Quotes about story
page 15

Spider Robinson photo
Gene Wolfe photo

“Some are haunted by ghosts. I am haunted by stories.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

The Best of Gene Wolfe (2009), afterword to "Kevin Malone", p. 355
Nonfiction

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Frank McCourt photo
Michael Vassar photo

“I taught at a school in Cincinnati with a 0% graduation rate and that was also interesting so I updated from thinking school was beneficial for other people but not beneficial to me, to thinking school was beneficial for maybe some people around the middle – at least some of the better schools – but not beneficial for the vast majority of people, to then actually reading the literature on education and on intelligence and academic accomplishment and symbolic manipulation and concluding "no, school isn't good for anyone". There might be a few schools that are good for people, like there's Blair and there's Stuyvesant and these schools may actually teach people, but school can better be seen as a vaccination program against knowledge than a process for instilling knowledge in people, and of course when a vaccination program messes up, occasionally people get sick and die of the mumps or smallpox or whatever. And when school messes up occasionally people get sick and educated and they lose biological fitness. And in either case the people in charge revise the program and try to make sure that doesn't happen again, but in the case of school they also use that as part of their positive branding and you know maintain a not-very-plausible story about it being intended to cause that effect while also working hard to make sure that doesn't happen again.”

Michael Vassar (1979) President of the Singularity Institute

In an interview https://www.youtube.com/watch?v=6cSG0p-uflA with Adam Ford, December 2012

Milo Ventimiglia photo
Kancha Ilaiah photo

“How do you change ancient prejudices in any society? You do it through repositioning caste at childhood. If young children are taught respect over a bedtime story or in class, that could help enormously”

Kancha Ilaiah (1952) Indian scholar, activist and writer

Quoted in "One Man Takes Aim At Prejudice With Storybook" at The Washington Post (20 January 2008) http://www.washingtonpost.com/wp-dyn/content/article/2008/01/19/AR2008011902412.html.

Mikhail Baryshnikov photo

“You ask me what's happened in my life, why and how I did this and that. And I think and tell, but it's never true story, because everything is so much more complicated, and also I can't even remember how things happened. Whole process is boring. Also false, but mostly boring.”

Mikhail Baryshnikov (1948) Soviet-American dancer, choreographer, and actor born in Letonia, Soviet Union

As quoted in "Profile: The Soloist" by Joan Acoccella, in The New Yorker (January 19, 1998); reprinted in Life Stories: Profiles from The New Yorker https://books.google.com/books?id=KDhjzXAjyUMC&pg=PA62 (2000), edited by David Remnick, p. 62.

Arjo Klamer photo
Robert E. Howard photo
D. V. Gundappa photo
David Fleming photo
Amy Tan photo
Louis C.K. photo
Letitia Elizabeth Landon photo

“…that worst bump developed that can adorn the head of a bore--viz., long-story-tellativeness.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Truman Capote photo
Robert Fulghum photo
Mark Knopfler photo
Edgar Rice Burroughs photo
John Gray photo
F. Scott Fitzgerald photo
Kenneth Grahame photo
Jack Kerouac photo
Conor Oberst photo
Dorothy Parker photo
Edsger W. Dijkstra photo
George Gordon Byron photo

“Oh, talk not to me of a name great in story;
The days of our youth are the days of our glory;
And the myrtle and ivy of sweet two-and-twenty
Are worth all your laurels, though ever so plenty.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

Stanzas Written on the Road Between Florence and Pisa http://readytogoebooks.com/LB-StanzaFP91.htm, st. 1 (1821).

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“You are what exists before all stories. You are what remains when the story is understood.”

Byron Katie (1942) American spiritual writer

Loving What Is: Four Questions That Can Change Your Life (2002)

PewDiePie photo

“Okay, Grandpa. I don't care about your Vietnam stories! Have you ever tried going into Molten Core with only four healers?”

PewDiePie (1989) Swedish YouTuber and video game commentator

2018, ONLY REAL GAMERS CAN WATCH THIS

Jordan Peterson photo

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

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Amir Khusrow photo

“They have four books in that language (Sanskrit), which they are constantly in the habit of repeating. Their name is Bed (Vedas). They contain stories of their gods, but little advantage can be derived from their perusal.”

