things abated, perhaps because of the scientific habit of mind which I was acquiring (or trying to acquire). I ceased to believe in religion or any other form of the supernatural, & the new logic gradually reached my subconscious imagination. Still, occasional nightmares brought recurrent touches of the ancient fear—& as late as 1919 I had some that I could use in fiction without much change. The Statement of Randolph Carter is a literal dream transcript. Now, in the sere & yellow leaf (I shall be 47 in August), I seem to be rather deserted by stark horror. I have nightmares only 2 or 3 times a year, & of these none even approaches those of my youth in soul-shattering, phobic monstrousness. It is fully a decade & more since I have known fear in its most stupefying & hideous form. And yet, so strong is the impress of the past, I shall never cease to be fascinated by fear as a subject for aesthetic treatment. Along with the element of cosmic mystery & outsideness, it will always interest me more than anything else. It is, in a way, amusing that one of my chief interests should be an emotion whose poignant extremes I have never known in waking life!”

H.P. Lovecraft (1890–1937) American author

Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters

James Macpherson photo
W.B. Yeats photo

“Only God, my dear,
Could love you for yourself alone
And not your yellow hair.”

For Anne Gregory http://poetry.poetryx.com/poems/1483/, st. 3
The Winding Stair and Other Poems (1933)

Malcolm X photo

“The pilgrimage to Mecca, known as the Hajj, is a religious obligation that every orthodox Muslim fulfills, if able, at least once in his or her lifetime.
The Holy Quran says it, "Pilgrimage to the House [of God built by the prophet Abraham] is a duty men owe to God; those who are able, make the journey." (3:97)

Allah said: "And proclaim the pilgrimage among men; they will come to you on foot and upon each lean camel, they will come from every deep ravine" (22:27).

Every one of the thousands at the airport, about to leave for Jeddah, was dressed this way. You could be a king or a peasant and no one would know. Some powerful personages, who were discreetly pointed out to me, had on the same thing I had on. Once thus dressed, we all had begun intermittently calling out "Labbayka! (Allahumma) Labbayka!" (Here I come, O Lord!) Packed in the plane were white, black, brown, red, and yellow people, blue eyes and blond hair, and my kinky red hair -- all together, brothers! All honoring the same God, all in turn giving equal honor to each other….

That is when I first began to reappraise the "white man." It was when I first began to perceive that "white man," as commonly used, means complexion only secondarily; primarily it described attitudes and actions. In America,"white man" meant specific attitudes and actions toward the black man, and toward all other non-white men. But in the Muslim world, I had seen that men with white complexions were more genuinely brotherly than anyone else had ever been. That morning was the start of a radical alteration in my whole outlook about "white" men.”

Malcolm X (1925–1965) American human rights activist

Text of a letter written following his Hajj (1964)

Claude Monet photo
Barack Obama photo
Frank Zappa photo

“Watch out where the huskies go,
and don't you eat that yellow snow.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

"Don't Eat The Yellow Snow".
Apostrophe (') (1974)

Martin Luther King, Jr. photo

“God is not interested merely in freeing black men and brown men and yellow men, but God is interested in freeing the whole human race. We must work with determination to create a society, not where black men are superior and other men are inferior and vice versa, but a society in which all men will live together as brothers and respect the dignity and worth of human personality.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1950s, Give Us the Ballot (1957)
Context: We must not seek to use our emerging freedom and our growing power to do the same thing to the white minority that has been done to us for so many centuries. Our aim must never be to defeat or humiliate the white man. We must not become victimized with a philosophy of black supremacy. God is not interested merely in freeing black men and brown men and yellow men, but God is interested in freeing the whole human race. We must work with determination to create a society, not where black men are superior and other men are inferior and vice versa, but a society in which all men will live together as brothers and respect the dignity and worth of human personality.

