Quotes about story
page 16

“Before we continue our story we must stop to ask, “What is a castle?” Once a castle was defined simply as the fortified and self-sufficient dwelling of an individual feudal lord. Today we know that castles had many functions, both practical and symbolic. The castle was a new ar chitectural form—part fortress, part residence, part statehouse, part the atrical stage. Furthermore, every castle was different, depending on the wealth of the builder, the reason for the castle (control of territory, bor der, coastlines), the local geography (availability of naturally defensible sites), the knowledge of the master builder or patron, the available ma terials, the degree of urgency (speed), and finally the building traditions of the region (the techniques the workmen knew and used). In short, there is no such thing as a typical castle; a castle was a very special build ing whose form and function answered the needs of people living in Eu rope from the eleventh through the fifteenth century.”

Marilyn Stokstad (1929–2016) art historian

Overview: Castles in Context
Medieval castles (2005)

People, Nature, Knowledge, Parting

“To say that basic science is exciting may sound like a contradiction… But I would remind you that there are two intellectual excitements that are not tame at all and that we remember all our lives. One is the thrill of following out a chain of reasoning for yourself; the other is the pleasure of watching several strongly individualistic personalities argue about their deepest convictions. That is to say, the thrill of a detective story and the pleasure of watching a play by George Bernard Shaw.”

John R. Platt (1918–1992) American physicist

John R. Platt (1960) " The sweep and excitement of science http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1929478/" in: Public Health Rep. 1960 June; 75(6). p. 495

Pleasure, Science, Personality

“The slavery debate has been really a death-struggle from that moment. Mr. Clay thought not. Mr. Clay was a shrewd politician, but the difference between him and Calhoun was the difference between principle and expediency. Calhoun's sharp, incisive genius has engraved his name, narrow but deep, upon our annals. The fluent and facile talents of Clay in a bold, large hand wrote his name in honey upon many pages. But time is already licking it away. Henry Clay was our great compromiser. That was known, and that was the reason why Mr. Buchanan's story of a bargain with J. Q. Adams always clung to Mr. Clay. He had compromised political policies so long that he had forgotten there is such a thing as political principle, which is simply a name for the moral instincts applied to government. He did not see that when Mr. Calhoun said he should return to the Constitution he took the question with him, and shifted the battle-ground from the low, poisonous marsh of compromise, where the soldiers never know whether they are standing on land or water, to the clear, hard height of principle. Mr. Clay had his omnibus at the door to roll us out of the mire. The Whig party was all right and ready to jump in. The Democratic party was all right. The great slavery question was going to be settled forever. The bushel-basket of national peace and plenty and prosperity was to be heaped up and run over. Mr. Pierce came all the way from the granite hills of New Hampshire, where people are supposed to tell the truth, to an- nounce to a happy country that it was at peace — that its bushel-basket was never so overflowingly full before. And then what? Then the bottom fell out. Then the gentlemen in the national rope -walk at Washington found they had been busily twining a rope of sand to hold the country together. They had been trying to compromise the principles of human justice, not the percentage of a tariff; the instincts of human nature and consequently of all permanent government, and the conscience of the country saw it. Compromises are the sheet-anchor of the Union — are they? As the English said of the battle of Bunker Hill, that two such victories would ruin their army, so two such sheet- anchors as the Compromise of 1850 would drag the Union down out of sight forever.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Death, Happiness, People, Truth

“I have been advised that you have decided to move forward with your story without my interview. This, despite the fact confirmed more than three weeks ago that I would make myself available on a date certain (6 July), after you spoke to other relevant Church personnel and toured Church facilities, and that I would provide information annihilating the credibility of your sources including the fundamental crimes against the Scientology religion that were the reasons for their removal from post.”

David Miscavige (1960) leader of the Church of Scientology

June 2009 letter by Miscavige to journalists Thomas C. Tobin and Joe Childs, regarding investigation of accounts of abuse of Scientology staff members by Miscavige for "The Truth Rundown" series in the St. Petersburg Times —[Thomas C. Tobin, Joe Childs, A letter from David Miscavige, http://www.tampabay.com/news/article1012140.ece, St Petersburg Times, June 23, 2009, 2010-07-03].

Religion

“It is an easy thing to say, as many men say to-day, that this country should cut herself adrift from Europe, but we must remember that our island story is told, and that with the advent of the aeroplane we ceased to be an island. Whether we like it or not, we are indissolubly bound to Europe, and we shall have to use, and continue to use, our best endeavours to bring to that Continent that peace in which we and millions of men up and down Europe have an equal belief and an equal faith.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/commons/1923/jul/23/military-expenditure-and-disarmament in the House of Commons (23 July 1923). 1923

Men, Peace, Faith, Country

“The attitude of the Church was not as dogmatic as is often assumed. Interpretations of Bible passages had been revised in the light of scientific research before. Everyone regarded the earth as spherical and as freely floating in space though the Bible tells a different story.”

Paul Karl Feyerabend book Science in a Free Society

pg 45.
Science in a Free Society (1978)

Light

“Quantum fiction is any story that witnesses life and the human experience on a subatomic level.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

Life

“who'll save the poor little girl?
oh, Henry…
who'll tell the story of her?
Henry Darger”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, Motherland (2001), Henry Darger

Girl

“Though she came from the theatre, Barbara Stanwyck seemed to have an intuitive understanding of the fluid physical movements that work best on camera; perhaps she had been an unusually "natural" actress even onstage. This was her first big hit in the movies. Under Frank Capra's direction, she plays a tough "party" girl (euphemism for call girl) who poses for a wealthy young artist (Ralph Graves); he sees in her the spirituality that she attempts to deny. The story is a museum piece of early-talkies sentimentality, but, in a way, that only emphasizes Stanwyck's remarkable modernism.”

Pauline Kael (1919–2001) American film critic

"Ladies of Leisure," p. 403
5001 Nights at the Movies (1982)

Way, Girl, Understanding, Nature

“Hello my Country
I once came to tell everyone your story
Your passion was my poetry
And your past my most potent glory
Your promise was my prayer
Your hypocrisy my nightmare
And your problems fill my present
Are we both going somewhere?”

Harry Chapin (1942–1981) American musician

There Only Was One Choice
Song lyrics, Dance Band on the Titanic (1977)

Problem, Passion, Past, Country

“Everyone in Boston of a certain age knows the story of Rosie Ruiz, the marathoner who crossed the Boston finish line in 1980 at 2:31.56, flabby thighs and all, having barely broken a sweat. Despite mounting skepticism, she basked in the glory of having run the third-fastest female marathon in history – for a few days, that is, until a couple of students remembered seeing her jump out of the crowd half a mile from the finish.
Something of the sort has been going on recently with the shade of Friedrich von Hayek. The Austrian economist, who died in 1992 just short of what would have been his ninety-third birthday, never made false claims for himself – far from it: he knew all too well the loneliness of the long distance runner. And scrupulous work as editor by the late W. W. Bartley, interpreter Bruce Caldwell, and biographer Alan Ebenstein, have made it possible to see the man clear.
But the claims conservatives are making about the role he played as an economist are beginning to smack of Ruizismus. That is, they have jumped a caricature out of the bushes late in the day and claim that their guy ran a great race.”

