Quotes about story
page 16

George William Curtis photo

“The slavery debate has been really a death-struggle from that moment. Mr. Clay thought not. Mr. Clay was a shrewd politician, but the difference between him and Calhoun was the difference between principle and expediency. Calhoun's sharp, incisive genius has engraved his name, narrow but deep, upon our annals. The fluent and facile talents of Clay in a bold, large hand wrote his name in honey upon many pages. But time is already licking it away. Henry Clay was our great compromiser. That was known, and that was the reason why Mr. Buchanan's story of a bargain with J. Q. Adams always clung to Mr. Clay. He had compromised political policies so long that he had forgotten there is such a thing as political principle, which is simply a name for the moral instincts applied to government. He did not see that when Mr. Calhoun said he should return to the Constitution he took the question with him, and shifted the battle-ground from the low, poisonous marsh of compromise, where the soldiers never know whether they are standing on land or water, to the clear, hard height of principle. Mr. Clay had his omnibus at the door to roll us out of the mire. The Whig party was all right and ready to jump in. The Democratic party was all right. The great slavery question was going to be settled forever. The bushel-basket of national peace and plenty and prosperity was to be heaped up and run over. Mr. Pierce came all the way from the granite hills of New Hampshire, where people are supposed to tell the truth, to an- nounce to a happy country that it was at peace — that its bushel-basket was never so overflowingly full before. And then what? Then the bottom fell out. Then the gentlemen in the national rope -walk at Washington found they had been busily twining a rope of sand to hold the country together. They had been trying to compromise the principles of human justice, not the percentage of a tariff; the instincts of human nature and consequently of all permanent government, and the conscience of the country saw it. Compromises are the sheet-anchor of the Union — are they? As the English said of the battle of Bunker Hill, that two such victories would ruin their army, so two such sheet- anchors as the Compromise of 1850 would drag the Union down out of sight forever.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

David Miscavige photo

“I have been advised that you have decided to move forward with your story without my interview. This, despite the fact confirmed more than three weeks ago that I would make myself available on a date certain (6 July), after you spoke to other relevant Church personnel and toured Church facilities, and that I would provide information annihilating the credibility of your sources including the fundamental crimes against the Scientology religion that were the reasons for their removal from post.”

David Miscavige (1960) leader of the Church of Scientology

June 2009 letter by Miscavige to journalists Thomas C. Tobin and Joe Childs, regarding investigation of accounts of abuse of Scientology staff members by Miscavige for "The Truth Rundown" series in the St. Petersburg Times —[Thomas C. Tobin, Joe Childs, A letter from David Miscavige, http://www.tampabay.com/news/article1012140.ece, St Petersburg Times, June 23, 2009, 2010-07-03].

Stanley Baldwin photo
Paul Karl Feyerabend photo
Vanna Bonta photo

“Quantum fiction is any story that witnesses life and the human experience on a subatomic level.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

Natalie Merchant photo

“who'll save the poor little girl?
oh, Henry…
who'll tell the story of her?
Henry Darger”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, Motherland (2001), Henry Darger

Pauline Kael photo
Harry Chapin photo
Henry Fielding photo

“This story will not go down.”

Henry Fielding (1707–1754) English novelist and dramatist

Tumble-down Dick; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Anne Rice photo
Eric Maisel photo

“The manuscripts in which these early Greek treatises have been preserved to us seem to be derived from an encyclopaedia compiled during the tenth century, at Constantinople, from the works of various alchemists…. The Greek text. now published by M. Berthelot and M. [Ch. Em. ] Ruelle, custodian of the Library of Ste.-Geneviève, is derived from a careful collation of all these sources, and is accompanied with notes by M. Berthelot bringing light and order into the mystical obscurity in which from the beginning the alchemists enveloped their doctrines.
First among these is the 'Physica et Mystica,' ascribed to Democritus of Abdera, a collection of fragments, among which a few receipts for dyeing in purple may be genuine, while the story of magic and the alchemical teaching are evidently spurious. The philosopher is made to state that his studies were interrupted by the death of his master, Ostanes the Magian. He therefore evoked his spirit from Hades, and learned from him that the books which contained the secrets of his art were in a certain temple. He sought them there in vain, till one day, during a feast in the sanctuary, a column opened, and revealed the precious tomes, in which the doctrines of the Master were summed up in the mysterious words: 'Nature rejoices in Nature, Nature conquers Nature, Nature rules Nature.'
The unknown Alexandrian who wrote under the name of Democritus gives not only receipts for making white alloys of copper, but others which, he positively asserts, will produce gold. M. Berthelot, however, shows in his notes that they can only result in making amalgams for gilding or alloys resembling gold or varnishes which will give a superficial tinge to metals”

Osthanes (-500) pen-name used by several pseudo-anonymous authors of Greek and Latin works of alchemy

, Marcellin Berthelot, Ch. Em. Ruelle, "The Alchemists of Egypt and Greece," Art. VIII. (Jan. 1893) in The Edinburgh Review (Jan.-Apr. 1893) Vol. 177, pp. 208-209. https://books.google.com/books?id=GuvRAAAAMAAJ&pg=PA208

Robert Solow photo
Masiela Lusha photo
Ed Bradley photo

“Morley has a gift for doing the kind of story that you think only Morley could do, or that certainly Morley could do better than anyone else.”