Amir Khusrow (1253–1325) Indian poet, writer, musician and scholar

Extract trs. in Elliot and Dowson, III, p. 563. quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 5
Nuh Siphir

Alexander McCall Smith photo
Christopher Hitchens photo
Aron Ra photo

“Yes, it is absurd [to say that without God, murder is permissible], because even according to your sacred fables Moses murdered an Egyptian and then looked around to make sure no one saw him before trying to conceal the body, and the same goes for the myth of Cain and Abel, where Cain lied about killing his brother. Both of these characters obviously already knew that murder was wrong a long time before the story of the Ten Commandments, and this might be because Hammurabi had already established the code of law many centuries earlier than these myths found their way into the Bible, or it might be that, like most social animals, even superstitious savages understood that you shouldn't kill or maim other members of your own society (unless your religion commands it). One minute, God supposedly says "thou shalt not kill", and the next minute He orders His own people to kill every man and his brother, except of course for Moses's brother who really should have been the only one who was killed in that story. But somehow he was spared and promoted to priest instead; saved by nepotism. Then God told them all to kill all their neighbors, every man, woman and child, including the infants and the unborn. But the fact is that murder is still wrong, regardless of what God has to say about it, and there is still no justification when God allegedly commands His prophets to plunder communities and commit genocide.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Youtube, Other, The Damn Commandments https://www.youtube.com/watch?v=8u3z69YpLx0 (January 7, 2015)

Frank Chodorov photo

“I find it very significant that no religious traditions, Islam included, is ever in a position, I think almost by definition, to put cruelty first in the order of its priorities of the terrible things that human beings can do. That is perfectly illustrated in the story of Abraham's sacrifice with his son. Because, of course, what the story's all about is faith, the importance, and the primacy of faith. … What is the essence of faith in the story is Abraham's willingness (a) not to question God about his command to sacrifice his son, and (b) to proceed slowly, deliberately, over a period of time -- three days, I think it was -- [and] march up the mountain, prepare the sacrifice, unquestioning, resolute. [It was] the perfect, as Kierkegaard put it, "night of faith" model, exemplar of faith. And [Abraham] is, in the Muslim tradition exactly that -- an exemplar of faith. That is the importance of Abraham to Muslims. … Had he faltered, his faith would have been less, a degree or so less. He didn't falter. God immediately stops it at the absolute last moment and, of course, the act is ended. But what the story is all about is how faith in God comes first, before anything else, and then follow various virtues, of which harm to other human beings surely has to be below faith. It seemed to me that that is something that the hijackers certainly took to heart.”

Kanan Makiya (1949) American orientalist

"Faith and Doubt at Ground Zero" http://www.pbs.org/wgbh/pages/frontline/shows/faith/interviews/makiya.html, PBS Frontline (2002)

Johannes Grenzfurthner photo
C. V. Raman photo
Christopher Reeve photo
David Crystal photo
Newton Lee photo
Quentin Crisp photo

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti (1953) American horror author

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

Jane Espenson photo
Brian W. Aldiss photo

“Science fiction is no more written for scientists than ghost stories are written for ghosts.”

Brian W. Aldiss (1925–2017) British science fiction author

Penguin Science Fiction (1961) Introduction

David Icke photo

“Some of my friends have urged me to tell people the basic story, but "for God’s sake don’t mention the reptiles."”

David Icke (1952) English writer and public speaker

The Biggest Secret, ch. 1

Susan Sontag photo
Margaret Atwood photo
John Irving photo

“Spielberg had done his best with Schindler's List, but his best left some of us wondering just how useful a contribution it was, to make a movie about how some of the Jews had survived, when the real story was about all the Jews who hadn't.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Glamourising terror', on The Baader-Meinhof Complex.
Television and radio, Radio 4: A Point of View

“The great attraction of cultural anthropology in the past was precisely that it seemed to offer such a richness of independent natural experiments; but unfortunately it is now clear that there has been a great deal of historical continuity and exchange among those "independent" experiments, most of which have felt the strong effect of contact with societies organized as modern states. More important, there has never been a human society with unlimited resources, of three sexes, or the power to read other people's minds, or to be transported great distances at the speed of light. How then are we to know the effect on human social organization and history of the need to scrabble for a living, or of the existence of males and females, or of the power to make our tongues drop manna and so to make the worse appear the better reason? A solution to the epistemological impotence of social theory has been to create a literature of imagination and logic in which the consequences of radical alterations in the conditions of human existence are deduced. It is the literature of science fiction. … [S]cience fiction is the laboratory in which extraordinary social conditions, never possible in actuality, are used to illumine the social and historical norm. … Science fiction stories are the Gedanken experiments of social science.”