David Warsh (1944) American journalist

"Ruizismus among the Austrians," 4 December 2011

Age, Guy, History, Birthday

“This story will not go down.”

Henry Fielding (1707–1754) English novelist and dramatist

Tumble-down Dick; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

“A living myth remains largely unconscious for the majority. It is the reality, not the symbol. … Some people in every culture, however, see through or beyond the myth. … Those whose amphibious minds move both within and beyond the myth may be though of as outlaws or metaphysicians. Myth and metaphysics are related to each other in the same way that religion is related to theology. The mythical mind is unreflective. It lives unquestioningly within a horizon of the culture’s images, stories, rituals, and symbols, just as the religious person rests content within the liturgy and creedal structure of the church or cult. The metaphysical mind reflects upon the myth and tries to make it conscious. It plays with the stories and images and lifts the basic presuppositions about life into the light of consciousness. In this sense, metaphysics is the thinking person’s religion.”

Sam Keen (1931) author, professor, and philosopher

Source: The Passionate Life (1983), p. 21

Life, People, Religion, Way

“The Vampire Lestat here. I have a story to tell you. It's about something that happened to me.”

Anne Rice The Tale of the Body Thief

Lestat
The Tale of the Body Thief (1992)

“Before you can make meaning, an odd kind of election process must occur. You must nominate yourself as the meaning-maker in your life and as the hero of your own story. Then you must consciously elect yourself to that position.”

Eric Maisel (1947) American writer

Source: The Atheist’s Way (2009), p. 65

Life

“When scientists need to explain difficult points of theory, illustration by hypothetical example - rather than by total abstraction - works well (perhaps indispensably) as a rhetorical device. Such cases do not function as speculations in the pejorative sense - as silly stories that provide insight into complex mechanisms - but rather as idealized illustrations to exemplify a difficult point of theory. (Other fields, like philosophy and the law, use such conjectural cases as a standard device.)”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"The Tallest Tale", p. 310
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Law, Sense

“The potential evidenced by [director James] Cameron in The Terminator — the ability to sustain suspense, meld action with story, and provide compelling characters despite the limitations of the actors portraying them — would be fully realized in two future features, Aliens and Terminator 2. This movie, however, is in some ways more impressive than either of those because of what the filmmaker was capable of achieving with a limited budget and without significant studio backing. The themes and ideas presented in The Terminator hold up well today, even though we have moved into the post-Cold War era and only the most nihilistic individuals could see 2029 in such bleak terms. It's a rousing science fiction story that proves an on-screen adrenaline rush need not short-circuit the brain.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1618 of The Terminator (1984). Three-and-a-half star reviews

War, Way, Idea, Science

“The manuscripts in which these early Greek treatises have been preserved to us seem to be derived from an encyclopaedia compiled during the tenth century, at Constantinople, from the works of various alchemists…. The Greek text. now published by M. Berthelot and M. [Ch. Em. ] Ruelle, custodian of the Library of Ste.-Geneviève, is derived from a careful collation of all these sources, and is accompanied with notes by M. Berthelot bringing light and order into the mystical obscurity in which from the beginning the alchemists enveloped their doctrines.
First among these is the 'Physica et Mystica,' ascribed to Democritus of Abdera, a collection of fragments, among which a few receipts for dyeing in purple may be genuine, while the story of magic and the alchemical teaching are evidently spurious. The philosopher is made to state that his studies were interrupted by the death of his master, Ostanes the Magian. He therefore evoked his spirit from Hades, and learned from him that the books which contained the secrets of his art were in a certain temple. He sought them there in vain, till one day, during a feast in the sanctuary, a column opened, and revealed the precious tomes, in which the doctrines of the Master were summed up in the mysterious words: 'Nature rejoices in Nature, Nature conquers Nature, Nature rules Nature.'
The unknown Alexandrian who wrote under the name of Democritus gives not only receipts for making white alloys of copper, but others which, he positively asserts, will produce gold. M. Berthelot, however, shows in his notes that they can only result in making amalgams for gilding or alloys resembling gold or varnishes which will give a superficial tinge to metals”

Osthanes (-500) pen-name used by several pseudo-anonymous authors of Greek and Latin works of alchemy

, Marcellin Berthelot, Ch. Em. Ruelle, "The Alchemists of Egypt and Greece," Art. VIII. (Jan. 1893) in The Edinburgh Review (Jan.-Apr. 1893) Vol. 177, pp. 208-209. https://books.google.com/books?id=GuvRAAAAMAAJ&pg=PA208

Death, Secret, Books, Art

“Suppose someone sits down where you are sitting right now and announces to me that he is Napoleon Bonaparte. The last thing I want to do with him is to get involved in a technical discussion of cavalry tactics at the Battle of Austerlitz. If I do that, I'm getting tacitly drawn into the game that he is Napoleon Bonaparte. Now, Bob Lucas and Tom Sargent like nothing better than to get drawn into technical discussions, because then you have tacitly gone along with their fundamental assumptions; your attention is attracted away from the basic weakness of the whole story. Since I find that fundamental framework ludicrous, I respond by treating it as ludicrous – that is, by laughing at it – so as not to fall into the trap of taking it seriously and passing on to matters of technique.”

Robert Solow (1924) American economist

Quoted in Conversations with Economists (1983) by Arjo Klamer, p. 146

Game

“All three elements of storytelling carry one vital philosophy– to offer universal insight, and many instances, hope and therapy to those who absolutely need it. To illuminate a combined and universal purpose, whether it be through the written word, the spoken word, or both elements incorporated into another element of truth. All exist to tell a story to the world.”

Masiela Lusha (1985) Albanian actress, writer, author

On being a writer, actress, and producer http://reelladies.wordpress.com/2008/09/01/reel-lady-masiela-lusha/

Truth, World, Hope, Universe

“Morley has a gift for doing the kind of story that you think only Morley could do, or that certainly Morley could do better than anyone else.”

Ed Bradley (1941–2006) News correspondent

[John Sears, RTNDA Communicator, RTNDA; The Association; Radio Television Digital News Association; Volume 54, August 2000, Interview with Ed Bradley]

Thinking

“The fundamental core of contemporary Darwinism, the theory of DNA-based reproduction and evolution, is now beyond dispute among scientists. It demonstrates its power every day, contributing crucially to the explanation of planet-sized facts of geology and meteorology, through middle-sized facts of ecology and agronomy, down to the latest microscopic facts of genetic engineering. It unifies all of biology and the history of our planet into a single grand story. Like Gulliver tied down in Lilliput, it is unbudgable, not because of some one or two huge chains of argument that might — hope against hope — have weak links in them, but because it is securely tied by thousands of threads of evidence anchoring it to virtually every other area of human knowledge. New discoveries may conceivably lead to dramatic, even "revolutionary" shifts in the Darwinian theory, but the hope that it will be "refuted" by some shattering breakthrough is about as reasonable as the hope that we will return to a geocentric vision and discard Copernicus.”

Daniel Dennett book Darwin's Dangerous Idea

Darwin's Dangerous Idea (1995)

Hope, History, Knowledge

“So many roles, so many trends, so many kinds of cinema and so many stories…I have projected different images during different decades, voiced different concerns –sometimes as a daughter, sometimes as a wife and mother- but often I ask myself if things have really changed. I am not sure.”