Ed Bradley (1941–2006) News correspondent

[John Sears, RTNDA Communicator, RTNDA; The Association; Radio Television Digital News Association; Volume 54, August 2000, Interview with Ed Bradley]

Daniel Dennett photo
Hema Malini photo
Taslima Nasrin photo
Noam Chomsky photo
Conor Oberst photo
Daniel Handler photo
John Gray photo
Sarah Jessica Parker photo
Roger Ebert photo
Lin Yutang photo
Donald Barthelme photo
Pushyamitra Shunga photo

“The climax was reached when the same Marxist professors started explaining away Islamic iconoclasm in terms of what they described as Hindu destruction of Buddhist and Jain places of worship. They have never been able to cite more than half-a-dozen cases of doubtful veracity. A few passages in Sanskrit literature coupled with speculations about some archaeological sites have sufficed for floating the story, sold ad nauseam in the popular press, that Hindus destroyed Buddhist and Jain temples on a large scale. Half-a-dozen have become thousands and then hundreds of thousands in the frenzied imagination suffering from a deep-seated anti-Hindu animus…. And these “facts” have been presented with a large dose of suppressio veri suggestio falsi…. A very late Buddhist book from Sri Lanka accuses Pushyamitra Sunga, a second century B. C. king, of offering prizes to those who brought to him heads of Buddhist monks. This single reference has sufficed for presenting Pushyamitra as the harbinger of a “Brahmanical reaction” which “culminated in the age of the Guptas.” The fact that the famous Buddhist stupas and monasteries at Bharhut and Sanchi were built and thrived under the very nose of Pushyamitra is never mentioned. Nor is the fact that the Gupta kings and queens built and endowed many Buddhist monasteries at Bodh Gaya, Nalanda and Sarnath among many other places. (…) This placing of Hindu kings on par with Muslim invaders in the context of iconoclasm suffers from serious shortcomings. Firstly, it lacks all sense of proportion when it tries to explain away the destruction of hundreds of thousands of Brahmanical, Buddhist and Jain temples by Islamic invaders in terms of the doubtful destruction of a few Buddhist and Jain shrines by Hindu kings. Secondly, it has yet to produce evidence that Hindus ever had a theology of iconoclasm which made this practice a permanent part of Hinduism. Isolated acts by a few fanatics whom no Hindu historian or pandit has ever admired, cannot explain away a full-fledged theology which inspired Islamic iconoclasm….”

Pushyamitra Shunga King of Sunga Dynasty

S.R. Goel, Some Historical Questions (Indian Express, April 16, 1989), quoted in Shourie, A., & Goel, S. R. (1990). Hindu temples: What happened to them.

Chris Cornell photo
C. B. Colby photo

“A good yarn, an offbeat tale, a bloodcurdling ghost story -- they need no explanation or excuse for the telling!”

C. B. Colby (1904–1977) American writer

Source: World's Best "True" Ghost Stories, (1988), p. 5

Sienna Guillory photo
Whittaker Chambers photo
Donald Barthelme photo
Janeane Garofalo photo
Will Eisner photo
Marie Windsor photo
Andrei Codrescu photo
Garry Trudeau photo
Colin Wilson photo
Marshall McLuhan photo

“The stock market was created by the telegraph and the telephone, and its panics are engineered by carefully orchestrated stories in the press.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Counterblast (1969), p. 106

Jodi Benson photo
Karl Wolff photo

“If you repeat to the Führer the story of the radio message from your agent, I won't go to the gallows alone. You and the Reichsführer will hang beside me.”

Karl Wolff (1900–1984) SS general

To Ernst Kaltenbrunner. Quoted in "The Last 100 Days" - by John Toland - 1966

Thomas Little Heath photo
Christopher Hitchens photo
Bellamy Young photo
Peter Blake photo

“Album covers are like any other vehicle, they are a means of illustrating a story.”

Peter Blake (1932) British artist

Ian Herbert North, "We hope you will enjoy the show", http://www.findarticles.com/p/articles/mi_qn4158/is_20050211/ai_n9504263 The Independent, 2005-02-11
Sgt. Pepper's cover

Kent Hovind photo

“Attempting to define the sensationalism of the press, Malcolm Muggeridge came up with the slogan 'Give us this day our daily story.' A doomed effort, because all it did was remind the reader that the King James Version of the Lord's Prayer was better written than an article by Muggeridge.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Georg Christoph Lichtenberg', p. 383
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)

Hugh Thompson, Jr. photo

“What a great man. There are so many people today walking around alive because of him, not only in Vietnam, but people who kept their units under control under other circumstances because they had heard his story. We may never know just how many lives he saved.”