Malcolm X photo
Friedrich Hölderlin photo
Aleksandr Pushkin photo
Billy Graham (wrestler) photo
Isaac Newton photo
John Lennon photo
Ogden Nash photo
Bertrand Russell photo
Claude Monet photo
H.P. Lovecraft photo
W.B. Yeats photo

“O hurry to the ragged wood, for there
I will drive all those lovers out and cry—
O my share of the world, O yellow hair!
No one has ever loved but you and I.”

W.B. Yeats (1865–1939) Irish poet and playwright

The Ragged Wood http://poetry.poetryx.com/poems/1673/
In The Seven Woods (1904)
Context: p>O hurry where by water among the trees
The delicate-stepping stag and his lady sigh,
When they have but looked upon their images--
Would none had ever loved but you and I!Or have you heard that sliding silver-shoed
Pale silver-proud queen-woman of the sky,
When the sun looked out of his golden hood?--
O that none ever loved but you and I!O hurry to the ragged wood, for there
I will drive all those lovers out and cry—
O my share of the world, O yellow hair!
No one has ever loved but you and I.</p

Vincent Van Gogh photo

“There is no blue without yellow and without orange, and if you put in blue, then you must put in yellow, and orange too, mustn't you?”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In a letter to Émile Bernard, from Arles, June 1888, in 'Van Gogh's Letters', http://www.webexhibits.org/vangogh/letter/18/B06.htm
1880s, 1888
Context: There is no blue without yellow and without orange, and if you put in blue, then you must put in yellow, and orange too, mustn't you? Oh well, you will tell me that what I write to you are only banalities.

Rodney Dangerfield photo
Brian Andreas photo

“She told me once that the year she went to England she painted her buttons yellow so she would remember what the sun felt like.”

Brian Andreas (1956) American artist

Source: Story People: Selected Stories & Drawings of Brian Andreas

Gabriel García Márquez photo
Alice Hoffman photo

“Outside, the September air was enticingly fragrant, yellow with pollen and rich, lemony sunlight.”

Alice Hoffman (1952) Novelist, young-adult writer, children's writer

Source: The River King

Francesca Lia Block photo
Mario Puzo photo
Margaret Mitchell photo
Markus Zusak photo
Cassandra Clare photo
Sherrilyn Kenyon photo
Stephen King photo
Rick Riordan photo
Jorge Luis Borges photo
Charles Baudelaire photo
Cassandra Clare photo
Sherrilyn Kenyon photo
Helen Hunt Jackson photo
Dr. Seuss photo

“I box in yellow Gox box socks.”

Source: One Fish, Two Fish, Red Fish, Blue Fish

David Levithan photo
Gary D. Schmidt photo
Jim Butcher photo
Richelle Mead photo
Gillian Flynn photo
Tom Robbins photo
Luke Davies photo
Emma Donoghue photo
Bob Dylan photo

“Sundown yellow moon I replay the past
I know every scene by heart they all went by so fast”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Blood on the Tracks (1975), If You See Her, Say Hello
Variant: I know every scene by heart they all went by so fast

Samuel Taylor Coleridge photo
Zora Neale Hurston photo
Douglas Adams photo
Tom Stoppard photo
Vincent Van Gogh photo
Steven Erikson photo
Alexandre Dumas photo
Suzanne Collins photo

“What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again.”

Katniss and Peeta (p. 388; closing words of the main text)
Source: The Hunger Games trilogy, Mockingjay (2010)
Context: I know this would have happened anyway. That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that.
So after, when he whispers, "You love me. Real or not real?"
I tell him, "Real."

Haruki Murakami photo
A.A. Milne photo
Maya Angelou photo
Julia Quinn photo
Conor Oberst photo
Salvador Dalí photo
Jani Allan photo

“The original of the yellow rose is clad (you've guessed it) in canary yellow. The lemon-meringue confection has been poured into yellow slacks and yellow shirt, an immaculate yellow-blonde barbie-doll with 'EFG- Follies-Girl' written all over her.”

Jani Allan (1952) South African columnist and broadcaster

Description of Joan Brickhill from her interview with Brickhill published in the Just Jani column of the Sunday Times, republished in Face Value by Jani Allan.
Sunday Times

Sinclair Lewis photo