Richard C. Lewontin (1929) American evolutionary biologist

" The Last of the Nasties? http://www.nybooks.com/articles/archives/1996/feb/29/the-last-of-the-nasties," The New York Review of Books, 29 February 1996;
Review of The Lost World by Michael Crichton

James Russell Lowell photo

“Soft-heartedness, in times like these,
Shows sof'ness in the upper story.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

No. 7.
The Biglow Papers (1848–1866), Series II (1866)

Marianne Moore photo

“Whatever it is.. poem.. play, story.. it must hold attention.”

Marianne Moore (1887–1972) American poet and writer

Poetry as Expression - The Writer April 1962
Prose

John Winthrop photo
Taslima Nasrin photo
Stephen Corry photo
Roger Waters photo
Winston S. Churchill photo

“If England had not resisted German militarism, in my view the German hegemony of Europe would have been established and our island would have had to face a united Continental army. It is the same old story from the days of Marlborough and Napoleon.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

The 1930s
Source: Letter to G. M. Trevelyan (3 January 1935), quoted in Martin Gilbert, Prophet of Truth: Winston S. Churchill, 1922–1939 (London: Minerva, 1990), p. 623

Giovanni Boccaccio photo

“They banish us to the kitchen, there to tell stories to the cat.”

Ci cacciano in cucina a dir delle favole colla gatta.
Fifth Day, Tenth Story (tr. J. M. Rigg)
The Decameron (c. 1350)

Daniel Kahneman photo
Dave Eggers photo
O. Henry photo
Paul Morphy photo
Douglas Coupland photo
Jordan Peterson photo
Mike Oldfield photo
C. A. R. Hoare photo
Bruce Fairchild Barton photo
Ken MacLeod photo
Frank Miller photo
Russell Brand photo
Indra Nooyi photo

“We are not guided by elections. We are guided by potential of India. We are not waiting for any election results to invest in India. We are investing in India for its economic story.”

Indra Nooyi (1955) Indian-born, naturalized American, business executive

Narendra Modi question elicits 'no comment' from PepsiCo chief Indra Nooyi

“The window I'm proudest of is at the Granby courthouse. … When the building was inaugurated …the Bishop of Saint-Hyacinthe… told me something that still warms my heart.
"Why is the third story so beautiful? Isn't that where people wait to be taken to prison?"
"Everyone has the right to see a flower before dying, Your Grace. The flowers shouldn't be grey."”

Marcelle Ferron (1924–2001) Canadian artist

"You speak like the Gospels."
Original in French: La verrière dont je suis la plus fière se trouve au palais de justice de Granby. … À l'inauguration de l'édifice... l'évêque de Saint-Hyacinthe... m'a fait un commentaire qui me rechauffe toujours le coeur.
Pourquoi le troisième étage est-il si beau? N'est-ce pas là ou se trouvent les gens qui attendent leur transfert en prison?
Monseigneur, tout homme a le droit de voir une fleur avant de mourir. Il ne faut pas que les fleurs soient grises.
Vous parlez comme les Évangiles.
L'esquisse d'une mémoire, 1996

Kalki Koechlin photo

“I think the chemistry we have is that we both think very dark when it comes to stories.”

Kalki Koechlin (1984) Indian actress

On her relationship with Anurag Kashyap, in Interview with NewsX (27 October 2009)

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Count Basie photo
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“I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don't think about these things when I'm writing. I'm just thinking about telling a story and developing my characters.”

Roger Zelazny (1937–1995) American speculative fiction writer

"A Conversation With Roger Zelazny" (8 April 1978), talking with Terry Dowling and Keith Curtis in Science Fiction Vol. 1, #2 (June 1978)

George William Curtis photo
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Daniel Handler photo
Danny Tidwell photo

“The ‘Romeo and Juliet’ story, we’re so past that. I have a very deep respect for art, but I also think we have a lot to learn from pop culture. And that is the future. Either you can ignore it and be stuck in the past, or you can learn from it.”

Danny Tidwell (1984) American dancer

In response to critics and ballet fans who say Tidwell "sold-out" by auditioning on So You Think You Can Dance
La Rocco Claudia. "TV Viewers Discover Dance, and the Debate Is Joined" http://www.nytimes.com/2007/09/21/arts/dance/21revo.html?ref=dance#, The New York Times, September 21, 2007

Emma Goldman photo
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