Hugh Thompson, Jr. (1943–2006) United States helicopter pilot during the Vietnam War

http://www.nola.com/newsflash/louisiana/index.ssf?/base/news-22/1136568553158920.xml&storylist=louisiana
Col. Tom Kolditz, head of the Army academy's behavioral sciences and leadership department.
Quotes of others about Thompson

Jason Biggs photo

“When I heard about the project, the name sounded kind of familiar. I felt like I'd seen it in the book review section or on a list somewhere, but I didn't really know what the story was. The two things that stood out immediately were Jenji Kohan, who I think is one of the best writers out there, and the other thing was Netflix.”

Jason Biggs (1978) American actor

On debut in show Orange Is the New Black, interviewed in: — [December 4, 2014, http://www.rollingstone.com/movies/news/q-a-jason-biggs-changes-stripes-in-orange-is-the-new-black-20130710, Rolling Stone, Q&A: Jason Biggs Changes Stripes in 'Orange Is the New Black', July 10, 2013, James Sullivan]

Blase J. Cupich photo
Fritz Leiber photo
Helen Keller photo
Sienna Guillory photo
Kent Hovind photo

“If it came on the evening news tonight that there were five grizzly bears roaming around Cobb County, do you know what would happen by six o'clock in the morning? They would all be dead. Because every redneck in four states would be out there with a rifle, trying to shoot one, right? And whoever could shoot the biggest one would be a hero. They would have his picture on the front page, "Bubba shot the Grizzly Bear" and saved the village. That is exactly what happened to the dragons. If you could figure out a way to kill a dragon, they would be telling stories about you around the campfire. People killed dragons for meat, because they were a menace, to prove that you were a hero, or to prove that you are superior, in competition for land, or for medicinal purposes. Many ancient recipes call for dragon blood, dragon bones, dragon saliva, why? Gilgamesh is famous for slaying a dragon. A Chinese legend tells about a guy named Yu that surveyed the land of China. It says, that after the Flood he surveyed the land, he divided it off into sections. He built channels to drain water off to sea and make the land livable again. Many snakes and dragons were driven from the marshlands. You know that's normal that if you want to build a city. You have to drive off the dragons, then build your city. It was expected that you have got to drive the dragons away or kill them. Why would the Chinese calendar have eleven real animals: the pig, the duck, the dog, and … the dragon? Why would they put just one "mythical" animal in there? Could it be at the time they that they came up with these animals there were 12 real animals? There is one of the oldest pieces of pottery on Planet Earth. It's a piece of slate from Egypt; the first dynasty of United Egypt. It shows long necked dragons […] Why would they put long necked dinosaurs on pottery 3,800 years ago? Here are two long necked dinosaurs with a sheep in between them in their mouths. Here is a hippo tusk from the twelve century B. C., showing an animal with a long neck, and a long tail. Here's a cylinder seal, showing what appears quite obviously to be a long neck dinosaur. The Bible talks about a fiery flying serpent, in Isaiah 14.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), Dinosaurs and the Bible

Clifford D. Simak photo
Jennifer Beals photo
Douglas Bader photo

“Brickhill, Paul. Reach for the Sky: The Story of Douglas Bader DSO, DFC. London: Odhams Press Ltd., 1954..”

Douglas Bader (1910–1982) British World War II flying ace

References

Horace Walpole photo

“It is the story of a mountebank and his zany.”

Horace Walpole (1717–1797) English art historian, man of letters, antiquarian and Whig politician

Statement about Samuel Johnson and James Boswell, as described in Boswell's Journal of a Tour to the Hebrides with Samuel Johnson, LL.D., in a letter to Hon. Henry Conway (6 October 1785)

Ben Hecht photo
Neil Gaiman photo
Robert M. Price photo
Cat Stevens photo

“It’s always been the same, same old story.
From the moment I could talk I was ordered to listen
Now there’s a way and I know that I have to go — away”

Cat Stevens (1948) British singer-songwriter

Father and Son
Song lyrics, Tea for the Tillerman (1970)

Will Eisner photo
Nayef Al-Rodhan photo
Juan Luis Vives photo

“All these books were written by idle, unoccupied, ignorant men, the slaves of vice and filth. I wonder what it is that delights us in these books unless it be that we are attracted by indecency. Learning is not to be expected from authors who never saw even a shadow of learning. As for their story-telling, what pleasure is to be derived from the things they invent, full of lies and stupidity?”
Quos omnes libros conscripserunt homines otiosi, male feriati, imperiti, vitiis ac spurcitiae dediti, in queis miror quid delectet nisi tam nobis flagitia blandirentur. Eruditio non est exspectanda ab hominibus qui ne umbram quidem eruditionis viderant. Iam cum narrant, quae potest esse delectatio in rebus quas tam aperte et stulte confingunt?

