Charles de Lint Quotes

Charles de Lint is a Canadian writer of Dutch origins. He is married to—and plays music with—MaryAnn Harris.

Primarily a writer of fantasy fiction, he has written widely in the subgenres of urban fantasy, contemporary magical realism, and mythic fiction. Along with writers like Terri Windling, Emma Bull, and John Crowley, de Lint in the 1980s pioneered and popularized the genre of urban fantasy. He writes novels, novellas, short stories, poetry, and lyrics. His most famous works include: the Newford series of books , as well as Moonheart, The Mystery of Grace, The Painted Boy and A Circle of Cats . His distinctive style of fantasy draws upon local American folklore and European folklore; De Lint was influenced by many writers in the areas of mythology, folklore, and science fiction, including J.R.R. Tolkien, Lord Dunsany, William Morris, Mervyn Peake, James Branch Cabell, E.R. Eddison etc. Some of his mythic fiction poetry can be found online on the Endicott Studio website.As an essayist/critic/folklorist he writes book reviews for The Magazine of Fantasy & Science Fiction, has judged several literary awards, and has been a writer-in-residence for two public libraries. Wikipedia  

✵ 22. December 1951

Works

Moonheart
Moonheart
Charles de Lint
Yarrow
Yarrow
Charles de Lint
Moonheart
Moonheart
Charles de Lint
Yarrow
Yarrow
Charles de Lint
Charles de Lint: 53 quotes2 likes

Famous Charles de Lint Quotes

“That's the thing with magic. You've got to know it's still here, all around us, or it just stays invisible for you.”

Charles de Lint

"Ghosts of Wind and Shadow" in Dreams Underfoot : The Newford Collection (2003), p. 183

“If you're not ready to die, then how can you live?”

Charles de Lint

Svaha (2000), p. 265

“It may sound trite, but using the weapons of the enemy, no matter how good one's intentions, makes one the enemy.”

Charles de Lint

Goninan in Part One: The Hidden People, "Border Spirit" p. 336
The Little Country (1991)

“Often,” he says, “what we take from the spirit world is only a reflection of what lies inside ourselves.”

Charles de Lint

“Waifs and Strays”, p. 25
The Ivory and the Horn (1996)

“I'm not Chinese. I thrive in interesting times.”

Charles de Lint

Someplace to be Flying (2005), p. 130

“One expected growth, change; without it, the world was less, the well of inspiration dried up, the muses fled.”

Charles de Lint

"Footprints in the Dust", p. 19
Memory and Dream (1994)

Charles de Lint Quotes about life

“Life’s like art. You have to work hard to keep it simple and still have meaning.”

Charles de Lint

“The Pochade Box”, p. 318
The Ivory and the Horn (1996)

“I was going through the motions of life, instead of really living, and there’s no excuse for that. It’s not something I’ll let happen to me again.”

Charles de Lint

Making a Noise in This World in Hartwell ed. Year's Best Fantasy, (2000) p. 326

“The real problem is, people think life is a ladder, and it’s really a wheel.”

Charles de Lint

“The Forest is Crying”, p. 44 (quoting Pat Cadigan)
The Ivory and the Horn (1996)

“I don't care what they might think of me; but I don't want lies about my life used to invalidate the stories. My characters seem real because they are drawn from the realities of my life.”

Charles de Lint

"Journal Entries", p. 188
Memory and Dream (1994)
Context: I don't know why I care what people write about me after I'm dead, except that since I invest so much of my time telling the truth in my fiction, I'd hate to see someone play fast and loose with the pieces of my life. I don't care what they might think of me; but I don't want lies about my life used to invalidate the stories. My characters seem real because they are drawn from the realities of my life. I didn't have to research their pain; I just tapped into my own.

“While you live … you have a duty to life. … The fey wonders of the world only exist while there are those with the sight to see them. … Otherwise they fade away.”

Charles de Lint

Source: Into the Green (1993), p. 26; This has also been misquoted as "The few wonders of the world only exist while there are those with the sight to see them."

Charles de Lint Quotes about the world

“Remember the quiet wonders. The world has more need of them than it has for warriors.”

Charles de Lint book Moonheart

Moonheart (1994), p. 386
Context: Remember the quiet wonders. The world has more need of them than it has for warriors. And this I will tell you as well: One cannot seek to uphold honor in a being that has none.

“I love this world … That is what rules my life.”