Hema Malini (1948) Indian actress, dancer and politician

Page=1979
MOTHER MAIDEN MISTRESS

Change, Daughters

“The producer and director were developing my story to a mega series. They had shot around 100 episodes after which the ban was imposed. The Muslim fanatics in Bengal, supported by the ruling Trinamool Congress played havoc when the serial was to be aired. The chief minister was instrumental in imposing the ban. It is interesting to see that the same person (Mamata Bangerjee) is now advocating for freedom of expression and calling it super emergency,” “This is sheer double standard….. If some people do not like a representation of art, there are other ways to counter it. I never support violent attack on artistic freedom. I also do not support the trend of issuing fatwa. But, there are politicians, who support or protest on the basis of religion. Why are rules being tweaked for one particular community in Bengal? Why did Mamata Banerjee’s government never allow me to work there, allow my books to be published? Freedom of expression, the most important character of a democracy, is always under attack for vested political interest. Nobody criticises things neutrally,”

Taslima Nasrin (1962) Poet, columnist, novelist

Taslima Nasrin about Mamata, Economic Times https://economictimes.indiatimes.com/news/politics-and-nation/didi-tweet-on-padmavati-fuels-taslima-nasreen-fury-over-bengal-gag-on-tv-serial/articleshow/61762771.cms

People, Books, Religion, Art

“Reactions to our adversity are not entirely uniform. At the dovish extreme, we find Senator John Kerry, who warns that we should never again fight a war "without committing enough resources to win"; no other flaw is mentioned. And there is President Carter, the noted moral teacher and human rights apostle, who assured us that we owe Vietnam no debt and have no responsibility to render it any assistance because "the destruction was mutual," an observation so uncontroversial as to pass with no reaction. […] Properly statesmanlike, President Bush announces that "It was a bitter conflict, but Hanoi knows today that we seek only answers without the threat of retribution for the past." Their crimes against us can never be forgotten, but "we can begin writing the last chapter of the Vietnam war" if they dedicate themselves with sufficient zeal to the MIAs. We might even "begin helping the Vietnamese find and identify their own combatants missing in action," [New York Times Asia correspondent] Crossette reports. The adjacent front-page story reports Japan's failure, once again, to "unambiguously" accept the blame "for its wartime aggression."”

Noam Chomsky book Year 501

Year 501, 1993 http://www.zmag.org/chomsky/year/year-c10-s07.html. Quotes 1990s, 1990-1994

War, Failure, Teachers, Time

“[A]nd between this top-quality programming are the most miserable adverts in the world – former Mancunian top cop John Stalker trying to sell you sun awnings; trying to get you to blot out every ray of light from the world for those in the grip of manic depression – 'Hello, I'm John Stalker. Are you, like me, tired of the pitiless glare of an English summer; maddened by the relentless gaze of cruel Helios; sick of lurking in your house all summer long, like a mad bloke in a siege situation - such as I would have dealt with in my high-flying career? Well, suffer no longer. Install Gloom Master sun awnings - summer bang to rights!' Terrible! Then it all gets worse with those terrible loan adverts. These awful, tragic, hollow-eyed wraiths come on, telling you these awful stories - 'I'm up to my eyes in debt, and, curiously, no reputable company would give me another loan! Then I discovered Dodgy Bastards. They've given me a million pounds, and all they want in return are my kidneys.' No, don't do it! And then - worse than that - the accident insurance adverts - 'Where there's blame, there's a claim”

Linda Smith (1958–2006) comedian

when people who've had these accidents come on like medieval beggars, and wave their stumps at you for money with these outlandish stories - 'I slipped on a banana skin and successfully sued the Dominican Republic...' (Wrap up Warm tour, May 2004)
Stand-up

Money, People, World, Light

“If the world could remain within a frame
Like a painting on a wall,
Then I think we would see the beauty, then
We would stand staring in awe
At our still lives posed
Like a bowl of oranges,
Like a story told
By the fault lines and the soil.”

Conor Oberst (1980) American musician

Bowl of Oranges
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

World, Beauty, Thinking, Painting

“A thought that has found a plastic expression must continue to expand in keeping with its own plastic idiom. A plastic idea must be expressed with plastic means just as a musical idea is expressed with musical means, or a literary idea with verbal means. Neither music nor literature are wholly translatable into other art forms; and so a plastic art cannot be created through a superimposed literary meaning. The artist who attempts to do so produces nothing more than a show-booth. He contents himself with visual story-telling. He subjects himself to a mechanistic kind of thinking which disintegrates into fragments.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 40-46
Search for the Real and Other Essays (1948)

Art, Music, Literature, Idea

“Lemony Snicket: (narrating) When you are invited to dine, particularly with people you do not know very well, it always helps to have a conversational opener, a phrase which here means "an interesting sentence to say out loud in order to get people talking." Although lately it has become more and more difficult to attend dinner parties without the evening ending in gunfire or tapioca, I keep a list of good and bad conversational openers in my commonplace book in order to avoid awkward pauses at the dinner table. "Who would like to see an assortment of photographs taken while I was on vacation?" for instance, is a very poor conversational opener, because it is likely to make your fellow diners shudder instead of talk, whereas good conversational openers are sentences such as "What would drive a man to commit arson?," "Why do so many stories of true love end in tragedy and despair?," and "Madame diLustro, I believe I've discovered your true identity!," all of which are likely to provoke discussions, arguments, and accusations, thus making the dinner party much more entertaining.”

Daniel Handler book The Grim Grotto

The Grim Grotto (2004)

Love, People, Books, Help

“As the Genesis story teaches, knowledge cannot save us from ourselves. If we know more than before, it means only that we have greater scope to enact our fantasies. But – as the Genesis myth also teaches – there is no way we can rid ourselves of what we know. If we try to regain a state of innocence, the result can only be a worse madness. The message of Genesis is that in the most vital areas of human life there can be no progress, only an unending struggle with our own nature.”

John Gray (1948) British philosopher

An Old Chaos: Humanism and Flying Saucers (pp. 79-80)
The Silence of Animals: On Progress and Other Modern Myths (2013)

Life, Way, Nature, Knowledge

“Anything having to do with food is pleasurable for me. Any conversation about food, review of food, story of food, picture of food, thought of food…”

Sarah Jessica Parker (1965) American actress

Interview for Allure magazine, February 2008

Pleasure, Food

“Why must a film explain everything? Why must every motivation be spelled out? Aren't many films fundamentally the same film, with only the specifics changed? Aren't many of them telling the same story? Seeking perfection, we see what our dreams and hopes might look like. We realize they come as a gift through no power of our own, and if we lose them, isn't that almost worse than never having had them in the first place?There will be many who find "To the Wonder" elusive and too effervescent. They'll be dissatisfied by a film that would rather evoke than supply. I understand that, and I think Terrence Malick does, too. But here he has attempted to reach more deeply than that: to reach beneath the surface, and find the soul in need.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/to-the-wonder-2013 of To the Wonder (April 6, 2013) NOTE: This was the last movie review Roger Ebert filed. Reviews, Three-and-a-half star reviews

Dreams, Hope, Soul, Motivation

“Our task is not so much discovery as re-discovery. What one needs is not so much thinking as remembering. Sometimes it suffices to sit quietly and listen well, when venerable men have thought before us. Constant forgettings of truths once perceived are the very charm of the human mind; the history of human thought is nothing more than the story of these forgettings and rememberings and forgettings again.”