Juan Luis Vives (1492–1540) Spanish philosopher

De Institutione Feminae Christianae (1523), trans. by C. Fantazzi (1996), Vol. I, p. 47.

Raymond Chandler photo
Kevin Kelly photo

“The story of automation is the story of a one-way shift from human control to automatic control.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995)

Ernest Hemingway photo

“The rich were dull and they drank too much or they played too much backgammon. They were dull and they were repetitious. He remembered poor Julian and his romantic awe of them and how he had started a story once that began, "The very rich are different from you and me." And how someone had said to Julian, "Yes, they have more money."”

Ernest Hemingway (1899–1961) American author and journalist

"The Snows of Kilimanjaro," first published in Esquire (August 1936); later published in The Fifth Column and the First Forty-Nine Stories (1938). Originally in Esquire "Julian" was named as F. Scott Fitzgerald, who, in "The Rich Boy" (1926) had written: "Let me tell you about the very rich. They are different from you and me. They possess and enjoy early, and it does something to them, makes them soft where we are hard, and cynical where we are trustful, in a way that, unless you were born rich, it is very difficult to understand..." Fitzgerald responded to this in a letter (August 1936) to Hemingway saying: "Riches have never fascinated me, unless combined with the greatest charm or distinction."

“The story of the rise, fall, and forgetting of the individual is the tale of the rise, fall, and repression of psychoanalysis.”

Russell Jacoby (1945) American historian

Source: Social Amnesia: A Critique of Conformist Psychology from Adler to Laing (1975), p. 38

Fritz Leiber photo

“I’ve never found anything in occult literature that seemed to have a bearing. You know, the occult—very much like stories of supernatural horror—is a sort of game. Most religions, too. Believe in the game and accept its rules—or the premises of the story—and you can have the thrills or whatever it is you’re after. Accept the spirit world and you can see ghosts and talk to the dear departed. Accept Heaven and you can have the hope of eternal life and the reassurance of an all-powerful god working on your side. Accept Hell and you can have devils and demons, if that’s what you want. Accept—if only for story purposes—witchcraft, druidism, shamanism, magic or some modern variant and you can have werewolves, vampires, elementals. Or believe in the influence and power of a grave, an ancient house or monument, a dead religion, or an old stone with an inscription on it—and you can have inner things of the same general sort. But I’m thinking of the kind of horror—and wonder too, perhaps—that lies beyond any game, that’s bigger than any game, that’s fettered by no rules, conforms to no man-made theology, bows to no charms or protective rituals, that strides the world unseen and strikes without warning where it will, much the same as (though it’s of a different order of existence than all of these) lightning or the plague or the enemy atom bomb. The sort of horror that the whole fabric of civilization was designed to protect us from and make us forget. The horror about which all man’s learning tells us nothing.”

Fritz Leiber (1910–1992) American writer of fantasy, horror, and science fiction

“A Bit of the Dark World” (pp. 261-262); originally published in Fantastic, February 1962
Short Fiction, Night's Black Agents (1947)

Richard Brinsley Sheridan photo

“Believe not each accusing tongue,
As most weak persons do;
But still believe that story wrong,
Which ought not to be true!”

Richard Brinsley Sheridan (1751–1816) Irish-British politician, playwright and writer

Reported in Nicholas Harris Nicolas, The Carcanet: a Literary Album, Containing Select Passages from the Most Distinguished English Writers (1828), p. 132.

Diogenes Laërtius photo
Kenneth Grahame photo
Mark Hawthorne (author) photo
Neal Stephenson photo
Mahmud Tarzi photo

“Listen to the flute it tells you a story' A story of nostalgia and separation.”

Mahmud Tarzi (1865–1933) Afghan writer

Mahmud Tarzi, poem written in Turkey. Article by Dr. Bashir Sakhwaraz, Role of Afghan Writiers in Afghan Inependence

Ivan Kostov Nikolov photo
Jennifer Beals photo

“We can have the final word on hate, neglect, disease and all the other insidious characters that still script their way into our stories…for now, but not forever.”

Jennifer Beals (1963) American actress and a former teen model

“It’s a Wrap”, message posted on ourchart.com (16 October 2008) http://www.jennifer-beals.com/media/speeches/oc.html#wrap.

Letitia Elizabeth Landon photo
George Raymond Richard Martin photo
Edgar Rice Burroughs photo
Umberto Eco photo
Carl Bernstein photo