Charles de Lint

Goninan in Part One: The Hidden People, "Border Spirit" p. 336
The Little Country (1991)
Context: I love this world … That is what rules my life. When I die, I want to have done all in my power to leave it in a better state than it was in when I found it. At the same time I know that this can never be. The world has grown so complex that one voice can do little to alter it any longer. That doesn't stop me from doing what I can but it makes the task hard. The successes are so small, the failures so large and many. It's like trying to stem a storm with one's bare hands.

“Why did men worship in churches, locking themselves away in the dark, when the world lay beyond its doors in all its real glory?”

Charles de Lint

Part Two: The Lost Music, "The Touchstone" p. 501
The Little Country (1991)

Charles de Lint: Trending quotes

“Their hearts swelled with its beauty, its mystery. With all it revealed, and all that it hid.”

Charles de Lint

Part Two: The Lost Music, "The Touchstone" p. 507
The Little Country (1991)
Context: They stood and listened, arms around each other for comfort, as the sound washed over them. It reverberated in the marrow of their bones, sung high and sweet, heartbreakingly mournful, quick as a jig, slow as the saddest air. Their hearts swelled with its beauty, its mystery. With all it revealed, and all that it hid.

“Everybody makes the same mistake. Fortune-telling doesn't reveal the future; it mirrors the present.”

Charles de Lint

"Paperjack" in Dreams Underfoot : The Newford Collection (2003), p. 396
Context: Everybody makes the same mistake. Fortune-telling doesn't reveal the future; it mirrors the present. It resonates against what your subconscious already knows and hauls it up out of the darkness so you can get a good look at it.

“Let it go on record that any confusion arose simply because we lacked certain commonalities of reference.”

Charles de Lint

“Where Desert Spirits Crowd the Night”, p. 265
The Ivory and the Horn (1996)
Context: “You’re confusing me.”
“But not deliberately so,” Coyote says. “Let it go on record that any confusion arose simply because we lacked certain commonalities of reference.”

Charles de Lint Quotes

“Like legend and myth, magic fades when it is unused”

Charles de Lint

hence all the old tales of elfin Kingdoms moving further and further away from our world, or that magical beings require our faith, our belief in their existence, to survive. … That is a lie. All they require is our recognition.
Goninan in Part One: The Hidden People, "Border Spirit" p. 337
The Little Country (1991)

“No matter the semantics, they are of a kind and it is legend and myth that binds us all together.”

Charles de Lint

Goninan in Part One: The Hidden People, "Border Spirit" p. 336
The Little Country (1991)
Context: Legend and myth are what we use to describe what we don't comprehend. They are out attempts to make the impossible, possible — at least insofar as our spirits interact with the spirit of the world, or if that is too animistic for you, then let's use Jung's terminology and call it our racial subconscious. No matter the semantics, they are of a kind and it is legend and myth that binds us all together. … Through them, through their retellings, and through those version that are called religion while they are current, we are taught Truth and we attempt to understand Mystery.

“It's the questions we ask, the journey we take to get to where we are going that is more important than the actual answer.”

Charles de Lint

"Paperjack" in Dreams Underfoot : The Newford Collection (2003), p. 396
Context: It's the questions we ask, the journey we take to get to where we are going that is more important than the actual answer. It's good to have mysteries. It reminds us that there's more to the world than just making do and having a bit of fun.

“Legend and myth are what we use to describe what we don't comprehend.”

Charles de Lint

Goninan in Part One: The Hidden People, "Border Spirit" p. 336
The Little Country (1991)
Context: Legend and myth are what we use to describe what we don't comprehend. They are out attempts to make the impossible, possible — at least insofar as our spirits interact with the spirit of the world, or if that is too animistic for you, then let's use Jung's terminology and call it our racial subconscious. No matter the semantics, they are of a kind and it is legend and myth that binds us all together. … Through them, through their retellings, and through those version that are called religion while they are current, we are taught Truth and we attempt to understand Mystery.

“I had the same questions for Superman as I did for God: If he was so powerful, why didn’t he deal with some real problems?”

Charles de Lint

“Bird Bones and Wood Ash”, p. 169
The Ivory and the Horn (1996)
Context: I had the same questions for Superman as I did for God: If he was so powerful, why didn’t he deal with some real problems? Why didn’t he stop wars, feed the starving in Ethiopia, cure cancer? At least God had the Church to do His PR work for Him — if you can buy their reasoning, they have any number of explanations ranging from how the troubles of this life build character to that inarguable catchall, “God’s will.” And the crap in this life sure makes heaven look good.
When I was growing up, the writers and artists of Superman never even tried to deal with the problem. And since they didn’t, I could only see Superman as a monster, not a hero. I couldn’t believe his battles with criminals, superpowered geniuses and the like.
I never believed in God either.