Lin Yutang (1895–1976) Chinese writer

On the Wisdom of America (1950), p. xiv

Men, Truth, History, Thinking

“Whatever life we have experienced, if we can tell our story to someone who listens, we find it easier to deal with our circumstances.”

Margaret J. Wheatley (1941) American writer

Source: Turning to one another (2002), p. 92

Life

“I obey the Commandments, the sensible ones. Where they don’t know what they’re talking about I ignore them. I keep thinking about the story of the two old women in church listening to the priest discoursing on the dynamics of the married state. At the end of the sermon one turns to the other and says, “I wish I knew as little about it as he does.””

Donald Barthelme (1931–1989) American writer, editor, and professor

“Basil From Her Garden”.
Flying to America: 45 More Stories (2007)

Women, Thinking

“At this moment it seems as though science will never be able to raise the curtain on the mystery of creation. For the scientist who has lived by his faith in the power of reason, the story ends like a bad dream. He has scaled the mountains of ignorance; he is about to conquer the highest peak; as he pulls himself over the final rock, he is greeted by a band of theologians who have been sitting there for centuries.”

Robert Jastrow (1925–2008) American astronomer

God and the Astronomers (1978), p. 116; (p. 107 in 1992 edition).

Faith, Dreams, Mountain, Science

“The climax was reached when the same Marxist professors started explaining away Islamic iconoclasm in terms of what they described as Hindu destruction of Buddhist and Jain places of worship. They have never been able to cite more than half-a-dozen cases of doubtful veracity. A few passages in Sanskrit literature coupled with speculations about some archaeological sites have sufficed for floating the story, sold ad nauseam in the popular press, that Hindus destroyed Buddhist and Jain temples on a large scale. Half-a-dozen have become thousands and then hundreds of thousands in the frenzied imagination suffering from a deep-seated anti-Hindu animus…. And these “facts” have been presented with a large dose of suppressio veri suggestio falsi…. A very late Buddhist book from Sri Lanka accuses Pushyamitra Sunga, a second century B. C. king, of offering prizes to those who brought to him heads of Buddhist monks. This single reference has sufficed for presenting Pushyamitra as the harbinger of a “Brahmanical reaction” which “culminated in the age of the Guptas.” The fact that the famous Buddhist stupas and monasteries at Bharhut and Sanchi were built and thrived under the very nose of Pushyamitra is never mentioned. Nor is the fact that the Gupta kings and queens built and endowed many Buddhist monasteries at Bodh Gaya, Nalanda and Sarnath among many other places. (…) This placing of Hindu kings on par with Muslim invaders in the context of iconoclasm suffers from serious shortcomings. Firstly, it lacks all sense of proportion when it tries to explain away the destruction of hundreds of thousands of Brahmanical, Buddhist and Jain temples by Islamic invaders in terms of the doubtful destruction of a few Buddhist and Jain shrines by Hindu kings. Secondly, it has yet to produce evidence that Hindus ever had a theology of iconoclasm which made this practice a permanent part of Hinduism. Isolated acts by a few fanatics whom no Hindu historian or pandit has ever admired, cannot explain away a full-fledged theology which inspired Islamic iconoclasm….”

Pushyamitra Shunga King of Sunga Dynasty

S.R. Goel, Some Historical Questions (Indian Express, April 16, 1989), quoted in Shourie, A., & Goel, S. R. (1990). Hindu temples: What happened to them.

Books, Age, Imagination, Literature

“"The Day I Tried to Live" has nothing to do with suicide. It's much more meant to be like everyman's story. In spite of how most people present themselves, they probably struggle to feel comfortable or normal around other people, to feel as if they fit in. Everybody wants to and tries to. That's what that song is about. And "Like Suicide" is just a title. It's not about suicide at all.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Interview with Request Magazine, October 1994 http://web.stargate.net/soundgarden/articles/request_10-94.shtml, On depression and suicide

People, Feeling, Suicide

“A good yarn, an offbeat tale, a bloodcurdling ghost story -- they need no explanation or excuse for the telling!”

C. B. Colby (1904–1977) American writer

Source: World's Best "True" Ghost Stories, (1988), p. 5

“ […] we can strip off all grammatical clues to sentence structure, all affixes and prepositions, and yet still achieve communication. Thus restricted to nouns, simple "stories" can be told in word chains: Woman, street, crowd, traffic, noise, haste, thief, bag, loss, scream, police…. Again, the reader's past experience of his language is sufficient to restore the missing elements, sufficiently accurately for the purpose. But of course, not only does the reader have experience of sentence structure, enabling him to supply the missing syntactical elements, but also he has experience of typical contexts in which the various words are used; many words bear an aura about with them. It might be more difficult to tell a tale about a policeman who robbed a woman, for instance, with so little redundancy! ”

Colin Cherry (1914–1979) British scientist

Source: On Human Communication (1957), Words and Meaning: Semantics, p.122

Communication, Loss, Past

“The acting was always disappointing. Silly stories about nonsense people. I felt really cheated by acting, because I've never really felt anything from it. I don't wanna be the women on television, who are always nice and do the right thing. I want to be the woman who makes mistakes and gets away with it. The Night Porter is my favourite film. Charlotte Rampling is boiling with rage and going, "I can do it worse. I'm badder, and dirtier than you will ever be, and you'll never break me."”

Sienna Guillory (1975) British actress

And I just love that. FILM: Beauty and the Beasts Article http://findarticles.com/p/articles/mi_qn4158/is_20040312/ai_n12769890/pg_1. The London Independent. March 12, 2004.

Love, Women, People, Disappointment

“The story has spread that in testifying against Mr. Hiss I am working out some old grudge, or motives or revenge or hatred. I do not hate Mr. Hiss. We were close friends, but we are caught in a tragedy of history. Mr. Hiss represents the concealed enemy against which we are all fighting, and I am fighting. I have testified against him with remorse and pity, but in a moment of history in which this Nation now stands, so help me God, I could not do otherwise.”

Whittaker Chambers Witness

televised testimony of August 25, 1948
Source: Witness (1952), pp. 694-695

God, Hate, History, Motivation

“LeDuff’s argument (in Shock Art #37) that an image, once floated on the international art-sea, is a fish that anyone may grab with impunity, and make it his own, would not persuade an oyster. Questions of primacy are not to be scumbled in this way, which, had he been writing from a European perspective, he would understand, and be ashamed. The brutality of the American rape of the world’s exhibition spaces and organs of art-information has distanciated his senses. The historical aspects have been adequately trodden by others, but there is one category yet to be entertained—that of the psychological. The fact that LeDuff is replicated in every museum, in every journal, that one cannot turn one’s gaze without bumping into this raw plethora, LeDuff, LeDuff, LeDuff (whereas poor Bruno, the true progenitor, is eating the tops of bunches of carrots)—what has this done to LeDuff himself? It has turned him into a dead artist, but the corpse yet bounces in its grave, calling attention toward itself in the most unseemly manner. But truth cannot be swallowed forever. When the real story of low optical stimulus is indited, Bruno will be rectified.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“Letters to the Editore”, Guilty Pleasures (1974).

Truth, World, Art, Way

“You know what is good about these Dixie Chicks burnings or bashings? It's a wonderful, wonderful way for really stupid people to hook up. They meet, they throw some things on the fire, they talk about Vin Diesel, they tell stories about who their favorite Fox anchor is, they exchange phone numbers and in some cases has led to marriages.”

Janeane Garofalo (1964) comedian, actress, political activist, writer

standup performance, 2003[citation needed]
Standup routines

Marriage, People, Stupidity, Way

“As the story unfolds it is at 55 Dropsie Avenue where Frimme Hersh deals with God; where the street singer fails to grasp his chance for gory. It is on Dropsie Avenue where a diminutive enemy defeats the super, and Willie comes of age. It is in an alley of Dropsie Avenue where Jacob Shtarkah tries to find the meaning of life. It is also on Dropsie Avenue, finally, where I undertake the biography of the street itself, through the physical evolution of the block, the rise and fall of the tenement building at No.55 and the ethnic and social changes of the stream of occupants.”

Will Eisner (1917–2005) American cartoonist

XIV-XV, December 2004
A Contract With God (2004)

Life, God, Age, Change

“I didn’t know I was doing film noir, I thought they were detective stories with low lighting! Even Kubrick, in 1955 during filming of The Killing, never used the term film noir to my knowledge.”

Marie Windsor (1919–2000) American actress

Interview with The Perfect Vision http://www.moderntimes.com/windsor/ (1992)

Knowledge, Light

“The language of the game is interesting. You can think of the pauses as caesuras, breaks between the lines. As a poem the game is composed of a number of short lines representing the pitches. The number of lines per batter form a stanza. Then there is a space. Sometimes the stanzas become breathless, rushing full paragraphs that build rapidly on each other until the poem-inning explodes. The poem lives for this sudden blossoming out of prosodic regularity. Should someone make a computer analysis of baseball prosody, I believe that they would come up with something close to the prosody of some great American lyrical epic, Whitman’s Leaves of Grass, let’s say, or Doc Williams’s Patterson…. The game is definitely an epic … formed of many lyrical moments dependent on silences for their effectiveness. An unfolding story punctuated by brief emotional swellings.”

Andrei Codrescu (1946) American writer

“A Kind of Love,” The Muse Is Always Half-Dressed (1993).

Game, Thinking, Silence, Grass

“I had more flow as a designer. I could just drop down into the zone and stay there for hours. With cartooning, I'm constantly coming up for air, procrastinating, looking for reasons not to be doing it. I spend all day granting myself special dispensation, with 'creative process' as my cover story. Carpenters and deli countermen can't do that, so I think they may feel better about themselves at the end of the day.”

Garry Trudeau (1948) cartoonist

[Doonesbury's War, Gene Weingarten, http://www.washingtonpost.com/wp-dyn/content/article/2006/10/20/AR2006102000446_5.html?nav=hcmoduleand=again, Washington Post, October 22, 2006, July 24, 2007]

Feeling, Thinking

“The romantics of the 19th century thought that the artist is at war with society, and must be destroyed by it eventually; this is the theme of all of Hoffmann's stories. I suggested -- in The Outsider and the subsequent five books of the 'cycle' -- that the fault lies partly with the artist, for preferring pessimism and self-pity to serious thought, and that the 'outsider' must eventually learn to accept his position as a spiritual leader of society. The church once provided the link between 'outsiders' and society, standing for the world of values, of 'meanings; beyond the present. The artists of the 19th century found themselves without this visible symbol of non-material values, and were, as Hoffmann says, frequently destroyed by society, or by their own destiny of standing outside it. I concluded that they must learn to stand alone, to be twice as strong, for half the problems of our civilization are due to 'the treason of the intellectual', their tendency to opt out and collapse in self-pity.”

Colin Wilson (1931–2013) author

Source: Tree By Tolkien (1974), p. 25-26

War, Books, World, Problem

“The stock market was created by the telegraph and the telephone, and its panics are engineered by carefully orchestrated stories in the press.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Counterblast (1969), p. 106

“They did not put much value on my capacities, which were admittedly few, but genuine. I read everything, I wrote constantly, and I had boyfriends by the barrelful. “Why don’t you do the assigned reading?” they’d ask. “Why don’t you write your papers instead of whatever you’re writing—what is that, a short story?” “Why don’t you expend as much energy on your schoolwork as you do on your boyfriends?” By my senior year I didn’t even bother with excuses, let alone explanations. “Where is your term paper?” asked my history teacher. “I didn’t write it. I have nothing to say on that topic.” “You could have picked another topic.””

Susanna Kaysen book Girl, Interrupted

“I have nothing to say on any historical topic.”
Girl, Interrupted (1994)

History, Teachers, Reading

“The thing that I enjoy about animation is the fact that it is unbridled and there are no boundaries; when are in the room you don’t have to focus on your clothing, make-up, hair, your choreography or your blocking, you really do have total freedom. It is that total freedom that I really enjoy as there is no judgement and there are no critics there watching to see what you are going to do. It is just a free-for-all, and I really enjoy that process. When you are working with incredible directors then the responsibility lies on them to do the product and get the story told; it takes a lot of pressure of me, and I just get to go in and have a play session.”

Jodi Benson (1961) American voice actress, actress and singer

Jodi Benson Exclusive Interview http://www.femalefirst.co.uk/movies/jodi-benson-exclusive-interview-330687.html (August 30, 2013)

Freedom, Animals, Clothes

“If you repeat to the Führer the story of the radio message from your agent, I won't go to the gallows alone. You and the Reichsführer will hang beside me.”

Karl Wolff (1900–1984) SS general

To Ernst Kaltenbrunner. Quoted in "The Last 100 Days" - by John Toland - 1966

“There is perhaps no question that occupies, comparatively, a larger space in the history of Greek geometry than the problem of the Doubling of the Cube. The tradition concerning its origin is given in a letter from Eratosthenes of Cyrene to King Ptolemy Euergetes quoted by Eutocius…
"Eratosthenes to King Ptolemy greeting.
"There is a story that one of the old tragedians represented Minos as wishing to erect a tomb for Glaucus and as saying, when he heard that it was a hundred feet every way,Too small thy plan to bound a royal tomb.
Let it be double; yet of its fair form
Fail not, but haste to double every side.But he was clearly in error; for when the aides are doubled, the area becomes four times as great, and the solid content eight times as great. Geometers also continued to investigate the question in what manner one might double a given solid while it remained in the same form.”

Thomas Little Heath (1861–1940) British civil servant and academic

Apollonius of Perga (1896)

Way, Error, Quotes, History

“[Chomsky] has now been impeached by his own standards, since scrutiny of the evidence does not bear him out on Serbia or Afghanistan or Iraq. It didn't bear him out on Cambodia either, though he was never a "Holocaust denier" or anything like it. And he has, I think, ceased to be of any use to young people who might pardonably doubt the official story.”

Christopher Hitchens (1949–2011) British American author and journalist

2004 http://www.frontpagemag.com/Articles/Read.aspx?GUID=C78DC231-4599-4745-9CA5-A398398916A0: On Noam Chomsky/Cambodia. 2000s, 2004

People, Thinking

“You can find out far more about a writer from his poems or fiction.. because in his stories or poems, his preoccupations, obsessions, moral standards, the quality of his intelligence, his loves, hates, aspirations, belief and fears.. insist on expression.”