“The thing with pretending you're in a good mood is that sometimes you can actually trick yourself into feeling better.”

Charles de Lint

"Journal Entries", p. 186
Memory and Dream (1994)
Context: I've always had these bouts of depression; I hide them well but doesn't mean they aren't there. … I didn't have anyone around for whom I had to put on a cheerful mask. The thing with pretending you're in a good mood is that sometimes you can actually trick yourself into feeling better.

“But this was different. He could sense something here, within the circle cast by the light of the fire. A presence.
Presences…”

Charles de Lint

Source: Into the Green (1993), Ch. 36 p. 233
Context: He had seen trances before — wise men far in the east, who could feign death; a herbwife as she bent over her patient, searching for invisible hurts.
But this was different. He could sense something here, within the circle cast by the light of the fire. A presence.
Presences...

“By enlarging your knowledge of things, you will find your knowledge of self is enlarged.”

Charles de Lint

“The Pochade Box”, p. 318
The Ivory and the Horn (1996)

“There are few joys to compare with the telling of a well-told tale.”

Charles de Lint book Yarrow

Yarrow : An Autumn Tale (1997), p. 43

“It's not the work or the personality of the founder of a religion that's important, but what its followers do with what they learn…”

Charles de Lint

Part One: The Hidden People, "Border Spirit" p. 335
The Little Country (1991)

“That dichotomy between who she was and who she thought she should be was what really killed her.”

Charles de Lint

“Pal o’ Mine”, p. 244
The Ivory and the Horn (1996)

“When you’re invisible, no one can see that you’re different.”

Charles de Lint

“Pal o’ Mine”, p. 244
The Ivory and the Horn (1996)

“You’re not a nun, are you? You haven’t taken one of those absurd vows that cut you off from what otherwise might be a full and healthy human existence?”

Charles de Lint

“Where Desert Spirits Crowd the Night”, p. 267
The Ivory and the Horn (1996)

“The road leading to a goal does not separate you from the destination; it is essentially a part of it.”

Charles de Lint

"Romano Drom" in Dreams Underfoot : The Newford Collection (2003), p. 118

“As far as I'm concerned, the only difference between fact and what most people call fiction is about fifteen pages in the dictionary.”

Charles de Lint

"Tallulah" in Dreams Underfoot : The Newford Collection (2003), p. 399

“Our time’s the most precious thing we’ve got to offer folks, and the worst thing a body can do is to take it away from us.”

Charles de Lint

“Saxophone Joe and the Woman in Black”, p. 212
The Ivory and the Horn (1996)

“The thing is … nothing’s as easy as we'd like it to be. … And the real trouble comes from not knowing what we really want in the first place.”

Charles de Lint

"Where Desert Spirits Crowd the Night", p. 282
The Ivory and the Horn (1996)

“The problem with children is that you have to put up with their parents.”

Charles de Lint

As quoted in The Ultimate Guide to Celebrating Kids : K-6th Grade School (2005) by Linda LaTourelle, p. 134

“There are people who take the heart out of you, and there are people who put it back.”

Charles de Lint

“Dead Man’s Shoes”, p. 143, quoting Elizabeth David
The Ivory and the Horn (1996)

“If you understand, things are just as they are. If you do not understand, things are just as they are.”

Charles de Lint

“The Forever Trees”, p. 327 (quoting a Zen saying)
The Ivory and the Horn (1996)

“Wisdom never comes to those who believe they have nothing left to learn.”

Charles de Lint

“The Forest is Crying”, p. 62
The Ivory and the Horn (1996)

“Without mysteries, life would be very dull indeed. What would be left to strive for if everything were known?”

Charles de Lint

"Where Desert Spirits Crowd the Night", p. 289
The Ivory and the Horn (1996)

“Only fools think they’re wise; the rest of us just muddle through as we can.”

Charles de Lint

“Where Desert Spirits Crowd the Night”, p. 264
The Ivory and the Horn (1996)

“Nothing’s different, but everything has changed.”

Charles de Lint

“The Forever Trees”, p. 331
The Ivory and the Horn (1996)

“I think you're all mad. But that's part and parcel of being an artistic genius, isn't it?”

Charles de Lint

"Baiting the Hook", p. 42
Memory and Dream (1994)

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