Vernon Scannell (1922–2007) British boxer and poet

Tiger and the Rose, 1971

Love, Hate, Fear, Intelligence

“I think my experience as an adoptee who was given beautiful, loving parents, makes me sympathetic to the plight of the voiceless and those who are disregarded or tossed away or thought to not have value in a society. I feel like no one is expendable because it’s convenient. So many animals out there without homes have so much love to give, and I want to do all I can to get them in forever homes so they can give that love. … Fostering a little life is so humbling and sacred. It reminds you we’re all here to help each other and that you’re not the central character in the story of life. You’re a supporting role and your hands are meant to help get someone or something where they should be. Helping and loving an animal is the greatest gift you can give yourself. Every time you save them, you save yourself a little bit, too.”

Bellamy Young (1970) American artist

"Scandal's Bellamy Young has a soft spot for rescue pets", interview with USA Today (13 May 2017) https://www.usatoday.com/story/life/2017/05/13/scandals-bellamy-young-has-soft-spot-rescue-pets/101588612/.

Love, Life, Beauty, Feeling

“Album covers are like any other vehicle, they are a means of illustrating a story.”

Peter Blake (1932) British artist

Ian Herbert North, "We hope you will enjoy the show", http://www.findarticles.com/p/articles/mi_qn4158/is_20050211/ai_n9504263 The Independent, 2005-02-11 Sgt. Pepper's cover

“I need more than a bedtime story, I need more than a youth group God. I am looking for a savior. A guide. An existential answer to my questions about purpose and meaning. I want true fulfillment in my Christian faith. I am looking for joy.”

Donald Miller (1971) American writer

Prayer and the Art of Volkswagen Maintenance (2000, Harvest House Publishers)

God, Youth, Faith, Question

“With Pearl Harbour I think our people know full well it was coming. They always have a cover story, of course. [….. ] They knew full well Pearl Harbour was going to be bombed. […. ] They wanted that to bring us into the war. So I think people wanted very much something like 9-11. Whether those specific buildings or not, I don't know. A lot of shady stuff, like the buildings, I understand, were sold or something or insurance policies taken out, you know, just a few weeks before that. Buildings that hold 50,000 people only had, you know, 3000 killed. Lot of folks were told not to come to work. Somebody knew what was going on.”

Kent Hovind (1953) American young Earth creationist

5 August 2004
Truth Radio

War, People, Understanding, Thinking

“Attempting to define the sensationalism of the press, Malcolm Muggeridge came up with the slogan 'Give us this day our daily story.' A doomed effort, because all it did was remind the reader that the King James Version of the Lord's Prayer was better written than an article by Muggeridge.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Georg Christoph Lichtenberg', p. 383
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)

Effort

“What a great man. There are so many people today walking around alive because of him, not only in Vietnam, but people who kept their units under control under other circumstances because they had heard his story. We may never know just how many lives he saved.”

Hugh Thompson, Jr. (1943–2006) United States helicopter pilot during the Vietnam War

http://www.nola.com/newsflash/louisiana/index.ssf?/base/news-22/1136568553158920.xml&storylist=louisiana
Col. Tom Kolditz, head of the Army academy's behavioral sciences and leadership department.
Quotes of others about Thompson

People

“When I heard about the project, the name sounded kind of familiar. I felt like I'd seen it in the book review section or on a list somewhere, but I didn't really know what the story was. The two things that stood out immediately were Jenji Kohan, who I think is one of the best writers out there, and the other thing was Netflix.”

Jason Biggs (1978) American actor

On debut in show Orange Is the New Black, interviewed in: — [December 4, 2014, http://www.rollingstone.com/movies/news/q-a-jason-biggs-changes-stripes-in-orange-is-the-new-black-20130710, Rolling Stone, Q&A: Jason Biggs Changes Stripes in 'Orange Is the New Black', July 10, 2013, James Sullivan]

Books, Thinking

“What used to be called a Canadian novel was a kind of prairie frontier story, but it was phony. In the plot, people came to the land; the land loved them; they worked and struggled and had lots of children. There was a Frenchman who talked funny and a greenhorn from England who was a fancy-pants but when it came to the crunch he was all courage. Those novels would make you retch.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

On the generic Canadian novel, in the New York Times (29 December 1988).

Love, Children, People, Courage

“These stories offer us a model of how real refreshment of body and spirit is achieved. Three things are worth noting. First, rest comes as an invitation from Jesus. Recently, Pope Francis recommended to a group of priests that they should be open to the rest that comes from Jesus, rather than relying on other ways to relax, some of which can be very unhealthy, if not destructive. We can use entertainment, mind altering substances and other means that only serve as a temporary release of tension and fatigue. Superficial at best, these efforts end up provoking more restlessness and lethargy, especially if they bring upon guilt and depression. It is known, for instance, that alcohol can be a depressant and impact our overall mood. Jesus offers us the gift of rest, and so the first step is to surrender to the kind of rest he offers, and accept his invitation, rather than taking on this burden ourselves. Second, his invitation is to go to an “out of the way” place, a deserted place. This is not an invitation to take a vacation to an exotic location, but rather a summons to enter into those places in our lives that we ignore, yet which have an impact on us.”

Blase J. Cupich (1949) Catholic bishop

"The gift of rest", from the online edition of The Catholic New World, the Chicago archdiocesan newspaper, in the Archbishop's Column (July 26 - August 8, 2015)

Alcohol, Way, Mood, Effort

“Now as for thinking your account a tale or story, my dear Franz, to be a good story is to me the highest the highest test of the truth of anything. I make no distinction whatever between reality and fantasy, or the objective and the subjective. All life and all awareness are ultimately one, including intensest pain and death itself. Not all the play need please us, and ends are never comforting. Some things fit together harmoniously and beautifully and startlingly with thrilling discords—those are true—and some do not, and those are merely bad art.”

Fritz Leiber book Our Lady of Darkness

Source: Our Lady of Darkness (1977), Chapter 17 (p. 95)

Life, Death, Pain, Truth

“To know the history of philosophy is to know that the highest thinkers of the ages, the seers of the tribes and the nations, have been optimists. The growth of philosophy is the story of man's spiritual life.”

Helen Keller book Optimism

Optimism (1903)

Life, Age, History

“We were all in awe of Penny [Woolcock]. You feel so safe with her, you end up doing things that might seem offensive to other people. It's almost like being in a therapy session. You go a little bit further than you would normally. But in the orgy scene, where Marc's really getting a blowjob, I was like, `You've crossed the line!' Me and Alec were acting, and being loving and safe and showing the feeling of wanting to climb under someone's skin. For it to suddenly become something purely physical - I didn't think that needed to be real. But it was a situation that got out of hand. They filmed it at a swingers' club. There wasn't any way of stopping things, once they'd started. It's really gruesome and awful. But for the story, it's perfect. That scene was out of control. But by that point, so are the characters.”

Sienna Guillory (1975) British actress

FILM: Beauty and the Beasts Article http://findarticles.com/p/articles/mi_qn4158/is_20040312/ai_n12769890/pg_1. The London Independent. March 12, 2004. Guillory speaks about Sorted and director Penny Woolcock.

Love, People, Way, Feeling

“If it came on the evening news tonight that there were five grizzly bears roaming around Cobb County, do you know what would happen by six o'clock in the morning? They would all be dead. Because every redneck in four states would be out there with a rifle, trying to shoot one, right? And whoever could shoot the biggest one would be a hero. They would have his picture on the front page, "Bubba shot the Grizzly Bear" and saved the village. That is exactly what happened to the dragons. If you could figure out a way to kill a dragon, they would be telling stories about you around the campfire. People killed dragons for meat, because they were a menace, to prove that you were a hero, or to prove that you are superior, in competition for land, or for medicinal purposes. Many ancient recipes call for dragon blood, dragon bones, dragon saliva, why? Gilgamesh is famous for slaying a dragon. A Chinese legend tells about a guy named Yu that surveyed the land of China. It says, that after the Flood he surveyed the land, he divided it off into sections. He built channels to drain water off to sea and make the land livable again. Many snakes and dragons were driven from the marshlands. You know that's normal that if you want to build a city. You have to drive off the dragons, then build your city. It was expected that you have got to drive the dragons away or kill them. Why would the Chinese calendar have eleven real animals: the pig, the duck, the dog, and … the dragon? Why would they put just one "mythical" animal in there? Could it be at the time they that they came up with these animals there were 12 real animals? There is one of the oldest pieces of pottery on Planet Earth. It's a piece of slate from Egypt; the first dynasty of United Egypt. It shows long necked dragons […] Why would they put long necked dinosaurs on pottery 3,800 years ago? Here are two long necked dinosaurs with a sheep in between them in their mouths. Here is a hippo tusk from the twelve century B. C., showing an animal with a long neck, and a long tail. Here's a cylinder seal, showing what appears quite obviously to be a long neck dinosaur. The Bible talks about a fiery flying serpent, in Isaiah 14.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), Dinosaurs and the Bible

People, Dogs, Way, Guy

“These are the stories the Dogs tell, when the fires burn high and the wind is from the north.”

Clifford D. Simak book City

Editor’s Preface (p. 5)
City (1952)

Dogs

“It has been said, "History is written by the victors." I take this to mean we can make ourselves victorious by writing, and then rewriting our own stories. In a country and culture so dominated by media, by the manipulation of words and stories, telling the tales of people whose stories historically have not been told is a radical act and I believe an act that can change the world and help rewrite history.”

Jennifer Beals (1963) American actress and a former teen model

Speech at 4th Annual Power Up Premiere Gala, Los Angeles, California (7 November 2004) http://jennifer-beals.com/media/speeches/powerup.html.

People, World, History, Change

“Brickhill, Paul. Reach for the Sky: The Story of Douglas Bader DSO, DFC. London: Odhams Press Ltd., 1954..”

Douglas Bader (1910–1982) British World War II flying ace

References

“It is the story of a mountebank and his zany.”

Horace Walpole (1717–1797) English art historian, man of letters, antiquarian and Whig politician

Statement about Samuel Johnson and James Boswell, as described in Boswell's Journal of a Tour to the Hebrides with Samuel Johnson, LL.D., in a letter to Hon. Henry Conway (6 October 1785)

“The answer Hollywood figured out for this question was what doomed it. It figured out that writers were not to be in charge of creating stories. Instead, a curious tribe of inarticulate Pooh-Bahs called Supervisors and, later, Producers were summoned out of literary nowhere and given a thousand scepters. It was like switching the roles of teacher and pupil in the fifth grade. The result is now history. An industry based on writing had to collapse when the writer was given an errand-boy status.”

Ben Hecht (1894–1964) American screenwriter

from "Elegy for Wonderland", by Ben Hecht, Esquire Magazine, March 1959

History, Boy, Question, Teachers

“For the uninitiated, Good Omens is a story about how the world is going to end next Saturday. Just after tea. And how the only things standing between us and the inevitable Armageddon are a demon, Crowley, and an angel (and rare book dealer), Aziraphale, who are, rather uncomfortably, working together, not to mention a witch, a very small witchfinder army, the Antichrist (who is 11, and very nice) and his dog.”

Neil Gaiman (1960) English fantasy writer

Good Omens: How Neil Gaiman and Terry Pratchett wrote a book (2014)

Books, World, Dogs, Angels

“In the case of Jesus Christ, where virtually every detail of the story fits the mythic hero archetype, with nothing left over, no "secular," biographical data, so to speak, it becomes arbitrary to assert that there must have been a historical figure lying back of the myth.”

Robert M. Price (1954) American theologian

[Price, Robert M., w:Robert M. Price, Christ a Fiction, https://infidels.org/library/modern/robert_price/fiction.html, 27 November 2016, 1997]

Lying, Christ

“It’s always been the same, same old story.
From the moment I could talk I was ordered to listen
Now there’s a way and I know that I have to go — away”

Cat Stevens (1948) British singer-songwriter

Father and Son
Song lyrics, Tea for the Tillerman (1970)

Way

“Research desk: In 1992, a Mexican edition of the “Protocols"’’’ was listed in a few Catholic schools as required reading!
And that same year in Turkey, a newspaper carried a 40-page insert that linked Freemasonry to Jewish world power headed by 70 elders!
Again in 1992 a Russian edition of the “Protocols of Zion” appeared.
Well, that’s the whole story, sir.

Graphic novelist: Thank you! But this is only one element of the whole story!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.119

World, School, Appearance, Reading

“Many of the great achievements in history that are commonly attributed to one geo-cultural domain often owe a great debt to those of others. In this sense, some of the greatest achievements of human civilisation have been collective efforts and are part of the same human story.”

Nayef Al-Rodhan (1959) philosopher, neuroscientist, geostrategist, and author

Source: Sustainable History and the Dignity of Man (2009), p.14

History, Sense, Effort, Parting

“All these books were written by idle, unoccupied, ignorant men, the slaves of vice and filth. I wonder what it is that delights us in these books unless it be that we are attracted by indecency. Learning is not to be expected from authors who never saw even a shadow of learning. As for their story-telling, what pleasure is to be derived from the things they invent, full of lies and stupidity?”
Quos omnes libros conscripserunt homines otiosi, male feriati, imperiti, vitiis ac spurcitiae dediti, in queis miror quid delectet nisi tam nobis flagitia blandirentur. Eruditio non est exspectanda ab hominibus qui ne umbram quidem eruditionis viderant. Iam cum narrant, quae potest esse delectatio in rebus quas tam aperte et stulte confingunt?

Juan Luis Vives (1492–1540) Spanish philosopher

De Institutione Feminae Christianae (1523), trans. by C. Fantazzi (1996), Vol. I, p. 47.

Men, Pleasure, Books, Stupidity

“There are no 'classics' of crime and detection. Not one. Within its frame of reference, which is the only way it should be judged, a classic is a piece of writing which exhausts the possibilities of its form and can never be surpassed. No story or novel of mystery has done that yet. Few have come close. Which is one of the principal reasons why otherwise reasonable people continue to assault the citadel.”

Raymond Chandler book The Simple Art of Murder

Introduction
The Simple Art of Murder (1950)

People, Way

“The story of automation is the story of a one-way shift from human control to automatic control.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995)

Way

“The rich were dull and they drank too much or they played too much backgammon. They were dull and they were repetitious. He remembered poor Julian and his romantic awe of them and how he had started a story once that began, "The very rich are different from you and me." And how someone had said to Julian, "Yes, they have more money."”

Ernest Hemingway (1899–1961) American author and journalist

"The Snows of Kilimanjaro," first published in Esquire (August 1936); later published in The Fifth Column and the First Forty-Nine Stories (1938). Originally in Esquire "Julian" was named as F. Scott Fitzgerald, who, in "The Rich Boy" (1926) had written: "Let me tell you about the very rich. They are different from you and me. They possess and enjoy early, and it does something to them, makes them soft where we are hard, and cynical where we are trustful, in a way that, unless you were born rich, it is very difficult to understand..." Fitzgerald responded to this in a letter (August 1936) to Hemingway saying: "Riches have never fascinated me, unless combined with the greatest charm or distinction."

Money

“The story of the rise, fall, and forgetting of the individual is the tale of the rise, fall, and repression of psychoanalysis.”

Russell Jacoby (1945) American historian

Source: Social Amnesia: A Critique of Conformist Psychology from Adler to Laing (1975), p. 38

Forgetting

“I’ve never found anything in occult literature that seemed to have a bearing. You know, the occult—very much like stories of supernatural horror—is a sort of game. Most religions, too. Believe in the game and accept its rules—or the premises of the story—and you can have the thrills or whatever it is you’re after. Accept the spirit world and you can see ghosts and talk to the dear departed. Accept Heaven and you can have the hope of eternal life and the reassurance of an all-powerful god working on your side. Accept Hell and you can have devils and demons, if that’s what you want. Accept—if only for story purposes—witchcraft, druidism, shamanism, magic or some modern variant and you can have werewolves, vampires, elementals. Or believe in the influence and power of a grave, an ancient house or monument, a dead religion, or an old stone with an inscription on it—and you can have inner things of the same general sort. But I’m thinking of the kind of horror—and wonder too, perhaps—that lies beyond any game, that’s bigger than any game, that’s fettered by no rules, conforms to no man-made theology, bows to no charms or protective rituals, that strides the world unseen and strikes without warning where it will, much the same as (though it’s of a different order of existence than all of these) lightning or the plague or the enemy atom bomb. The sort of horror that the whole fabric of civilization was designed to protect us from and make us forget. The horror about which all man’s learning tells us nothing.”

Fritz Leiber (1910–1992) American writer of fantasy, horror, and science fiction

“A Bit of the Dark World” (pp. 261-262); originally published in Fantastic, February 1962
Short Fiction, Night's Black Agents (1947)

Life, God, World, Religion

“Believe not each accusing tongue,
As most weak persons do;
But still believe that story wrong,
Which ought not to be true!”

Richard Brinsley Sheridan (1751–1816) Irish-British politician, playwright and writer

Reported in Nicholas Harris Nicolas, The Carcanet: a Literary Album, Containing Select Passages from the Most Distinguished English Writers (1828), p. 132.

Personality

“There are many marvellous stories told of Pherecydes. For it is said that he was walking along the seashore at Samos, and that seeing a ship sailing by with a fair wind, he said that it would soon sink; and presently it sank before his eyes. At another time he was drinking some water which had been drawn up out of a well, and he foretold that within three days there would be an earthquake; and there was one.”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Pherecydes, 2.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 2: Socrates, his predecessors and followers

Drink, Water, Time

“Well, well, perhaps I am a bit of a talker. A popular fellow such as I am — my friends get round me — we chaff, we sparkle, we tell witty stories — and somehow my tongue gets wagging. I have the gift of conversation. I’ve been told I ought to have a salon, whatever that may be.”

Kenneth Grahame book The Wind in the Willows

Toad, Ch. 11, "Like Summer Tempests Came His Tears"
The Wind in the Willows (1908)

“Like most people, I spent my childhood eating meat, wearing leather, and loving the cats, dogs, and mice I grew up with — and not once recognizing that I was treating some animals with respect and others as faceless commodities. I was well into adulthood before I understood that such an inconsistency is as ridiculous as it is unjust. The truth is, we have an impoverished understanding of the animals we share this planet with, and that has led to more than a little hubris on our part. … Humanity's abuse of animals can be merciless in the extreme, and in trying to relate such cruelties faithfully, I have written about incidents and industry practices that may disgust you. But it is crucial that we see beyond the veil that hides this world of suffering from us. Equally important, we need to know that there is some optimism amid all the despair. And so we begin with a story of hope.”

Mark Hawthorne (author) (1962) American activist

Bleating Hearts: The Hidden World of Animal Suffering (Changemakers Books, 2013), Introduction https://books.google.it/books?id=mXHvAQAAQBAJ&pg=PT15.

Love, People, Truth, World

“In four years of work, I've idled my Zodiac down every one of its thousands of inlets, looked at every inch of its fractal coastline and found every single goddamned pipe that empties into it. Some of the pipes are big enough to park a car in and some are the size of your finger, but all of them have told their story to my gas chromatograph. And often it's the littlest pipes that cause the most damage. When I see a big huge pipe coming right out of a factory, I'm betting the pumpers have at least read the EPA regs. But when I find a tiny one, hidden below the waterline, sprouting from a mile-wide industrial carnival, I put on gloves before taking my sample.
And sometimes the gloves melt.”

Neal Stephenson book Zodiac

Source: Zodiac (1988), Chapter 4

Cars, Reading

“Listen to the flute it tells you a story' A story of nostalgia and separation.”

Mahmud Tarzi (1865–1933) Afghan writer

Mahmud Tarzi, poem written in Turkey. Article by Dr. Bashir Sakhwaraz, Role of Afghan Writiers in Afghan Inependence

Nostalgia

“Crystals! Harmony of matter
Born without any clatter
but with Holy's mighty venture
as the sparkling kids of Nature
Crystals! Time past memorizing,
Nature's story vitalizing,
witnessing the world's creation
warning its obliteration…”

Ivan Kostov Nikolov (1913–2004) Bulgarian mineralogist

Ode on Crystals, st. 2 & 3 (24 January 2001).

World, Nature, Time, Past

“We can have the final word on hate, neglect, disease and all the other insidious characters that still script their way into our stories…for now, but not forever.”

Jennifer Beals (1963) American actress and a former teen model

“It’s a Wrap”, message posted on ourchart.com (16 October 2008) http://www.jennifer-beals.com/media/speeches/oc.html#wrap.

Hate, Disease, Way

“To make our story shorter than the miniature groom's, he learnt that his own property in himself was in danger; and that, if the patriot’s definition of liberty be true —"it is like the air we breathe, without it we die"—his life was near its termination. A writ was issued against him; and, thanks to a douceur to his valet, two professional gentlemen, as he left his toilet, would deprive his friends at the Clarendon of his company.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Life

“I always felt like Gandalf should have stayed dead. That was such an incredible sequence in Fellowship of the Ring when he faces the Balrog on the Khazad-dûm and he falls into the gulf, and his last words are, “Fly, you fools.” What power that had, how that grabbed me. And then he comes back as Gandalf the White, and if anything he's sort of improved. I never liked Gandalf the White as much as Gandalf the Grey, and I never liked him coming back. I think it would have been an even stronger story if Tolkien had left him dead.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

Interview on The Sound of Young America (September 2011) http://www.maximumfun.org/sound-young-america/george-r-r-martin-author-song-ice-and-fire-series-interview-sound-young-america#transcript

Fools, Thinking, Flying, Dead